|
H6 Diario De Un Asesino H6 Diary of a Serial Killer
|
| 00:00:02 |
Don't lie. You like that bastard. |
| 00:00:04 |
Come on, he's my brother's friend. |
| 00:00:06 |
His friend... |
| 00:00:08 |
and the hardware store owner's son. |
| 00:00:10 |
I don't care if he has a store. |
| 00:00:11 |
I swear, you're the one I like. |
| 00:00:14 |
- I've got nothing. |
| 00:00:20 |
And not about |
| 00:00:22 |
You're famous around here, |
| 00:00:24 |
If it's the jealousy bit again, |
| 00:00:26 |
- How many did you fuck? |
| 00:00:29 |
- Where're you going, slut? |
| 00:00:33 |
I've given you everything, Soledad. |
| 00:00:36 |
You were first for me |
| 00:00:39 |
There's been nobody since you, |
| 00:00:42 |
Don't swear, you bitch. |
| 00:00:45 |
Don't say things Iike that. |
| 00:00:47 |
You're just waiting |
| 00:00:49 |
- You think, I don't know? |
| 00:00:52 |
You even insult me. |
| 00:01:01 |
Shut up, you bitch. |
| 00:01:10 |
If I take my hand away, |
| 00:01:28 |
I love you, Soledad. |
| 00:01:32 |
But thinking... |
| 00:01:34 |
you're with another guy |
| 00:01:36 |
- Do you understand? |
| 00:01:40 |
It's over. |
| 00:01:42 |
I don't want to see you again. |
| 00:01:45 |
And if you touch me again... |
| 00:01:47 |
I'II tell my brothers and |
| 00:01:51 |
Did you understand me, |
| 00:01:53 |
I'm bleeding. |
| 00:01:56 |
that I slipped in the street again? |
| 00:02:01 |
- You're not serious about ending? |
| 00:02:05 |
Do you think I'm joking? |
| 00:02:07 |
Good bye. |
| 00:02:09 |
Let me go or I'II scream. |
| 00:02:15 |
What'II I do without you? |
| 00:02:17 |
I told you, |
| 00:02:20 |
It's over, Antonio. |
| 00:02:24 |
Will you Iet me go? |
| 00:02:27 |
Can't we work it out? |
| 00:02:31 |
Do you know how many times |
| 00:02:34 |
- You deserved it. |
| 00:02:39 |
It you're not for me, |
| 00:03:15 |
We could have been very happy. |
| 00:03:18 |
But you ruined it all. |
| 00:03:22 |
H6 |
| 00:04:18 |
These copies are for you, |
| 00:04:21 |
AII set, then? |
| 00:04:23 |
AII set. |
| 00:04:26 |
Remember, if you want to sell... |
| 00:04:28 |
we can get |
| 00:04:31 |
Is everything clear? |
| 00:04:34 |
Fine, then from now on... |
| 00:04:36 |
you're the owner of a building |
| 00:04:40 |
had a guest house |
| 00:04:43 |
- What kind of a guest house is it? |
| 00:04:46 |
It's closed. |
| 00:04:48 |
Weren't you ever there? |
| 00:04:49 |
I think I saw my Aunt |
| 00:04:52 |
I still don't know |
| 00:04:54 |
when I hardly knew her. |
| 00:04:56 |
It's not an inheritance. |
| 00:04:58 |
The guest house becomes yours... |
| 00:05:01 |
because you're |
| 00:05:04 |
And as to your previous question... |
| 00:05:06 |
it was a whorehouse. |
| 00:05:09 |
A...? |
| 00:05:10 |
Yes, a whorehouse. |
| 00:05:11 |
Well, Mr. Frau... |
| 00:05:13 |
The electricity is back on and |
| 00:05:18 |
Don't forget. |
| 00:05:20 |
come back and tell me. |
| 00:08:06 |
I began to write my diary |
| 00:08:10 |
I had to leave evidence |
| 00:08:13 |
so that when the diary |
| 00:08:16 |
and future generations. |
| 00:08:18 |
They would understand |
| 00:08:21 |
I was sixteen |
| 00:08:24 |
of the famous French murderer, |
| 00:08:28 |
What impressed me was |
| 00:08:32 |
he was able to seduce and kill |
| 00:08:36 |
But what I really noticed was |
| 00:08:42 |
I didn't understand |
| 00:08:45 |
could write a diary |
| 00:08:48 |
He wrote the initials of the women |
| 00:08:52 |
where and when they met... |
| 00:08:54 |
the valuables left |
| 00:08:57 |
and the money he got. |
| 00:08:59 |
He even wrote down |
| 00:09:04 |
Amazing. |
| 00:09:05 |
Didn't he realize |
| 00:09:08 |
by the police |
| 00:09:12 |
In fact, it was |
| 00:09:15 |
and it took him to the gallows. |
| 00:09:18 |
That's why |
| 00:09:20 |
I was prepared |
| 00:09:23 |
so there'd be |
| 00:09:25 |
The chosen |
| 00:09:28 |
and I'd not be an exception. |
| 00:09:30 |
However... |
| 00:09:31 |
I wanted a control |
| 00:09:34 |
and accuracy... |
| 00:09:36 |
so a diary |
| 00:09:38 |
in order to carefully study |
| 00:09:42 |
and later, the sacrifices. |
| 00:10:31 |
We met through a dating service. |
| 00:10:33 |
He wasn't the husband |
| 00:10:36 |
but I pitied him |
| 00:10:39 |
I wanted to get away from home |
| 00:10:43 |
and Antonio Frau |
| 00:10:46 |
At first, it scared me... |
| 00:10:49 |
but I thought a man could change |
| 00:10:53 |
Two weeks after his release |
| 00:10:56 |
I was thirty-five. |
| 00:10:58 |
and had a guest house |
| 00:11:02 |
PARADISE |
| 00:12:31 |
This will be our world. |
| 00:12:33 |
And you can keep your shift. |
| 00:12:35 |
It's better than the day shift. |
| 00:12:38 |
I must have been so happy... |
| 00:12:41 |
to get out of the prison that my |
| 00:12:45 |
that I didn't think twice |
| 00:12:48 |
to work nights at the hospital. |
| 00:12:51 |
I was even pleased to think |
| 00:12:54 |
the real love of my life... |
| 00:12:56 |
a married doctor with kids... |
| 00:12:59 |
with whom I'd had an affair |
| 00:14:47 |
You can come in. |
| 00:14:49 |
Relax. I was waiting for you. |
| 00:14:52 |
I'm the new owner and I don't care |
| 00:14:56 |
Hungry? |
| 00:14:58 |
I've got some ham and wine. |
| 00:15:01 |
I sleep here and then Ieave. |
| 00:15:02 |
I can't fill |
| 00:15:05 |
Want to join me? |
| 00:15:33 |
Have a seat. |
| 00:15:51 |
Like Mozart? |
| 00:15:54 |
A Iittle old, isn't he? |
| 00:15:55 |
Depends. |
| 00:15:57 |
Did you know he composed |
| 00:16:00 |
And became the best known composer |
| 00:16:05 |
But he died sick and poor. |
| 00:16:08 |
And that he was buried |
| 00:16:11 |
Nobody went to his funeral. |
| 00:16:12 |
But today his music |
| 00:16:15 |
Can I have more wine? |
| 00:16:32 |
What's that for? |
| 00:16:34 |
- Did it bother you? |
| 00:16:37 |
- I'm going home tomorrow. |
| 00:16:40 |
Where are you from? |
| 00:16:42 |
Valencia, the Carmen district. |
| 00:16:45 |
Been to Valencia? |
| 00:16:46 |
I Ieft real young |
| 00:18:05 |
You'II Iike it here. |
| 00:18:54 |
Why didn't you go to bed? |
| 00:18:57 |
Not without you. |
| 00:18:59 |
I'd feel Ionely. |
| 00:19:01 |
You're a dear. |
| 00:19:06 |
- How are your patients? |
| 00:19:10 |
Shall we go to bed? |
| 00:19:14 |
Do you feel Iike making Iove? |
| 00:19:17 |
I'm exhausted. |
| 00:19:19 |
I had a busy night. |
| 00:19:22 |
You work too hard. |
| 00:19:24 |
You can't imagine. |
| 00:20:00 |
Hey! |
| 00:20:04 |
What's up? |
| 00:20:05 |
You want to come up? |
| 00:20:08 |
Depends. |
| 00:20:09 |
How much? |
| 00:20:11 |
For you, twenty euros. |
| 00:20:13 |
I'II open up. |
| 00:20:51 |
Why are you |
| 00:20:54 |
She was my aunt. |
| 00:20:58 |
The building must be |
| 00:21:02 |
Got any grub, man? |
| 00:21:04 |
I haven't eaten all day. |
| 00:21:07 |
This stew is fucking great. |
| 00:21:11 |
- You Iive with your family? |
| 00:21:15 |
- Can I have some wine? |
| 00:21:24 |
I fucked a Iot here, man. |
| 00:21:26 |
I know all the rooms. |
| 00:21:27 |
Where do you Iive? |
| 00:21:29 |
In the Moro Hostal |
| 00:21:32 |
But I could come and |
| 00:21:34 |
You must have a friend. |
| 00:21:35 |
I'm Ionelier than a dog. |
| 00:21:38 |
Got AIDS? |
| 00:21:39 |
No, I was just |
| 00:21:41 |
They tested everything |
| 00:21:45 |
Check for yourself. |
| 00:21:51 |
Does your family know |
| 00:21:54 |
My family has no fucking idea |
| 00:21:57 |
Can I come? |
| 00:21:58 |
I'II treat you Iike a king |
| 00:22:03 |
It's not a bad idea. |
| 00:22:05 |
I'II move tomorrow. |
| 00:22:06 |
I'm Iow on cash and |
| 00:22:09 |
Don't worry. |
| 00:22:10 |
- What's your name? |
| 00:22:12 |
Rosa, can I tie you up |
| 00:22:15 |
You go for that stuff? |
| 00:22:18 |
I don't care. |
| 00:22:27 |
These undies must've cost |
| 00:22:30 |
If I come Iive here, |
| 00:22:34 |
You can tie me up, |
| 00:22:37 |
Okay. |
| 00:22:39 |
- What's your shoe size? |
| 00:22:41 |
You got shoes, too? |
| 00:23:07 |
This is my mother. |
| 00:23:11 |
They're clippings, right? |
| 00:23:13 |
If you want everything to be okay, |
| 00:23:18 |
You're weird, man. |
| 00:23:20 |
Are you the king that turns on |
| 00:23:27 |
Just wanted you |
| 00:23:32 |
Ready? |
| 00:23:58 |
What's this, man? |
| 00:24:01 |
We'II have sex on the table top. |
| 00:24:05 |
I don't know, man. |
| 00:24:06 |
And why the plastic |
| 00:24:09 |
Trust me. I'm not a pervert. |
| 00:24:12 |
I realize that I'd rather watch |
| 00:24:16 |
That's all. |
| 00:24:18 |
Tell me exactly |
| 00:24:21 |
I'II tie you up. |
| 00:24:23 |
I'II have sex with you |
| 00:24:28 |
Why are the windows covered? |
| 00:24:31 |
I shout when I do it. You wouldn't |
| 00:24:34 |
Otherwise, I'II pay you |
| 00:24:37 |
It's up to you. |
| 00:24:40 |
Okay, man. |
| 00:24:40 |
What's on that Iittle table? |
| 00:24:42 |
You can move tomorrow. |
| 00:24:43 |
I'II help you bring your stuff. |
| 00:24:46 |
You swear? |
| 00:24:48 |
I swear. |
| 00:25:39 |
I'm wearing panties. |
| 00:25:42 |
- Is a picture of your face OK? |
| 00:26:02 |
Going to the toilet. |
| 00:26:04 |
Hurry. I don't Iike being |
| 00:28:10 |
You mother fucker! |
| 00:28:13 |
I almost froze. |
| 00:28:16 |
You bastard. |
| 00:28:19 |
Untie me right now |
| 00:28:27 |
Did you here me, |
| 00:28:32 |
Son of a bitch. |
| 00:28:39 |
Bastard. |
| 00:29:35 |
Son of a bitch. |
| 00:30:07 |
Antonio, I'm back. |
| 00:30:09 |
Honey... |
| 00:30:11 |
are you there? |
| 00:30:16 |
Antonio... |
| 00:30:19 |
where are you? |
| 00:30:39 |
For God's sake, Antonio! |
| 00:30:43 |
Did I scare you? |
| 00:30:45 |
You almost |
| 00:30:49 |
Let's go to the kitchen. |
| 00:30:51 |
I've made |
| 00:30:54 |
I could swear that music |
| 00:31:10 |
Water. |
| 00:31:13 |
Water, please. |
| 00:31:21 |
If you tell me |
| 00:31:25 |
it'II be water |
| 00:31:43 |
There's no reason to cry, Rosa. |
| 00:31:49 |
I know you're gonna kill me... |
| 00:31:51 |
but please, please don't hurt me. |
| 00:31:56 |
I'II do whatever you want, |
| 00:32:05 |
You won't suffer... |
| 00:32:07 |
if you talk to me. |
| 00:32:09 |
Whatever you want. |
| 00:32:10 |
Ask me please, ask me anything. |
| 00:32:20 |
What most turns you on? |
| 00:32:29 |
Having it inside as Iong as possible. |
| 00:32:34 |
Can I have some water, please? |
| 00:32:43 |
Here. |
| 00:32:45 |
You deserve it. |
| 00:33:20 |
Sadly, the majority of humans... |
| 00:33:22 |
don't know how to face |
| 00:33:26 |
When things go wrong... |
| 00:33:28 |
they soon |
| 00:33:30 |
and make their existence senseless, |
| 00:33:37 |
I had managed |
| 00:33:40 |
but I'm an exception. |
| 00:33:42 |
Most times, |
| 00:33:46 |
hope of leading a normal |
| 00:33:49 |
Unfortunately, |
| 00:33:52 |
is for someone |
| 00:33:55 |
so they are reconciled |
| 00:35:51 |
What are you going to do? |
| 00:35:54 |
You have to relax. |
| 00:35:58 |
I'II hurt you |
| 00:36:00 |
If you resist, you'II suffer more. |
| 00:36:10 |
PIease don't hurt me. |
| 00:36:14 |
God, help me. |
| 00:36:18 |
Our Father who art in heaven... |
| 00:36:22 |
hallowed be Thy name... |
| 00:36:25 |
The idea of praying |
| 00:36:29 |
You won't feel anything. |
| 00:36:32 |
You'II see. |
| 00:37:20 |
15th September:. |
| 00:37:22 |
This is the third day |
| 00:37:25 |
She's only had my urine |
| 00:37:28 |
but she seems strong... |
| 00:37:30 |
and has great aptitudes |
| 00:37:33 |
She talks about her brother... |
| 00:37:35 |
they got along well... |
| 00:37:36 |
until a drunk driver |
| 00:37:39 |
The tragedy had a deep affect, |
| 00:37:45 |
Again, my theories |
| 00:37:48 |
I have sex with her |
| 00:37:53 |
but the truth is |
| 00:37:55 |
I find her cold and distant. |
| 00:37:58 |
Unfortunately, she is lost, |
| 00:38:02 |
It's now irreversible. |
| 00:38:08 |
19th September:. |
| 00:38:10 |
Tonight I cut up Rosa's body |
| 00:38:14 |
They were clean cuts. |
| 00:38:17 |
The small electric saw... |
| 00:38:19 |
that I bought at a good price |
| 00:38:24 |
I put the fourteen pieces... |
| 00:38:27 |
in ten black garbage bags. |
| 00:38:31 |
I intend to bury them |
| 00:38:35 |
out in the country. |
| 00:38:42 |
5th October:. |
| 00:38:44 |
These first experiences |
| 00:38:48 |
I have to state that the sad death |
| 00:38:52 |
Soledad Mendez, |
| 00:38:55 |
The truth is I never imagined... |
| 00:38:57 |
the consequences |
| 00:39:00 |
But, those of these last few months |
| 00:39:03 |
and very enriching. |
| 00:39:05 |
The Lord has chosen me... |
| 00:39:08 |
for this very special task. |
| 00:39:10 |
The inheritance of my Aunt |
| 00:39:14 |
after many years of doubt... |
| 00:39:17 |
showed me the light |
| 00:39:20 |
Now, my life has meaning. |
| 00:39:22 |
When I leave this world... |
| 00:39:25 |
my life will be studied, |
| 00:39:28 |
movies will be made. |
| 00:39:30 |
I'll be followed. |
| 00:39:34 |
You' re the best cook I know. |
| 00:39:37 |
We should open a restaurant. |
| 00:39:38 |
How is your mother? |
| 00:39:41 |
Under the circumstances, all right. |
| 00:39:45 |
- Is there hope? |
| 00:39:47 |
But she has come through |
| 00:39:51 |
When the doctors think, |
| 00:39:54 |
She miraculously recovers. |
| 00:39:56 |
It's unbelievable. |
| 00:40:01 |
What's on your mind? |
| 00:40:04 |
Room 6. |
| 00:40:06 |
It's creepy. |
| 00:40:08 |
I don't have the key, |
| 00:40:10 |
I swear the music is |
| 00:40:15 |
When will you ask me |
| 00:40:19 |
We should open all the rooms... |
| 00:40:21 |
to ventilate them. |
| 00:40:23 |
I don't Iike all these |
| 00:40:26 |
Might hide a dead body. |
| 00:40:27 |
- Just eat. |
| 00:40:29 |
It's in horror movies. |
| 00:40:31 |
Let's empty them all... |
| 00:40:33 |
in case we decide to sell |
| 00:40:38 |
I'II never sell this building. |
| 00:40:41 |
- We can't survive on my salary. |
| 00:40:44 |
Now eat, I want to make Iove |
| 00:40:49 |
Are you always thinking |
| 00:40:51 |
AIways. |
| 00:41:03 |
Hello. |
| 00:41:13 |
You got cash? |
| 00:41:15 |
Of course. |
| 00:41:39 |
It's better if you rest now. |
| 00:41:43 |
You're nice. |
| 00:41:46 |
I've worked a Iot and I'm beat. |
| 00:41:49 |
Now sleep. I'II wake you up. |
| 00:42:28 |
I Iike your panties. |
| 00:42:30 |
I Iove Iingerie. |
| 00:42:33 |
Got Iots? |
| 00:42:34 |
They turn you on, don't they, doctor? |
| 00:42:37 |
There's just something... |
| 00:42:39 |
What kind does |
| 00:42:42 |
You always mess up |
| 00:42:46 |
Since I'm talking |
| 00:42:48 |
About the mother |
| 00:42:51 |
If you start, |
| 00:42:53 |
How could you have cheated |
| 00:42:57 |
It's amazing. Is she dumb |
| 00:43:00 |
I've told you that our marriage |
| 00:43:04 |
Men are shit. |
| 00:43:08 |
I suppose so. |
| 00:43:14 |
An emergency. |
| 00:44:44 |
You woke up. |
| 00:44:47 |
What's all this shit? |
| 00:44:53 |
I'm just into sadism, that's all. |
| 00:44:59 |
And the plastic on the walls? |
| 00:45:02 |
A whim. |
| 00:45:29 |
Shit! |
| 00:46:05 |
I wanted to talk to you. |
| 00:46:07 |
Marisa is different |
| 00:46:10 |
she has a different view. |
| 00:46:13 |
Life to her is |
| 00:46:16 |
if you enter too far... |
| 00:46:18 |
you'll get lost |
| 00:46:22 |
Her outlook is simple... |
| 00:46:24 |
it's all down to the tunnel. |
| 00:46:27 |
Yes, life is more simple |
| 00:46:31 |
It's limited to two things: |
| 00:46:35 |
And she has it clear. |
| 00:46:38 |
It's a shame |
| 00:46:41 |
She has me, |
| 00:46:45 |
She's too stubborn. |
| 00:46:47 |
T omorrow, I'II make |
| 00:46:50 |
You're not Iistening. |
| 00:46:55 |
This building is falling down. |
| 00:46:57 |
I wouldn't be surprised |
| 00:47:05 |
Really, Antonio, I want to Ieave... |
| 00:47:08 |
this place is getting |
| 00:47:16 |
Besides, it's a Iong way |
| 00:47:20 |
I spend a Iot on gas. |
| 00:47:22 |
- Let me think about it. |
| 00:47:25 |
And get rid of |
| 00:47:27 |
Why don't you have |
| 00:47:31 |
Where the fuck is your family? |
| 00:47:38 |
Don't be offended, but... |
| 00:47:42 |
sometimes you frighten me. |
| 00:49:19 |
Unstrap me! |
| 00:49:21 |
Unstrap me, you son of a bitch! |
| 00:49:32 |
Why do you shoot up? |
| 00:49:35 |
Because of shits Iike you. |
| 00:49:38 |
Now, unstrap me. |
| 00:49:39 |
Unstrap me |
| 00:49:42 |
the rest of your Iife. |
| 00:49:49 |
You know, you're very pretty. |
| 00:49:53 |
PIease... |
| 00:49:54 |
unstrap me or I'II pass out, |
| 00:49:59 |
I can't even feel my wrists |
| 00:50:08 |
Tell me why you shoot up. |
| 00:50:09 |
I already told you... |
| 00:50:11 |
because of this fucking Iife |
| 00:50:16 |
Everything is dark for us. |
| 00:50:19 |
We're in a black tunnel... |
| 00:50:22 |
and there's no way out for us. |
| 00:50:25 |
There's always a way out. |
| 00:50:28 |
Not in the tunnel I'm in. |
| 00:50:32 |
Are you in a tunnel? |
| 00:50:37 |
You're a fucking son of a bitch... |
| 00:50:39 |
who has a good time |
| 00:50:43 |
Tell me what drove you to that. |
| 00:50:53 |
Bad influences at school. |
| 00:51:03 |
My parents... |
| 00:51:08 |
My parents... |
| 00:51:17 |
My parents' Iack of understanding. |
| 00:51:36 |
Unhappy affairs. |
| 00:51:44 |
I was never very Iucky with guys... |
| 00:51:47 |
I don't know why... |
| 00:51:57 |
And then... |
| 00:52:01 |
The street... |
| 00:52:05 |
Then the fucking street... |
| 00:52:13 |
until someone offers you... |
| 00:52:15 |
a job and... |
| 00:52:19 |
and then it's over, it's all over. |
| 00:52:34 |
And you? |
| 00:52:37 |
And you? |
| 00:52:39 |
When did you start messing |
| 00:52:43 |
- What's the matter? Are you a savior? |
| 00:52:47 |
- I'm a type of savior. |
| 00:52:50 |
You're a prick... |
| 00:52:53 |
that just got out of the nut house. |
| 00:52:55 |
No, no, no, please. |
| 00:52:59 |
Let me go, I won't tell anyone. |
| 00:53:03 |
Does someone miss you? |
| 00:53:06 |
Robert, Robert, my pimp. |
| 00:53:11 |
He's got a temper that's scary. |
| 00:53:14 |
I hope I won't have |
| 00:53:22 |
Does he shoot up, too? |
| 00:53:24 |
Now he has to on his dick |
| 00:53:31 |
He's a Iost cause. |
| 00:53:33 |
When he finds out about this... |
| 00:53:35 |
he'II get you, |
| 00:53:38 |
You're a dreamer. |
| 00:53:43 |
No! |
| 00:53:47 |
Think you'II see |
| 00:53:52 |
No, no, no! |
| 00:53:55 |
Son of a bitch. |
| 00:53:58 |
Help! |
| 00:54:00 |
Help! |
| 00:54:16 |
I saw my father four |
| 00:54:19 |
And my mother had character... |
| 00:54:21 |
if my sister or l |
| 00:54:23 |
she hit us with rods |
| 00:54:28 |
The truth is that often we didn't |
| 00:54:32 |
My sister committed suicide |
| 00:54:35 |
I was twelve then. |
| 00:54:37 |
I thought of following |
| 00:54:39 |
since she had finally managed |
| 00:54:42 |
But I was lucky and I was |
| 00:54:48 |
It's amazing how ignorant |
| 00:54:52 |
We feel we're lost |
| 00:54:54 |
but it's only a test |
| 00:55:01 |
I suffered because I doubted |
| 00:55:06 |
But I spent the time |
| 00:55:11 |
in preparing myself for the true |
| 00:55:15 |
Do you understand, Marisa? |
| 00:55:16 |
Can you see the exit? |
| 00:55:21 |
If you feel bad, don't worry... |
| 00:55:25 |
you're purifying yourself. |
| 00:55:30 |
Abstinence is best for the body. |
| 00:55:33 |
You'II see. |
| 00:55:37 |
My chest hurts. |
| 00:55:40 |
I have a terrible pain in my chest. |
| 00:55:43 |
Are you seeing the Iight? |
| 00:55:46 |
Do you see the Iight? |
| 00:55:47 |
If not, you'II soon. |
| 00:55:50 |
Remember the positive things |
| 00:55:54 |
It'II help you. |
| 00:55:56 |
How Iong have I been here? |
| 00:56:00 |
Only a week, honey. |
| 00:56:02 |
A Iittle more... |
| 00:56:03 |
and you'II be purified. |
| 00:56:06 |
I want to see my mother. |
| 00:56:14 |
Can you call my mother... |
| 00:56:17 |
please? |
| 00:56:20 |
You told me she was dead. |
| 00:56:24 |
My mother... |
| 00:56:27 |
My mother is very sick. |
| 00:56:31 |
She's dying... |
| 00:56:33 |
and I don't want her to die. |
| 00:56:39 |
You'II be with her soon. |
| 00:56:45 |
Doctor... |
| 00:56:47 |
she has to take care |
| 00:56:54 |
You'II be with her tomorrow... |
| 00:56:58 |
and you'II no Ionger suffer. |
| 00:57:02 |
2nd December: |
| 00:57:05 |
If Marisa had received |
| 00:57:07 |
to live decently, |
| 00:57:11 |
With a little love and someone |
| 00:57:15 |
it would've been different. |
| 00:57:19 |
The first years in life... |
| 00:57:21 |
are the most important. |
| 00:57:23 |
Parents, teachers, friends... |
| 00:57:25 |
are essential during childhood... |
| 00:57:28 |
and Marisa had no one to count on. |
| 00:57:31 |
Thank to me, |
| 00:57:33 |
the exit of that tunnel |
| 00:57:42 |
4th December: |
| 00:57:44 |
I was thinking |
| 00:57:47 |
in making love to Francisca. |
| 00:57:49 |
A good husband is attentive... |
| 00:57:51 |
affectionate and if possible... |
| 00:57:53 |
innovative and daring |
| 00:57:58 |
We make sex into a lot of rules |
| 00:58:03 |
But man is much more simple. |
| 00:58:06 |
He finds real pleasure... |
| 00:58:08 |
when he obeys |
| 00:58:12 |
when he shows power... |
| 00:58:14 |
when he dominates. |
| 00:58:17 |
And as Nietzsche said... |
| 00:58:20 |
the best thing |
| 00:58:23 |
is to be yourself. |
| 00:59:55 |
I just cooked Lidia's brains |
| 00:59:58 |
who, in fact, |
| 01:00:00 |
I made them in butter... |
| 01:00:03 |
400 ml of water, salt... |
| 01:00:05 |
1/2 tablespoon of vinegar... |
| 01:00:07 |
one onion |
| 01:00:10 |
And finally, 50 grams of butter. |
| 01:00:12 |
Heat the water... |
| 01:00:15 |
salt, sliced onion... |
| 01:00:17 |
vinegar and herbs in a pot and... |
| 01:00:19 |
This is where l, Miguel Oliver... |
| 01:00:22 |
run into Antonio Frau |
| 01:00:25 |
I was investigating... |
| 01:00:26 |
the disappearance of |
| 01:00:29 |
there weren't many clues |
| 01:00:33 |
One day, by chance, |
| 01:00:36 |
came to my station |
| 01:00:39 |
A year ago, she bought |
| 01:00:42 |
but he never |
| 01:00:44 |
and she had never |
| 01:00:48 |
She also showed me |
| 01:00:51 |
and on the last one |
| 01:00:53 |
he said he slept |
| 01:00:57 |
You're a bitch, Tina. |
| 01:00:59 |
I need the money for a fix and |
| 01:01:03 |
- Only one, Curro. |
| 01:01:05 |
Fuck you, Tina! |
| 01:01:07 |
José said you asked for a third. |
| 01:01:09 |
José wants to fuck me. |
| 01:01:12 |
José is okay. |
| 01:01:14 |
He gives us credit. |
| 01:01:16 |
'Cause he wants to fuck me. |
| 01:01:20 |
Watch what you say, |
| 01:01:23 |
I swear, Curro, it's true. |
| 01:01:25 |
He wants to fuck me. |
| 01:01:26 |
He wants to fuck you... |
| 01:01:29 |
You're only good |
| 01:01:32 |
dirty old shits, man. |
| 01:01:37 |
What's up, man? |
| 01:01:38 |
You got permission |
| 01:01:41 |
If you need cash, |
| 01:01:43 |
Oh, yeah. |
| 01:01:52 |
Speak up. |
| 01:01:54 |
I Iike sado. |
| 01:01:57 |
I Iike to be hit. |
| 01:01:59 |
Well, what do you know! |
| 01:02:02 |
Show me a good time |
| 01:02:11 |
Stop that, you walking cunt! |
| 01:02:15 |
Nothing nasty, man, |
| 01:02:18 |
Careful or |
| 01:02:35 |
She Iikes her chow, |
| 01:02:39 |
Keep eating and |
| 01:02:43 |
I've had nothing all day. |
| 01:02:46 |
Leave her alone. |
| 01:02:48 |
I tell you what... |
| 01:02:49 |
you come with me... |
| 01:02:51 |
and I'II tell you |
| 01:02:55 |
Let's go, man. |
| 01:02:58 |
Eat up, you pig. |
| 01:03:01 |
I'II finish it off, okay? |
| 01:03:07 |
She eats a Iot, |
| 01:03:10 |
You'II be set for a month. |
| 01:03:13 |
I have to hit her... |
| 01:03:14 |
since the bitch spends |
| 01:03:18 |
You think that's right, |
| 01:03:20 |
- I hit my girlfriend, too. |
| 01:03:23 |
Why do they call me Curro? |
| 01:03:26 |
I hit all my girls. |
| 01:03:27 |
Babes understand |
| 01:03:32 |
I ended up killing her. |
| 01:03:34 |
I strangled her to death. |
| 01:03:36 |
You having me on, man? |
| 01:03:38 |
I was Iocked up |
| 01:03:42 |
But Iet me tell you something. |
| 01:03:44 |
It's not right to hit women. |
| 01:03:47 |
And she seems |
| 01:03:49 |
She is. |
| 01:03:53 |
And you, are you stuck on heroin? |
| 01:03:55 |
What's up, man? |
| 01:03:57 |
I do whatever the fuck I want. |
| 01:04:00 |
And I got another story. |
| 01:04:02 |
It's tough in the street... |
| 01:04:04 |
fighting the other motherfuckers. |
| 01:04:06 |
The world is cruel, |
| 01:04:13 |
But you have to try not |
| 01:04:16 |
Our mothers were Iike them. |
| 01:04:19 |
Mine was a fucking bitch. |
| 01:04:46 |
Now what, old man? |
| 01:04:49 |
- What goes up must go down, Curro. |
| 01:05:07 |
I think I broke something. |
| 01:05:11 |
Stand up and we'II check. |
| 01:05:16 |
It's not right to hit women... |
| 01:05:18 |
especially if you Iove them. |
| 01:05:20 |
You son of a bitch. |
| 01:05:21 |
I Iove my girlfriend. |
| 01:05:24 |
Motherfucker. |
| 01:05:44 |
Wait, don't pass out yet. |
| 01:05:47 |
Can you hear me, Curro? |
| 01:05:49 |
I need to go to the hospital. |
| 01:05:52 |
Then we'II have to hurry. |
| 01:06:27 |
You shouldn't hit women. |
| 01:06:29 |
Weren't you taught that? |
| 01:06:31 |
Now, we'II go up to room 15 |
| 01:06:35 |
You'II understand it. |
| 01:06:37 |
No, please. |
| 01:06:39 |
PIease. |
| 01:07:23 |
Try them on. |
| 01:07:35 |
Coming with me? |
| 01:07:37 |
Where's Curro? |
| 01:07:40 |
He's waiting for us in room 6. |
| 01:08:05 |
And those holy cards? |
| 01:08:08 |
They're of the Virgin Mary. |
| 01:08:12 |
Why do you have them? |
| 01:08:15 |
I always carry them. |
| 01:08:18 |
They help me. |
| 01:08:20 |
They never Ieave me alone. |
| 01:08:23 |
I know it's stupid. |
| 01:08:25 |
Well, for me it's not. |
| 01:08:28 |
But I have faith... |
| 01:08:30 |
even though Curro says |
| 01:08:39 |
If you Iose your faith in this Iife... |
| 01:08:43 |
you got nothing Ieft. |
| 01:08:47 |
Don't you think so? |
| 01:08:50 |
So, you believe in God. |
| 01:08:53 |
Of course. |
| 01:08:56 |
Curro thinks I spend the money |
| 01:08:59 |
but I'm saving it to get out of here. |
| 01:09:05 |
Go back to my folks. |
| 01:09:14 |
I don't think it's too Iate. |
| 01:09:24 |
Now, what is it you want me to do? |
| 01:09:29 |
This time your Virgin saved you again. |
| 01:09:33 |
Get out of here... |
| 01:09:35 |
and don't wait for Curro, |
| 01:09:38 |
and I swear |
| 01:09:42 |
Can I have one of your cards? |
| 01:09:54 |
If you have faith, she'II help you. |
| 01:10:20 |
I'm thinking about having kids. |
| 01:10:22 |
Two, at Ieast. |
| 01:10:26 |
Look at what happens. |
| 01:10:28 |
Just Iook at me! |
| 01:10:29 |
What's wrong with you? |
| 01:10:32 |
I'm not happy. |
| 01:10:33 |
Things are fine with you... |
| 01:10:36 |
but something is missing. |
| 01:10:38 |
Maybe a couple of kids... |
| 01:10:40 |
Go on, only child, get in the car. |
| 01:10:43 |
I've told you often. |
| 01:10:54 |
Do I Iook okay? |
| 01:10:55 |
You'II be the hit |
| 01:10:58 |
Poor Mum. |
| 01:11:02 |
Will I impress |
| 01:11:06 |
Are you sorry |
| 01:11:12 |
Look... |
| 01:11:13 |
my mother was a good woman... |
| 01:11:15 |
but always sided the tyrant, |
| 01:11:19 |
She never defended me. |
| 01:11:21 |
No, I don't feel sorry. |
| 01:11:25 |
She had the Iife |
| 01:11:33 |
"There's something odd about him, " |
| 01:11:37 |
But I didn't listen. |
| 01:11:38 |
It's true that Antonio |
| 01:11:41 |
but why listen to my father |
| 01:11:46 |
I had always felt |
| 01:11:50 |
As a child, |
| 01:11:52 |
and food, and school |
| 01:11:56 |
He had my mother dominated |
| 01:12:00 |
I had no one to lean on. |
| 01:12:03 |
Work at the hospital |
| 01:12:06 |
I worked long hours |
| 01:12:09 |
When I told them |
| 01:12:12 |
they said |
| 01:12:14 |
I'd have to leave in |
| 01:12:17 |
Thank heavens, I met Antonio. |
| 01:12:20 |
He made me feel loved |
| 01:12:23 |
normal. |
| 01:12:31 |
Give me the Iow-down. |
| 01:12:33 |
An ambulance is coming for Tina. |
| 01:12:35 |
She's got a Iong record: alcohol |
| 01:12:39 |
But I want you to meet her |
| 01:12:41 |
she was delirious |
| 01:12:44 |
but maybe not. |
| 01:12:46 |
She keeps saying |
| 01:12:49 |
Let's go see her. |
| 01:12:55 |
She seems calmer... |
| 01:12:56 |
but she's bleeding a Iot. |
| 01:12:59 |
- Let me see. |
| 01:13:03 |
Why did you bring her in? |
| 01:13:05 |
Public disturbance. |
| 01:13:07 |
As soon as she got here... |
| 01:13:09 |
she had Iike an attack. |
| 01:13:11 |
Maybe she shot up |
| 01:13:13 |
Tell me exactly |
| 01:13:15 |
Well, before this happened to her... |
| 01:13:18 |
she said the guy |
| 01:13:21 |
and that he stayed |
| 01:13:23 |
- Did she say which one? |
| 01:13:26 |
Do we know her pimp? |
| 01:13:28 |
Yes, an asshole, he beats |
| 01:13:31 |
Can we find him? |
| 01:13:33 |
Shouldn't be a problem, |
| 01:13:37 |
Could be another woman... |
| 01:13:39 |
Well, find him for me. |
| 01:14:51 |
Sit down, please. |
| 01:14:53 |
And excuse the state |
| 01:14:55 |
We intend |
| 01:14:57 |
Well, as soon as we find a buyer. |
| 01:15:01 |
- Sit down. |
| 01:15:05 |
Well, go ahead... |
| 01:15:06 |
but I guess it's about |
| 01:15:10 |
- Lots of talk. |
| 01:15:13 |
Why would I know? |
| 01:15:15 |
You know I was in jail for killing |
| 01:15:19 |
I was young, with no control |
| 01:15:22 |
But thanks to God... |
| 01:15:23 |
the doctors and the officials, |
| 01:15:27 |
I got a Iaw degree and |
| 01:15:30 |
married to a wonderful woman. |
| 01:15:32 |
- Isn't that right, dear? |
| 01:15:34 |
Is it possible to have |
| 01:15:37 |
Of course... |
| 01:15:39 |
but I'd Iike everything done |
| 01:15:43 |
Is that all right? |
| 01:15:44 |
Time's past but |
| 01:15:47 |
Still an inspector? |
| 01:15:48 |
- Superintendent. |
| 01:15:50 |
helped your promotion, |
| 01:15:54 |
Good bye. |
| 01:15:56 |
I'II be here. |
| 01:15:58 |
Ma'am. |
| 01:16:18 |
What do you think? |
| 01:16:20 |
He's the killer of the prostitutes. |
| 01:16:22 |
- Why are you so sure? |
| 01:16:26 |
Tap the phone, put a 24 hour watch |
| 01:16:29 |
but that street is so narrow. |
| 01:16:51 |
Anything new? |
| 01:16:53 |
She went to work. |
| 01:16:54 |
- What about him? |
| 01:16:59 |
Good night. |
| 01:17:00 |
When the substitute comes... |
| 01:17:02 |
ask him to bring |
| 01:17:20 |
The judge is calling. |
| 01:17:33 |
Hello, Augusto, |
| 01:17:36 |
Yes, it's only intuition, |
| 01:17:40 |
He got jailed over |
| 01:17:46 |
I think the key to everything |
| 01:18:16 |
You're up early. |
| 01:18:18 |
We have a search warrant, |
| 01:18:29 |
You're very efficient. |
| 01:18:32 |
Let us in |
| 01:18:35 |
Look around everywhere. |
| 01:18:37 |
- Can we go upstairs? |
| 01:18:46 |
FIores, Iook down there. |
| 01:18:52 |
On the first floor is the reception, |
| 01:18:55 |
and rooms 1 through 3. |
| 01:18:58 |
- How many rooms are there? |
| 01:19:26 |
On the second floor, |
| 01:19:44 |
As I said before, they're all empty. |
| 01:19:47 |
We heard you. |
| 01:19:49 |
Tornero, my Iawyer, |
| 01:19:52 |
told me if I want to see, |
| 01:19:55 |
seventy-five million |
| 01:19:58 |
I'm sure you noticed |
| 01:20:02 |
They must have had some wild |
| 01:20:05 |
AII these rooms must have Iots |
| 01:20:08 |
Do you Iike number 6? |
| 01:20:10 |
I really do, |
| 01:20:15 |
The bathrooms are also on this floor. |
| 01:20:54 |
The building is yours, gentlemen. |
| 01:20:57 |
Any clues, inspector? |
| 01:20:59 |
Excuse me, Superintendent. |
| 01:21:02 |
Superintendent. |
| 01:21:04 |
What is it, FIores? |
| 01:21:06 |
There's something down here. |
| 01:21:08 |
Peralta, come with me |
| 01:21:16 |
A diary... |
| 01:21:18 |
and a plane ticket... |
| 01:21:20 |
issued to Cristobal Oviedo. |
| 01:21:26 |
Do you know the owner |
| 01:21:29 |
Lots of things in here |
| 01:21:32 |
Read him his rights, FIores. |
| 01:21:35 |
You may be silent... |
| 01:21:37 |
or what you say may |
| 01:21:39 |
You have the right |
| 01:21:41 |
if you have no counsel, |
| 01:21:44 |
You have the right not |
| 01:22:13 |
It was worth waiting six months |
| 01:22:18 |
Don't misunderstand. |
| 01:22:19 |
I'm desperate. |
| 01:22:22 |
You told me on the phone... |
| 01:22:23 |
this could mean a Iot of money. |
| 01:22:26 |
Okay, here I am. |
| 01:22:28 |
- You have five minutes. |
| 01:22:31 |
You're a sadist. |
| 01:22:33 |
You ruined my Iife and |
| 01:22:36 |
- Sorry. |
| 01:22:39 |
Look, I've got a job interview |
| 01:22:42 |
Why did you make me come? |
| 01:22:45 |
To screw me more? |
| 01:22:49 |
Got a cigarette? |
| 01:22:58 |
Sorry. |
| 01:23:00 |
I'm giving it up. |
| 01:23:05 |
First, swear to me |
| 01:23:08 |
If we reach an agreement, I'II sign. |
| 01:23:12 |
I can't be happy near you. |
| 01:23:15 |
A publisher has offered me |
| 01:23:18 |
to tell my Iife story |
| 01:23:22 |
AII bastards are Iucky. |
| 01:23:25 |
But isn't that the idea? |
| 01:23:27 |
That I should become famous... |
| 01:23:30 |
and immortal. |
| 01:23:32 |
You're nuts, Antonio. |
| 01:23:35 |
Look, tell me what this |
| 01:23:37 |
I'm Ieaving. |
| 01:23:38 |
Are you still having sex |
| 01:23:41 |
I've become famous... |
| 01:23:44 |
so famous |
| 01:23:47 |
Nobody will give me work. |
| 01:23:50 |
As to my doctor, he doesn't |
| 01:23:54 |
I have to go. |
| 01:23:56 |
Francisca. |
| 01:23:58 |
I want to repay you |
| 01:24:06 |
What I have to offer |
| 01:24:22 |
AII set. |
| 01:24:24 |
Nice doing business |
| 01:24:26 |
And with you. |
| 01:24:27 |
Do you need anything |
| 01:24:30 |
It's all yours. |
| 01:24:31 |
Hope you'II be at the opening. |
| 01:24:33 |
It's sick. |
| 01:24:36 |
Some people don't, but |
| 01:24:39 |
I enjoyed doing business |
| 01:24:48 |
Three hundred-ninety |
| 01:24:51 |
isn't bad. |
| 01:24:52 |
Less your thirty thousand, sixty. |
| 01:24:55 |
With him in the nut house... |
| 01:24:57 |
sorry, |
| 01:25:00 |
the paperwork was complicated. |
| 01:25:02 |
You Iook Iike you worked |
| 01:25:05 |
See a doctor. |
| 01:25:06 |
I have a feeling |
| 01:25:13 |
THREE YEARS LATER |
| 01:25:18 |
Yes, no, no. |
| 01:25:21 |
next week we'II see what the |
| 01:25:25 |
Call me and I'II give you |
| 01:25:27 |
Fine, thanks. |
| 01:25:30 |
This is for you. |
| 01:25:32 |
There's a receipt |
| 01:25:39 |
Thanks. |
| 01:26:08 |
My dear Superintendent Oliver. |
| 01:26:10 |
During the experiences |
| 01:26:12 |
I found I admired you as |
| 01:26:17 |
That's why you're |
| 01:26:19 |
the authentic testimony |
| 01:26:21 |
I learned a lot from Landru, |
| 01:26:24 |
and above all, |
| 01:26:27 |
I imagine |
| 01:26:29 |
with the other diary |
| 01:26:35 |
You were reliable in following |
| 01:26:39 |
a shame they only got me |
| 01:26:44 |
Not even the ticket |
| 01:26:46 |
was much good was it, |
| 01:26:50 |
I think I did well. |
| 01:26:52 |
Actually being a lawyer |
| 01:26:55 |
it only took three years |
| 01:26:58 |
Today is my first day out. |
| 01:27:01 |
I'd like you to make known |
| 01:27:05 |
Your name will go down in history. |
| 01:27:08 |
But just in case, I've sent copies |
| 01:27:15 |
I hope the world learns |
| 01:27:18 |
the lives of those eighteen women... |
| 01:27:20 |
deserve that others learn |
| 01:27:24 |
that it's understood that |
| 01:27:27 |
Sincerely, Antonio Frau. |
| 01:28:16 |
You don't change. |
| 01:28:19 |
They Iet you out soon. |
| 01:28:21 |
A smart judicial system. |
| 01:28:22 |
It helps to know how to treat it |
| 01:28:26 |
The truth is I can't complain. |
| 01:28:29 |
There's your half |
| 01:28:32 |
That was the deal... |
| 01:28:33 |
half the money for me... |
| 01:28:36 |
and the divorce papers. |
| 01:28:39 |
A deal is a deal. |
| 01:28:48 |
What did you do |
| 01:28:50 |
I worked as a private nurse |
| 01:28:53 |
And Iet him feel me up. |
| 01:28:57 |
You know, |
| 01:29:00 |
Back to the psychiatric ward? |
| 01:29:02 |
Nevermind. I don't care. |
| 01:29:06 |
Like the Iandscape? |
| 01:29:09 |
Good bye, Antonio. |
| 01:29:11 |
- Can I ask you a question? |
| 01:29:14 |
now we're divorced. |
| 01:29:18 |
Why didn't you cut me up in |
| 01:29:23 |
You don't understand, |
| 01:29:25 |
You're family and family |
| 01:29:28 |
The basis of everything. |
| 01:29:32 |
Take care. |
| 01:29:34 |
There are many evil people |
