|
Alatriste
|
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In the 17th century, |
| 00:00:19 |
Spain still dominated the world. |
| 00:00:22 |
The king was Philip IV, |
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and his territories were ruled |
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the Count-duke of Olivares. |
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To Flanders, the Americas, |
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part of Italy |
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Portugal and its colonies |
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but it was in Flanders, |
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where the battle for the Empire's |
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An Empire sustained |
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whose main core were veterans |
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of the dreaded Spanish |
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This is the story |
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Flanders, winter, 1622 |
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Here, Count! |
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Count, cover us! |
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Retreat! |
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Stay close to me, Count. |
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Hold on to my shirt. |
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Die, Catholic dog! |
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Damn. |
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Lope. |
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My son... |
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My son, Diego... |
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My son, Diego. |
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Don Diego Alatriste: In compliance |
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who died, may God rest his soul, |
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I send you my brother Inigo, whom |
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He knows mathematics, |
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is obedient and quick to learn, |
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though somewhat given |
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As you know, my father |
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to go to university, |
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I pray that God and Your Honour |
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Ana Balboa, |
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Onate, Guipuzcoa. |
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Which one's that? |
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"M". |
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You're glum today, don Francisco. |
| 00:10:04 |
How fares your memorial? |
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I do believe Philip the Great |
| 00:10:10 |
have wiped their arses on it. |
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That's still a great honour. |
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An honour for his royal arse. |
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It was good paper, costing |
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and in my best hand. |
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Rumour has it that Olivares |
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Yes. |
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He even gives me leave |
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He needs your verses. |
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Damn you, Captain! |
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You make a better friend |
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So they say. |
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Excuse me, senor de Quevedo. |
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My friends and I were wondering |
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"Here lies, in black tomb hemmed, |
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who sold his soul for profit vile |
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and e'en in death |
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"In black tomb hemmed..." |
| 00:11:13 |
Might be improved if they were mine. |
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Of course, don Francisco. |
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In any case, |
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is Gongora so ruined that |
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Not that I know of. |
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I hear don Luis de Gongora |
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So good that he still writes |
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Don't waste your steel so early |
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And on such a trifle. |
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The merriment's over. |
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The cuckold constable. |
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Quiet, |
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or I'll kick your arse |
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Back to work. |
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Diego, I have work for you. |
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There's someone who needs you. |
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Safe work, |
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no risks involved, |
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save the usual ones, of course. |
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And for a good purse... |
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To share? |
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With whom? |
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Follow me. |
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Two foreign gentlemen. |
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They'll enter Madrid alone, |
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Payment for your services |
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will be 60 escudos in doubloons. |
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That suits me. |
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We are each |
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To be paid when the work |
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To whose satisfaction? |
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My sons, |
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I am Father Emilio Bocanegra, |
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President of the Council |
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The two heretics must die. |
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Mercy! |
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Mercy! |
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Mercy for my companion! |
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- Leave him! |
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None of this is clear. |
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They are not simple heretics. |
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We can kill them another day. |
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We shall meet again. |
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Diego, you are in a fine mess. |
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I imagine so. |
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The news will soon spread and |
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Now to the point. |
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Who commissioned you? |
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People. |
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Don't annoy me, Diego. |
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That's what I'd like to know, |
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I didn't see their faces. |
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And your companion in the ambush? |
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As Your Excellency knows, |
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Diego, this is not |
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Well, it's up to you. |
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It's your neck, not mine. |
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But, out of curiosity... |
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Do you know who |
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No, Count. |
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I believe you. |
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Then why didn't you kill them? |
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I had a presentiment. |
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Sir, matters of extreme gravity |
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The Prince of Wales |
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have entered Madrid incognito. |
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They wish to be received |
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They were almost |
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I have ordered an investigation |
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Sir, this unexpected visit |
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concerning the possible marriage |
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Princess Maria, |
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I have called the Council of State |
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and the Committee of Theologians |
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Thrust! |
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Go on! |
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You're not so good. |
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Come on, thrust! |
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What is it, Inigo? You look |
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No, no. |
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They say the English prince |
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Well. |
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Do they know who did this? |
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Thieves, they say. |
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People have |
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Go get some wine. |
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You brute. |
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Help me up. |
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I can't walk. |
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How shall I get home? |
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I'll carry you. |
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Am I very heavy? |
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No. |
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No. |
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What's your name? |
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Inigo Balboa. |
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Page to Captain Diego Alatriste. |
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I like soldiers. |
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My name's Angelica. |
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Will you remember? |
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Of course I'll remember. |
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I hope so. |
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You can put me down now. |
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I hope you know what you're doing. |
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I know, don't worry. |
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Dismiss those men. |
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Don't kill that Batriste... |
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- But, madam... |
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I need that captain to look |
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Then you can kill him. |
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Yes, Captain, 'tis a comedy. |
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Commissioned by Olivares |
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And don Rafael here |
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- A great honour. |
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or will it be on account |
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I know nothing of favours. Today is |
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For the present |
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A comedy... |
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Not your speciality. |
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- How dare you? |
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But if poor Cervantes tried one, |
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Don Francisco, my wife, |
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And Captain... |
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Alatriste. |
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Diego and I know each other. |
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What are you thinking? |
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I should stay away |
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Unless she's the most |
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I haven't seen this one before. |
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It's been a long time. |
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Almost three years. |
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I've missed you. |
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Not in Italy. |
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It came to a bad end. |
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I heard that. |
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You've changed, Diego. |
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Perhaps I'm getting old. |
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Or because of that boy |
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You know I like |
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He's the son of a friend |
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I promised to look after him. |
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And? |
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I'm afraid of bungling it, Maria. |
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Everything happens |
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You'll do it well. |
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You're a good man. |
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I wouldn't be so sure of that. |
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You have few dealings with people. |
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Maria, it's time! |
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Don't worry, keep going. |
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He's a reasonable man. |
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I earn him a lot of money. |
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Is it worthwhile? |
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I'm a practical woman. |
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I have to think of the future. |
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To hell with the future. |
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In the future we'll all be dead. |
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Diego Alatriste, I arrest you |
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Take his weapons. |
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Search him for hidden weapons. |
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Clean. |
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He's clean. |
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Kneel. |
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My son, you are a traitor |
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With your inopportune scruples |
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you have aided |
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Actions you will purge |
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But first you will pay, here |
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You have seen too much. |
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Heard too much. |
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You have strayed too far. |
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Your life, Captain, |
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You are a corpse |
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that, by some whim of fate, |
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still remains standing. |
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You may go. |
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Free? |
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In a manner of speaking. |
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God's wrath will know |
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Put that thing away. |
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It'll be of no use to you. |
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I haven't come to kill you |
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but to save you from others. |
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you were afraid of sheep. |
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Only when they come |
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Take this in case. |
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Strange shepherds. |
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No stranger than you. |
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Your attitude saddens me, |
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You Spaniards are |
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You lack finesse. |
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Perhaps that is why |
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for now. |
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We shall meet again. |
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I hope so. |
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I like you, Captain. |
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That is why I look forward |
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Whenever you please, senor... |
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Malatesta. |
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Gualterio Malatesta of Palermo. |
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If you please. |
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Ah, I almost forgot... |
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A memento, |
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to keep me forever |
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Well? |
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The idea was |
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A secretary of the king's had |
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I see. |
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I see. |
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What more? |
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One was a Flanders veteran, |
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a protégé of the Count of... |
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You may go. |
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This unites us forever. |
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Now you'll never be free of me. |
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I would die for you. |
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Some day you may. |
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Inigo. |
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You must be careful. |
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For a man, a woman's beauty |
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'Tis the law of life. |
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I don't know you. |
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You will. |
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I need a favour of you. |
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Look after the captain, |
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I should kill you now, |
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What do you think? |
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I bought it from a Sevillian |
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They say he can only paint heads |
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but I suspect he has talent. |
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Well... |
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Let's get down to business. |
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An important person |
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A serious matter? |
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It may be. |
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Well... |
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I've probably seen worse. |
| 00:31:14 |
No. |
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You cannot fence |
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It is Count-duke Olivares. |
| 00:31:22 |
Be more honest with him |
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I'll try to be. |
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You will be. |
| 00:31:44 |
That water was cold |
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Yes... |
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But you never trembled. |
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I trembled inside, like everyone. |
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I'm not everyone. |
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I am a Spanish grandee. |
| 00:32:00 |
In combat we are all equal. |
| 00:32:03 |
You're wrong there, Alatriste. |
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are we all equal. |
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God didn't want it so. |
| 00:32:14 |
If you're going to see Olivares, |
| 00:32:18 |
Well... |
| 00:32:21 |
I've spent more than enough |
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And don't forget the boots. |
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If you have no money, |
| 00:32:37 |
Thank you. |
| 00:33:34 |
"Captain" is a nickname, |
| 00:33:36 |
Yes, Excellency. |
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I see you've served |
| 00:33:43 |
and against the Turks |
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and on the Barbary coast. |
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A long life as a soldier. |
| 00:33:54 |
Since I was thirteen, Excellency. |
| 00:34:00 |
Is it true that you saved the life |
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when your companion |
| 00:34:09 |
Excuse me, Excellency, |
| 00:34:12 |
It would be best |
| 00:34:16 |
As to who recruited you, |
| 00:34:18 |
I'm afraid I can't. |
| 00:34:20 |
I have a terrible memory. |
| 00:34:23 |
I see... |
| 00:34:26 |
Call don Luis de Alquezar. |
| 00:34:41 |
It seems, don Luis, that |
| 00:34:45 |
to teach two English gentlemen |
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As His Majesty's secretary |
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and a man acquainted |
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perhaps you have heard something? |
| 00:34:56 |
I'm afraid I can be |
| 00:35:01 |
Well, you must be. |
| 00:35:04 |
Perhaps the church... |
| 00:35:05 |
The church is broad. |
| 00:35:09 |
Might you mean Father Bocanegra? |
| 00:35:11 |
Excellency, I... |
| 00:35:12 |
You are right, don Luis. |
| 00:35:14 |
The good Father is a saintly man. |
| 00:35:17 |
As we all know. |
| 00:35:21 |
Tell me... |
| 00:35:24 |
Are your boots a sign of lack |
| 00:35:31 |
Both, Excellency. |
| 00:35:35 |
As you see, don Luis, |
| 00:35:37 |
senor Alatriste |
| 00:35:41 |
But he also appears to be |
| 00:35:44 |
brave, discreet |
| 00:35:46 |
and trustworthy. |
| 00:35:49 |
It would be a pity if some |
| 00:35:53 |
I would not wish it so. |
| 00:35:57 |
Of course, Excellency. |
| 00:35:59 |
But with the kind of life |
| 00:36:02 |
Batriste... |
| 00:36:04 |
he must often |
| 00:36:07 |
No-one could then |
| 00:36:09 |
Naturally, don Luis. |
| 00:36:11 |
In order to spare you any such |
| 00:36:15 |
that henceforth |
| 00:36:18 |
in the Indies. |
| 00:36:20 |
Men like you are needed there. |
| 00:36:23 |
You may begin preparations |
| 00:36:35 |
As for you... |
| 00:36:37 |
Your former general, |
| 00:36:40 |
wishes to win more battles |
| 00:36:43 |
It would be considerate of you |
| 00:36:47 |
I'll bear that |
| 00:37:19 |
Come with me. |
| 00:37:21 |
For four long years |
| 00:37:23 |
I've studied this map every night. |
| 00:37:26 |
I know every port, |
| 00:37:28 |
every canal, every estuary, |
| 00:37:35 |
Flanders deprives me of my sleep. |
| 00:37:40 |
Yet I've never been there. |
| 00:37:55 |
It is the end of the world, |
| 00:37:58 |
When the Lord God created Flanders, |
| 00:38:03 |
A heretic sun |
| 00:38:06 |
that neither warms you nor dries |
| 00:38:11 |
It is a strange land, |
| 00:38:15 |
inhabited by strange people |
| 00:38:19 |
and will never give us peace. |
| 00:38:25 |
It deprives one |
| 00:38:30 |
Flanders is hell itself. |
| 00:38:36 |
Without Flanders |
| 00:38:39 |
We need that hell. |
| 00:38:44 |
Breda, 1625. After one year's siege |
| 00:39:10 |
They're close now, curse it! |
| 00:39:12 |
They'll blow our balls off |
| 00:39:20 |
Keep down! |
| 00:39:23 |
Sons of bitches! |
| 00:39:29 |
Did you find eggs? |
| 00:39:31 |
Yes. |
| 00:39:32 |
How many? |
| 00:39:33 |
Two. |
| 00:39:36 |
Wine. |
| 00:39:50 |
Clumsy! |
| 00:39:55 |
I hear you had |
| 00:39:59 |
Yes. |
| 00:40:02 |
And who wrote to you, |
| 00:40:07 |
Angelica de Alquezar. |
| 00:40:10 |
Alquezar... |
| 00:40:13 |
A name that brings us bad luck. |
| 00:40:16 |
I almost have him. |
| 00:40:18 |
Give me that bread. |
| 00:40:22 |
Do you have him or not, damn it! |
| 00:40:25 |
Not now. |
| 00:40:27 |
But he occasionally looks out. |
| 00:40:29 |
I'll be ready the next time. |
| 00:40:31 |
Shit! |
| 00:40:34 |
Portuguese, see if |
| 00:40:40 |
Dutchman! |
| 00:40:52 |
Did you kill him? |
| 00:40:54 |
One bastard less... |
| 00:41:00 |
Another Dutchman |
| 00:41:02 |
dead in mortal sin. |
| 00:41:04 |
Like you when they kill you. |
| 00:41:06 |
What did you say? |
| 00:41:07 |
What did you say? |
| 00:41:09 |
You can't fool me, |
| 00:41:13 |
You Portuguese |
| 00:41:16 |
Do you want to die? |
| 00:41:20 |
The Captain! |
| 00:41:23 |
I bring orders. |
| 00:41:28 |
Perhaps these gentlemen |
| 00:41:32 |
No-one has anything to say. |
| 00:41:33 |
I do. |
| 00:41:37 |
I have three things |
| 00:41:39 |
to say to Captain Bragado. |
| 00:41:43 |
First, I don't care who I fight. |
| 00:41:46 |
Turks, Dutchmen |
| 00:41:55 |
And the other two things? |
| 00:41:56 |
Second, we haven't been given |
| 00:42:01 |
I see. |
| 00:42:02 |
And the third thing? |
| 00:42:06 |
Third and most important of all... |
| 00:42:12 |
Stay there. |
| 00:42:17 |
Third, these gentlemen |
| 00:42:20 |
have not received their pay |
| 00:42:24 |
No-one has received their pay. |
| 00:42:27 |
Neither you gentlemen nor I. |
| 00:42:29 |
Nor the field marshal |
| 00:42:37 |
I thought I was talking |
| 00:42:41 |
Only soldiers of other nations |
| 00:42:50 |
What are the orders? |
| 00:42:52 |
You are to go down |
| 00:45:48 |
Sulphur! |
| 00:46:22 |
Copons is missing. |
| 00:46:23 |
Sebastian! |
| 00:46:25 |
One's enough. |
| 00:46:27 |
Diego! |
| 00:46:36 |
Breda has surrendered. |
| 00:47:15 |
Spit it out. |
| 00:47:17 |
Spit it out. |
| 00:47:25 |
Breda has surrendered. |
| 00:47:28 |
Any booty? |
| 00:47:31 |
No. |
| 00:47:50 |
MADRID, 10 YEARS LATER |
| 00:48:21 |
Excellency. |
| 00:48:22 |
Excellency. |
| 00:48:25 |
I'm Inigo Balboa. |
| 00:48:36 |
For Captain Alatriste. |
| 00:48:37 |
Urgent. |
| 00:48:50 |
Port Caleta, Cadiz. |
| 00:48:58 |
Come on! |
| 00:49:05 |
Mother! |
| 00:49:06 |
What are you doing here? |
| 00:49:09 |
My son, I have some bad news. |
| 00:49:13 |
Bad news! |
| 00:49:34 |
Look who's here. |
| 00:49:44 |
I thought you were in Madrid. |
| 00:49:46 |
I've a letter from the palace. |
| 00:49:47 |
Work? |
| 00:49:50 |
I suppose so. |
| 00:49:52 |
If you need us, |
| 00:49:58 |
Won't you open it? |
| 00:50:00 |
What for? They always want us |
| 00:50:08 |
How are you? |
| 00:50:09 |
Worse. |
| 00:50:15 |
You look well. |
| 00:50:17 |
How are things at the court? |
| 00:50:19 |
I can't complain. |
| 00:50:21 |
How was the voyage? |
| 00:50:22 |
Hectic. We ran into |
| 00:50:27 |
you know I don't |
| 00:50:29 |
I know. |
| 00:50:32 |
Tell me, |
| 00:50:34 |
what's happened in Madrid |
| 00:50:37 |
There's to be war with France. |
| 00:50:38 |
So they say. |
| 00:50:40 |
Don Francisco's married a widow. |
| 00:50:45 |
God, no! |
| 00:50:47 |
And Velazquez's finished |
| 00:50:50 |
Have you seen it? |
| 00:50:52 |
He changed the flags for lances. |
| 00:50:55 |
And well, softened |
| 00:50:59 |
But it's a grand painting. |
| 00:51:01 |
I'm sure. |
| 00:51:05 |
Anything else? |
| 00:51:08 |
Angelica de Alquezar |
| 00:51:10 |
has returned to Spain. |
| 00:51:36 |
There'll be killing |
| 00:51:39 |
I only have two hands. |
| 00:51:40 |
Four. |
| 00:51:42 |
We'll see about that. |
| 00:51:44 |
Why? |
| 00:51:45 |
I said we'll see. |
| 00:51:51 |
What's the work? |
| 00:51:52 |
I'm just a go between. |
| 00:51:56 |
But there'll be no lack of gold. |
| 00:51:57 |
The commission is private |
| 00:52:01 |
What an honour! |
| 00:52:02 |
With such high-ranking |
| 00:52:05 |
it must be that someone |
| 00:52:08 |
You've been away too long, Captain. |
| 00:52:11 |
Someone always steals |
| 00:52:13 |
Yes. |
| 00:52:27 |
We'll meet later. |
| 00:52:29 |
Of course. |
| 00:52:36 |
The ship is the "Virgen de Regla". |
| 00:52:38 |
She has 2,000 ingots |
| 00:52:43 |
Have they nothing |
| 00:52:48 |
I find you rather naive |
| 00:52:51 |
Bribes keep mouths shut |
| 00:52:56 |
That includes |
| 00:53:01 |
The plan is that |
| 00:53:04 |
officially in Seville, the ship |
| 00:53:06 |
will anchor offshore and the gold |
| 00:53:10 |
the "Niklaasbergen". |
| 00:53:16 |
And I suppose that for |
| 00:53:20 |
the Flemish boat will have |
| 00:53:23 |
What I like about you is that you |
| 00:53:33 |
And once the gold's |
| 00:53:38 |
where will it go? |
| 00:53:43 |
I don't understand you. |
| 00:53:47 |
I'm asking, Excellency, |
| 00:53:50 |
if the gold will go for the work |
| 00:53:53 |
or to pay the wages |
| 00:53:56 |
or are to die in France. |
| 00:54:01 |
You drink too much, Alatriste. |
| 00:54:04 |
Words cost little. |
| 00:54:07 |
What did you say to her? |
| 00:54:09 |
How, Teodoro, |
| 00:54:11 |
do men pay amorous |
| 00:54:15 |
As if you were in love, |
| 00:54:20 |
and hardly that. |
| 00:54:22 |
Yes, but with what words? |
| 00:54:24 |
Strangely do you press me, |
| 00:54:28 |
"Those eyes," I said, |
| 00:54:31 |
"those lovely orbs are the light |
| 00:54:35 |
And, "The coral and pearls |
| 00:54:38 |
Celestial? |
| 00:54:40 |
Such things are the primer |
| 00:54:44 |
Your taste is bad, Teodoro. |
| 00:54:46 |
You disappoint me. |
| 00:54:49 |
Marcela's good points |
| 00:54:54 |
She is not clean in her person... |
| 00:54:59 |
to stop loving her, though |
| 00:55:02 |
But let's say no more |
| 00:55:05 |
I want you to love and marry her. |
| 00:55:08 |
Now, as you think yourself |
| 00:55:12 |
And so possess Marcela. |
| 00:55:14 |
Now that friend of mine |
| 00:55:16 |
has no rest for she's in love |
| 00:55:20 |
and 'twould be |
| 00:55:23 |
Yet were she to lose him, |
| 00:55:26 |
And he, unsuspecting |
| 00:55:30 |
and treats her with deference. |
| 00:55:41 |
Hello, lad. |
| 00:55:43 |
You've grown. |
| 00:55:45 |
You're a man. |
| 00:55:47 |
I thought you dead. |
| 00:55:49 |
Maybe I am. |
| 00:55:52 |
That wouldn't surprise me. |
| 00:55:56 |
We'll meet again, I imagine. |
| 00:55:59 |
Count on it. |
| 00:56:01 |
Then we'll see |
| 00:56:05 |
or dead. |
| 00:56:12 |
Would it not be best |
| 00:56:14 |
to have him killed? |
| 00:56:23 |
It's been a long time. |
| 00:56:29 |
Very long. |
| 00:56:37 |
What have you been doing |
| 00:56:39 |
Killing heretics |
| 00:56:42 |
and writing verses. |
| 00:56:46 |
And are those verses |
| 00:56:50 |
No, I don't think so. |
| 00:56:53 |
But it was the only way |
| 00:56:57 |
I see you still know |
| 00:57:03 |
I thought I'd never see you again. |
| 00:57:09 |
They say you're still |
| 00:57:12 |
Of course. |
| 00:57:19 |
I have plans for you, Inigo. |
| 00:57:22 |
The trouble is... |
| 00:57:25 |
that I also have plans for you. |
| 00:57:38 |
Teodoro, |
| 00:57:39 |
you're leaving. |
| 00:57:41 |
And I love you. |
| 00:57:43 |
I leave because of your cruel ways. |
| 00:57:45 |
You know me, |
| 00:57:47 |
- Do you weep? |
| 00:57:50 |
There's something in my eye. |
| 00:57:52 |
Is it love? |
| 00:57:53 |
Yes, it must be. |
| 00:57:55 |
It's been there some time |
| 00:57:58 |
I leave, my lady, |
| 00:58:01 |
I must leave without it. |
| 00:58:03 |
no wrong loving you, for your beauty |
| 00:58:07 |
Command me, for I am yours. |
| 00:58:09 |
- What a sad day! |
| 00:58:12 |
but my soul does not. |
| 00:58:14 |
Do you weep? |
| 00:58:15 |
No, there's something in my eye, |
| 00:58:17 |
as was in yours. |
| 00:58:18 |
My tears brought yours on. |
| 00:58:20 |
That must be the case. |
| 00:58:23 |
A thousand childish things |
| 00:58:27 |
Forgive me, I had to. |
| 00:58:29 |
If you open it, |
| 00:58:31 |
be sure to say, as if they were |
| 00:58:35 |
"Diana put those there |
| 00:58:37 |
with tears in her eyes." |
| 00:58:41 |
Did you like the play? |
| 00:58:43 |
You were marvellous. |
| 00:58:50 |
Have you seen |
| 00:58:55 |
He'll expect |
| 00:58:56 |
Don't talk of your king like that. |
| 00:58:58 |
Yes, |
| 00:59:00 |
he's my king. |
| 00:59:03 |
But there are kings and kings |
| 00:59:09 |
One day they'll kill you, my love. |
| 00:59:11 |
Maybe. |
| 00:59:19 |
My husband's dying. |
| 00:59:26 |
I'm sorry. |
| 00:59:28 |
Yes, poor thing. |
| 00:59:29 |
And when he dies, |
| 00:59:32 |
I don't like living on my own. |
| 00:59:35 |
I was thinking |
| 00:59:38 |
that as you were |
| 00:59:41 |
Maria, I'm dirt-poor. |
| 00:59:45 |
I'll provide the money |
| 00:59:52 |
And your... |
| 00:59:55 |
admirers? |
| 00:59:58 |
Diego, I'm an actress |
| 01:00:01 |
Spain's full of young girls |
| 01:00:04 |
I need friends who'll protect me. |
| 01:00:07 |
If we married, |
| 01:00:09 |
I'd kill the first man |
| 01:00:18 |
I'd end up on the gallows |
| 01:00:23 |
Don't be old-fashioned. |
| 01:00:27 |
Anyway, what would you care? |
| 01:00:29 |
You're not in love with me. |
| 01:01:07 |
What do you know? |
| 01:01:27 |
Make way! |
| 01:01:40 |
"Thus on this day, |
| 01:01:42 |
this sentence is read |
| 01:01:44 |
and tomorrow he will be taken |
| 01:01:47 |
to the plaza de San Francisco, |
| 01:01:50 |
where a gallows will be |
| 01:01:53 |
and there he shall be hanged |
| 01:01:58 |
This justice do I order done." |
| 01:02:00 |
Signed by the king, our lord. |
| 01:02:15 |
Do you need something? |
| 01:02:17 |
Your advice. |
| 01:02:41 |
I need men for a job. |
| 01:02:43 |
Brave men and discreet. |
| 01:02:46 |
All those here present are. |
| 01:02:48 |
You can trust them all. |
| 01:02:51 |
Trouble is, most of them |
| 01:02:57 |
I can get them all released. |
| 01:03:00 |
Except you. |
| 01:03:02 |
I'm sorry. |
| 01:03:08 |
A pity. |
| 01:03:16 |
Well... |
| 01:03:18 |
Death's but a formality. |
| 01:04:04 |
I have things to do. |
| 01:04:06 |
I'll see you on the beach. |
| 01:04:07 |
I'm not going. |
| 01:04:10 |
Why not? |
| 01:04:11 |
The Inquisition's after me. |
| 01:04:16 |
They've already arrested |
| 01:04:22 |
The torture... |
| 01:04:24 |
I can't take it... |
| 01:04:25 |
They've nothing on you. |
| 01:04:28 |
You were a soldier |
| 01:04:33 |
Luis Pereira, I arrest you |
| 01:04:46 |
God's will is done. |
| 01:04:49 |
God has nothing to do with this. |
| 01:04:53 |
Nothing! |
| 01:05:18 |
You're late. |
| 01:05:20 |
A matter detained me. |
| 01:05:25 |
A matter of blood? |
| 01:05:30 |
What did you want to tell me? |
| 01:05:34 |
You seem in a hurry. |
| 01:05:37 |
Perhaps my company discomforts you. |
| 01:05:39 |
No, I have some business |
| 01:05:45 |
You should know that you have |
| 01:05:49 |
Friends who are enemies |
| 01:05:52 |
Captain Alatriste |
| 01:05:55 |
is my business. |
| 01:05:58 |
Mine alone. |
| 01:06:05 |
Stay with me. |
| 01:06:07 |
I cannot. |
| 01:06:11 |
You must not go |
| 01:06:15 |
Mustn't I? |
| 01:06:17 |
Tell me why not. |
| 01:06:19 |
Because I cannot marry a corpse. |
| 01:06:25 |
This group will go first |
| 01:06:29 |
And the leaders? |
| 01:06:31 |
Sebastian will board |
| 01:06:34 |
That's good with me. |
| 01:06:35 |
Glad to hear it. |
| 01:06:37 |
No prisoners are to be taken. |
| 01:06:40 |
There will be no plunder. |
| 01:06:42 |
And no-one... |
| 01:06:44 |
under any circumstance, |
| 01:06:48 |
Good luck. |
| 01:07:37 |
Ambush! |
| 01:07:40 |
Take cover! |
| 01:10:04 |
Shit! |
| 01:10:06 |
Shit! |
| 01:10:26 |
I'm late. Sorry. |
| 01:10:36 |
Diego... |
| 01:10:37 |
We're fools. |
| 01:10:52 |
Mother of God! |
| 01:11:09 |
Diego. |
| 01:11:20 |
It cannot be. |
| 01:11:24 |
And you? |
| 01:11:27 |
No. |
| 01:11:39 |
A pity. |
| 01:11:41 |
Yes. |
| 01:11:55 |
I had to try. |
| 01:11:59 |
You know that, don't you? |
| 01:12:01 |
Yes, I know. |
| 01:12:17 |
We all love once. |
| 01:12:19 |
Or several times. |
| 01:12:22 |
Then one day it stops happening. |
| 01:12:24 |
And that's all. |
| 01:12:26 |
As simple as that? |
| 01:12:31 |
As difficult as that. |
| 01:12:38 |
Look, Inigo... |
| 01:12:40 |
She's true to her own kind. |
| 01:12:42 |
And I to mine. |
| 01:12:43 |
Really? |
| 01:12:44 |
Tell me about it. |
| 01:12:47 |
Angelica de Alquezar |
| 01:12:51 |
All right. |
| 01:12:54 |
Sit down. |
| 01:12:59 |
They wouldn't allow it, |
| 01:13:03 |
She has her obligations. |
| 01:13:05 |
What do you mean by that? |
| 01:13:07 |
That I too have mine? |
| 01:13:10 |
God! There are rules. |
| 01:13:12 |
What rules? |
| 01:13:14 |
Those of a captain |
| 01:13:16 |
Or those of a sword-for-hire |
| 01:13:40 |
I expect we'll meet in Madrid. |
| 01:13:59 |
Well, well. |
| 01:14:03 |
If it isn't Captain Alatriste! |
| 01:14:06 |
I see your acts of charity |
| 01:14:09 |
extend to visiting the sick. |
| 01:14:12 |
I'm a good Catholic. |
| 01:14:14 |
Have you come to kill me? |
| 01:14:17 |
Or do you wait for the consequences |
| 01:14:20 |
to catch up with you? |
| 01:14:23 |
There's no need |
| 01:14:25 |
I know full well |
| 01:14:34 |
Then... |
| 01:14:36 |
let us proceed. |
| 01:14:45 |
I'd greatly appreciate your trying |
| 01:14:58 |
Not a chance. |
| 01:15:00 |
Can you really |
| 01:15:03 |
Come, Captain. |
| 01:15:06 |
You sound like a nun of St. Clare. |
| 01:15:09 |
Don't let your conscience |
| 01:15:15 |
You're right. |
| 01:15:22 |
Say your prayers. |
| 01:15:25 |
I never waste my time |
| 01:15:29 |
Go ahead. |
| 01:16:11 |
Good day to your worship. |
| 01:16:55 |
His Majesty wishes you |
| 01:17:04 |
Must I wait all day? |
| 01:17:32 |
Why are you dressed as a man? |
| 01:17:34 |
That's prohibited. |
| 01:17:38 |
Would you have me come out at night |
| 01:17:45 |
Do you still feel |
| 01:17:48 |
I may have saved your life. |
| 01:17:50 |
While I betrayed |
| 01:17:54 |
I also lost some who were |
| 01:17:58 |
It's not the same, Angelica. |
| 01:18:01 |
No. |
| 01:18:04 |
But I'm sure you didn't call me |
| 01:18:11 |
The other day, |
| 01:18:13 |
- you said... |
| 01:18:15 |
And I maintain it. |
| 01:18:17 |
But you'll agree that |
| 01:18:21 |
I know. |
| 01:18:24 |
I expect you know |
| 01:18:28 |
and that she is fond of me. |
| 01:18:29 |
What is your point? |
| 01:18:31 |
There is a vacancy for second |
| 01:18:35 |
I'll join the Royal Guard |
| 00:00:05 |
What is now for? |
| 00:00:08 |
Now is the time |
| 00:00:11 |
You free from your obligations, |
| 00:00:14 |
There is a place where we can go. |
| 00:00:18 |
Tomorrow a galleon |
| 00:00:21 |
It will take passengers. |
| 00:00:23 |
Don't do that. |
| 00:00:25 |
I've spoken to the queen |
| 00:00:29 |
In 2 to 3 years |
| 00:00:31 |
We'd never have |
| 00:00:53 |
Naples? |
| 00:00:56 |
Yes. |
| 00:00:57 |
Together. |
| 00:01:11 |
Inigo, you must take that vacancy. |
| 00:01:19 |
No. |
| 00:01:24 |
Then there's no more to be said. |
| 00:01:27 |
From this moment on, |
| 00:01:50 |
God! It's cold as a Lutheran! |
| 00:01:54 |
Yes, it is. |
| 00:01:58 |
Look what we've become, Captain. |
| 00:02:01 |
Now a country of beggars, |
| 00:02:05 |
I curse the day I placed my pen |
| 00:02:09 |
that tyrant and descendant of |
| 00:02:13 |
Calm down. |
| 00:02:14 |
Calm down, you say? |
| 00:02:17 |
Haven't you heard |
| 00:02:20 |
While Cardinal Richelieu |
| 00:02:24 |
Olivares has turned ours into |
| 00:02:28 |
while he robs the poor |
| 00:02:31 |
Come now, don Francisco. |
| 00:02:34 |
Our infantry need money, |
| 00:02:37 |
The money those "humiliated" nobles |
| 00:02:44 |
And as for the poor, |
| 00:02:47 |
In Spain, poverty |
| 00:02:50 |
whoever governs, whether |
| 00:02:53 |
So now you support Olivares? |
| 00:02:58 |
Come, don Francisco. |
| 00:03:01 |
We've known each other |
| 00:03:06 |
Yes, that's true. |
| 00:03:09 |
My apologies, Captain. |
| 00:03:11 |
You know I did not mean it. |
| 00:03:15 |
Yes, I know. |
| 00:03:19 |
Take my arm, |
| 00:03:29 |
Any news of Inigo? |
| 00:03:31 |
Yes. |
| 00:03:33 |
But you won't like it. |
| 00:04:54 |
This is a very valuable piece. |
| 00:04:58 |
Pure Indies gold. |
| 00:05:01 |
Rest assured, |
| 00:05:04 |
I believe you but even so... |
| 00:05:05 |
I don't want you to buy it, |
| 00:05:10 |
You could exchange this chain |
| 00:05:15 |
Maybe so, but I only need one. |
| 00:05:20 |
You'll lose in the exchange. |
| 00:05:22 |
That's my business. |
| 00:05:26 |
A necklace for a lady... |
| 00:05:28 |
That's right. |
| 00:05:30 |
The lady in question must be... |
| 00:05:32 |
truly beautiful. |
| 00:05:35 |
You are right. |
| 00:05:36 |
So much the better. |
| 00:05:42 |
I would not abuse your trust... |
| 00:05:44 |
but would I be |
| 00:05:47 |
that with this gift |
| 00:05:48 |
Your Worship is thinking of, |
| 00:05:52 |
a future with this lovely lady? |
| 00:05:55 |
No. |
| 00:05:57 |
You would not be mistaken. |
| 00:06:07 |
Then it can only be this one. |
| 00:06:32 |
Good morning, Diego. |
| 00:06:37 |
Can we talk? |
| 00:06:42 |
We can. |
| 00:06:46 |
I am charged to give you a warning. |
| 00:06:49 |
Well, here I am. |
| 00:06:53 |
You must change mares, Diego. |
| 00:06:57 |
By whom? |
| 00:06:58 |
I cannot tell you. |
| 00:06:59 |
- By whom? |
| 00:07:01 |
I said by whom! |
| 00:07:02 |
I cannot tell you, Diego. |
| 00:07:36 |
I beg you not to proceed. |
| 00:07:38 |
Who says so? |
| 00:07:40 |
One who can. |
| 00:07:44 |
I would not argue with |
| 00:07:50 |
She cannot and will not see you. |
| 00:07:52 |
That's for me to confirm. |
| 00:07:58 |
Would you ruin |
| 00:08:03 |
Her occupation matters not. |
| 00:08:12 |
You'll have to kill me first. |
| 00:08:16 |
Move aside, |
| 00:08:19 |
or I shall. |
| 00:09:08 |
Alba, Varela, Sessa |
| 00:09:11 |
Even Guadalmedina |
| 00:09:13 |
Olivares' time has come. |
| 00:09:17 |
You must stay away |
| 00:09:21 |
Donate 100,000 ducats |
| 00:09:24 |
That will satisfy the king |
| 00:09:27 |
who by now must |
| 00:09:30 |
Prudence is now the best policy. |
| 00:09:32 |
The count-duke could crush us |
| 00:09:35 |
and no-one would lift |
| 00:09:37 |
Not even the queen. |
| 00:09:40 |
You are not a Grandee. |
| 00:09:43 |
But you will be one soon. |
| 00:09:45 |
As will your children |
| 00:09:48 |
The queen wishes you |
| 00:09:58 |
Inigo, I must inform you |
| 00:10:02 |
The queen and my uncle want me |
| 00:10:05 |
My heart is yours alone. Should you |
| 00:10:09 |
come to my house tonight. |
| 00:10:13 |
Obviously, |
| 00:10:16 |
you are not dead to me. |
| 00:10:19 |
Inigo, I'm afraid. |
| 00:10:23 |
If we don't run away now, |
| 00:10:28 |
We'll go to a place |
| 00:10:32 |
A place where we'll be nothing. |
| 00:10:35 |
No-one. |
| 00:10:38 |
Just you and I. |
| 00:10:52 |
We would live in sin. |
| 00:10:55 |
There is no sin, Angelica. |
| 00:10:59 |
There has never been any. |
| 00:11:02 |
It is they who are sin. |
| 00:11:19 |
She's only a woman, Captain. |
| 00:11:23 |
I'm not doing this |
| 00:11:26 |
The king is the king... |
| 00:11:27 |
The king is a son of a bitch. |
| 00:11:32 |
You should leave Madrid. |
| 00:11:34 |
Kings are vindictive, |
| 00:11:37 |
Guadalmedina is a Grandee |
| 00:11:39 |
and you've crossed swords |
| 00:11:41 |
Tomorrow I'll make my apologies. |
| 00:11:45 |
Even if he did, |
| 00:11:47 |
you should leave Madrid. |
| 00:11:48 |
And you too. |
| 00:11:51 |
There are certain rumours... |
| 00:11:54 |
Yes, 'tis true. |
| 00:11:57 |
I have recently written verses |
| 00:12:03 |
But I'm too old to hide, |
| 00:12:10 |
Good luck, Captain. |
| 00:12:14 |
And to you. |
| 00:12:23 |
Diego, |
| 00:12:25 |
I'm a man of few words. |
| 00:12:28 |
Yes. |
| 00:12:30 |
I'm going home. |
| 00:12:32 |
With what I've saved I want |
| 00:12:37 |
Come with me if you like. |
| 00:12:39 |
That was more than a few words. |
| 00:12:49 |
O Catholic, holy |
| 00:12:52 |
made by God a deity on earth, |
| 00:12:55 |
a simple, poor, honest old man |
| 00:12:58 |
pleads, prostrate, |
| 00:13:01 |
I needs must speak |
| 00:13:04 |
that my zeal |
| 00:13:07 |
A minister you have |
| 00:13:09 |
whose only wish |
| 00:13:12 |
Sire. |
| 00:13:14 |
Behold, Philip IV, |
| 00:13:18 |
open thy generous heart |
| 00:13:21 |
From him who never tires |
| 00:13:24 |
who devalues our coin, who sells thy |
| 00:13:30 |
deliver us! |
| 00:13:33 |
Deliver us, Sire, |
| 00:13:35 |
Amen. |
| 00:13:37 |
Amen. |
| 00:13:39 |
Amen. |
| 00:13:58 |
But you will be |
| 00:14:02 |
and your children... |
| 00:14:04 |
and your children's children. |
| 00:14:19 |
Your children... |
| 00:14:25 |
and your children's children... |
| 00:15:20 |
Diego... |
| 00:15:25 |
Don Francisco |
| 00:15:31 |
The Prison of San Marcos. |
| 00:15:39 |
Then it's all over. |
| 00:15:42 |
We should have kept |
| 00:15:49 |
Maybe. |
| 00:15:51 |
I presume you gentlemen |
| 00:15:52 |
are familiar |
| 00:15:57 |
Then there's no need to say that |
| 00:16:02 |
Very well, then. |
| 00:16:04 |
This is the situation... |
| 00:16:06 |
Senor Balboa owes 200 ducats |
| 00:16:10 |
He also says |
| 00:16:15 |
However, I've heard |
| 00:16:17 |
would care if he lost his life. |
| 00:16:19 |
Yes, I would care. |
| 00:16:21 |
Then we all win. |
| 00:16:25 |
in spite of himself, |
| 00:16:27 |
will keep his life |
| 00:16:28 |
and we shall recover our money, |
| 00:16:32 |
pay the debt. |
| 00:16:36 |
Is that possible? |
| 00:16:44 |
It is possible. |
| 00:16:50 |
We're no experts in jewels. |
| 00:16:53 |
We only accept coin. |
| 00:17:04 |
Like this? |
| 00:17:13 |
Sebastian... |
| 00:17:17 |
What? |
| 00:17:29 |
Diego, I owe you an explanation. |
| 00:17:33 |
Meet me at the cloister |
| 00:17:44 |
You're under arrest, Diego! |
| 00:18:04 |
Disarm him. |
| 00:18:08 |
Surrender or I'll kill you. |
| 00:18:15 |
One question, Martin. |
| 00:18:17 |
With whose rod of office |
| 00:18:22 |
What? |
| 00:18:26 |
Cuckold! |
| 00:19:17 |
Martin... |
| 00:19:17 |
So good to see you |
| 00:19:22 |
It's been some time. |
| 00:19:26 |
Yes, and the whore |
| 00:20:44 |
Enough merriment. |
| 00:20:54 |
Diego. |
| 00:20:58 |
Are you alive? |
| 00:21:05 |
I think so. |
| 00:21:13 |
Don't cough, you bastard, |
| 00:21:16 |
or you'll bleed to death. |
| 00:21:21 |
You didn't mean it, did you? |
| 00:21:25 |
What? |
| 00:21:26 |
What you said. |
| 00:21:29 |
About me being a cuckold. |
| 00:21:30 |
Of course I didn't. |
| 00:21:33 |
I said it to annoy you. |
| 00:21:35 |
You know me. |
| 00:21:37 |
It's always the same... |
| 00:21:41 |
Fuck! |
| 00:21:47 |
I'm dying. |
| 00:21:50 |
Martin. |
| 00:21:53 |
Have you ever stopped to consider |
| 00:21:57 |
that we always end up |
| 00:22:16 |
Shit life. |
| 00:22:43 |
Diego, they forced me to do it. |
| 00:22:49 |
They forced me to do it. |
| 00:23:24 |
I've been expecting you, lad. |
| 00:23:26 |
Let's go. |
| 00:23:30 |
Just a moment. |
| 00:23:35 |
If you'll be so kind... |
| 00:24:05 |
Will you be back for supper? |
| 00:24:11 |
I don't know. |
| 00:25:17 |
You know there's |
| 00:25:20 |
Yes. |
| 00:25:22 |
There's the rub. |
| 00:26:05 |
As you can imagine, don Luis, |
| 00:26:07 |
my services to the king |
| 00:26:11 |
Excellency, everyone |
| 00:26:15 |
to upholding the reputation |
| 00:26:18 |
and defending the true faith. |
| 00:26:21 |
that my niece's dowry shall be |
| 00:26:26 |
As you will see, Your Excellency, |
| 00:26:29 |
the silver mines in Tasco, |
| 00:26:42 |
Excellency, regarding |
| 00:26:49 |
Excellency... |
| 00:26:53 |
No. |
| 00:26:56 |
I don't want him to die. |
| 00:26:59 |
If you'll allow me, Excellency, |
| 00:27:02 |
I have an idea. |
| 00:27:04 |
"Spain did kill and imprison |
| 00:27:07 |
him who made a slave of fortune. |
| 00:27:12 |
They mourned his envies, |
| 00:27:14 |
foreign nations with our own. |
| 00:27:17 |
His grave, the campaigns in Flanders |
| 00:27:21 |
and his epitaph, |
| 00:27:28 |
"And his epitaph, |
| 00:27:32 |
They say the prison of San Marcos |
| 00:27:36 |
Yes, that's what they say. |
| 00:27:47 |
Do you remember me? |
| 00:27:49 |
Yes. |
| 00:27:55 |
Senor Malatesta said that were he to |
| 00:28:09 |
He also said you could keep me |
| 00:28:18 |
Thank you. |
| 00:28:21 |
That's not necessary. |
| 00:28:23 |
As you wish. |
| 00:28:29 |
It was pleasant |
| 00:28:37 |
And you. |
| 00:29:11 |
Madrid. Syphilitics hospital |
| 00:30:02 |
Diego, what are you doing here? |
| 00:30:05 |
I wanted to see you. |
| 00:32:47 |
I should have married you. |
| 00:33:28 |
What's going on? |
| 00:33:30 |
He's under arrest |
| 00:33:32 |
What's he accused of? |
| 00:33:34 |
Of spying for France. |
| 00:34:05 |
You cannot enter. |
| 00:34:08 |
I come to see the countess. |
| 00:34:21 |
What are you doing here? |
| 00:34:23 |
I come to ask a favour of you. |
| 00:34:29 |
I need you to give this letter |
| 00:34:34 |
I tried to take it to him but they |
| 00:34:41 |
It's about Inigo. |
| 00:34:45 |
He's been on |
| 00:34:58 |
Thank you, Excellency. |
| 00:35:04 |
Don't call me "Excellency". |
| 00:35:07 |
I hate it. |
| 00:35:11 |
Inigo always called me Angelica. |
| 00:35:19 |
Don't weep, madam. |
| 00:35:22 |
Excellency, don't weep. |
| 00:35:26 |
Inigo is strong. |
| 00:35:29 |
He'll survive. |
| 00:35:33 |
I must weep, Captain. |
| 00:35:37 |
Betrayal is a stain |
| 00:35:42 |
Judas hanged himself |
| 00:35:46 |
That is why I weep. |
| 00:35:55 |
I'll give the letter |
| 00:36:01 |
The honour and reputation |
| 00:36:06 |
The Lord God |
| 00:36:09 |
has forsaken us. |
| 00:36:11 |
Excellency... |
| 00:36:12 |
There's no other explanation. |
| 00:36:15 |
All is misfortune. |
| 00:36:19 |
Casale should have been taken, |
| 00:36:21 |
Turin saved, Arras relieved, |
| 00:36:25 |
should never have rebelled |
| 00:36:30 |
This is the most wretched year |
| 00:36:34 |
Excellency, |
| 00:36:36 |
Yes. |
| 00:36:38 |
The letter. |
| 00:36:40 |
The letter. |
| 00:36:42 |
I've read it. |
| 00:36:45 |
But the evidence was conclusive. |
| 00:36:48 |
The young man was a French spy. |
| 00:36:50 |
Excellency... |
| 00:36:51 |
But all is not lost. |
| 00:36:54 |
Richelieu is ill |
| 00:36:56 |
and the Dutch want peace. |
| 00:36:59 |
If the Cardinal Infante's troops... |
| 00:37:01 |
He's the orphaned son of one |
| 00:37:05 |
I've said all |
| 00:37:10 |
You may go. |
| 00:37:15 |
"Letter to the Cardinal Infante..." |
| 00:37:17 |
Excellency... |
| 00:37:19 |
"Sir... |
| 00:37:22 |
Letters from Flanders..." |
| 00:37:23 |
Excellency! |
| 00:37:29 |
Look me in the eye. |
| 00:38:20 |
Inigo Balboa. |
| 00:38:22 |
The king has pardoned you. |
| 00:39:44 |
Let's go home, son. |
| 00:40:14 |
ROCROI, MAY, 1643 |
| 00:40:28 |
THE CARTAGENA INFANTRY REGIMENT |
| 00:41:01 |
Fire! |
| 00:41:04 |
Take aim! |
| 00:41:06 |
Fire! |
| 00:41:20 |
Fire! |
| 00:41:36 |
Spain! |
| 00:42:22 |
Pikes! |
| 00:45:43 |
Don't you write any more? |
| 00:45:46 |
No, not any more. |
| 00:45:50 |
This writing thing... |
| 00:45:51 |
you never forget how? |
| 00:45:54 |
No. |
| 00:45:56 |
No. |
| 00:46:09 |
Soldier. |
| 00:46:14 |
Sir. |
| 00:46:16 |
You are? |
| 00:46:18 |
Alatriste, Excellency. |
| 00:46:21 |
I remember. |
| 00:46:23 |
Didn't I reward you |
| 00:46:27 |
for saving a sergeant major |
| 00:46:29 |
They lowered it to four, |
| 00:46:32 |
Well, well... |
| 00:46:34 |
Bad luck, soldier. |
| 00:46:37 |
Yes, bad luck, Excellency. |
| 00:47:01 |
Bragado! |
| 00:47:18 |
Diego... |
| 00:47:19 |
If I can't, you go on. |
| 00:47:45 |
Gentlemen. |
| 00:47:49 |
The Duke of Enghien |
| 00:47:51 |
considers that you have fought |
| 00:47:56 |
Therefore |
| 00:47:58 |
he offers you |
| 00:48:01 |
You may keep |
| 00:48:03 |
your flags |
| 00:48:05 |
and leave the field |
| 00:48:08 |
in formation. |
| 00:48:10 |
What say you? |
| 00:48:31 |
Tell the lord duke of Enghien |
| 00:48:38 |
but this is |
| 00:48:52 |
Diego... |
| 00:48:58 |
This is as far as I can go. |
| 00:49:34 |
Inigo. |
| 00:49:38 |
Tell them of our exploits. |
| 00:50:48 |
Veterans, to vanguard! |
| 00:50:53 |
New soldiers, to rearguard! |
| 00:52:26 |
He was not the most honest man nor |
| 00:52:31 |
His name was Diego Alatriste |
| 00:52:32 |
and he had fought with |
| 00:52:36 |
When I met him, he was surviving |
| 00:52:41 |
often renting his sword |
| 00:52:44 |
who lacked |
