|
Hachimitsu to kur b Hachimitsu to Clover
|
| 00:00:14 |
'To make a prairie |
| 00:00:19 |
- Emily Dickinson |
| 00:00:27 |
I love cherry blossoms |
| 00:00:30 |
But for some reason, |
| 00:00:41 |
Just joking... |
| 00:00:53 |
Takemoto's strange, isn't he? |
| 00:00:56 |
Like his shorts? |
| 00:00:57 |
He's like, too healthy |
| 00:00:59 |
He's not unhealthy enough |
| 00:01:03 |
He's got zero fashion sense |
| 00:01:05 |
This enough chives? |
| 00:01:07 |
Sure, but that also |
| 00:01:10 |
Not as a boyfriend |
| 00:01:12 |
Bet he's nice to girlfriends |
| 00:01:13 |
Bet he's single |
| 00:01:14 |
Maybe a good husband |
| 00:01:20 |
- No girlfriend |
| 00:01:23 |
Don't put milk in there! |
| 00:01:25 |
Sorry |
| 00:01:35 |
I dreamed about a 'Kazemachi Dori' |
| 00:01:42 |
Morita san? |
| 00:01:43 |
Yeah, he's getting back soon |
| 00:01:47 |
What's his deal, anyway? |
| 00:01:50 |
To me, he's just |
| 00:02:01 |
Excuse me |
| 00:02:07 |
No, you're good |
| 00:02:09 |
I'll start the grill! |
| 00:02:17 |
It's time for the Hanamoto Lab |
| 00:02:23 |
meaning, a gathering |
| 00:02:26 |
to begin! |
| 00:02:30 |
Does everybody have enough beer? |
| 00:02:35 |
Sorry, we need more here |
| 00:02:38 |
Beer? There's another dozen |
| 00:02:43 |
I'll get them |
| 00:02:46 |
I'll go with you |
| 00:02:49 |
The second floor's such a mess, |
| 00:03:32 |
For the first time, |
| 00:03:40 |
Thing is, there's |
| 00:03:44 |
Oh, right |
| 00:04:01 |
Um... that's my cousin's daughter, |
| 00:04:06 |
Hanamoto Hagumi, |
| 00:04:10 |
She's also staying here |
| 00:04:15 |
I know you hardly saw her |
| 00:04:18 |
Yamada, your spine's crooked |
| 00:04:39 |
I'll never forget... |
| 00:04:41 |
this day, and everything this day |
| 00:06:13 |
I understand, see you later |
| 00:06:16 |
I'm glad you came by, Takemoto |
| 00:06:20 |
This is Hanamoto Hagu, |
| 00:06:26 |
How much do I owe? |
| 00:06:28 |
She can't eat out alone |
| 00:06:31 |
So will you take my place? |
| 00:06:35 |
And this is Takemoto |
| 00:06:37 |
Takemoto's amazing |
| 00:06:39 |
He's the least arty student |
| 00:06:43 |
Thank you |
| 00:06:44 |
All you have to do is just sit there |
| 00:06:47 |
She's in your hands |
| 00:07:35 |
Hanamoto Lab |
| 00:07:36 |
Hanamoto Lab |
| 00:07:40 |
Hanamoto Lab |
| 00:07:40 |
Amazing |
| 00:08:12 |
Hey, did you paint this? |
| 00:08:16 |
Morita san |
| 00:08:17 |
Did you paint this? |
| 00:08:18 |
I just got totally ignored |
| 00:08:20 |
This is good, really good! |
| 00:08:26 |
Hey, your name? |
| 00:08:29 |
Your name? |
| 00:08:32 |
What's that about? |
| 00:08:38 |
Hagu? |
| 00:08:41 |
Your name's Hagu? |
| 00:08:44 |
Hagu's a really weird name |
| 00:08:47 |
Whatever |
| 00:08:50 |
Hey, Hagu! |
| 00:08:51 |
Your painting's good, really good |
| 00:08:55 |
Almost as good as me |
| 00:09:15 |
Um, Morita san |
| 00:09:20 |
What's your name? |
| 00:09:24 |
I'm Takemoto, |
| 00:09:33 |
Morita san, when did you get back? |
| 00:09:37 |
What? I thought you already |
| 00:09:40 |
What! I thought you'd died, |
| 00:09:45 |
I heard you disappeared |
| 00:10:02 |
I never heard you praise |
| 00:10:06 |
That's not true |
| 00:10:07 |
Yes it is, that was a first |
| 00:10:11 |
Yeah? |
| 00:10:12 |
I think Picasso and Basquiat |
| 00:10:17 |
I have this sick feeling |
| 00:10:19 |
Of course I'm serious |
| 00:10:30 |
All right, ready? |
| 00:10:35 |
Not just your friend's face, |
| 00:10:40 |
Close your eyes, move closer |
| 00:10:43 |
and make a picture of what you feel |
| 00:10:46 |
OK? |
| 00:10:56 |
Hagumi! |
| 00:11:05 |
How do you write your name? |
| 00:11:10 |
Like it sounds |
| 00:11:38 |
Thanks for this |
| 00:11:42 |
What's your name, again? |
| 00:11:46 |
I'm Takemoto, |
| 00:11:51 |
Listen... |
| 00:11:57 |
Takemoto... |
| 00:12:01 |
Wow, it's like, |
| 00:12:05 |
it's like bursting with energy |
| 00:12:10 |
And is this right side up? |
| 00:12:18 |
You're so easy to talk to |
| 00:12:26 |
No one's ever said that |
| 00:12:30 |
Really? |
| 00:12:47 |
Want one? |
| 00:12:54 |
Kids are so cool |
| 00:12:57 |
If they want to, they can draw |
| 00:13:01 |
We'll never be able to recapture |
| 00:13:09 |
Hey... |
| 00:13:14 |
Maybe some rare people can |
| 00:13:20 |
Just joking... |
| 00:13:28 |
Everybody! |
| 00:13:29 |
Draw crazier paintings, |
| 00:13:37 |
Takemoto |
| 00:14:30 |
He really is amazing |
| 00:14:33 |
I'm not amazing |
| 00:14:38 |
What's amazing is the world |
| 00:14:41 |
Flesh, blood, bone, |
| 00:14:45 |
earth and insects, |
| 00:14:48 |
they're all the real thing |
| 00:14:53 |
You do? |
| 00:14:55 |
When I don't know |
| 00:15:04 |
Oh, I know |
| 00:15:15 |
A souvenir |
| 00:15:20 |
Just a leftover |
| 00:15:23 |
It's so sweet |
| 00:15:26 |
That's the crap that sells, |
| 00:15:30 |
Such an impure heart |
| 00:15:34 |
But I made it, so in 10 years |
| 00:15:41 |
Use it to send your kids |
| 00:15:48 |
Ten years from now... |
| 00:15:52 |
I wonder what I'll be doing? |
| 00:15:55 |
If he's going |
| 00:16:03 |
What's this? Doraemon's |
| 00:16:08 |
What are you talking about? |
| 00:16:15 |
Oh, yeah? |
| 00:16:20 |
It's Morita san |
| 00:16:24 |
Hey, Mayama! |
| 00:16:27 |
Hey, what's this? |
| 00:16:30 |
Aren't you going to ask, |
| 00:16:34 |
Be more interested in me |
| 00:16:36 |
No souvenirs for you! |
| 00:17:10 |
It's against the law |
| 00:17:13 |
That's not what this is |
| 00:17:15 |
You may want her, but love means |
| 00:17:21 |
That's not what this is |
| 00:17:22 |
I told a female cop she was cute |
| 00:17:27 |
and got charged with |
| 00:17:31 |
I do |
| 00:17:34 |
Why's that all you get!? |
| 00:17:37 |
Sorry |
| 00:17:38 |
How old is that lady? |
| 00:17:43 |
Have a normal, fun love-life |
| 00:17:48 |
Oh, no, no, no |
| 00:17:50 |
If I keep this up, |
| 00:17:55 |
'Rika san's lip cream' |
| 00:17:57 |
'Rika san's favorite perfume' |
| 00:17:59 |
'Notepaper Rika san used' |
| 00:18:01 |
'A straw Rika san used' |
| 00:18:11 |
Thank you! |
| 00:18:14 |
Thank you, thank you |
| 00:18:16 |
I'm grateful to be welcomed |
| 00:18:19 |
with such a modest party |
| 00:18:22 |
I really am grateful, but... |
| 00:18:40 |
Good morning |
| 00:18:43 |
Good morning |
| 00:18:45 |
Um, the thing is... |
| 00:18:47 |
If you don't have anyone |
| 00:18:52 |
that is, if Dr. Hanamoto can't |
| 00:18:56 |
would you consider |
| 00:19:05 |
Really? See you at lunch |
| 00:19:08 |
I'll save us seats |
| 00:19:12 |
Um... |
| 00:19:15 |
What, what, what? |
| 00:19:20 |
Thank you |
| 00:19:30 |
Thank you |
| 00:19:56 |
See the bulletin board? |
| 00:19:57 |
It says, 'Mayama, a senior |
| 00:20:02 |
'is late submitting |
| 00:20:05 |
Exactly, I just can't decide |
| 00:20:11 |
Having to condense |
| 00:20:15 |
Why not postpone |
| 00:20:21 |
Hey, that's great |
| 00:20:23 |
Postpone it a year |
| 00:20:33 |
Wow, I'm hungry |
| 00:20:40 |
What? Eat something? |
| 00:20:43 |
Yeah |
| 00:20:46 |
You and me? |
| 00:20:49 |
Well, yeah, sure |
| 00:20:53 |
It's a bit of a walk but |
| 00:20:57 |
It's 11AM, they're probably |
| 00:21:00 |
Or someplace closer by... |
| 00:21:03 |
Oh, sorry |
| 00:21:05 |
Hello, yes |
| 00:21:10 |
Right now? |
| 00:21:15 |
I'll be right there |
| 00:21:19 |
I need more work |
| 00:21:27 |
That's not good |
| 00:21:47 |
After finishing working at |
| 00:21:50 |
I begin my surveillance at 1PM |
| 00:22:04 |
Fifteen minutes later, |
| 00:22:12 |
And I follow Mayama |
| 00:23:09 |
What a coincidence, totally |
| 00:23:13 |
Yamada? |
| 00:23:15 |
Mayama? |
| 00:23:25 |
Rika san? |
| 00:23:34 |
Let me introduce you two |
| 00:23:39 |
This is Harada Rika, from |
| 00:23:45 |
This is Yamada, |
| 00:23:51 |
From Hanamoto's Lab? |
| 00:23:53 |
No, Yamada san's in ceramics, |
| 00:23:57 |
Um, she's just... |
| 00:24:02 |
an acquaintance from |
| 00:24:05 |
Acquaintance? |
| 00:24:06 |
Lately, we all get together |
| 00:24:09 |
at Dr. Hanamoto's, |
| 00:24:12 |
That's where... |
| 00:24:14 |
And Rika, I mean, Harada san... |
| 00:24:17 |
Rika? |
| 00:24:18 |
Studied architecture |
| 00:24:21 |
He introduces me to gifted students |
| 00:24:28 |
I'm not gifted, not at all |
| 00:24:32 |
Mayama's in love |
| 00:24:33 |
I hardly feel I'm worth paying... |
| 00:24:36 |
You're definitely worth it |
| 00:24:38 |
I knew it |
| 00:24:49 |
I'm headed this way |
| 00:24:53 |
I want to check out a store |
| 00:24:59 |
Later |
| 00:25:01 |
See you |
| 00:25:34 |
I'd heard about you... |
| 00:25:46 |
You're Hanamoto Hagumi? |
| 00:25:49 |
Why don't you submit your work |
| 00:25:55 |
But there's one condition... |
| 00:26:16 |
I'll go buy meal tickets |
| 00:26:21 |
The Stamina Lunch |
| 00:26:33 |
There's the girl genius |
| 00:26:36 |
Her? Up close, |
| 00:26:39 |
Scholarship student |
| 00:26:40 |
Not your average student |
| 00:26:45 |
The girl genius is upholding |
| 00:26:48 |
Lots of pressure |
| 00:26:49 |
She's special |
| 00:26:50 |
She's an 'artist' |
| 00:27:00 |
It's so crowded and noisy, |
| 00:27:05 |
I know, have you been |
| 00:27:10 |
Their rice omelet's perfect |
| 00:27:21 |
I see, you're from Nagano |
| 00:27:26 |
Nagano brings to mind... |
| 00:27:32 |
The Matsumoto castle |
| 00:27:34 |
The castle keep |
| 00:27:37 |
It's a five-tiered keep |
| 00:27:42 |
Do you know a five-tiered keep? |
| 00:27:46 |
Wait, do you even know |
| 00:27:52 |
That's not right, Hagu |
| 00:27:55 |
Born in Nagano and you've |
| 00:28:00 |
Castles are great, old buildings are |
| 00:28:05 |
Did you know? In that giant structure, |
| 00:28:11 |
Ayu... |
| 00:28:14 |
What? You know Yamada san |
| 00:28:19 |
We're friends |
| 00:28:32 |
Bye, I have to go to work |
| 00:28:41 |
If it's all right, |
| 00:28:52 |
Meow-zaburo! |
| 00:28:55 |
I'm here at your call |
| 00:29:01 |
Red scarf, waving in the wind |
| 00:29:07 |
Meow-zaburo's here to rescue |
| 00:29:13 |
a shopping arcade in need of help |
| 00:29:18 |
Meow-zaburo is |
| 00:29:39 |
Something good happen? |
| 00:29:46 |
Something bad happen? |
| 00:29:50 |
Want to hear? |
| 00:29:51 |
No thanks, I'll pass |
| 00:29:56 |
Right |
| 00:29:58 |
What if you find |
| 00:30:06 |
Pisses me off |
| 00:30:09 |
It doesn't suit you |
| 00:30:16 |
Looking miserable suits you, |
| 00:30:22 |
You got me back good |
| 00:30:31 |
Harada, it's been 5 years |
| 00:30:35 |
leaving a huge hole |
| 00:30:39 |
But I can't fill that hole |
| 00:30:44 |
Not me... |
| 00:30:56 |
Oops |
| 00:30:57 |
What, you're back? |
| 00:30:59 |
Yes. You were out before |
| 00:31:04 |
Don't sound so formal, |
| 00:31:09 |
Really? |
| 00:31:10 |
I teach architecture |
| 00:31:12 |
What's my major, then? |
| 00:31:14 |
I know it's not architecture |
| 00:31:17 |
You're right |
| 00:31:18 |
What brought you back home? |
| 00:31:21 |
Thought I'd have a solo show, |
| 00:31:24 |
There's a gallery |
| 00:31:26 |
Fujiwara Gallery, right? |
| 00:31:30 |
And after that? |
| 00:31:32 |
Nothing |
| 00:31:33 |
Still no plans to graduate? |
| 00:31:37 |
I'm so in love |
| 00:31:40 |
A solo show at that gallery |
| 00:31:45 |
Just about your speed |
| 00:31:49 |
Are they... That important? |
| 00:31:55 |
Those fag brothers are? |
| 00:32:04 |
Oops, I don't have time for this |
| 00:32:08 |
Mind if I stick around? |
| 00:32:10 |
Feel free |
| 00:32:11 |
I know |
| 00:32:19 |
A souvenir, sort of |
| 00:32:21 |
What is this? It's cute |
| 00:32:31 |
Oh, you're home |
| 00:32:33 |
I'll fix dinner, now |
| 00:32:45 |
We're having pasta tonight |
| 00:32:54 |
Today, Dr. Koda said |
| 00:32:57 |
I should apply to the Oslo |
| 00:33:01 |
The Biennale |
| 00:33:04 |
Did she? |
| 00:33:09 |
Sounds good, why don't you? |
| 00:33:15 |
But not my usual paintings |
| 00:33:18 |
Right, I guess she means no abstracts |
| 00:33:25 |
They're bad? |
| 00:33:26 |
Abstracts aren't hot now |
| 00:33:31 |
You should paint the pictures |
| 00:33:36 |
It doesn't matter if |
| 00:33:47 |
If you like it, you keep it |
| 00:33:55 |
Thank you |
| 00:35:17 |
There she goes |
| 00:37:32 |
Amazing |
| 00:37:35 |
Sorry to call you here |
| 00:37:39 |
You're going to Morita's show? |
| 00:37:41 |
Yes, I'd like to go to the opening |
| 00:37:46 |
Is this already finished? |
| 00:37:48 |
No, probably not |
| 00:37:53 |
If you're going, could you take |
| 00:37:57 |
What? Aren't you going? |
| 00:38:00 |
I'm going but I've got to |
| 00:38:03 |
Sure, I'm happy to... |
| 00:38:08 |
Yamada said she's attending |
| 00:38:13 |
Sure, sure, fine |
| 00:38:15 |
Might as well invite Mayama |
| 00:38:21 |
What do you say we pick her up |
| 00:38:27 |
First, I have to see |
| 00:38:32 |
So, where's Hagu today? |
| 00:38:35 |
Oh, well, she's taking |
| 00:38:59 |
I like that painting of yours |
| 00:39:03 |
Your sculpture was better |
| 00:39:16 |
Busted, huh? |
| 00:39:19 |
Yep, I screwed it up |
| 00:39:28 |
Once you carve, |
| 00:39:33 |
Wood sculpture's tough |
| 00:39:37 |
I can understand |
| 00:39:41 |
But it looks fun |
| 00:39:47 |
It is |
| 00:41:28 |
The world I could never see, |
| 00:41:33 |
unrealized dreams |
| 00:41:37 |
I wonder how the world looks, |
| 00:41:52 |
Hmm, it's lovely |
| 00:41:54 |
I think it's really lovely |
| 00:41:57 |
It's big |
| 00:41:59 |
It's hard |
| 00:42:01 |
It's curved |
| 00:42:03 |
It's fine isn't it, Luigi? |
| 00:42:07 |
It's more than fine, Mario |
| 00:42:11 |
Do you get it, Morita? |
| 00:42:16 |
Right, this is business |
| 00:42:18 |
Right, unfortunately, |
| 00:42:23 |
Yeah, unfortunately, |
| 00:42:27 |
Finish it |
| 00:42:33 |
You're stubborn |
| 00:42:35 |
Just have a normal, fun, |
| 00:42:43 |
I bet girls like you |
| 00:42:46 |
If you just go for it |
| 00:42:57 |
Hey, Takemoto |
| 00:42:59 |
We're having a barbecue upstairs, |
| 00:43:02 |
No, I'll pass |
| 00:43:04 |
No, hey |
| 00:43:08 |
Did something good happen? |
| 00:43:11 |
Come eat |
| 00:43:17 |
Real beef |
| 00:43:27 |
It's good |
| 00:43:30 |
Tastes awful |
| 00:43:34 |
But it's good |
| 00:43:36 |
About this meat, you know |
| 00:43:40 |
The young boss at Suzuki Butcher's, |
| 00:43:45 |
he'd been set up on a date, |
| 00:43:47 |
and he was all for it and |
| 00:43:52 |
What's that paint smell? |
| 00:43:54 |
I knew it was meat |
| 00:43:57 |
It's not right, Morita san |
| 00:44:02 |
Mr. Cow? |
| 00:44:04 |
Want some? |
| 00:44:06 |
Sure I will, but... |
| 00:44:16 |
Meat, I like meat |
| 00:44:20 |
Meat, I just love meat |
| 00:45:12 |
I'd had a bad feeling all day, |
| 00:46:03 |
Sorry |
| 00:46:24 |
Why are you chasing me? |
| 00:46:27 |
Because you ran away |
| 00:46:28 |
I'm running |
| 00:46:33 |
Really? |
| 00:46:38 |
So, what do you want? |
| 00:46:44 |
Um... |
| 00:46:47 |
You know |
| 00:46:50 |
So, what is it? |
| 00:46:55 |
Um, Yamada |
| 00:46:58 |
Why me? |
| 00:47:01 |
What are you talking about? |
| 00:47:04 |
I doubt I'll change |
| 00:47:09 |
Um, it'll be much easier |
| 00:47:17 |
I think you'd better stop |
| 00:47:43 |
Was I dumped? |
| 00:48:04 |
I hurt Yamada |
| 00:48:07 |
After which... |
| 00:48:10 |
Um... |
| 00:48:16 |
In other words, I'm fired? |
| 00:48:18 |
To put it bluntly |
| 00:48:21 |
Because I love you? |
| 00:48:24 |
Forgive me |
| 00:48:26 |
No... |
| 00:48:29 |
You're not wrong |
| 00:48:31 |
This office is too small |
| 00:48:35 |
I understand |
| 00:48:41 |
Thank you for understanding |
| 00:48:44 |
Um, is that the only reason? |
| 00:48:47 |
Yes |
| 00:48:50 |
Your work was better than |
| 00:48:57 |
I'm relieved to hear that |
| 00:49:00 |
I'll think up a new approach |
| 00:49:03 |
Good bye |
| 00:49:04 |
After which, |
| 00:49:07 |
Getting dumped, |
| 00:49:09 |
the feelings only grew stronger |
| 00:49:13 |
I'm talking about Yamada, here |
| 00:49:48 |
Hey, |
| 00:49:51 |
Hagu, that's... |
| 00:49:58 |
It's cute |
| 00:50:15 |
Why did you start working |
| 00:50:20 |
Honey, that's a wonderful question |
| 00:50:24 |
Compared to the size of his talent, |
| 00:50:28 |
This isn't even relevant |
| 00:50:29 |
He's heading off into the world |
| 00:50:33 |
This is what it means |
| 00:50:36 |
Morita san's like a celebrity |
| 00:50:40 |
He feels so far away... |
| 00:50:44 |
I've never seen someone |
| 00:50:48 |
And he even looks good in it |
| 00:51:14 |
Hole-Ridden Tree |
| 00:51:32 |
This is... |
| 00:51:34 |
I decided not to start over |
| 00:51:43 |
This show needed |
| 00:51:47 |
I didn't have time to start over |
| 00:51:54 |
The price is so high |
| 00:52:01 |
We make the art, |
| 00:52:04 |
and the gallery puts a price on it |
| 00:52:08 |
So I've done nothing wrong |
| 00:52:13 |
Nothing wrong |
| 00:52:22 |
You don't agree, do you? |
| 00:52:43 |
I'll take a look around |
| 00:52:59 |
Rika san! |
| 00:53:01 |
Rika! |
| 00:53:02 |
Oh, Hanamoto, darling |
| 00:53:07 |
Thank you |
| 00:53:10 |
It's been way too long, way too |
| 00:53:19 |
Mayama |
| 00:53:20 |
Oh, Rika san |
| 00:53:23 |
Mayama, these are the Fujiwara brothers |
| 00:53:29 |
They were art school classmates |
| 00:53:33 |
Despite their looks, |
| 00:53:36 |
Is this show Morita's? |
| 00:53:39 |
He's been discovered |
| 00:53:41 |
You're so mean! |
| 00:53:42 |
Hana darling, |
| 00:53:45 |
How many times do I have to |
| 00:53:50 |
How can you say that, Hana darling |
| 00:53:52 |
It's about time |
| 00:53:56 |
Hanamoto and I aren't involved |
| 00:54:18 |
No, no |
| 00:54:19 |
Yes, he did, he hit me! |
| 00:54:26 |
Everything OK? |
| 00:54:28 |
What? |
| 00:54:30 |
That's that art critic... |
| 00:54:32 |
We used to be like that, too |
| 00:54:37 |
Don't you remember? |
| 00:54:44 |
I forgot |
| 00:54:58 |
What happened! |
| 00:55:02 |
That man... |
| 00:55:04 |
That pretentious guy? |
| 00:55:06 |
That's Nagata Kei, |
| 00:55:09 |
He called the sculpture... |
| 00:55:12 |
Did he bad mouth it? |
| 00:55:14 |
He said, 'It's only big' |
| 00:55:17 |
That's why you hit him? |
| 00:55:19 |
Yeah, for that she jumped him |
| 00:55:22 |
What? Hagu did... |
| 00:55:26 |
Yeah, and I was trying to stop her... |
| 00:55:50 |
This is the legendary car |
| 00:55:54 |
Nostalgic |
| 00:55:56 |
It took me a year of fixing it up |
| 00:56:02 |
Amazing! |
| 00:56:07 |
Hey |
| 00:56:09 |
Let's go to the beach |
| 00:56:12 |
The beach? |
| 00:56:13 |
The beach |
| 00:56:15 |
Now? |
| 00:56:16 |
Yeah, now |
| 00:56:20 |
Yes! |
| 00:56:24 |
Yes! |
| 00:56:25 |
Let's go, c'mon, Hagu |
| 00:56:28 |
Yeah |
| 00:56:30 |
I want to go |
| 00:56:34 |
All right, let's go |
| 00:56:36 |
For real? |
| 00:56:37 |
Yes, c'mon, get in |
| 00:56:38 |
No, no, please don't drive, |
| 00:56:42 |
I'll drive, you don't have to drive |
| 00:56:48 |
Get in |
| 00:56:57 |
Morita san! Morita san! |
| 00:57:12 |
Hey, hey, Morita san, |
| 00:57:17 |
Great, great, I love this |
| 00:57:23 |
Fantastic! |
| 00:57:24 |
Ease up on the gas? |
| 00:57:26 |
Worn-out? |
| 00:57:28 |
I think it may smell smoky |
| 00:57:38 |
Hey, Hagu, you're from Nagano? |
| 00:57:42 |
I always wanted to ask |
| 00:57:45 |
Is it true that 40 percent |
| 00:57:48 |
from Nagano |
| 00:57:56 |
Forty percent sounds too high... |
| 00:58:00 |
Right, Takemoto? |
| 00:58:01 |
Don't ask me |
| 00:58:25 |
The ocean! |
| 00:59:08 |
Ocean! |
| 01:00:01 |
I'll scream, Takemoto |
| 01:00:03 |
Sounds good, Morita san |
| 01:00:08 |
I'm the best! |
| 01:00:11 |
Youth is best! |
| 01:00:17 |
When you say the word youth, |
| 01:00:30 |
Perfect |
| 01:00:32 |
A photo of youth |
| 01:00:36 |
The height of youthful folly |
| 01:01:13 |
What do we do? |
| 01:01:18 |
Shit, it's your fault for not |
| 01:01:21 |
You're the one that |
| 01:01:24 |
What, it's my fault? |
| 01:01:28 |
What are you kicking? |
| 01:01:31 |
Morita san |
| 01:01:33 |
Oh, thank god |
| 01:01:36 |
Please look after Hagu |
| 01:01:40 |
Leave it to me... she'll be fine |
| 01:01:44 |
You sound too scary, |
| 01:01:47 |
Mayama's boasting it'll be |
| 01:01:52 |
OK, then |
| 01:01:55 |
Pisses me off! |
| 01:01:58 |
Yamada, got 100 yen? |
| 01:02:01 |
I think you should stop, Morita san |
| 01:02:06 |
If you don't learn how to lose now, |
| 01:02:15 |
Oh my, you're awfully insightful, |
| 01:02:25 |
I was the only fool in love... |
| 01:02:34 |
Did you already tell Hagu |
| 01:02:41 |
You get right to the point, |
| 01:02:46 |
Of course not, huh? |
| 01:02:48 |
Of course not, not yet |
| 01:02:55 |
Better get it together or |
| 01:03:00 |
I mean both of us |
| 01:03:03 |
The rest of my life... |
| 01:03:07 |
Sounds unbearable |
| 01:03:24 |
The person I love |
| 01:03:26 |
chooses to love me |
| 01:03:31 |
That's all it takes, |
| 01:03:35 |
but I don't think |
| 01:03:38 |
You kids think too much |
| 01:03:43 |
Giving up... |
| 01:03:47 |
How do you do that? |
| 01:03:50 |
Just don't give up |
| 01:03:55 |
That was a really good line |
| 01:03:59 |
I can really do that? |
| 01:04:03 |
Refuse to give up? |
| 01:04:06 |
You're really in love... |
| 01:04:14 |
Yamada, |
| 01:04:16 |
you get me, like nobody else |
| 01:04:20 |
I get you like nobody else does |
| 01:04:25 |
In other words, |
| 01:04:30 |
we're the best team |
| 01:04:35 |
Like peaches and cream |
| 01:04:37 |
Like sugar and spice, |
| 01:04:42 |
I get it, I get it |
| 01:04:45 |
The best in the world! |
| 01:04:48 |
The best team in the world! |
| 01:04:51 |
The best team in the universe! |
| 01:04:57 |
Hagu, |
| 01:05:01 |
since you came to our school... |
| 01:05:04 |
April, May, June, July, |
| 01:05:09 |
It's been six months |
| 01:05:11 |
So fast |
| 01:05:13 |
It's been so fast |
| 01:05:15 |
Time flies like an arrow |
| 01:05:19 |
life is short... |
| 01:05:25 |
So, um... |
| 01:05:28 |
What I want to say... |
| 01:05:37 |
I'll say it |
| 01:05:43 |
I... feel about you... |
| 01:06:11 |
What is this shit! |
| 01:06:21 |
Because... mine's better |
| 01:09:13 |
Since I was a kid, |
| 01:09:21 |
Why do people draw pictures? |
| 01:09:26 |
Because we want to |
| 01:09:30 |
Because we have to draw |
| 01:09:35 |
That's... |
| 01:09:37 |
like asking people why they live |
| 01:09:47 |
Quite an answer |
| 01:09:51 |
Straight as an arrow, no doubt |
| 01:09:57 |
I genuinely envy you |
| 01:10:03 |
I think, from the first time |
| 01:10:09 |
I saw your painting... |
| 01:10:46 |
Hear, hear |
| 01:10:48 |
You thought yesterday was |
| 01:10:52 |
Say whatever you want |
| 01:10:54 |
You can't wait to lose |
| 01:10:58 |
Winning or losing, |
| 01:11:01 |
So you don't even step into the ring, |
| 01:11:07 |
It sure is safer |
| 01:11:16 |
You're up against a tough rival |
| 01:11:22 |
I have to agree |
| 01:11:43 |
How's Hagu doing? |
| 01:11:46 |
Haven't seen her recently |
| 01:11:50 |
I see |
| 01:11:52 |
The thing is, |
| 01:11:56 |
Put simply, she's in a slump... |
| 01:12:01 |
Gee, I don't know |
| 01:12:05 |
Anything between |
| 01:12:09 |
Why do you suspect |
| 01:12:12 |
If anybody's going to get to Hagu, |
| 01:12:17 |
Not me, huh? |
| 01:12:19 |
I'd be happy if it was you |
| 01:12:25 |
Sorry, joking |
| 01:12:27 |
Don't look at me like that, |
| 01:12:32 |
Drop in on her |
| 01:13:00 |
Hagu, did you eat lunch? |
| 01:13:07 |
You OK? |
| 01:13:10 |
I can't... |
| 01:13:14 |
seem to manage 'like always' |
| 01:13:19 |
You're not well |
| 01:13:33 |
Listen, Hagu |
| 01:13:37 |
If there's anything I can do... |
| 01:13:41 |
I'm happy to... |
| 01:14:17 |
Hey, part-timer! |
| 01:14:21 |
Yes |
| 01:14:22 |
Come here |
| 01:14:30 |
Render this as a drawing |
| 01:14:33 |
I want it done today, too |
| 01:14:36 |
Yes |
| 01:15:04 |
Takemoto! |
| 01:15:12 |
Life is so hard |
| 01:15:17 |
Getting right to the heavy stuff |
| 01:15:20 |
How's things? |
| 01:15:22 |
I'm on a losing streak |
| 01:15:26 |
I want to be happy |
| 01:15:30 |
I want to be happy, too |
| 01:15:35 |
Maybe it's time to look |
| 01:15:41 |
I'd look for it, |
| 01:15:48 |
Don't tell me you've never |
| 01:15:55 |
What? I thought they were |
| 01:15:59 |
Like dragons and mermaids |
| 01:16:04 |
You've led a life so unlucky |
| 01:16:09 |
Don't say that so intently |
| 01:16:16 |
All right |
| 01:16:19 |
Everyone! We're all looking |
| 01:16:23 |
For this miserable young man! |
| 01:16:31 |
Can't find any |
| 01:16:33 |
Can't find any but it's still fun |
| 01:16:36 |
It's fun to move around |
| 01:16:38 |
Honestly, I'm not having much fun |
| 01:16:42 |
I guess sulking |
| 01:16:54 |
Say |
| 01:16:57 |
Is my spine crooked? |
| 01:17:07 |
Hard to tell |
| 01:17:18 |
Sold |
| 01:17:36 |
Rice omelet? |
| 01:17:38 |
No, no, not so fast |
| 01:17:42 |
Hey! |
| 01:17:43 |
Hey, Morita |
| 01:18:08 |
Oh, Yamada |
| 01:18:19 |
Hey |
| 01:18:24 |
What are you doing here? |
| 01:18:29 |
Coincidence? |
| 01:18:34 |
It won't shut |
| 01:18:39 |
Oh, look at the time |
| 01:18:47 |
No, this way |
| 01:18:49 |
Mayama |
| 01:18:54 |
Let's go |
| 01:19:22 |
I never run into you, |
| 01:19:26 |
I'm busy, in my own way |
| 01:19:30 |
Who knows where Mayama is |
| 01:19:33 |
He's around |
| 01:19:41 |
I haven't seen Yamada |
| 01:19:44 |
Yamada's doing her best |
| 01:19:50 |
Huh, so everybody's doing |
| 01:19:56 |
Sounds a little... |
| 01:20:00 |
What about her? |
| 01:20:05 |
Who? |
| 01:20:09 |
Don't tell me |
| 01:20:16 |
Guess I haven't |
| 01:20:23 |
In a word, |
| 01:20:27 |
Hagu's in a slump |
| 01:20:30 |
A slump? |
| 01:20:31 |
Some kind of psychological shock |
| 01:20:39 |
Don't tell me... |
| 01:20:42 |
You know perfectly well |
| 01:20:49 |
How much of a slump? |
| 01:20:52 |
Worried? |
| 01:20:56 |
Well, you know... |
| 01:21:01 |
I'm worried |
| 01:21:41 |
I'll start out like an intern |
| 01:21:46 |
I'm barging in |
| 01:21:51 |
And if I'm useful, |
| 01:21:58 |
Why? |
| 01:22:01 |
Please let me work here for you |
| 01:22:04 |
It'll end the same way |
| 01:22:08 |
I'll just... |
| 01:22:09 |
I don't care if you hurt me |
| 01:22:18 |
I won't get hurt |
| 01:22:35 |
You didn't give up, Mayama |
| 01:22:54 |
See you |
| 01:23:26 |
I told you to avoid abstracts |
| 01:23:31 |
Why don't you take my advice? |
| 01:23:36 |
If you just listen to me, |
| 01:23:40 |
the Oslo International's |
| 01:23:45 |
But if you do what you |
| 01:23:48 |
always do, you'll never |
| 01:23:52 |
I know Dr. Hanamoto |
| 01:23:58 |
I've seen so many |
| 01:24:01 |
through recklessness and |
| 01:24:07 |
Our job as instructors |
| 01:24:10 |
should be to minimize |
| 01:24:14 |
At this rate, she'll be crushed, |
| 01:24:17 |
by the weight of her own talent |
| 01:24:21 |
At this rate, that's definitely |
| 01:24:29 |
Actually, I think |
| 01:24:34 |
Right, Hanamoto san? |
| 01:24:47 |
Don't chase her, Morita! |
| 01:24:50 |
Don't mess with her heart |
| 01:24:54 |
Please |
| 01:25:01 |
You're absolutely right about |
| 01:25:06 |
but once in a while |
| 01:25:12 |
So irresponsible |
| 01:25:22 |
Hagu! |
| 01:25:29 |
Sorry |
| 01:25:41 |
That Hagu, not eating... |
| 01:25:44 |
Sorry |
| 01:25:47 |
You don't need to apologize |
| 01:25:51 |
I guess Dr. Koda's prediction |
| 01:25:55 |
I was hoping she could push |
| 01:26:01 |
She's got to crawl out |
| 01:26:06 |
But... |
| 01:26:08 |
All we can do is watch and wait |
| 01:27:11 |
And I... |
| 01:27:13 |
Was taken aback by |
| 01:27:17 |
I could actually do for her |
| 01:27:47 |
Meet Morita Shinobu |
| 01:27:51 |
Today's the opening |
| 01:27:57 |
How's this flyer |
| 01:28:03 |
Hey, look, that's Morita |
| 01:28:08 |
Morita san, Morita san! |
| 01:28:14 |
Wait a minute! |
| 01:28:18 |
Does this price include taxes? |
| 01:28:20 |
Taxes? You tell her |
| 01:28:23 |
No, it's tax-exclusive |
| 01:28:26 |
Tax-exclusive... |
| 01:28:29 |
Do you have a girlfriend? |
| 01:28:33 |
That question's so TV |
| 01:28:34 |
Shall we recruit one? |
| 01:28:37 |
I wonder |
| 01:28:44 |
Oh! A commercial! |
| 01:28:46 |
You shouldn't be |
| 01:29:27 |
What I can do for her... |
| 01:29:35 |
So, that was our |
| 01:29:40 |
By the way, this exhibition |
| 01:29:49 |
Thanks, OK |
| 01:29:51 |
I'm sorry |
| 01:29:53 |
What's with that guy? |
| 01:30:10 |
Hey, Takemoto |
| 01:30:13 |
What are you doing, Morita? |
| 01:30:16 |
I was just being |
| 01:30:19 |
Hey, but what are you |
| 01:30:22 |
Do you know how bad Hagu is? |
| 01:30:25 |
Yeah |
| 01:30:27 |
Then why don't you do something? |
| 01:30:34 |
The person who can help Hagu now |
| 01:30:40 |
and it isn't me, |
| 01:30:43 |
it's you... |
| 01:30:46 |
I think |
| 01:30:48 |
There's nothing I can do, either |
| 01:30:54 |
There has to be something, |
| 01:30:57 |
I just can't think of anything, |
| 01:31:01 |
but I know you can |
| 01:31:18 |
Please look out for Hagu |
| 01:31:24 |
Not that I'm |
| 01:31:39 |
That was all I could do |
| 01:32:16 |
Not so bad for being young |
| 01:32:33 |
And then I ran away, |
| 01:32:36 |
turning my back on |
| 01:32:39 |
as though tumbling down |
| 01:33:15 |
Yamada! |
| 01:33:21 |
Tomorrow's party... |
| 01:33:26 |
What? |
| 01:34:44 |
Wow |
| 01:34:49 |
That's a kashira rail, right? |
| 01:34:54 |
Dates from the 15th century? |
| 01:34:59 |
You know your stuff |
| 01:35:02 |
Want to try? |
| 01:35:04 |
I can? |
| 01:35:09 |
Of course not |
| 01:35:14 |
You're a pest, go away |
| 01:35:20 |
Sorry |
| 01:35:46 |
Before I realized, |
| 01:35:50 |
intent only on pedaling |
| 01:35:53 |
And... |
| 01:36:00 |
I was remembering, |
| 01:36:03 |
Morita san's irritating |
| 01:36:07 |
Yamada san's face, |
| 01:36:12 |
Mayama san's |
| 01:36:17 |
Your smile |
| 01:36:55 |
I'll scream, Takemoto |
| 01:36:57 |
Sounds good, Morita san |
| 01:37:02 |
I'm the best! |
| 01:37:05 |
Youth is best! |
| 01:37:12 |
When you say the word youth, |
| 01:37:27 |
Where had the sparkling sea gone? |
| 01:37:33 |
I can't run away |
| 01:37:36 |
If I run now, |
| 01:37:43 |
even meeting you |
| 01:38:06 |
Hello |
| 01:38:33 |
What's with the vibe in here? |
| 01:38:37 |
Amidst a certain sadness, |
| 01:38:42 |
Does everyone have |
| 01:38:45 |
A toast to Dr. Hanamoto's |
| 01:38:49 |
Cheers |
| 01:38:57 |
No, no, that's not what I meant |
| 01:39:01 |
So, which did you take first... |
| 01:39:04 |
You seem a little strange today |
| 01:39:08 |
I'm not strange |
| 01:39:10 |
You're not strange... |
| 01:39:14 |
Morita san |
| 01:40:12 |
Mayama I'm borrowing |
| 01:40:25 |
You don't mind, the car? |
| 01:40:30 |
I don't mind |
| 01:40:34 |
How about you? |
| 01:40:37 |
Mind your own business, |
| 01:40:39 |
and do something about |
| 01:40:49 |
Watching you... |
| 01:40:52 |
was like watching myself |
| 01:41:03 |
But eventually, being uncool, |
| 01:41:08 |
or being stubborn |
| 01:41:13 |
didn't matter anymore |
| 01:41:21 |
What are you doing? |
| 01:43:13 |
I'm sorry, Yamada |
| 01:43:22 |
I still can't give up on her |
| 01:43:34 |
Hey, you drooled |
| 01:43:47 |
Mayama |
| 01:43:52 |
I like you |
| 01:44:11 |
Mayama |
| 01:44:16 |
I really like you |
| 01:44:19 |
Yeah |
| 01:44:22 |
I love you |
| 01:44:26 |
Yeah |
| 01:44:29 |
Thanks |
| 01:44:39 |
So this is how it feels |
| 01:44:43 |
to burn your own work |
| 01:44:48 |
How? |
| 01:44:53 |
Like burning stacks of cash |
| 01:45:00 |
Don't worry, it's only |
| 01:45:05 |
Stacks of cash |
| 01:45:07 |
But not my work |
| 01:45:09 |
At some point, |
| 01:45:19 |
Can I say something |
| 01:45:24 |
You're not alone |
| 01:45:26 |
You've got Hanamoto san, |
| 01:45:29 |
you've got Yamada |
| 01:45:31 |
Takemoto's worried sick about you |
| 01:45:43 |
So don't go off on your own |
| 01:45:51 |
The reason I'm talking |
| 01:45:56 |
It's his fault |
| 01:45:58 |
It's Takemoto's fault |
| 01:46:01 |
Mr. Youth told me |
| 01:46:04 |
That I should be able to help you |
| 01:46:12 |
Your ass is bleeding |
| 01:46:17 |
Just joking |
| 01:46:22 |
Want a ride? |
| 01:46:27 |
I'm fine |
| 01:46:29 |
Right |
| 01:46:32 |
I get it |
| 01:46:34 |
You're searching for yourself |
| 01:46:37 |
No, I'm not |
| 01:46:38 |
You don't have to hide it |
| 01:46:41 |
I'm not hiding it |
| 01:46:45 |
It's great to be young |
| 01:46:54 |
Take this |
| 01:46:59 |
Take this and go find yourself |
| 01:47:05 |
Sawada Construction |
| 01:47:11 |
Thank you! |
| 01:47:22 |
It never occurs to me |
| 01:47:29 |
So, |
| 01:47:31 |
I couldn't figure it out, |
| 01:47:34 |
and here I am |
| 01:47:41 |
Am I helping you? |
| 01:47:51 |
You are |
| 01:48:00 |
Yes, you are |
| 01:48:09 |
Thanks for... |
| 01:48:13 |
Save your thanks for Mr. Youth |
| 01:48:19 |
I'm leaving the country |
| 01:48:23 |
That's what I thought you'd do |
| 01:48:31 |
Someday I want to support you |
| 01:48:37 |
I want to have the strength |
| 01:48:42 |
But for now, I'll do what I can |
| 01:48:46 |
Right now, I'll tell you |
| 01:49:41 |
Hagu |
| 01:49:46 |
I... |
| 01:49:52 |
Love you, Hagu |
| 01:50:05 |
Thank you |
| 01:50:15 |
How's your work, Takemoto? |
| 01:50:19 |
Is it too hard? |
| 01:50:22 |
Morita san had his first |
| 01:50:27 |
The reviews were not great |
| 01:50:33 |
Mayama was officially hired |
| 01:50:38 |
In love and in work, |
| 01:50:41 |
Hustling? |
| 01:50:43 |
Frankly, he can do |
| 01:50:48 |
Me... I'm laying low for now |
| 01:50:57 |
Oh, right |
| 01:50:59 |
Hagu finished a new painting |
| 01:51:03 |
with that brush |
| 01:51:10 |
It's cobalt blue, |
| 01:51:13 |
a shimmering, beautiful, |
| 01:51:16 |
painting of the sea... |
| 01:51:20 |
I think |
| 01:51:27 |
Takemoto: Sho Sakurai |
| 01:51:33 |
Hagumi: Yu Aoi |
| 01:51:39 |
Morita: Yusuke Iseya |
| 01:51:45 |
Mayama: Ryo Kase |
| 01:51:51 |
Yamada: Megumi Seki |
| 01:51:58 |
Dr. Hanamoto: Masato Sakai |
| 01:52:04 |
Rika: Naomi Nishida |
| 01:52:10 |
Restoration consultant: Shidou Nakamura |
| 01:52:31 |
Executive Producers: Yasushi Shiina, Noritaka |
| 01:52:38 |
Producers: |
| 01:52:44 |
Based on a Comic by Chica Umino 'Honey |
| 01:52:50 |
Written by |
| 01:52:55 |
Director of Photography: |
| 01:53:00 |
Lighting Director: |
| 01:53:05 |
Production Designer: |
| 01:53:10 |
Sound Recordist: Makio Ika |
| 01:53:15 |
Sound Mixer: Tadao Tasai |
| 01:53:20 |
Editors: |
| 01:53:25 |
Music: Yoko Kanno |
| 01:53:32 |
Music Producers: |
| 01:53:37 |
Decorator: Ayako Ogawa |
| 01:53:42 |
Costume Designer: |
| 01:53:47 |
Hair & Makeup: Lee Hyeon-il |
| 01:53:52 |
Casting: Tsuyoshi Sugino |
| 01:53:57 |
Assistant Director: |
| 01:54:01 |
Production Coordinators: |
| 01:54:06 |
Line Producers: |
| 01:54:11 |
Associate Producer: |
| 01:54:16 |
Theme Song: 'MAHOU NO KOTOBA' Performed |
| 01:54:23 |
Closing Theme: 'AOZORA PEDAL' Song by |
| 01:54:30 |
Original Soundtrack: 'Original Soundtrack: |
| 01:55:10 |
Produced by Asmik Ace Entertainment, Inc. |
| 01:55:17 |
Production: |
| 01:55:22 |
In Association with |
| 01:55:26 |
Supported by JAPAN ARTS FUND |
| 01:55:34 |
Directed by Masahiro Takata |
| 01:55:46 |
(c) 2006 'Honey and Clover' Film Partners |
