Hamlet 2

en
00:00:32 To act is to live.
00:00:35 Are you tired? Overweight?
00:00:37 Lacking energy?
00:00:39 Do you wish you could look
00:00:42 By unlocking the power of natural juice
00:00:45 with Jack La Lanne's Power Juicer.
00:00:48 We juiced with this other juicer,
00:00:50 and look how much work it takes,
00:00:51 feeding the small chute.
00:00:54 To act is to breathe the poet's breath.
00:01:19 It is to embody the dreams of man.
00:01:23 To live as an actor is to live a dream.
00:01:29 I'm having a herpes outbreak right now.
00:01:32 But you'd never know it.
00:01:36 Thanks, Herpecol.
00:01:39 But dreams are ephemeral,
00:01:44 So we must ask,
00:01:47 where do dreams go to die?
00:02:03 Hey, look, I'm sorry, okay?
00:02:06 Hey, well, why don't I take you out
00:02:12 Give me your number.
00:02:15 You want my number?
00:02:16 Which number do you want, George?
00:02:18 You see, right there. I like
00:02:23 For instance, ten. That's how
00:02:28 You got a baby girl?
00:02:30 Sexy, huh?
00:02:31 How about six?
00:02:32 That's how old my other daughter is.
00:02:34 Eight is the age of my son.
00:02:36 Two is how many times I've
00:02:39 Sixteen is the number of
00:02:42 And I'm guessing zero is the number
00:02:45 of times you're gonna call me.
00:03:00 Hey, the reviews are in.
00:03:04 Read them quickly.
00:03:08 "Are Dana Marschz's
00:03:10 "popular Hollywood
00:03:13 "or is he just profoundly confused?
00:03:17 "To be fair,
00:03:18 "this year's Erin Brockovich
00:03:22 "It manages to make
00:03:24 "of Mississippi Burning look
00:03:27 What about the acting?
00:03:28 "It is perhaps best not
00:03:31 "In the theater, actors endeavor
00:03:34 "Rand Posin and Epiphany
00:03:36 "and wave their arms like
00:03:39 That's enough!
00:03:42 Every trimester we
00:03:46 What's "fisted"?
00:03:47 What?
00:03:49 I have so much anger.
00:03:51 I feel like I've been raped.
00:03:53 In the face!
00:04:00 What do I need to do to please you?
00:04:02 Is that the purpose of your plays?
00:04:04 To please me?
00:04:06 I put a lot of myself into my work.
00:04:07 Would it kill you to say something
00:04:11 Have you ever considered doing a play
00:04:13 that wasn't originally a popular movie?
00:04:17 No. Why?
00:04:18 Do you think I should be
00:04:23 That wasn't what I had in
00:04:29 You know, there's so much I
00:04:31 that sometimes it overwhelms me.
00:04:35 I gotta go clean the hamster cages.
00:04:37 Are you going to be all right?
00:04:39 Yes, I'm great.
00:04:41 Okay.
00:04:42 Yeah, you take care.
00:04:46 Thanks for the truth
00:04:56 Morning, Gary.
00:04:58 Morning, Dana.
00:04:59 Top of the morning to you.
00:05:01 It's a really kickass sunny
00:05:05 Great observation there, Gary.
00:05:06 We live in Tucson.
00:05:09 Can I talk to you, please, privately?
00:05:11 Sure, squishy.
00:05:13 Excuse us.
00:05:14 Oh, yeah.
00:05:16 Sorry, I'm a little
00:05:19 I'm working on an original play.
00:05:21 It's about my childhood.
00:05:23 Anyway, I know we're broke
00:05:26 but I swear to God, I can't
00:05:29 I'm gonna go back to
00:05:31 No, no, I will not
00:05:33 I was a dealer, not a pusher.
00:05:37 It's just until I,
00:05:39 and start doing commercials again.
00:05:41 Also known as never.
00:05:44 You keep me honest,
00:05:46 Well...
00:05:47 It's not so bad. I mean, Gary has a car.
00:05:49 That's helped out a lot around here.
00:05:51 Gary has a car.
00:05:52 Maybe I can get him
00:05:56 Oh, you.
00:05:57 What did I do so right
00:06:09 Hey, Max. Hey.
00:06:28 Okay, I... Okay, I get it.
00:06:33 Hey, gang, what's up?
00:06:35 Mr. Marschz, have you
00:06:37 No. Why?
00:06:39 Let's just say, it's new and different.
00:06:41 Well, Rand, "new" and "different"
00:07:05 In my prayer circle, I've been praying
00:07:06 for more racial understanding,
00:07:08 but I still get anxious around ethnics.
00:07:20 Okay, please turn down the music.
00:07:24 Not off, just down.
00:07:27 Okay, we've got ourselves a full house!
00:07:31 Scary!
00:07:33 Normally, I only have the two students.
00:07:35 Let's go around and find out
00:07:40 You?
00:07:42 Yolanda doesn't talk.
00:07:44 But you know the only reason
00:07:46 is because there's asbestos
00:07:48 and because we live on
00:07:50 and there isn't any money,
00:07:51 they just decided to cancel
00:07:54 You know, like computers and ceramics
00:07:57 and shop and arts and crafts, and
00:08:01 Did anyone pick drama as a first choice?
00:08:07 That's fine.
00:08:11 Better never than late.
00:08:15 Okay, as a point of departure,
00:08:18 Dead Poets Society,
00:08:20 the always-superb Robin
00:08:24 Well, it's very good.
00:08:26 Mr. Williams' stand-in on
00:08:29 Patch Adams,
00:08:30 when I lived in Hollywood. Hey, come on.
00:08:32 Hey, I'm just trying to be friendly.
00:08:33 He once gave me a ride to my bus stop.
00:08:37 I couldn't be happier
00:08:39 Nice guys do finish first.
00:08:44 So what's... Hey, what's your name?
00:08:47 Heywood.
00:08:48 Heywood...
00:08:50 Heywood Jablomey.
00:08:51 Right.
00:08:54 Perhaps some of you have seen
00:08:58 the movie Mr. Holland's Opus?
00:09:00 Starring, I know...
00:09:02 Starring Richard Dreyfuss as a
00:09:06 He can't hear his music. Imagine that?
00:09:09 Very sad.
00:09:11 Also stars Glenne Headley.
00:09:13 Wildly underrated.
00:09:15 Check these out. They're all
00:09:17 inspirational...
00:09:19 Teacher.
00:09:20 ...teacher movies.
00:09:23 What could I do
00:09:26 to inspire...
00:09:31 Hey, you fucking bastards!
00:09:40 Just kidding. Hope I'm
00:09:44 Wait, I hope I am freaking you out!
00:09:48 Is this guy for real?
00:09:49 Okay, let's start with an exercise.
00:09:51 Rand, get up here.
00:09:52 Okay, Rand. Be an animal.
00:09:55 Hey, check this out.
00:10:05 Yeah, this is one of the most basic
00:10:11 That's beautiful, Rand.
00:10:16 Feline good.
00:10:18 Anyone tell what kind of animal Rand is?
00:10:21 He's a pussy.
00:10:25 Okay.
00:10:27 Okay. So, Heywood.
00:10:29 What?
00:10:30 What kind of creature would you be?
00:10:34 I could be a flaming ass crack.
00:10:35 Oh, wait, you're already doing that.
00:10:40 You know, I'd like to see your Bottom.
00:10:43 Like to see my what?
00:10:45 I'd like to see your Bottom.
00:10:49 I mean, your portrayal of Bottom
00:10:51 in A Midsummer Night's Dream.
00:10:54 It's written by a buddy of
00:10:56 William Shakespeare.
00:10:58 Yeah, he liked to goof around,
00:10:59 but most of the time he was serious.
00:11:02 Because he, like I, believed
00:11:05 not only to transform the actor,
00:11:07 but also the audience.
00:11:10 Do you believe that?
00:11:11 Sounds kind of cuckoo-bananas.
00:11:14 But I believe that.
00:11:15 I believe that with
00:11:17 If I kick this trash can...
00:11:21 Oh, my God! Yolanda!
00:11:25 Oh, my God!
00:11:26 Okay, she's still conscious
00:11:29 Man, you need to be careful.
00:11:30 You know what I'm saying?
00:11:31 Hey, I've learned a lesson here,
00:11:35 About the vitality of shared experience.
00:11:39 We will all remember this
00:11:42 It was dramatic. It was visual.
00:11:44 It was stupid.
00:11:45 It was stupid, but it was also theater.
00:11:49 Okay, I'd like to borrow
00:11:52 Yolanda?
00:11:55 Yolanda?
00:11:56 It's free. Wake up.
00:12:13 Hey.
00:12:15 We started without you.
00:12:16 Apologies.
00:12:18 I had to spend some
00:12:20 for the school district and paramedics.
00:12:22 Now, it's all going to work out.
00:12:24 There's no brain damage.
00:12:25 No charges will be pressed.
00:12:29 I think I need a
00:12:32 Nothing you are saying
00:12:35 Turns out my class is fourteen
00:12:39 I've got a real tough nut to crack.
00:12:41 A Mexican boy, lives by his wits.
00:12:45 I'm going to inspire this year.
00:12:47 I mean, make a real difference.
00:12:49 I feel, for the first time, I
00:12:53 Oh, God! I am getting hammered!
00:12:59 Careful, Brie. You know how you get.
00:13:04 No, Dana. How do I get?
00:13:07 Please, tell me how I get.
00:13:15 Hmm?
00:13:20 No, I see. I got you. I totally got you.
00:13:25 Okay, she got me.
00:13:33 You guys laugh so much.
00:13:35 Another gem of an insight from Gary.
00:13:38 Our boarder, Gary.
00:13:43 Hey, don't forget. We have
00:13:48 at the sperm doctor on Wednesday.
00:13:53 I don't like airing
00:13:55 in front of
00:13:57 but if you're shooting
00:13:58 I'm going to stab you
00:14:03 But, seriously, you gotta
00:14:05 It's in that pamphlet I read.
00:14:08 It's... And the corduroy has got
00:14:12 It's like...
00:14:14 We live in Tucson, for fuck's sake.
00:14:16 You're broiling our little tadpoles
00:14:18 in that crotch of yours. What?
00:14:23 Can I get a virgin strawberry, please?
00:14:26 Seven years sober.
00:14:29 Awesome.
00:14:31 I seriously, seriously wish
00:14:34 Brie, I would never judge you.
00:14:36 Good, because if I had to give up booze,
00:14:38 I'd blow my brains out
00:14:42 Anyway, to Dana.
00:14:47 My husband. What the
00:14:50 I'm just kidding.
00:14:53 I don't have a drink.
00:14:58 Did you do something
00:15:01 Look, I have a life plan,
00:15:07 Well, if you don't
00:15:08 how are you supposed to
00:15:10 That's the whole point.
00:15:11 I don't want to spend time with you.
00:15:12 So pretty!
00:15:14 It's from Ethiopia.
00:15:18 I re-watched a fantastic
00:15:22 Dangerous Minds,
00:15:25 starring the gorgeous Michelle Pfeiffer.
00:15:28 It gave me a little insight into
00:15:34 Okay, stand up.
00:15:35 Why?
00:15:37 We're going to karate.
00:15:40 No, man. I don't think so.
00:15:42 Come on.
00:15:52 Nice freeball.
00:15:55 Now, punch me.
00:15:57 I'm not punching a guy in a dress.
00:15:59 It's a kaftan, my friend.
00:16:01 Keeps my balls at room temp. Now, do it.
00:16:05 Don't make me do this.
00:16:07 Do it.
00:16:08 Do it!
00:16:11 You all right?
00:16:13 Mr. M? Oh, my God!
00:16:15 I can't believe this is happening to me.
00:16:18 Mr. M, are you okay?
00:16:20 Breathe!
00:16:23 I wasn't ready.
00:16:25 Mr. Marx, could I have a minute?
00:16:27 Sure! Sure, sure.
00:16:37 What's the matter with you?
00:16:39 Trying to inspire a troubled student.
00:16:42 Look, I thought you should
00:16:45 Last night, the school board, which
00:16:49 decided to cancel drama.
00:16:51 Cancel how?
00:16:53 Completely. Forever.
00:16:55 You can stay till the end of
00:17:00 You can't have a school
00:17:03 Sure, you can.
00:17:06 This is obviously a practical joke.
00:17:09 Look, the county and the school
00:17:12 All the arts programs
00:17:15 And let's face it, we're not
00:17:21 Tony.
00:17:22 What?
00:17:23 That would be Tony-winners.
00:17:25 It's the award for theater.
00:17:27 Listen up, guy. I've seen your plays.
00:17:29 This is no great loss.
00:17:41 Well, you're a dirty, violent beaner!
00:17:43 You shouldn't have hit him like that!
00:17:44 Shut up, you cow. It wasn't my fault.
00:17:45 He made me hit him.
00:17:46 That, to you...
00:17:48 You are racist, okay?
00:17:49 And a terrible person! Oh, really?
00:17:52 Shut up! Shut up! Shut up! Shut up!
00:17:55 Shut up! Shut up! Shut up! Shut up!
00:18:01 Mr. Marschz? Are you okay?
00:18:05 No, Rand! I'm not okay!
00:18:15 Can you tell me how
00:18:19 a little boy
00:18:22 from a dairy farm in Manitoba,
00:18:24 who dreams of acting but
00:18:29 and could never get a decent agent,
00:18:32 so he moves on, decides to teach,
00:18:36 to pass on his love of the craft...
00:18:40 Can you tell me how
00:18:45 God-awful crap that's
00:18:49 wrapping his lips around a.45
00:18:51 and just blowing his brains out?
00:18:54 Don't do it!
00:19:00 Is he acting?
00:19:01 No, he's not that good.
00:19:02 Mr. Marschz!
00:19:07 Dana Marschz's wavering consciousness
00:19:10 led him to believe that
00:19:12 and all its trials.
00:19:16 But the fates had long ago deigned
00:19:18 that his life's work
00:19:30 Where the fark have you been?
00:19:32 Staring into the abyss of nothingness.
00:19:37 Drama has been cancelled.
00:19:42 Finally! Now you can go
00:19:45 and start making some real money.
00:19:47 Oh, Dana, I found a great
00:19:50 and there was still time on the meter.
00:19:55 They should just ship
00:19:57 you know, let you talk to people.
00:19:58 All the terrorists would
00:20:01 Well, I, for one, am very
00:20:05 Why did you bring that thing?
00:20:08 I don't know. I thought maybe I
00:20:20 Maybe it's better that I just...
00:20:22 I can't get pregnant.
00:20:23 I think we shouldn't
00:20:26 This is for you, baby.
00:20:28 Am I shooting blanks?
00:20:31 Are my testicles an empty tank?
00:20:36 Is it all a ruse when I go kergluge?
00:20:42 Why?
00:20:45 I want to
00:20:48 Splash you with my
00:20:54 So put your lips around
00:20:59 It's nuclear war!
00:21:03 Meyerschz? Yeah, I need a
00:21:08 Can you get the... Thanks.
00:21:13 I'm sorry about my husband.
00:21:14 He's not right in the head.
00:21:16 It's okay. It's Marschz, by the way.
00:21:17 Marschz? Yeah.
00:21:19 Marschz.
00:21:20 Marschz?
00:21:21 Marschz.
00:21:23 Marschz?
00:21:24 Marschz.
00:21:25 Marschz.
00:21:26 I don't care.
00:21:29 Excuse me, I'm sorry to be so forward,
00:21:31 but you look a lot like my favorite
00:21:36 Yeah. I am her.
00:21:38 But you really look like her.
00:21:40 Well, that's because I am her.
00:21:43 Oh, my God! I knew it in my heart-soul.
00:21:47 Oh, my God! I'm freaking out!
00:21:50 I'm freaking out.
00:21:51 You, you were wonderful
00:21:54 Oh, thank you.
00:21:55 ...and so fabulously funny
00:21:57 not forgetting Cocktail with Tom Cruise.
00:22:00 What is he like? He seems totally great.
00:22:02 What are you doing in Tucson?
00:22:03 Oh, my God! I'm freaking out!
00:22:06 I'm actually a nurse now.
00:22:08 I just, you know, got kind of
00:22:12 Sick of all the horrible people,
00:22:14 and it's all about being
00:22:16 Anyway, there's a real
00:22:19 and I like taking care of people.
00:22:23 Oh, my God! I didn't hear
00:22:25 because I'm too excited.
00:22:26 Would you come and speak
00:22:29 They would just lose their minds.
00:22:31 No. They wouldn't even
00:22:34 They would.
00:22:36 All right. I'll come.
00:22:39 But, I'm gonna talk about all the
00:22:43 the rejection...
00:22:44 Perfect!
00:22:45 So, what's Nick Cage really like?
00:22:47 I mean, were you just
00:22:51 I have to go back to work.
00:22:53 Elisabeth Shue.
00:22:54 I feel so connected to you. Yes, I do.
00:22:58 And I thank you for
00:23:01 You're welcome.
00:23:03 Shoo! Shoo, Shue!
00:23:06 Oh, God!
00:23:08 Doctor! Oh, my God!
00:23:20 Okay, gang.
00:23:21 This is the amount
00:23:28 6K, a.k.a. $6,000. How do we get it?
00:23:33 Piff? Bake sale.
00:23:35 Not enough dough, pun intended.
00:23:39 Yo. We could knock over a 7-Eleven.
00:23:42 Nice thought,
00:23:44 but 7-Elevens are not as
00:23:47 Don't ask me how I know that.
00:23:48 I saw it on the Discovery Channel.
00:23:51 I've got a little something-something.
00:23:53 Let's hear it.
00:23:54 Toasters. Man, you know,
00:23:56 You know, 10 grands.
00:23:59 Hell, we could do that.
00:24:01 Hey, dumbass!
00:24:04 "Toaster" is street for "gun."
00:24:06 "Toaster" is street for "gun"?
00:24:08 What a colorful expression!
00:24:10 There he goes! The little kangaroo rat!
00:24:16 Hey, Noah Sapperstein.
00:24:18 Oh, hi!
00:24:19 Happy? Huh?
00:24:21 Happy you finally
00:24:24 No. I think it's
00:24:26 to arts education in this country.
00:24:29 I don't know what to do.
00:24:30 Everything is out of control.
00:24:32 You want to save drama, but you've
00:24:35 You know, it's like...
00:24:37 It's like my father got reincarnated
00:24:39 into the body of a freaking
00:24:41 Look, all I'm saying is,
00:24:44 you need to inspire everyone
00:24:48 You know, I was thinking of working
00:24:51 on a musical version of The Lake House,
00:24:52 you know the wonderful Sandra
00:24:56 Play with space and time.
00:24:58 No? No.
00:25:01 There is one other thing.
00:25:03 It's a piece I've been working on.
00:25:04 I have the first act and reams
00:25:09 It's called Hamlet 2.
00:25:13 A sequel to Hamlet by Shakespeare?
00:25:16 Yes. Yes. Do you think it's a bad idea?
00:25:19 Not necessarily, no.
00:25:22 Sometimes an idea could be so
00:25:25 But... And so, what about
00:25:30 Forget about the money right now.
00:25:31 Put on a play, and make it
00:25:35 Use that as a way of drawing
00:25:39 What if it sucks?
00:25:42 Isn't that a question every
00:25:44 Yes! I am an artist, aren't I?
00:25:50 Thank you. You've given me the
00:25:53 Okay, well, I need to go to recess now.
00:25:55 You're very busy. I understand.
00:26:14 Oh, my God! Writing is so hard.
00:26:35 What is your fucking problem, man?
00:26:42 Huh?
00:27:52 Dana? Dana? Hey, I need some money.
00:27:55 Hey, it's done.
00:27:58 What is? My original work
00:28:00 The thing I've been working on
00:28:04 Oh, is that what you were doing?
00:28:05 I thought you were just
00:28:07 You're not far off, ladypants.
00:28:10 Any creative person will tell you,
00:28:11 you gotta go a little crazy
00:28:19 Hamlet 2?
00:28:20 The deuce. Correct.
00:28:22 Doesn't everybody die at
00:28:25 I have a device.
00:28:27 "The time machine door opens..."
00:28:28 That's the device.
00:28:30 "...revealing Hamlet,
00:28:34 "and Hillary Clinton having
00:28:37 It's about my troubled
00:28:42 But, you're doing this at
00:28:45 That's the plan, Stan.
00:28:48 I think that your
00:28:54 I will take that! I will take it!
00:29:00 Hey, Dana.
00:29:01 Hello, Gary.
00:29:04 Hey! Guess what I've got!
00:29:05 Your head out of your ass?
00:29:06 No!
00:29:09 Right. Watch out! This stuff is sharp.
00:29:14 As in cutting edge. All righty!
00:29:20 Are you okay?
00:29:25 Yes!
00:29:26 You're telling me that this
00:29:29 from Denmark 400 years ago?
00:29:33 And you call me a drunk?
00:29:36 It's true, Papa. I done saw it.
00:29:40 Come here, boy.
00:29:48 Take it easy on him,
00:29:55 Come closer.
00:30:01 Lay a hand on him, and I
00:30:05 You trying to take me
00:30:10 Getting drunk and beating
00:30:13 That doesn't make you a
00:30:16 I got the mind to put
00:30:17 Then fucking do it, bitch!
00:30:19 Oh, yeah? Do it, motherfucker, come on.
00:30:21 What? Bring it!
00:30:22 Excuse me! Excuse me,
00:30:25 and he's definitely not
00:30:27 and the violence is getting
00:30:29 thank you very much.
00:30:31 Okay, let's stop there.
00:30:36 Heywood, that was very powerful.
00:30:39 Yeah, that was.
00:30:42 It was gangster.
00:30:45 Wow. Where were you when I was seven?
00:30:50 Class, thoughts?
00:30:51 I thought Octavio was amazing.
00:30:54 I felt this electric charge!
00:30:56 He's so much more powerful
00:31:03 It's stupid to compare.
00:31:05 I'm just so surprised that
00:31:10 "One of you people"?
00:31:12 Man, that's some
00:31:14 I heard that, man.
00:31:16 If you don't like this class, get out.
00:31:18 Or what, bitch?
00:31:19 Don't you call me a
00:31:21 I'm so sick and tired of you, Epiphany.
00:31:23 You're hurting me!
00:31:26 Don't do that to my friend!
00:31:29 That's it, that's it.
00:31:30 Let me give you a piece of my mind.
00:31:33 No, I'm really different.
00:31:35 You've got to do something, Dana.
00:31:39 Time out! Time out!
00:31:41 You've got to do something, Dana.
00:31:45 You want nachos or pizza?
00:31:47 Nacho!
00:31:50 I have access to the activities van.
00:31:53 We can go to the Fun Zone in the mall.
00:31:56 I'll get everyone a snack.
00:31:59 You want nachos or pizza?
00:32:02 I could go for some nachos.
00:32:04 Figures.
00:32:05 I'm not doing carbs, but maybe
00:32:09 Anything is better than this.
00:32:11 All right, we're back on track!
00:32:14 And we cannot be stopped!
00:32:16 Yeah.
00:32:26 I just don't even care.
00:32:28 Hey, Mr. Marschz.
00:32:30 Hey, are you mad at me?
00:32:32 No, no.
00:32:34 I don't know.
00:32:35 You've barely spoken to me all day.
00:32:36 Is it because of my resistance
00:32:39 Hey, hey, just because they're Latinos
00:32:41 doesn't make them gang-bangers. Got it?
00:32:43 Yeah, I'm sorry. I
00:32:47 I just don't want anything to change.
00:32:50 Rand, you're teacher's pet.
00:32:51 What more do you want?
00:32:53 Come on, let's go hang with the gang.
00:32:57 You mean Latinos.
00:32:58 Hey, you little thing. Come on.
00:33:03 Hey, guys, I'm Groucho Marx.
00:33:05 I say funny stuff.
00:33:10 Mr. Marschz, these guys are drunk.
00:33:14 Come on, guys. I said no drinking.
00:33:16 Why don't you have one with us, ese?
00:33:17 Maybe you'd stop being
00:33:22 The truth is, Heywood, I haven't
00:33:25 I got the chip on my
00:33:27 from an organization called AA.
00:33:29 Really?
00:33:30 Yeah. It's a slippery slope.
00:33:33 Beer, liquor, dope, coke, meth,
00:33:39 Hey, what would happen
00:33:44 My entire life would fall apart.
00:33:48 Okay. Who wants to go? Me.
00:33:50 I would love to go home.
00:33:52 No, no, no, no, no. You can't leave now.
00:33:55 We just coming together
00:33:57 No.
00:33:58 Heywood, it's late and
00:34:01 Hey, we got you another mango iced tea.
00:34:04 Mango iced tea is my kryptonite.
00:34:06 It's totally.
00:34:07 Powerless to resist.
00:34:09 Okay, a few more minutes won't hurt.
00:34:15 Yeah, I'd drink to that.
00:34:21 He's about to go through
00:34:31 Sir, I'm gonna need you to wake up
00:34:32 and show me some form of identification.
00:34:38 Time begins and stops now.
00:34:42 We have a 410 with a 6l4 in
00:34:46 What do those numbers mean?
00:34:48 Come on.
00:34:49 Are you sending me to the gas chamber?
00:34:51 Right this way, sir.
00:34:52 What is happening?
00:34:59 Good morning, class.
00:35:02 Okay, I'd like to start
00:35:06 First of all, acid
00:35:12 and B, where are my pants and underwear?
00:35:24 Excuse me, Mr. Marschz.
00:35:27 We need to discuss something
00:35:30 The role of Laertes, my part,
00:35:34 He's not gay. He's bi-curious.
00:35:37 And the role has also
00:35:41 Rand, theater is a living thing.
00:35:43 Octavio's performance the other day,
00:35:45 combined with my wife's
00:35:48 not to mention the acid,
00:35:50 inspired me to take some bold steps
00:35:52 in looking at my
00:35:53 That meant reducing Laertes' role.
00:35:57 And the gay thing, I just thought
00:36:00 What? What?
00:36:02 This has nothing to
00:36:07 Listen, listen, I've given
00:36:11 and now it all goes out
00:36:15 Because he inspired you?
00:36:18 It's what's best for the play.
00:36:21 Not acceptable! I quit!
00:36:26 Oh, man, you can't quit now.
00:36:35 Rand!
00:36:39 Rand! What?
00:36:41 Let's talk about this.
00:36:43 I hate you, you stupid, fat fucker!
00:36:59 Am I fat?
00:37:03 I want you to meet a friend of mine.
00:37:05 He got stuck inside my time machine.
00:37:06 His name is Jesus Christ.
00:37:08 Oh, yeah. We heard you were coming back.
00:37:11 Jesus has a rocking swimmer's bod.
00:37:15 Okay, can I ask you a question?
00:37:18 Sure.
00:37:20 What's really going on here?
00:37:22 Is Jesus, like, a swimmer?
00:37:25 Jesus is very lean...
00:37:27 Can we please wait
00:37:31 Thank you.
00:37:36 Where was I? Jesus has a swimmer's body.
00:37:38 Jesus has a swimmer's body,
00:37:40 and while he's one of the
00:37:43 he's also very attractive to you.
00:37:45 He's attractive to me?
00:37:48 Jesus is sexy to you. Which leads
00:37:51 Rock Me, Sexy Jesus.
00:37:59 Okay, you are
00:38:04 I can't do the play.
00:38:07 What?
00:38:08 My dad's making me quit the play.
00:38:09 That's impossible. You're the lead.
00:38:11 He said, "No way."
00:38:12 Goddamn macho bastards
00:38:17 They just don't get it!
00:38:20 Okay, we're fighting this.
00:38:23 Even if we have to take
00:38:25 No, wait. What do you mean?
00:38:27 We're going to your house. Now.
00:38:28 No, no, no, we can't do that.
00:38:29 It's not a good idea.
00:38:30 My father tried to stand in
00:38:32 He's dead now,
00:38:34 but you could say, like Hamlet's
00:38:38 Because he caused me so much pain,
00:38:39 which is why I tried to become an actor,
00:38:41 which caused me so much pain.
00:38:51 You can't let your
00:38:54 stop your son from
00:38:56 I have to take exception
00:39:00 Heywood's a bad boy.
00:39:01 He's a gang-banger. A deadbeat.
00:39:03 But he also has a gift.
00:39:05 Who is Heywood?
00:39:08 Your son, Heywood Jablomey.
00:39:12 Oh.
00:39:13 I just got that.
00:39:16 Octavio doesn't belong to a gang.
00:39:18 He's got a 3.9 and an
00:39:21 He does?
00:39:22 Yes, our concerns about the
00:39:25 If it's the sex and violence,
00:39:28 No, we are fine with those.
00:39:29 Then what is it?
00:39:31 We merely expressed our
00:39:35 to what is arguably the greatest
00:39:39 Not to mention the quality of
00:39:45 Well, no offense, but what
00:39:50 Well, I've published nine novels.
00:39:52 I have a PhD in literature.
00:39:54 My wife is a painter.
00:39:56 She currently has an exhibit
00:40:00 Oh, okay.
00:40:02 Then...
00:40:04 Help me fix my play!
00:40:06 I'm trying to save drama!
00:40:08 You have Hamlet using a time machine
00:40:11 to stop Gertrude from
00:40:14 to stop Ophelia from drowning.
00:40:16 You're taking the tragedy
00:40:19 I just wondered why in
00:40:24 It's such a downer! I mean, if Hamlet
00:40:28 he could have turned everything around.
00:40:30 Everybody deserves a second chance!
00:40:33 Yes, well, we'll let
00:40:37 Thank you for taking the time.
00:40:39 Let me show you the way out.
00:40:41 Could we talk more?
00:40:42 I would love to get your notes.
00:40:44 I would do anything... I'd do chores.
00:40:45 I'd clean your rain gutters.
00:40:47 I'm afraid we don't have rain gutters.
00:40:48 You're a liar, everybody
00:40:55 Mr. Rocker?
00:40:57 Yes, what is it, Rand?
00:41:01 Here.
00:41:04 Hamlet 2?
00:41:06 It's the play Mr. Marschz wrote.
00:41:09 What about it?
00:41:11 I think you need to take a look at it.
00:41:13 Why?
00:41:15 Let's just say that
00:41:17 where Gertrude gives Hamlet a hand job,
00:41:18 you'll sense my drift.
00:41:20 Did you just say "hand job"?
00:41:21 Yes, I did.
00:41:23 He thinks he's going to
00:41:25 Mr. Rocker, if you care about
00:41:30 you will stop Dana
00:41:33 Then take him from behind!
00:41:42 Go Mustangs!
00:41:45 Hey!
00:41:46 I'm here for her. I'm here for her.
00:41:50 Apologies, the Snackatorium is no
00:41:55 the ladies who make macaroni and
00:41:59 So without further ado, I'd like
00:42:06 Elisabeth Shue, get up here.
00:42:08 All right.
00:42:13 Thank you.
00:42:14 Thank you so much for having me.
00:42:18 God, I really have a tough time
00:42:20 I get a little nervous.
00:42:22 I'm way more nervous than you.
00:42:23 I'm like... My brain is like mush.
00:42:27 Elisabeth Shue, is she real?
00:42:30 Somebody pinch my ass.
00:42:32 It's inappropriate.
00:42:35 Should we just take questions?
00:42:37 That'd be great.
00:42:39 Okay, class, questions for Ms. Shue.
00:42:42 Someone other than Epiphany.
00:42:45 Okay, not all at once.
00:42:48 You guys, come on, I asked
00:42:52 You know, I'm a reasonable guy.
00:42:54 I don't lose it when I...
00:42:55 Jesus Christ!
00:42:57 Can we not share this space in peace?
00:43:07 Epiphany?
00:43:08 Hi. I just want to say I
00:43:13 Thank you. Thank you very much.
00:43:15 It is nice.
00:43:16 What about Mr. Alpha Male up there?
00:43:19 Got a question for Ms. Shue?
00:43:21 Yeah.
00:43:24 Who are you? Oh, come on!
00:43:26 Could you not even Google her?
00:43:29 The Karate Kid, the
00:43:33 Soapdish. Dreamer,
00:43:36 Any of that shit ring a bell?
00:43:40 Sorry. Pardon my French.
00:43:43 I've heard the word "shit" before.
00:43:45 In Hollywood, you pretty
00:43:48 That is funny, that's...
00:43:51 Excuse me for a second.
00:43:58 What do you miss about acting?
00:44:00 You know what I really
00:44:02 I miss kissing. In love scenes.
00:44:05 I had so much fun making out
00:44:09 I would love to stay and hear this.
00:44:12 Yeah, I think if I had one
00:44:14 it would be that you don't get
00:44:23 It's fricking exciting having
00:44:26 Because of its unwholesome content,
00:44:28 the school cannot allow
00:44:33 Where did you get that?
00:44:34 Entirely beside the point.
00:44:36 Did Rand give it to you?
00:44:37 Nudity and pornography are not
00:44:40 There's no nudity or pornography!
00:44:43 Minimal.
00:44:44 You have Satan French-kissing
00:44:46 the President of the
00:44:48 It's a parting embrace before
00:44:51 The climax of a modernist dance.
00:44:53 I think when all is said and done,
00:44:55 you will find it quite moving.
00:44:57 Trust me, I won't.
00:44:59 We're 10 days away.
00:45:01 Art is happening.
00:45:03 Well, stop it.
00:45:04 You can't stop art.
00:45:07 You're shut down, Marx!
00:45:08 No, you are. You are.
00:45:10 You never believed in
00:45:13 We're putting this play on, and if
00:45:16 you ass-turd
00:45:27 Oh, my God!
00:45:40 Let me see.
00:45:43 Oh, Shue.
00:45:45 How do you keep your head held
00:45:48 steaming piles of crap in your face?
00:45:51 I know, I know.
00:45:54 That's why I got out of the business.
00:46:10 Well, fuck you, too.
00:46:11 I have to elevate it.
00:46:14 It's not broken and,
00:46:18 to play any and all musical instruments.
00:46:24 I have to tell you something.
00:46:32 I'm pregnant.
00:46:37 Really?
00:46:43 Are you shitting me?
00:46:45 No, no.
00:46:50 Christ in a basket,
00:46:52 And it will always be too tight.
00:46:53 I will never not hug this unborn baby!
00:47:07 It's like he's giving me hope.
00:47:10 Who?
00:47:12 God.
00:47:17 At this point, it felt to Dana
00:47:19 as if the air was
00:47:22 But just as Icarus flew
00:47:26 oblivious to his impending doom,
00:47:29 so was poor, dear Dana Marschz.
00:47:46 Well, I'm lost.
00:47:53 Is blue the right color
00:47:57 for a controversial piece of
00:48:02 I think blue makes people sad.
00:48:11 Yes, it does.
00:48:14 There's also orange.
00:48:16 Orange.
00:48:20 The color of fire.
00:48:22 Of ripe tangerines, of
00:48:34 Glenn, we've done it!
00:48:42 Stop staring at me.
00:48:45 Okay, all right. Okay.
00:48:49 It's ridiculous. But I love it.
00:48:53 Okay, guys, I am pretty effing excited
00:48:56 to announce that the musical
00:48:59 will be provided by the
00:49:05 Just a steel-town girl
00:49:09 Looking for the fight of her life
00:49:12 In the real-time world
00:49:15 They all say she's crazy
00:49:19 Locking rhythms to the beat of her heart
00:49:22 Changing movement into light
00:49:25 She has danced into the danger zone
00:49:28 When the dancer becomes the dance
00:49:33 It can cut you like a knife
00:49:36 Hey, guys, thanks a lot for
00:49:40 It really helped out a lot.
00:49:42 When did you guys get started?
00:49:44 We seen them Kill Bill
00:49:47 and we said, "Shit, we got some wire,
00:49:50 "we got some harnesses."
00:49:52 So we get to work in the backyard,
00:49:55 and next thing you know,
00:49:58 So this is your first attempt?
00:50:00 Yes, sir.
00:50:02 Now hold on, girl.
00:50:05 Three, two, one.
00:50:14 That's cool.
00:50:16 Okay. So this is the Danish
00:50:22 It's fantastic.
00:50:24 I don't know what it means, but I
00:50:29 Yeah? Yeah.
00:50:30 Who said shop class was useless?
00:50:32 I don't know.
00:50:34 Wait, somebody said that?
00:50:35 It's a figure of speech.
00:50:37 Hey, M. Hey.
00:50:38 Hey, my buddy's meth lab burned down.
00:50:40 I'm sorry to hear that.
00:50:41 No, it's going to be some pretty
00:50:44 Well, excellent. Hey, girls.
00:50:46 Hey, Mr. Marschz. What?
00:50:47 I was thinking, what
00:50:49 rolled up in low-riders
00:50:52 That sounds kind of dangerous.
00:50:54 Yeah, maybe so.
00:50:55 Which is why I want to do it.
00:50:59 We are not making safe theater.
00:51:03 I'm in the wrong place.
00:51:10 Jesus Jones! Rocker's changed the locks.
00:51:15 That is the first shot across
00:51:18 Just like that wonderful
00:51:21 starring the terrifyingly real
00:51:24 Five more seconds.
00:51:26 Okay, Chuy, breaking and entering
00:51:32 But we got shit to do.
00:51:35 Hey, you get off school
00:51:40 or I'm gonna have the
00:51:42 so far up your ass you're
00:52:04 "What about Hamlet 2
00:52:06 "Principal Rocker to such a degree?
00:52:08 "Or is offense the offense at all?
00:52:10 "Truth is a nebulous commodity.
00:52:12 "As Roland Barthes tells us, 'Multiple
00:52:17 Does anybody know what this means?
00:52:18 Did you see this article in the paper?
00:52:20 We're already reading it, woman.
00:52:21 Not the school paper. The News Press.
00:52:23 I stole it from Starbucks.
00:52:25 You really think you're
00:52:26 Don't fuck with me, homey! I'll cut you.
00:52:28 I liked you better when you
00:52:33 Oh, my God.
00:52:35 "Why is the school board
00:52:37 That's a picture of me.
00:52:38 I was an extra in an
00:52:41 I regret it now, but
00:52:45 Dana Marsha?
00:52:46 Marschz. Yes?
00:52:48 Consider yourself served.
00:52:50 Thank you.
00:52:51 What a nice man. A smile costs nothing.
00:52:55 Oh, shit, this is a cease and
00:52:58 What does that mean?
00:52:59 That means you can be arrested
00:53:01 Hey, hey, hey. Hey,
00:53:23 All right, mystery man.
00:53:25 Why have you brought us here?
00:53:26 Yeah.
00:53:28 Yeah, why?
00:53:29 This is Joy Junction.
00:53:30 You know, that positive ionic flow.
00:53:32 Jean-Paul, the crew, Burning
00:53:36 So?
00:53:37 Yeah, yo.
00:53:38 Yeah, yo.
00:53:41 Okay, you started to say something
00:53:42 and didn't finish your sentence.
00:53:44 You didn't? No, no, you.
00:53:45 No, I know you.
00:53:47 No, N-O, "no."
00:53:48 No, no, more yes. You know, less no.
00:53:50 Okay, I'm a little cuckoo-bananas here.
00:53:54 Look, they throw parties here.
00:53:56 The promoters are at Burning Man.
00:53:57 We can use the space.
00:53:59 Oh!
00:54:08 He does lighting and stuff
00:54:12 he acts like a huge dumbass,
00:54:15 but he really knows what he's doing.
00:54:22 Let there be light.
00:54:25 Ah! My eyes!
00:54:33 Mr. Marashka?
00:54:35 Who? It's Marschz. Yes.
00:54:39 Cricket Feldstein, American
00:54:42 We spoke on the phone.
00:54:45 The ACLU.
00:54:46 Oh, I thought you were a
00:54:49 But totally not disappointed.
00:54:52 If you're wondering about the
00:54:55 It's my understanding
00:54:57 trying to stop you from
00:55:00 You received a cease and desist order
00:55:02 in regards to this performance?
00:55:03 Yes.
00:55:04 I think we have a First Amendment
00:55:07 It's Marschz. You really think so?
00:55:09 Abso-fucking-lutely.
00:55:12 No one is shutting down this play.
00:55:14 The Justice Department and
00:55:17 can suck my balls.
00:55:19 What do they have to
00:55:21 No, the other thing.
00:55:22 I'm a short blond chick,
00:55:24 I pick cases that I can
00:55:27 Cases with controversy and headlines
00:55:30 and steaming piles of
00:55:32 Mostly left. How's that sound?
00:55:35 Fine.
00:55:39 Are you on my side? Yes.
00:55:41 Great, let's do it! Okay then.
00:55:43 Do I need to sign anything?
00:55:45 No, don't sign anything!
00:55:51 I think the play's gonna be really good.
00:55:53 It's irrelevant.
00:55:54 Okay.
00:56:04 Goddamn gravel! The
00:56:13 Brights!
00:56:22 Oh, my God!
00:56:37 Shut down that piece of shit play.
00:56:46 Bruised, but not broken.
00:56:51 Turns out my play has
00:56:54 but I shall not be deterred.
00:56:55 Dana.
00:56:56 Hang on, I'm going to
00:56:58 Dana. I have had, hands down,
00:57:01 the worst day ever.
00:57:04 Hey, there's no delicate
00:57:09 Except Gary and I are
00:57:12 and we're moving out now.
00:57:14 Yeah, I'm gonna run myself a big Arthur
00:57:17 I'm sorry.
00:57:19 And I'm gonna put on my top hat,
00:57:20 and wish all my troubles
00:57:23 That's what I'm gonna do.
00:57:25 Didn't you hear what I just said?
00:57:27 Yes, I did, funny bunny.
00:57:29 Dana.
00:57:30 We're packed, we're leaving.
00:57:33 We're moving to San Diego.
00:57:36 God, I almost believe you.
00:57:38 Believe it!
00:57:41 But why? You're my wife.
00:57:43 Your wife is leaving you.
00:57:49 Gary and I have been getting
00:57:52 and turns out we are very compatible.
00:57:56 As long as he keeps
00:57:59 Look, you've been so busy with
00:58:04 So, don't sweat it. It's...
00:58:07 You'll be much happier without me.
00:58:11 What about the baby?
00:58:15 The doctor told me a while ago
00:58:17 that you've been shooting blanks.
00:58:19 I should have said something.
00:58:25 That must mean...
00:58:32 Wow.
00:58:33 Yeah.
00:58:35 Yeah.
00:58:42 Brie, I'm starting to think
00:58:47 Just wake up, okay?
00:58:54 Left you a protein shake in the fridge.
00:58:57 Gary, let's go.
00:58:58 It's strawberry.
00:59:13 Electric and phone
00:59:16 and the rent's due on Thursday.
00:59:21 Good luck with the play.
00:59:26 You really will be
00:59:34 Come on.
00:59:46 She's a maniac
00:59:50 Maniac on the floor
00:59:56 And she's dancing like
01:00:45 Oh, boy.
01:01:03 Fuck!
01:01:10 Hey, what's cheap and strong?
01:01:15 Grain alcohol.
01:01:20 I feel like I'm in a cage.
01:01:23 And I feel like Nicolas
01:01:30 Starring my good friend, Elisabeth Shue.
01:01:33 $8.40.
01:01:42 I'm sorry. Sorry about that.
01:01:46 Can I use your bathroom?
01:01:48 No.
01:01:52 Hey, we got the TVs.
01:01:55 There's a hundred sets in there, woman!
01:01:57 Where did you get them all?
01:01:58 Stole them from white folks, dawg.
01:02:00 I have to say something, guys.
01:02:03 I really think Mr. Marschz is bipolar.
01:02:05 Just like my cousin.
01:02:06 But she takes pills.
01:02:08 He's not bipolar. He's a freak.
01:02:10 Do you think he realizes that
01:02:13 he's flashing his balls at us?
01:02:14 You know, where is he anyway?
01:02:16 He was supposed to
01:02:18 Maybe he's out shopping for a dress.
01:02:20 He should buy some underwear.
01:02:24 Who do you think you are
01:02:28 I heard everything. I heard everything!
01:02:36 I haven't bought an item
01:02:38 because I don't get paid for this job.
01:02:39 Did you know that?
01:02:42 I work for gas money,
01:02:48 That and the DUI.
01:02:55 My life is a parody of a tragedy!
01:03:00 My wife left me. Baby wasn't mine.
01:03:06 People are trying to run me over.
01:03:09 What are we supposed to do?
01:03:13 It doesn't matter.
01:03:15 We're not gonna get this play on.
01:03:17 We might as well give up now!
01:03:19 What?
01:03:20 He works for gas money?
01:03:23 That is so sad.
01:03:32 Mr. M!
01:03:34 Mr. M!
01:03:36 What happened?
01:03:38 Get away from me, you devil bitches.
01:03:42 Leave me to the vultures.
01:03:45 Pussy!
01:03:49 Yolanda.
01:03:51 You come in here and tell
01:03:54 and put on your crazy-ass play,
01:03:56 and when things get a little
01:04:05 Yolanda, you don't say much, but
01:04:09 She's right!
01:04:10 Okay, you've had a pretty
01:04:13 But that doesn't mean you give up.
01:04:14 Why not?
01:04:15 Nobody cares.
01:04:17 Yeah, we do.
01:04:18 I don't want your pity.
01:04:21 Man, you keep talking about
01:04:24 That's from Dead Poets.
01:04:26 Well, you're teaching us
01:04:29 I am? What is it?
01:04:31 It doesn't matter how
01:04:32 as long as we have enthusiasm.
01:04:34 That's truth. Because I lack talent.
01:04:37 The football team, the wrestling team
01:04:41 and all the seniors are
01:04:44 and kick the asses of anyone
01:04:47 Yeah. And I got some friends
01:04:49 just in case we have any
01:04:51 And we're also sold out.
01:04:55 What?
01:04:56 Mr. M, you're not getting it.
01:04:58 Like, all the tickets were bought.
01:04:59 Channel 5 is coming.
01:05:00 And I got a call from one
01:05:02 something about permission.
01:05:04 And there was a message from
01:05:08 Mr. M,
01:05:12 we don't wanna give up.
01:05:15 I just get scared.
01:05:18 Every time I try to go for something,
01:05:19 my heart gets stomped
01:05:24 That's no reason to give up.
01:05:26 Maybe it is. No, it's not.
01:05:37 Help him up.
01:05:44 Let's go to work.
01:05:49 Okay, hey, guys, my skate is stuck.
01:05:58 I'm such a dick.
01:06:10 Wait, what are you doing? Let go of me.
01:06:13 I'm not interested in this
01:06:17 Ticket holders only.
01:06:19 This event is sold out.
01:06:21 If you don't have a ticket,
01:06:24 I am revoking permission
01:06:27 I am, too.
01:06:28 And so am I.
01:06:30 But why now?
01:06:31 I heard the play was disgusting.
01:06:33 How can you say that
01:06:36 What about this Sexy Jesus song?
01:06:38 I mean, that's just disrespectful.
01:06:40 Look, it's about if Jesus
01:06:44 he would have to market
01:06:47 It's very thoughtful.
01:06:48 That's an oversimplification, but...
01:06:50 I don't care to see my son
01:06:54 I'm doing this play for my own reasons.
01:06:56 You know, according to the
01:06:58 if you sign a consent form,
01:07:00 And you can't take that form back,
01:07:02 you can't take your signature off it.
01:07:03 You signed it, you signed consent.
01:07:05 So end of deal, okay. End of story.
01:07:06 Sorry, you guys, but
01:07:08 You don't control our kids!
01:07:10 Wake up call! You
01:07:14 Now get out of my performance space,
01:07:15 before I have security,
01:07:18 remove your sorry asses.
01:07:25 How did you get the balls to do that?
01:07:27 I'm still a little drunk.
01:07:49 What if I have to go to the bathroom?
01:07:51 Okay, I'll just piss on
01:07:57 Welcome to West Mesa High
01:08:02 If you are moved by tonight's work,
01:08:05 please go forward and
01:08:09 Eat shit and die, you tramp.
01:08:13 Let go of me! Hey, hands off!
01:08:16 And please take this opportunity
01:08:28 It's the celestial message.
01:08:30 The portal to infinity is wide open.
01:08:43 Yeah! Fuck yeah!
01:09:38 Look. I studied French at Vassar.
01:09:39 I'm not getting any of this.
01:09:42 Well, can you give us an update?
01:09:45 Free speech is alive and well in Tucson,
01:09:48 so go and tell the mundo.
01:09:51 I think it's going terrific.
01:09:53 Are people still walking out?
01:09:57 Mr. Marschz,
01:09:58 this is the most important theatrical
01:10:01 I have to be a part of it.
01:10:03 Rand, that is a very brave
01:10:06 Piff took the fries.
01:10:08 I've been going to a
01:10:10 and I started on anti-depressants
01:10:12 and I'm much more
01:10:16 I'd be happy to play
01:10:19 That's wonderful!
01:10:21 And I forgive you.
01:10:29 Okay. Stop it. Go get changed.
01:10:31 Okay.
01:10:36 Sometimes I feel like
01:10:44 I think my heart-soul
01:10:51 Therapy's taken me to a better place
01:10:57 So why do I feel, why do I feel
01:11:03 Why do I feel like I've
01:11:10 Raped in the face?
01:11:12 Maybe it's buried emotions
01:11:15 Or maybe the wrong medication
01:11:18 I simply go through the motions
01:11:22 They say I need a vacation
01:11:27 I really do feel like a sexual victim
01:11:30 With dark memories of a rigid dictum
01:11:33 This is disgusting! Shut up!
01:11:35 This means I love you, he murmured
01:11:38 This will be our little secret
01:11:42 You'll wind up horribly murdered
01:11:45 If you should dare not to keep it
01:11:50 I know the topic of rape isn't nice
01:11:56 Don't bring it up when
01:12:02 Is that why you are so quick to decline
01:12:08 To hear this oral fixation of mine?
01:12:14 My head spins like a
01:12:17 If I'm lost then I'll
01:12:21 When they force you to
01:12:25 When you're being
01:12:26 Raped in the face
01:12:57 He's totally the man
01:13:00 He traveled through time
01:13:04 Moralistically, he taught us to be good
01:13:07 How to set our souls free
01:13:12 Now we do the right deeds
01:13:14 And we stopped smoking weed
01:13:19 And we can't forget to
01:13:22 Do unto others as you would have them
01:13:25 Slam, bam, spank you, ma'am
01:13:27 Do unto you!
01:13:32 Oh, my God, it's Jesus!
01:13:34 Oh, my God, it's Jesus!
01:13:39 You're so hot! My God, I love you!
01:13:42 I wanna party with you, Jesus.
01:13:44 Jesus.
01:13:46 Rock me, rock me, rock me, sexy Jesus
01:13:49 You died for our sins
01:13:52 Rock me, rock me, rock me, sexy Jesus
01:13:55 All night long
01:13:57 I'm simultaneously
01:14:01 We're really amazed
01:14:04 Rock me, rock me, rock me, sexy Jesus
01:14:05 Blasphemy! Blasphemy!