|
Handsome Harry
|
| 00:00:01 |
[gentle jazz music] |
| 00:00:04 |
* * |
| 00:00:25 |
* * |
| 00:00:48 |
* * |
| 00:01:15 |
* * |
| 00:01:44 |
[door creaks] |
| 00:01:46 |
- LUTHER, YOU PIRATE. |
| 00:01:47 |
- [growls] |
| 00:01:49 |
- [chuckling] |
| 00:01:50 |
- HARRY, DID YOU CATCH ANYTHING |
| 00:01:52 |
- YEAH, I CAUGHT HELL. |
| 00:01:54 |
- HOW ARE YOU, PETE? |
| 00:01:55 |
- HARRY, I'M GONNA NEED |
| 00:01:57 |
- NO PROBLEM. |
| 00:01:58 |
- MORNING, HARRY. |
| 00:02:00 |
- YOU EVER GONNA FIX |
| 00:02:02 |
- NICE TO HAVE A DREAM. |
| 00:02:04 |
- [chuckles] |
| 00:02:06 |
- YOU LOOK TERRIBLE. |
| 00:02:09 |
- WAS OUT DANCING TILL DAWN. |
| 00:02:10 |
- IT'S NOT MUCH FUN |
| 00:02:12 |
YOU SHOULD HAVE CALLED ME. |
| 00:02:13 |
- [chuckles] |
| 00:02:14 |
- DID YOUR SON REMEMBER? |
| 00:02:15 |
- NO. |
| 00:02:17 |
I NEVER REMEMBERED |
| 00:02:19 |
- OH, I DON'T BELIEVE THAT. |
| 00:02:20 |
HEY. |
| 00:02:21 |
THERE'S A RUMOR |
| 00:02:24 |
- [sighs] |
| 00:02:25 |
I NEVER PLANNED ON |
| 00:02:27 |
BESIDES, MURIEL, |
| 00:02:29 |
I'M A TIGER. |
| 00:02:31 |
- [chuckles] |
| 00:02:32 |
AND WHAT WOULD YOU DO? |
| 00:02:34 |
MY DAD RETIRED, |
| 00:02:36 |
DIED OF CANCER IN TEN MONTHS. |
| 00:02:38 |
- WELL, I WON'T DO ANYTHING |
| 00:02:40 |
- BIG WORD |
| 00:02:42 |
MORNING, HARRY. |
| 00:02:43 |
I KNOW IT'S ON THE 27TH, |
| 00:02:46 |
- HE REMEMBERS. MY SON DIDN'T. |
| 00:02:48 |
- I KNOW THE BIRTHDAYS |
| 00:02:49 |
DON'T TRY TO. |
| 00:02:52 |
OKAY, HERE'S THOSE FIGURES |
| 00:02:54 |
THAT IS A SWEET DEAL FOR PAULEY. |
| 00:02:59 |
YOU COULD ASK FOR MORE. |
| 00:03:01 |
- I'M GONNA CHEW ON IT |
| 00:03:04 |
MURIEL SAYS I'M GONNA DIE OF |
| 00:03:07 |
- YOU KNOW, HARRY, ON AVERAGE, |
| 00:03:10 |
MARRIED MEN LIVE LONGER |
| 00:03:12 |
IT'S A FACT. |
| 00:03:14 |
- THAT SOUNDS LIKE A PROPOSAL, |
| 00:03:15 |
- IT'S NOT. |
| 00:03:17 |
- I HEARD YOU CAN GET |
| 00:03:19 |
- SO GET A CAT. |
| 00:03:20 |
- OR I COULD MOVE TO COSTA RICA, |
| 00:03:23 |
GET MYSELF A BEAUTIFUL SENORITA, |
| 00:03:24 |
LIVE THE LIFE OF RILEY |
| 00:03:26 |
- WHAT ARE YOU TALKING ABOUT, |
| 00:03:28 |
YOU CAN'T EVEN SPEAK SPANISH. |
| 00:03:29 |
- AND WHERE WOULD I FIND |
| 00:03:31 |
DON'T FORGET ABOUT REHEARSAL |
| 00:03:34 |
- I'LL BE THERE. |
| 00:03:39 |
[chuckles] |
| 00:03:41 |
- HOW ABOUT I COME OVER TONIGHT |
| 00:03:43 |
AND GIVE YOU A NICE |
| 00:03:46 |
- [stammers] |
| 00:03:48 |
- [laughs nervously] |
| 00:03:49 |
IT'S A JOKE, HARRY. |
| 00:03:57 |
- WHAT'D HE SAY, MURIEL? |
| 00:04:01 |
- NONE OF YOUR BUSINESS, HANK. |
| 00:04:07 |
[clanking] |
| 00:04:18 |
- MORNING, BOSS. |
| 00:04:20 |
- ANYBODY CALL? |
| 00:04:21 |
- UH, DOUG FENTON. |
| 00:04:22 |
SAID HE WANTED AN ESTIMATE |
| 00:04:25 |
I TOLD HIM |
| 00:04:27 |
- YOU TAKE CARE OF IT. |
| 00:04:28 |
- MAKE THE CALL? |
| 00:04:29 |
- MAKE THE ESTIMATE. |
| 00:04:34 |
- YOU WANT ME |
| 00:04:36 |
- WHAT'D I JUST SAY? |
| 00:04:37 |
- IT'S A HUGE JOB. |
| 00:04:39 |
- THEN YOU BETTER NOT |
| 00:04:42 |
I'LL GO TO MRS. SCHROEDER'S, |
| 00:04:44 |
PROBABLY NOTHING |
| 00:04:49 |
THEN I'LL HEAD OUT |
| 00:04:51 |
- WHAT IF HE ASKS ME WHY |
| 00:04:55 |
- TELL HIM |
| 00:04:57 |
TAKE MY CHEROKEE. |
| 00:05:01 |
- OH, HEY. |
| 00:05:03 |
HAPPY BIRTHDAY. |
| 00:05:04 |
- IT WAS YESTERDAY. |
| 00:05:10 |
MRS. SCHROEDER? |
| 00:05:12 |
- YES? |
| 00:05:13 |
- IS THAT FRESH BANANA BREAD |
| 00:05:16 |
- OH, THERE'S NO SURPRISING YOU, |
| 00:05:19 |
- ONLY WHEN IT COMES TO FOOD, |
| 00:05:21 |
ESPECIALLY FRESH BANANA BREAD |
| 00:05:24 |
- DID YOU FIND OUT |
| 00:05:28 |
- OH, YEAH, |
| 00:05:30 |
BUT I TAPED IT UP REAL GOOD. |
| 00:05:32 |
- WELL, I HOPE YOU'RE HUNGRY. |
| 00:05:34 |
- I SKIPPED MY BREAKFAST |
| 00:05:37 |
- [chuckles] |
| 00:05:39 |
I GOT MY TICKETS |
| 00:05:41 |
AND I'M SITTING RIGHT UP FRONT. |
| 00:05:42 |
- WELL, YOU'RE MY INSPIRATION. |
| 00:05:45 |
- SOMETIMES YOU LAY IT ON |
| 00:05:49 |
- I COULD ALWAYS |
| 00:05:52 |
- [gasps] |
| 00:05:54 |
- NO? |
| 00:05:55 |
- NO! |
| 00:05:58 |
[gentle jazz music] |
| 00:06:01 |
* * |
| 00:06:21 |
- OH, MY GOD, YOU MADE IT! |
| 00:06:24 |
IT'S SO GREAT TO SEE YOU, SON. |
| 00:06:27 |
[groans happily and chuckles] |
| 00:06:30 |
- LISTEN, I WOULD HAVE BEEN HERE |
| 00:06:31 |
BUT THIS PIECE OF JUNK |
| 00:06:33 |
ON THE JERSEY TURNPIKE. |
| 00:06:34 |
- YOU SHOULD HAVE CALLED ME. |
| 00:06:35 |
- I WANTED TO SURPRISE YOU. |
| 00:06:36 |
- WELL, YOU DID. |
| 00:06:37 |
YOU GOT ME GOOD. |
| 00:06:39 |
YOU BEEN WORKING OUT? |
| 00:06:40 |
- YOU LOOK GOOD. |
| 00:06:42 |
- I WANT TO TAKE YOU OUT |
| 00:06:44 |
EARLY DINNER. |
| 00:06:45 |
- YOU KNOW, |
| 00:06:46 |
TO FIND A GOOD RESTAURANT |
| 00:06:48 |
I'LL TELL YOU WHAT. |
| 00:06:49 |
I'LL THROW A COUPLE OF STEAKS |
| 00:06:51 |
HOW'D THAT BE, HUH? |
| 00:06:53 |
- THAT WOULD BE GREAT. |
| 00:06:54 |
THAT'D BE GREAT. |
| 00:06:55 |
- OKAY. |
| 00:06:57 |
HOW LONG CAN YOU STAY? |
| 00:06:58 |
- WELL, I HAVE TO GET BACK |
| 00:07:00 |
I LOST TWO DAYS AND 700 BUCKS |
| 00:07:02 |
- OH, MY GOD. |
| 00:07:03 |
- DO YOU MISS HOME? |
| 00:07:04 |
- SOMETIMES. |
| 00:07:08 |
[phone ringing] |
| 00:07:15 |
HELLO. |
| 00:07:16 |
- HEY, HARRY SWEENEY? |
| 00:07:19 |
- YEAH. |
| 00:07:20 |
- IT'S ME, KELLY. |
| 00:07:22 |
- WHO? |
| 00:07:24 |
ELECTRICIAN'S MATE, THIRD CLASS, |
| 00:07:29 |
- JESUS CHRIST. |
| 00:07:30 |
HOW'D YOU FIND ME? |
| 00:07:31 |
- THAT'S NICE. |
| 00:07:33 |
IS THAT ALL YOU GOT TO SAY |
| 00:07:34 |
AFTER 32 YEARS, |
| 00:07:36 |
- IT'S JUST |
| 00:07:39 |
HOW ARE YOU? |
| 00:07:40 |
- I'M DYING. |
| 00:07:42 |
I GOT A COUPLE DAYS, MAYBE. |
| 00:07:45 |
- OH, SHIT, KELLY. |
| 00:07:48 |
- [sighs] |
| 00:07:49 |
WELL... |
| 00:07:51 |
LISTEN. |
| 00:07:54 |
DO YOU REMEMBER THE NIGHT |
| 00:07:56 |
WE ALMOST...KILLED KAGAN? |
| 00:08:02 |
I KNOW I'M GOING TO HELL FOR IT. |
| 00:08:06 |
- WHEN DID YOU GET RELIGION? |
| 00:08:07 |
- FUCK YOU. |
| 00:08:10 |
AND I WANT YOU |
| 00:08:15 |
DON'T YOU HANG UP ON ME, |
| 00:08:20 |
- LOOK. |
| 00:08:21 |
I'LL BE DYING TOO. |
| 00:08:22 |
WE ALL WILL. |
| 00:08:23 |
- I WANT TO APOLOGIZE TO KAGAN. |
| 00:08:27 |
I NEED TO HAVE HIM FORGIVE ME. |
| 00:08:28 |
- WELL, IF YOU CAN FIND ME, |
| 00:08:31 |
- I DID. |
| 00:08:32 |
HE'S IN MIAMI. |
| 00:08:34 |
I CALLED HIM YESTERDAY, |
| 00:08:37 |
- WELL, |
| 00:08:39 |
- [sighs] |
| 00:08:40 |
- KELLY, WE WERE KIDS. |
| 00:08:43 |
WE ALL SUFFERED FOR IT |
| 00:08:44 |
SO WHY DON'T YOU |
| 00:08:47 |
AND DIE IN PEACE |
| 00:08:51 |
- [sighs] |
| 00:08:53 |
WE BECAME MEN TOGETHER. |
| 00:08:56 |
THAT MUST COUNT FOR SOMETHING. |
| 00:09:02 |
- THAT COUNTS FOR A LOT. |
| 00:09:06 |
- YOU'RE THE ONLY ONE |
| 00:09:11 |
- WHERE ARE YOU? |
| 00:09:15 |
- I'M IN THE FUCKING |
| 00:09:18 |
- MY SON JUST DROVE DOWN |
| 00:09:20 |
ALL THE WAY FROM CHICAGO |
| 00:09:23 |
HE'S ONLY HERE |
| 00:09:24 |
- I AIN'T GONNA MAKE IT |
| 00:09:30 |
I NEED TO SEE YOU, PLEASE. |
| 00:09:38 |
- I'M GONNA HANG UP, KELLY. |
| 00:09:53 |
[thudding and smacking] |
| 00:10:18 |
- BLAST FROM THE PAST? |
| 00:10:20 |
- YEAH. |
| 00:10:22 |
[sighs] |
| 00:10:23 |
HE'S DYING. |
| 00:10:29 |
- YOU NEVER TALK TO ME |
| 00:10:31 |
- NOTHING MUCH TO TALK ABOUT. |
| 00:10:33 |
SAW A LOT OF WATER. |
| 00:10:35 |
I'VE PASSED MORE BUOYS |
| 00:10:37 |
YOU WANT A BEER OR SOME COFFEE? |
| 00:10:39 |
- I'M GOOD. |
| 00:10:41 |
HEY, LISTEN. |
| 00:10:43 |
I THOUGHT |
| 00:10:49 |
DAD. |
| 00:10:53 |
- SHIT. |
| 00:10:57 |
LOOK, BOBBY, |
| 00:10:59 |
I OWE HIM THAT MUCH. |
| 00:11:01 |
I'LL GET BACK HERE |
| 00:11:03 |
- WELL, I NEED TO LEAVE |
| 00:11:05 |
- THE GUY WAS MY BEST FRIEND. |
| 00:11:13 |
LET ME, UH...PAY FOR THE CAR. |
| 00:11:14 |
HUH? |
| 00:11:57 |
HI, ROOM 2531, PLEASE? |
| 00:12:15 |
HI, IT'S ME, TOMMY. |
| 00:12:17 |
- OH, SHIT. |
| 00:12:19 |
THIS IS HARRY. |
| 00:12:20 |
HARRY SWEENEY. |
| 00:12:24 |
THANKS FOR COMING. |
| 00:12:27 |
ALL RIGHT, |
| 00:12:31 |
JANE. |
| 00:12:43 |
[scoffs] |
| 00:12:44 |
HANDSOME HARRY. |
| 00:12:46 |
YOU GOT OLD. |
| 00:12:47 |
- [laughs] |
| 00:12:48 |
THAT'S RIGHT. |
| 00:12:50 |
- WELL, I STILL REMEMBER |
| 00:12:53 |
THAT NIGHT IN CIUDAD TRUJILLO |
| 00:12:58 |
TO THE BEST-LOOKING WHORE |
| 00:13:02 |
- YEAH, WELL, |
| 00:13:07 |
- THAT'S TRUE. |
| 00:13:12 |
YOU REMEMBER THE NIGHT |
| 00:13:14 |
KAGAN TOOK US TO THE FIVE SPOT? |
| 00:13:19 |
AND YOU TWO BUSTED MY BALLS |
| 00:13:20 |
'CAUSE I NEVER |
| 00:13:22 |
- YEAH. |
| 00:13:25 |
- I TELL YOU, THAT WAS THE MOST |
| 00:13:29 |
I EVER HEARD. |
| 00:13:32 |
IN FACT, |
| 00:13:37 |
I'VE EVER HAD IN MY WHOLE ENTIRE |
| 00:13:44 |
I'LL TELL YOU THE TRUTH, HARRY. |
| 00:13:46 |
I'M NOT EVEN THAT SORRY |
| 00:13:52 |
I JUST DON'T WANT TO GO TO HELL. |
| 00:13:54 |
- YOU'RE NOT GOING TO HELL. |
| 00:13:57 |
- YOU DON'T KNOW THAT. |
| 00:14:01 |
I'M PRETTY SURE IT WAS ME |
| 00:14:04 |
- ALL FIVE OF US DID THAT. |
| 00:14:06 |
- BUT... |
| 00:14:10 |
I THINK I WAS THE ONE |
| 00:14:12 |
WHO DROPPED THAT GENERATOR |
| 00:14:16 |
- ARE YOU SURE? |
| 00:14:19 |
WE WERE ALL SO FUCKING WASTED. |
| 00:14:24 |
- [sighs] |
| 00:14:25 |
JUST TELL HIM I'M SORRY. |
| 00:14:27 |
PLEASE. |
| 00:14:30 |
- I WILL. |
| 00:14:32 |
- YOU PROMISE? |
| 00:14:40 |
- I PROMISE, TOMMY. |
| 00:14:46 |
- HEY, HARRY, |
| 00:14:50 |
NEXT TIME YOU COME SEE ME, |
| 00:14:53 |
DON'T COME FUCKING EMPTY-HANDED. |
| 00:14:55 |
- [laughing] |
| 00:15:00 |
- [laughs and coughs] |
| 00:15:03 |
- I'M SORRY, BUDDY. |
| 00:15:04 |
- OH, I HOPE THERE'S A GOD. |
| 00:15:06 |
THERE'S GOT TO BE |
| 00:15:09 |
- HE NEEDS TO REST. |
| 00:15:13 |
- YES, MA'AM. |
| 00:15:15 |
- HEY. |
| 00:15:16 |
YOU LOOK HUNGRY. |
| 00:15:19 |
SHE IS THE BEST COOK. |
| 00:15:30 |
- WE'LL BE BACK. |
| 00:15:32 |
- OKAY. |
| 00:15:40 |
- I'LL SEE YOU LATER, BUDDY. |
| 00:15:49 |
ONE NIGHT IN BARCELONA, |
| 00:15:51 |
PATROLLING |
| 00:15:53 |
WE JUST MADE PETTY OFFICER, |
| 00:15:54 |
AND IT WAS OUR FIRST NIGHT |
| 00:15:58 |
AND IT WAS KIND OF QUIET, |
| 00:15:59 |
AND WENT UP THE STAIRS |
| 00:16:02 |
THE GIRLS FED US |
| 00:16:05 |
TO THIS DAY, THE MOST |
| 00:16:08 |
AND THE GIRLS-- |
| 00:16:12 |
YOU KNOW, IT'S REALLY NOT |
| 00:16:15 |
AT THIS TIME ANYWAY. |
| 00:16:17 |
- DON'T WORRY, MR. SWEENEY. |
| 00:16:18 |
I'VE HEARD IT MORE THAN ONCE. |
| 00:16:21 |
THE DEPUTY OFFICER CAME IN, |
| 00:16:23 |
TWO OF THE GIRLS STOOD UP |
| 00:16:25 |
WITH YOUR NIGHTSTICKS |
| 00:16:28 |
TOMMY TALKED A LOT ABOUT YOU |
| 00:16:39 |
WHAT HAPPENED WITH KAGAN? |
| 00:16:41 |
- TOMMY NEVER TOLD YOU? |
| 00:16:43 |
- SOMETHING'S BEEN EATING AT |
| 00:16:47 |
AND THIS LAST YEAR, |
| 00:16:49 |
ALL HE COULD TALK ABOUT |
| 00:16:53 |
BECAUSE OF SOMETHING HE DID |
| 00:16:55 |
AND ALL I KNOW |
| 00:16:57 |
AND THE TWO OF YOU DID SOMETHING |
| 00:17:02 |
NOW, I WANT YOU TO TELL ME |
| 00:17:06 |
THAT HE THINKS |
| 00:17:16 |
- I DON'T THINK IT'D BE RIGHT, |
| 00:17:18 |
TOMMY WOULD HAVE TOLD YOU |
| 00:17:21 |
[phone ringing] |
| 00:17:28 |
- HELLO? |
| 00:17:32 |
MOM, IT'S THE HOSPITAL. |
| 00:17:35 |
UH, THIS IS HIS DAUGHTER. |
| 00:17:48 |
THANK YOU. |
| 00:17:53 |
- I, UH... |
| 00:17:56 |
I'M... |
| 00:17:57 |
I WISH I-- |
| 00:17:58 |
- OH, YOU... |
| 00:17:59 |
BOTH JUST... |
| 00:18:02 |
GO TO HELL. |
| 00:18:05 |
[sobbing quietly] |
| 00:18:21 |
- [muttering indistinctly] |
| 00:18:25 |
[door squeaks open] |
| 00:18:26 |
- MR. SWEENEY! |
| 00:18:37 |
I GOT THE NAMES OF MY DAD'S |
| 00:18:39 |
TRACKED THEM DOWN |
| 00:18:41 |
IT WASN'T THAT HARD, ACTUALLY. |
| 00:18:43 |
I'M SURE |
| 00:18:46 |
THEY'RE ALL ON THE EAST COAST. |
| 00:18:50 |
- HEY, I'LL TELL THEM |
| 00:18:57 |
DO YOU THINK YOUR FATHER |
| 00:19:00 |
- AT TIMES, HE WAS HAPPY. |
| 00:19:02 |
- AT TIMES, YEAH. |
| 00:19:04 |
WELL, |
| 00:19:07 |
- I GOT TO GET BACK INSIDE |
| 00:19:18 |
[car door and porch door slam] |
| 00:19:20 |
[engine turns over] |
| 00:19:38 |
[playful, jazzy piano music] |
| 00:19:41 |
* * |
| 00:19:48 |
- DAVID? |
| 00:19:51 |
SO HARRY, ARE YOU A-- |
| 00:19:54 |
WHAT IS IT THAT YOU ARE, DAVID? |
| 00:19:56 |
- A YEOMAN. |
| 00:19:57 |
- AH. |
| 00:19:58 |
- HARRY'S AN ELECTRICIAN. |
| 00:20:00 |
- ELECTRICIAN'S |
| 00:20:01 |
IT'S A DAMN GOOD TRADE. |
| 00:20:03 |
YOU CAN NEVER GET ONE |
| 00:20:05 |
[laughter] |
| 00:20:08 |
- DAVID TYPES. |
| 00:20:09 |
- DAVID IS A WONDERFUL |
| 00:20:12 |
HE WAS THE STAR OF THE NEW |
| 00:20:14 |
EVEN THE CAPTAIN MADE A REQUEST. |
| 00:20:15 |
- I'LL NEVER UNDERSTAND IT. |
| 00:20:17 |
IT WAS PERVERSE OF HIM NOT TO |
| 00:20:20 |
DID YOU KNOW THAT DAVID |
| 00:20:23 |
WITH THE SANTA FE SYMPHONY |
| 00:20:30 |
[bells tolling] |
| 00:21:06 |
[smacking and thudding] |
| 00:21:10 |
[grunting] |
| 00:21:13 |
[smacking and grunting continue] |
| 00:21:24 |
smash! |
| 00:21:25 |
[screaming] |
| 00:21:38 |
[gulping] |
| 00:21:47 |
[sighs] |
| 00:21:56 |
[paper rustling] |
| 00:22:13 |
beep! |
| 00:22:16 |
[beeping] |
| 00:22:20 |
[beeping] |
| 00:22:24 |
[line trilling] |
| 00:22:27 |
[sighs] |
| 00:22:29 |
[line continues trilling] |
| 00:22:37 |
- YEAH? |
| 00:22:40 |
HELLO? |
| 00:22:42 |
- RHEEMS. |
| 00:22:44 |
PETER RHEEMS. |
| 00:22:45 |
- YES. |
| 00:22:47 |
- [inhales deeply] |
| 00:22:48 |
IT'S HARRY SWEENEY |
| 00:22:50 |
- JESUS H. CHRIST. |
| 00:22:52 |
SWEENEY! |
| 00:22:53 |
HOW THE HELL ARE YOU? |
| 00:22:54 |
IT'S BEEN A LONG FUCKING TIME. |
| 00:22:55 |
- DID I CALL TOO LATE? |
| 00:22:56 |
- OH! |
| 00:22:57 |
HAPPY TO HEAR |
| 00:23:00 |
WHAT'S UP? |
| 00:23:02 |
- I SAW KELLY. |
| 00:23:05 |
- KELLY, KELLY. |
| 00:23:07 |
AH, KELLY! |
| 00:23:08 |
TOMMY KELLY! |
| 00:23:11 |
- HE DIED THE OTHER DAY. |
| 00:23:12 |
- YEAH? |
| 00:23:14 |
WELL, THAT'S LIFE, ISN'T IT? |
| 00:23:16 |
HEY, LOOK. |
| 00:23:17 |
I BUILT THIS NEW HOUSE |
| 00:23:19 |
WITH A BEAUTIFUL |
| 00:23:21 |
A VIEW, PRIVATE BATH. |
| 00:23:24 |
ANYWAY, |
| 00:23:29 |
- HOW FAR ARE YOU |
| 00:24:14 |
[door creaks open] |
| 00:24:15 |
- HEY, BUDDY. |
| 00:24:17 |
GOD, YOU LOOK GREAT. |
| 00:24:18 |
YOU HAVEN'T CHANGED AT ALL. |
| 00:24:20 |
- YEAH, WELL, |
| 00:24:21 |
- YEAH, FUCK YOU TOO. |
| 00:24:22 |
- WHERE'S THE FUCKING TIME GO, |
| 00:24:24 |
- I DON'T KNOW. |
| 00:24:25 |
HEY, HONEY, |
| 00:24:27 |
COME ON OUT. |
| 00:24:29 |
YOU KNOW, I DON'T THINK |
| 00:24:31 |
ABOUT OUR YEARS TOGETHER |
| 00:24:33 |
- GOOD THING. |
| 00:24:34 |
- AND I DON'T THINK |
| 00:24:35 |
- HI. |
| 00:24:36 |
- JUDY, HARRY SWEENEY. |
| 00:24:38 |
THIS IS MY WIFE, JUDY. |
| 00:24:40 |
- NICE TO MEET YOU, HARRY. |
| 00:24:41 |
- DID YOU BRING YOUR WIFE? |
| 00:24:43 |
- UH, NO. |
| 00:24:45 |
- OH, I'M SORRY. |
| 00:24:47 |
HOW LONG? |
| 00:24:48 |
- UH, TEN YEARS, GIVE OR TAKE. |
| 00:24:49 |
- LOOK, GUYS, WHY DON'T WE |
| 00:24:52 |
NOT OUT HERE ON THE PORCH. |
| 00:24:54 |
FOLLOW ME. |
| 00:24:56 |
- YOU'RE OUR FIRST GUEST, HARRY. |
| 00:25:04 |
- YOU STOPPED ANSWERING |
| 00:25:07 |
- YOU'RE NOT THE ONLY ONE. |
| 00:25:10 |
- SO KELLY BOUGHT THE FARM, HUH? |
| 00:25:14 |
GEEZ. |
| 00:25:15 |
WHAT WAS HE DOING? |
| 00:25:17 |
- HE SOLD CARS. |
| 00:25:18 |
ALWAYS HAD THE GIFT OF GAB, |
| 00:25:21 |
- [chuckles] |
| 00:25:23 |
YOU STILL AN ELECTRICIAN? |
| 00:25:26 |
- STILL A SPARKY, YEAH. |
| 00:25:29 |
- STILL? |
| 00:25:31 |
- YEAH. |
| 00:25:32 |
YOU? |
| 00:25:33 |
- I WAS A SPARKY FOR A WHILE, |
| 00:25:35 |
BUT ABOUT 20 YEARS AGO, |
| 00:25:40 |
MADE A FUCKING FORTUNE. |
| 00:25:43 |
- GOOD. |
| 00:25:44 |
GOOD. GOOD. |
| 00:25:46 |
- SURE. |
| 00:25:47 |
GO AHEAD. |
| 00:25:49 |
YOU KNOW, I THINK YOU'RE |
| 00:25:51 |
SINCE THE PLUMBER PEED IN IT. |
| 00:25:53 |
IF YOU NEED ANYTHING, |
| 00:25:56 |
- OKAY, THANKS, PETE. |
| 00:25:59 |
snap! |
| 00:26:04 |
- HARRY. |
| 00:26:08 |
PETER WENT TO THE LIQUOR STORE. |
| 00:26:10 |
HE WANTED TO GET |
| 00:26:13 |
FOR HIS GOOD OLD BUDDY. |
| 00:26:19 |
ARE YOU SEXUALLY ACTIVE, HARRY? |
| 00:26:25 |
IT'S A SIMPLE QUESTION. |
| 00:26:28 |
- NO. |
| 00:26:31 |
- HOW LONG? |
| 00:26:34 |
- [sighs] |
| 00:26:38 |
A LONG TIME. |
| 00:26:48 |
- HARRY. |
| 00:26:50 |
- YOU DON'T BELONG IN HERE. |
| 00:26:51 |
[sighs] |
| 00:26:58 |
- TOUCH ME. |
| 00:27:02 |
- PUT YOUR ROBE ON. |
| 00:27:03 |
- NO. |
| 00:27:04 |
JUST PUT YOUR LITTLE ROBE ON. |
| 00:27:05 |
- HARRY, DON'T YOU UNDERSTAND? |
| 00:27:07 |
I NEED TO. |
| 00:27:08 |
TOUCH-- |
| 00:27:10 |
- NO. |
| 00:27:13 |
[door slams] |
| 00:27:20 |
[door slams] |
| 00:27:28 |
[sighs] |
| 00:27:30 |
PLEASE DON'T TELL PETER. |
| 00:27:34 |
- INITIAL REPORTS |
| 00:27:36 |
- I'M SORRY, MR. BARCLAY APPEARS |
| 00:27:40 |
- HEY, BUDDY. |
| 00:27:41 |
YOU WANT A DRINK? |
| 00:27:43 |
- WHATEVER YOU'RE HAVING. |
| 00:27:47 |
- SINGLE MALT SCOTCH, STRAIGHT. |
| 00:27:49 |
- FINE. |
| 00:27:51 |
IS THAT WHAT SUCCESSFUL |
| 00:27:53 |
- ONLY THE BEST. |
| 00:27:58 |
BUSTING MY ASS FOR YEARS. |
| 00:28:05 |
I HAD TWO HEART ATTACKS. |
| 00:28:07 |
- SHIT. |
| 00:28:09 |
- HOW'S YOUR HEALTH? |
| 00:28:11 |
- A LITTLE ARTHRITIS. |
| 00:28:12 |
[knocking] |
| 00:28:13 |
- OH, YOU FUCKER. |
| 00:28:15 |
- [laughs] |
| 00:28:16 |
- YOU EVER HEAR |
| 00:28:21 |
WHEN I COME, |
| 00:28:23 |
IT SHOOTS BACK UP |
| 00:28:26 |
A $40,000 VASECTOMY THERE. |
| 00:28:29 |
HEY. |
| 00:28:31 |
GOD. |
| 00:28:33 |
[sighs] |
| 00:28:34 |
THE ONLY WAY I CAN GET IT UP |
| 00:28:41 |
- YOU'RE TELLING ME |
| 00:28:43 |
ABOUT YOUR PLUMBING. |
| 00:28:44 |
WE'RE GETTING OLDER. |
| 00:28:45 |
IT JUST HAPPENED |
| 00:28:47 |
- DO YOU REMEMBER... |
| 00:28:51 |
DO YOU REMEMBER WHEN... |
| 00:28:53 |
WE WERE AT THE ACROPOLIS |
| 00:28:57 |
- YEAH, OF COURSE I DO. |
| 00:28:58 |
- LAST YEAR, |
| 00:29:00 |
AND I GOT JUDY TO COME. |
| 00:29:01 |
IT WAS HER FIRST TRIP. |
| 00:29:04 |
AND WE WENT TO THE ACROPOLIS. |
| 00:29:06 |
AND I'M STANDING THERE |
| 00:29:09 |
THAT I WAS STANDING |
| 00:29:11 |
MY BRAIN'S FLIPPING. |
| 00:29:15 |
ME THEN, ME NOW. |
| 00:29:19 |
ME THEN, ME NOW. |
| 00:29:22 |
ME THEN, ME NOW. |
| 00:29:25 |
AND IT'S LIKE EVERYTHING |
| 00:29:30 |
IT'S GONE. |
| 00:29:37 |
[chuckles] |
| 00:29:41 |
- I GET THAT KIND OF FEELING |
| 00:29:42 |
WHENEVER I THINK ABOUT |
| 00:29:44 |
- [sighs] |
| 00:29:45 |
THAT WAS LIKE THE ACROPOLIS. |
| 00:29:48 |
THAT WAS 1,000 YEARS AGO. |
| 00:29:55 |
- KELLY DIDN'T WANT TO DIE |
| 00:29:57 |
- [scoffs] |
| 00:29:58 |
IT'S A LITTLE LATE. |
| 00:30:00 |
HE WAS A LITTLE LATE, WASN'T HE? |
| 00:30:03 |
- KAGAN'S IN MIAMI. |
| 00:30:06 |
- ISN'T THAT |
| 00:30:14 |
- YOU REMEMBER |
| 00:30:16 |
- [sighs] |
| 00:30:17 |
IT WASN'T ME. |
| 00:30:19 |
- YOU SURE? |
| 00:30:20 |
WE WERE ALL PRETTY SHIT-FACED. |
| 00:30:22 |
- [sighs] |
| 00:30:25 |
I WAS... |
| 00:30:26 |
I WAS ON TOP OF HIM. |
| 00:30:28 |
AND... |
| 00:30:30 |
AND HE WAS SCREAMING |
| 00:30:32 |
THAT'S ALL I REMEMBER. |
| 00:30:33 |
- KELLY DIDN'T KNOW FOR SURE. |
| 00:30:35 |
- I TELL YOU WHAT. |
| 00:30:36 |
I'LL MAKE A DEAL WITH YOU. |
| 00:30:38 |
I DON'T TALK |
| 00:30:41 |
AND YOU DON'T TALK |
| 00:30:45 |
HOW'S THAT? |
| 00:30:46 |
HUH? |
| 00:30:47 |
COME ON, PUT IT HERE. |
| 00:30:49 |
HERE WE GO. |
| 00:30:51 |
- YOU CHICKEN SHIT. |
| 00:30:52 |
- [laughs] |
| 00:30:55 |
- HEY, DINNER'S READY. |
| 00:30:57 |
- ALL RIGHT. |
| 00:31:00 |
WHAT DO YOU THINK OF JUDY, HUH? |
| 00:31:02 |
- YOU'RE A LUCKY MAN. |
| 00:31:03 |
- YEAH, SHE'S LEAVING ME. |
| 00:31:05 |
FUCK. |
| 00:31:06 |
I GOT SOME NEW |
| 00:31:10 |
YOU COME WITH ME. |
| 00:31:12 |
- [sighing] |
| 00:31:20 |
clink! |
| 00:31:21 |
[breezy piano music] |
| 00:31:25 |
- MM. |
| 00:31:27 |
- OH, THAT'S NICE, PETE. |
| 00:31:29 |
- DO YOU HAVE ANY CHILDREN, |
| 00:31:31 |
HARRY? |
| 00:31:32 |
- I DO. |
| 00:31:33 |
HE LIVES IN CHICAGO, |
| 00:31:35 |
HE'S MARRIED. |
| 00:31:37 |
NO KIDS. |
| 00:31:39 |
AND HE'S ANGRY WITH ME |
| 00:31:42 |
- [scoffs] |
| 00:31:43 |
OH, I'M SURE |
| 00:31:46 |
OH, DID YOU KNOW |
| 00:31:50 |
- YEAH, UH... |
| 00:31:51 |
HARRY |
| 00:31:55 |
- OH, MAN. |
| 00:31:57 |
HOW INTERESTING. |
| 00:31:58 |
- YEAH, WE'D PULL INTO PORT, |
| 00:32:00 |
AND WE'D GO OUT WHORING |
| 00:32:01 |
AND THE NEXT MORNING, |
| 00:32:02 |
HARRY WOULD BE RIGHT THERE |
| 00:32:05 |
EVERY DAY. |
| 00:32:07 |
UNBELIEVABLE. |
| 00:32:08 |
- WHAT MADE YOU |
| 00:32:10 |
- JUST LOST THE NEED TO. |
| 00:32:12 |
- JUST LIKE THAT? |
| 00:32:13 |
- NAH, IT WAS A LOT OF THINGS. |
| 00:32:16 |
- WELL, WHAT THING? |
| 00:32:21 |
OH, HARRY. |
| 00:32:22 |
OH, COME ON. |
| 00:32:23 |
- OKAY. |
| 00:32:25 |
WE HAD THIS CATHOLIC CHAPLAIN |
| 00:32:29 |
ABOARD SHIP. |
| 00:32:31 |
AND I MADE AN APPOINTMENT |
| 00:32:33 |
TALK TO HIM ABOUT THESE |
| 00:32:36 |
I KNOCKED ON THE DOOR |
| 00:32:37 |
HE JUST SAYS COME IN. |
| 00:32:39 |
SO I DID, AND THERE HE WAS, |
| 00:32:41 |
SITTING IN FRONT OF HIS MIRROR |
| 00:32:42 |
WITH HIS BACK TO ME, |
| 00:32:44 |
NEVER TURNED AROUND. |
| 00:32:46 |
JUST SAID, "YEAH?" |
| 00:32:49 |
AND I WAS A LITTLE PUT OFF |
| 00:32:50 |
BECAUSE HE CARED |
| 00:32:51 |
THAN HE DID ABOUT ME. |
| 00:32:53 |
- [chuckles] |
| 00:32:54 |
- I SAID, "FATHER, |
| 00:32:57 |
I'M THINKING ABOUT |
| 00:33:00 |
AND HE TURNS AROUND TO ME, |
| 00:33:03 |
I COULD SEE I IRRITATED HIM. |
| 00:33:06 |
HE LOOKS AT THE INSIGNIA |
| 00:33:11 |
"ELECTRICIAN'S MATE?" |
| 00:33:13 |
HE SAYS TO ME, |
| 00:33:14 |
LIKE I'M SOME KIND OF |
| 00:33:17 |
I SAID, "JESUS WAS A CARPENTER." |
| 00:33:20 |
AND HE GOES, |
| 00:33:23 |
"I GOT A MEETING |
| 00:33:26 |
AND HE TAKES OFF. |
| 00:33:27 |
PTEW! |
| 00:33:30 |
- THAT'S A TERRIBLE STORY. |
| 00:33:32 |
- GOD, |
| 00:33:35 |
- I GUESS THAT WAS |
| 00:33:36 |
OF ME AND THE PRIESTHOOD. |
| 00:33:38 |
HE REALLY PISSED ME OFF. |
| 00:33:40 |
AND I...GUESS I LOST SOMETHING. |
| 00:33:44 |
BUT OF COURSE, YOUR HUSBAND |
| 00:33:47 |
- NOT SYMPATHETIC. |
| 00:33:48 |
- OH, REALLY. |
| 00:33:49 |
- NOPE, NOT ME. |
| 00:33:52 |
YEAH. |
| 00:33:53 |
YOU KNOW, |
| 00:33:55 |
WANTS ME TO GO WITH HIM |
| 00:33:58 |
- I NEVER SAID THAT. |
| 00:34:00 |
- THAT'S THE ONLY REASON |
| 00:34:02 |
- KAGAN WAS YOUR FRIEND TOO, |
| 00:34:04 |
- BEFORE I... |
| 00:34:05 |
FOUND OUT HE WAS A SHIT-PACKER. |
| 00:34:07 |
[both chuckle] |
| 00:34:08 |
- [clears throat] |
| 00:34:09 |
PETER DOESN'T LIKE HOMOSEXUALS. |
| 00:34:12 |
OH, DID YOU KNOW |
| 00:34:15 |
- STOP. |
| 00:34:16 |
I TOLD YOU, DON'T GO THERE. |
| 00:34:18 |
YOU DON'T TALK ABOUT HIM |
| 00:34:20 |
- YOU KNOW, I'M GONNA TALK ABOUT |
| 00:34:23 |
- YOU LISTEN TO FUCK-- |
| 00:34:24 |
I TOLD YOU NOT TO FUCKING-- |
| 00:34:25 |
- WHEN HE FOUND OUT |
| 00:34:27 |
- IN MY HOUSE. |
| 00:34:28 |
- TAKE IT EASY! |
| 00:34:29 |
- GET AWAY FROM ME! |
| 00:34:31 |
- SIT DOWN. |
| 00:34:33 |
YOU FUCKER. |
| 00:34:34 |
HE IS MORE OF A MAN |
| 00:34:37 |
- YOU BITCH. |
| 00:34:38 |
- WHORE. |
| 00:34:39 |
- GET THE FUCK OUT OF HERE. |
| 00:34:40 |
- YOU DON'T WANT IT |
| 00:34:41 |
- YOU GET THE FUCK OUT, |
| 00:34:42 |
AND YOU TAKE THAT FUCKING WHORE |
| 00:34:46 |
GO ON. |
| 00:34:52 |
FUCK. |
| 00:35:02 |
- COULD YOU DROP ME OFF |
| 00:35:06 |
- SURE. |
| 00:35:08 |
WHERE ARE YOU GOING? |
| 00:35:11 |
- I HAVE A DAUGHTER IN BOSTON. |
| 00:35:18 |
YOU KNOW, I'VE NEVER DONE |
| 00:35:21 |
IN THE BEDROOM. |
| 00:35:24 |
[stammers] |
| 00:35:26 |
I HOPE YOU CAN FORGIVE ME. |
| 00:35:32 |
- IT WAS EXCITING. |
| 00:36:02 |
[both gasping] |
| 00:36:54 |
- OH, GOD. |
| 00:36:56 |
[both moaning and gasping] |
| 00:37:05 |
thunk! |
| 00:37:06 |
[squeals] |
| 00:37:07 |
- SHH. |
| 00:37:10 |
[both moaning and gasping] |
| 00:37:22 |
- [panting] |
| 00:37:25 |
DO YOU SING? |
| 00:37:28 |
- [clears throat] |
| 00:37:29 |
WHY? |
| 00:37:32 |
- I DON'T KNOW. |
| 00:37:33 |
I FEEL LIKE |
| 00:37:35 |
WELL, YOU KNOW, BEFORE TONIGHT. |
| 00:37:39 |
- WELL, I DO SING. |
| 00:37:42 |
- A CAPELLA? |
| 00:37:45 |
WAS IT THE EASTERN |
| 00:37:51 |
- THIS IS GETTING WEIRD. |
| 00:37:52 |
- [chuckles] |
| 00:37:54 |
I WAS A PART |
| 00:37:57 |
WE CAME IN SECOND. |
| 00:37:59 |
- WOW. |
| 00:38:02 |
WE CAME IN SIXTH. |
| 00:38:03 |
- MM. |
| 00:38:04 |
- OUT OF SIX. |
| 00:38:06 |
[both laugh] |
| 00:38:08 |
- NO, YOU WERE GOOD. |
| 00:38:11 |
I DO. |
| 00:38:13 |
SING TO ME. |
| 00:38:15 |
- I ONLY DO |
| 00:38:17 |
- NO, NO, NO, COME ON. |
| 00:38:19 |
SING TO ME, PLEASE. |
| 00:38:22 |
- SHOW ME HOW. |
| 00:38:25 |
- ALL RIGHT. |
| 00:38:27 |
LET'S SEE. |
| 00:38:30 |
OKAY. |
| 00:38:31 |
* AFTER YOU'VE GONE * |
| 00:38:34 |
* AND LEFT ME CRYIN' * |
| 00:38:37 |
* AFTER YOU'VE GONE * |
| 00:38:40 |
* THERE'S NO DENYIN' * |
| 00:38:42 |
* YOU'LL FEEL BLUE * |
| 00:38:45 |
* YOU'LL FEEL SAD * |
| 00:38:48 |
* YOU'LL MISS THE BESTEST PAL |
| 00:38:52 |
COME ON, JOIN ME. |
| 00:38:58 |
- * AFTER THE YEARS * |
| 00:39:01 |
both: * WE'VE BEEN TOGETHER * |
| 00:39:03 |
- * THE JOY AND THE TEARS * |
| 00:39:05 |
both: * ALL KINDS OF WEATHER * |
| 00:39:07 |
* OH, BABY * |
| 00:39:10 |
* THINK WHAT YOU'RE DOING * |
| 00:39:13 |
* YOU KNOW MY LOVE FOR YOU |
| 00:39:16 |
* AFTER I'VE GONE * |
| 00:39:19 |
* AFTER I'VE GONE AWAY * |
| 00:39:22 |
- * DA-DA DA-DA, DA-DA * |
| 00:39:24 |
* ONE MORE TIME * |
| 00:39:25 |
* AFTER I'VE GONE * |
| 00:39:27 |
both: * AFTER I'VE GONE AWAY * |
| 00:39:32 |
- CHEE-CHA! |
| 00:39:34 |
- [claps and laughs] |
| 00:39:35 |
THAT WAS GREAT. |
| 00:39:36 |
- THANK YOU. |
| 00:39:37 |
THANK YOU VERY MUCH. |
| 00:39:38 |
- [laughs] |
| 00:39:40 |
- [grunts] |
| 00:39:44 |
- HARRY, |
| 00:39:46 |
CAN I SLEEP WITH YOU? |
| 00:39:50 |
- DEPENDS ON |
| 00:39:52 |
- I'LL TAKE THAT ONE. |
| 00:39:54 |
- [snickers] |
| 00:40:00 |
- COME HERE. |
| 00:40:08 |
- [snorts] |
| 00:40:09 |
IT'S SO AMAZING TO ME |
| 00:40:12 |
THAT IN SIX HOURS, |
| 00:40:13 |
I CAN GO FROM SUCH SADNESS |
| 00:40:22 |
AND YOU DON'T HAVE TO TELL ME |
| 00:40:30 |
- I'LL BE SAD TOO. |
| 00:40:36 |
[light jazz music] |
| 00:40:39 |
* * |
| 00:40:42 |
[crowd murmuring indistinctly] |
| 00:40:44 |
[jazz music continues] |
| 00:40:47 |
* * |
| 00:41:02 |
[music gradually fades] |
| 00:41:05 |
* * |
| 00:41:29 |
- VISITING? |
| 00:41:32 |
- PASSING THROUGH. |
| 00:41:33 |
- WHERE ARE YOU GOING? |
| 00:41:35 |
- VISITING AN OLD FRIEND. |
| 00:41:37 |
- IT'S NICE TO STAY IN TOUCH. |
| 00:41:39 |
- [sighs] |
| 00:41:40 |
I HAVEN'T SEEN HIM |
| 00:41:44 |
- I'M 29. |
| 00:41:47 |
- CONGRATULATIONS. |
| 00:41:52 |
- HOW COME |
| 00:41:56 |
ABOUT VISITING HIM? |
| 00:41:59 |
- I'M AFRAID |
| 00:42:03 |
- 30 YEARS IS A LONG TIME |
| 00:42:06 |
WHAT'D HE DO? |
| 00:42:07 |
- NOTHING. |
| 00:42:09 |
DID NOTHING. |
| 00:42:26 |
- I DON'T THINK |
| 00:42:37 |
- WHERE DID YOU GET THE IDEA |
| 00:42:38 |
THAT I GIVE A SHIT |
| 00:42:57 |
SUCH A FUCKING COWARD. |
| 00:43:33 |
- I'M REPRESENTING REASON |
| 00:43:35 |
AS THE MOTOR ENERGY |
| 00:43:38 |
IN POPULARIZING THAT TERM |
| 00:43:39 |
WHICH SUGGESTED PERSONALITY |
| 00:43:41 |
[door creaks loudly open] |
| 00:43:42 |
ANAXAGORAS |
| 00:43:45 |
WHICH WERE THE BASICS |
| 00:43:48 |
IN GREECE |
| 00:43:51 |
CAN I HELP YOU? |
| 00:43:55 |
- UH, PROFESSOR WILLIAM PORTER? |
| 00:43:57 |
- YES. |
| 00:43:59 |
- I'M HARRY SWEENEY. |
| 00:44:01 |
- WHO? |
| 00:44:03 |
- WE WERE IN THE NAVY TOGETHER. |
| 00:44:05 |
- UH, I'M AFRAID |
| 00:44:09 |
- WE WERE ELECTRICIANS |
| 00:44:13 |
- [laughs] |
| 00:44:14 |
I HAVE NEVER SERVED IN THE NAVY |
| 00:44:16 |
NOR IN ANY BRANCH |
| 00:44:19 |
IN FACT, |
| 00:44:22 |
NOW, IF YOU'LL EXCUSE ME, |
| 00:44:27 |
- DO YOU REMEMBER DAVID KAGAN? |
| 00:44:31 |
- WHOEVER YOU ARE, |
| 00:44:35 |
OR I'M GONNA CALL SECURITY. |
| 00:44:38 |
- HE'S NOT TELLING YOU |
| 00:44:39 |
PROFESSOR PORTER ACTUALLY |
| 00:44:43 |
HE BELIEVED |
| 00:44:44 |
TO HAVE FOUGHT A WAR |
| 00:44:46 |
MIGHT EVEN BECOME GREAT |
| 00:44:48 |
- ALL RIGHT, |
| 00:44:50 |
NOW LEAVE. |
| 00:44:51 |
- SUPPOSE I TELL THEM |
| 00:44:53 |
HOW'D THAT BE, HUH? |
| 00:44:54 |
smack! |
| 00:44:55 |
[class murmuring] |
| 00:44:57 |
- GET OUT. |
| 00:44:58 |
[murmuring] |
| 00:45:01 |
[door creaks open] |
| 00:45:03 |
UGH. |
| 00:45:04 |
WHAT? |
| 00:45:06 |
WHAT DO YOU WANT? |
| 00:45:08 |
- 20 MINUTES. |
| 00:45:11 |
20 MINUTES. |
| 00:45:18 |
- WHY ARE YOU HERE? |
| 00:45:22 |
- TOMMY KELLY CALLED ME. |
| 00:45:24 |
REMEMBER HIM? |
| 00:45:27 |
HE WANTED TO BE FORGIVEN |
| 00:45:33 |
BUT HE DIDN'T MAKE IT. |
| 00:45:39 |
- WHAT HAS THIS |
| 00:45:41 |
- I WANT YOU TO TELL ME WHAT |
| 00:45:44 |
- I DON'T MAKE A HABIT |
| 00:45:47 |
THE BOY I WAS THEN IS DEAD. |
| 00:45:49 |
- TELL ME WHAT YOU REMEMBER, |
| 00:45:51 |
YOU'LL NEVER |
| 00:45:55 |
- [sighs] |
| 00:45:56 |
WE WERE IN DRY DOCK IN NORFOLK. |
| 00:46:00 |
YOU AND KELLY CAME INTO THE SHOP |
| 00:46:04 |
YOU SAID KAGAN HAD MADE A PASS |
| 00:46:08 |
HE TRIED TO GRAB YOU. |
| 00:46:10 |
KELLY SAID, |
| 00:46:15 |
AND WE DID. |
| 00:46:17 |
- WHO PICKED UP THE ARMATURE? |
| 00:46:19 |
- I ASSUMED IT WAS KELLY. |
| 00:46:21 |
- DID YOU SEE HIM? |
| 00:46:23 |
- NO. |
| 00:46:24 |
IT WAS CHAOS. |
| 00:46:25 |
WE WERE ALL ACTING LIKE SAVAGES. |
| 00:46:29 |
IT WAS THE MOST |
| 00:46:31 |
I'VE DONE IN MY WHOLE LIFE. |
| 00:46:33 |
- [sighs] |
| 00:46:37 |
BUT WHY DENY |
| 00:46:42 |
[glass clinking] |
| 00:46:54 |
- TO THE GHOSTS OF OUR PAST. |
| 00:47:01 |
YOU KNOW, I DO HAVE |
| 00:47:05 |
SITTING BELOW DECK |
| 00:47:10 |
THE HUM OF THOSE TRANSMITTERS |
| 00:47:11 |
MIXING WITH OSCAR P. |
| 00:47:14 |
AND CHET BAKER |
| 00:47:21 |
WE WOULD BE DOWN THERE |
| 00:47:23 |
UNTIL THAT LIEUTENANT-- |
| 00:47:25 |
UH... |
| 00:47:26 |
CRANE CAUGHT US. |
| 00:47:31 |
MM. |
| 00:47:35 |
- SO YOU'RE |
| 00:47:38 |
- OH, YEAH. |
| 00:47:40 |
BIG FROG IN A SMALL POND. |
| 00:47:44 |
WHAT HAVE YOU BEEN UP TO? |
| 00:47:47 |
- I'VE BEEN VERY BUSY |
| 00:47:52 |
- A FAILURE. |
| 00:47:54 |
"FAILURE" IS A BIG WORD, HARRY. |
| 00:47:58 |
- I DON'T WANT TO FOOL MYSELF. |
| 00:48:01 |
- YOU KNOW, I DON'T BELIEVE IN |
| 00:48:06 |
BUT I DO BELIEVE |
| 00:48:09 |
THAT THERE IS A PURPOSE |
| 00:48:13 |
- YEAH. |
| 00:48:14 |
TO BEAT THE SHIT OUT OF US. |
| 00:48:16 |
- [laughs] |
| 00:48:19 |
YES. |
| 00:48:21 |
IF THAT'S WHAT IT TAKES. |
| 00:48:24 |
WE'RE HERE TO LEARN. |
| 00:48:26 |
- WHAT ARE YOU HERE TO LEARN? |
| 00:48:29 |
- TO FORGIVE WILLIAM PORTER, |
| 00:48:31 |
U.S. NAVY, |
| 00:48:36 |
- YOU CAN'T FORGIVE HIM? |
| 00:48:42 |
- I CAN'T FORGIVE... |
| 00:48:46 |
[sighs] |
| 00:48:48 |
WHAT WE DID. |
| 00:48:51 |
YOU KNOW, HARRY, |
| 00:48:52 |
THE TRUTH WAS STARING AT US |
| 00:48:55 |
WE JUST COULDN'T SEE IT, |
| 00:48:59 |
YOU AND I, |
| 00:49:02 |
BEING AGAINST VIETNAM, |
| 00:49:03 |
THAT WOULD HAVE BEEN... |
| 00:49:05 |
UNTHINKABLE. |
| 00:49:09 |
AND IF WE HAD KNOWN BETTER, |
| 00:49:12 |
WOULD WE HAVE BEEN |
| 00:49:13 |
TO DO SOMETHING ABOUT IT, HUH? |
| 00:49:19 |
AND YET, |
| 00:49:22 |
WE WERE SURE AS HELL |
| 00:49:25 |
TO NEARLY KILL A FRIEND. |
| 00:49:39 |
- YOU MARRIED? |
| 00:49:41 |
- I HAVE A LOVELY WIFE |
| 00:49:45 |
AND A WONDERFUL SON. |
| 00:49:48 |
HE'S A LIEUTENANT |
| 00:49:50 |
FINISHING HIS THIRD TOUR OF DUTY |
| 00:49:53 |
[chuckles] |
| 00:49:55 |
- [chuckles] |
| 00:49:56 |
- HE WOULDN'T LISTEN TO ME. |
| 00:49:58 |
STUPID WAR. |
| 00:50:02 |
AND YET, |
| 00:50:06 |
I AM VERY PROUD OF HIM. |
| 00:50:11 |
SO... |
| 00:50:13 |
YOU GOT PLANS? |
| 00:50:15 |
YOU WANT TO COME OVER |
| 00:50:18 |
- THANKS, BUT, UH... |
| 00:50:22 |
NO, 20 MINUTES SEEMS TO BE |
| 00:50:24 |
FOR THESE LITTLE REUNIONS. |
| 00:50:33 |
- [chuckles] |
| 00:50:35 |
- HEY, I'M SORRY ABOUT THAT. |
| 00:50:38 |
- I'M GONNA PRAY FOR YOUR SON. |
| 00:50:42 |
- THANK YOU. |
| 00:50:46 |
YOU TAKE CARE OF YOURSELF, |
| 00:51:15 |
- WHAT ARE YOU DOING? |
| 00:51:45 |
- AS YOU WERE, SAILOR. |
| 00:51:46 |
- [chuckling] |
| 00:51:49 |
AM I TOO EARLY? |
| 00:51:50 |
- NO. |
| 00:51:51 |
PERFECT TIMING. |
| 00:51:52 |
I WAS HALF EXPECTING |
| 00:51:55 |
- IT NEVER HAPPENED. |
| 00:51:56 |
- YOU'RE STILL WELCOME. |
| 00:51:58 |
I WANT YOU TO MEET MY WIFE. |
| 00:52:02 |
SARAH? |
| 00:52:03 |
[door squeaks] |
| 00:52:06 |
- GOOD MORNING. |
| 00:52:07 |
- MY BEAUTIFUL WIFE. |
| 00:52:08 |
- GOOD MORNING. |
| 00:52:10 |
- DIDN'T I SAY I WAS HOPING |
| 00:52:11 |
THE LORD WOULD GRACE US |
| 00:52:13 |
- YES, YOU DID. |
| 00:52:14 |
- WELL, |
| 00:52:16 |
- HEY, DID YOU EVER |
| 00:52:18 |
- EH, FOR A WHILE BACK WHEN-- |
| 00:52:20 |
- WELL, I'M GONNA ASK YOU |
| 00:52:23 |
- HELLO. |
| 00:52:24 |
- GOOD DAY, MARY. |
| 00:52:25 |
- PRAISE THE LORD. |
| 00:52:27 |
- SARAH. |
| 00:52:30 |
- WE'RE GONNA GO, DEAR. |
| 00:52:42 |
NO, SARAH INSISTED THAT |
| 00:52:45 |
I MEAN, |
| 00:52:48 |
KILL TWO BIRDS WITH ONE STONE, |
| 00:52:50 |
- [laughs] |
| 00:52:51 |
I DON'T MIND |
| 00:52:53 |
- THAT'S WHY WE SETTLED HERE |
| 00:52:55 |
'CAUSE WE BOTH |
| 00:52:57 |
THEN SARAH |
| 00:53:00 |
RIDING HER BICYCLE. |
| 00:53:02 |
- OH, MY-- |
| 00:53:05 |
IT BROUGHT US |
| 00:53:09 |
- YOU WERE THINKING |
| 00:53:11 |
- WELL, I DID. |
| 00:53:12 |
30 YEARS. |
| 00:53:13 |
MADE MASTER CHIEF. |
| 00:53:14 |
- [chuckling] |
| 00:53:15 |
- YEAH. |
| 00:53:17 |
- I NEVER TOOK YOU FOR A LIFER, |
| 00:53:18 |
- THERE YOU GO. |
| 00:53:19 |
[rustling] |
| 00:53:21 |
- SHOW ME THE WAY, GEB. |
| 00:53:22 |
- OH, NO, GUEST HAS HONORS. |
| 00:53:25 |
- ALL RIGHT. |
| 00:53:41 |
THIS IS GONNA BE ABSURD. |
| 00:53:43 |
- NO, JUST KEEP YOUR HEAD DOWN, |
| 00:53:46 |
AND DON'T THINK ABOUT ANYTHING |
| 00:53:49 |
- HOW MUCH TIME WE GOT? |
| 00:53:51 |
- MARY CAN STAY FOR THREE HOURS. |
| 00:53:54 |
- YOU DON'T WANT ME |
| 00:53:56 |
- I THINK WE'RE GONNA HAVE |
| 00:53:57 |
ABOUT AS MUCH FUN OUT HERE |
| 00:54:07 |
clink! |
| 00:54:12 |
- YOU WANT TO |
| 00:54:15 |
- I DON'T BET ANYMORE. |
| 00:54:29 |
- TOMMY KELLY DIED |
| 00:54:31 |
- SHIT! |
| 00:54:32 |
- SORRY, GEB. |
| 00:54:35 |
I GOT A LOT |
| 00:54:38 |
- CAN I TAKE MY MULLIGAN? |
| 00:54:39 |
- YOU USED TO BE |
| 00:54:41 |
- YOU KNOW, |
| 00:54:43 |
BUT IN THE CART. |
| 00:54:57 |
clink! |
| 00:55:10 |
OKAY. |
| 00:55:11 |
START TALKING. |
| 00:55:13 |
[electric engine whirs] |
| 00:55:17 |
- YOU REMEMBER THE NIGHT |
| 00:55:20 |
- I FIGURED THAT MIGHT BE |
| 00:55:23 |
- WHY'D YOU FIGURE THAT? |
| 00:55:24 |
- 'CAUSE IT'S ON MY MIND A LOT. |
| 00:55:29 |
- I CAN'T REMEMBER WHAT HAPPENED |
| 00:55:32 |
- IT'S PURE EVIL WHAT WE DID. |
| 00:55:34 |
JUST KEPT PUNCHING, KICKING. |
| 00:55:36 |
THEN KELLY PICKED UP |
| 00:55:39 |
AND CRUSHED KAGAN'S RIGHT HAND |
| 00:55:41 |
AND THAT |
| 00:55:45 |
- YOU SAW KELLY DO IT? |
| 00:55:48 |
- YOU THOUGHT IT WAS YOU? |
| 00:55:52 |
- I THOUGHT IT MIGHT HAVE BEEN. |
| 00:55:53 |
WE WERE ALL SO GODDAMN DRUNK. |
| 00:55:55 |
WE NEVER TALKED ABOUT IT |
| 00:55:58 |
RHEEMS SAYS HE DIDN'T DO IT. |
| 00:56:01 |
KELLY DIDN'T KNOW FOR SURE. |
| 00:56:03 |
- KELLY. |
| 00:56:04 |
KELLY ALWAYS |
| 00:56:06 |
HE HATED HOMOSEXUALS. |
| 00:56:11 |
YOU KNOW, I HATED YOU FOR YEARS |
| 00:56:14 |
WHAT WE DID WAS A TERRIBLE SIN, |
| 00:56:16 |
AND IT WOULDN'T HAVE HAPPENED |
| 00:56:19 |
- BUT NOW THAT |
| 00:56:20 |
YOU DON'T HATE ME ANYMORE, |
| 00:56:23 |
- I DON'T HATE ANYONE. |
| 00:56:25 |
PRAISE GOD. |
| 00:56:29 |
YOU KNOW, YOU SHOULD |
| 00:56:31 |
HE'S THE ONLY ONE |
| 00:56:33 |
- [laughs] |
| 00:56:34 |
WELL, HELL, LET'S JUST KNOCK |
| 00:56:35 |
THIS LITTLE FUCKING BALL |
| 00:56:37 |
AND PRETEND IT MATTERS. |
| 00:56:38 |
- WHAT DO YOU WANT FROM ME, |
| 00:56:40 |
- SOMETHING LIKE THAT. |
| 00:56:48 |
- WE DON'T KNOW EACH OTHER |
| 00:56:51 |
I DID 30 YEARS IN THE NAVY. |
| 00:56:54 |
AND NOW I'VE GOT A WIFE |
| 00:56:57 |
CAN'T EAT BY HERSELF, |
| 00:56:58 |
CAN'T CLEAN HERSELF. |
| 00:57:00 |
NOW, I DON'T KNOW |
| 00:57:02 |
BUT IT AIN'T NO WAY LIKE MINE. |
| 00:57:17 |
WE'RE DIFFERENT FOLKS, |
| 00:57:19 |
WE'RE NEVER GONNA HAVE |
| 00:57:22 |
IT'S JUST--THERE'S JUST... |
| 00:57:24 |
TOO MUCH WATER OVER THE DAM. |
| 00:57:29 |
BUT IT'S POSSIBLE THAT-- |
| 00:57:31 |
THAT DIFFERENT-MINDED FOLKS |
| 00:57:34 |
CAN HAVE A PLEASING |
| 00:57:39 |
AND IN THIS WORLD, |
| 00:57:42 |
THAT'S SOMETHING. |
| 00:57:53 |
- CAN I HUG YOU, GEB? |
| 00:57:57 |
- NO FUNNY STUFF. |
| 00:58:21 |
[dripping] |
| 00:58:25 |
- SOMEBODY MIGHT COME IN. |
| 00:58:26 |
- WE NEVER GET A CHANCE |
| 00:58:28 |
- SOME DAY. |
| 00:58:29 |
- LET ME TOUCH IT. |
| 00:58:30 |
- WHAT ARE YOU DOING? |
| 00:58:31 |
- ARE YOU TRYING |
| 00:58:33 |
- WHAT THE FUCK |
| 00:58:35 |
- HE TRIED TO GRAB MY COCK. |
| 00:58:37 |
- THAT'S WHAT |
| 00:58:39 |
- ARE YOU JEALOUS, KELLY? |
| 00:59:13 |
[gate squeals] |
| 00:59:25 |
[doorbell rings] |
| 00:59:30 |
- YES? |
| 00:59:31 |
- YES, I WONDER |
| 00:59:33 |
- UH, I'M SORRY, HE'S NOT HERE. |
| 00:59:35 |
- DO YOU KNOW WHEN HE'LL RETURN? |
| 00:59:37 |
- MAYBE ONE MONTH. |
| 00:59:41 |
- COULD I LEAVE HIM A NOTE? |
| 00:59:43 |
- YES. SURE. |
| 00:59:45 |
- I DON'T, UH... |
| 00:59:46 |
I DON'T SEEM TO HAVE A PEN. |
| 00:59:49 |
- UH, OH, OKAY. |
| 00:59:51 |
COME IN, PLEASE. |
| 00:59:52 |
- THANK YOU. |
| 00:59:55 |
[metal door clatters] |
| 00:59:57 |
UH, WAIT HERE, OKAY? |
| 01:00:00 |
OKAY. |
| 01:00:06 |
- THANK YOU. |
| 01:00:11 |
[scratching] |
| 01:00:18 |
[sighs] |
| 01:00:29 |
[paper rustles] |
| 01:00:32 |
[scratching] |
| 01:00:46 |
COULD YOU MAKE SURE |
| 01:00:49 |
- YES. |
| 01:00:51 |
DON'T WORRY. |
| 01:00:52 |
- DO YOU HAVE A RECENT PHOTO |
| 01:00:55 |
- UM... |
| 01:00:57 |
- I HAVEN'T SEEN HIM |
| 01:01:01 |
- OKAY, ONE MOMENT. |
| 01:01:07 |
ONE YEAR AGO, A BIRTHDAY. |
| 01:01:13 |
- HE LOOKS GREAT. |
| 01:01:49 |
[sighs] |
| 01:02:26 |
[door slams] |
| 01:02:29 |
[distant train whistle blows] |
| 01:02:37 |
- HEY, MYSTERY MAN, |
| 01:02:40 |
YOU TAKE OFF ON THE KAYAK? |
| 01:02:41 |
- NONE OF YOUR BUSINESS. |
| 01:02:42 |
- OH, IF YOU'VE |
| 01:02:45 |
WE GOT A RIGHT TO KNOW. |
| 01:02:46 |
- HOW DO YOU FIGURE THAT? |
| 01:02:48 |
- WE AIN'T GOT NO SECRETS |
| 01:02:50 |
- WELL, I GOT SECRETS FROM YOU. |
| 01:02:51 |
[all chuckle] |
| 01:02:53 |
- MORNING, MURIEL. |
| 01:02:54 |
- HARRY. |
| 01:02:55 |
- MURIEL'S BEEN WORRIED |
| 01:02:57 |
- I HAVE NOT. |
| 01:02:58 |
- I THINK SHE THOUGHT YOU MIGHT |
| 01:03:02 |
- MIGHT BE NICE TO HAVE SOMEBODY |
| 01:03:05 |
- IT WON'T BE ME. |
| 01:03:06 |
- GOT TO GET YOURSELF |
| 01:03:08 |
POOR PAULEY WAS WORRIED SICK. |
| 01:03:09 |
HE WAS GONNA CALL THE COPS. |
| 01:03:10 |
I TOLD HIM |
| 01:03:12 |
- JESUS CHRIST! |
| 01:03:14 |
- WELL, IT'S NOT LIKE YOU |
| 01:03:16 |
- YOU DON'T WANT TO PAY |
| 01:03:19 |
IN CASE |
| 01:03:21 |
- THOUGHT DID CROSS MY MIND. |
| 01:03:23 |
YOU MISSED REHEARSAL. |
| 01:03:24 |
YOU ONLY GOT ANOTHER ONE |
| 01:03:26 |
I CAN'T HAVE A QUARTET |
| 01:03:28 |
- I'LL BE THERE. |
| 01:03:29 |
- YOU BETTER BE. |
| 01:03:31 |
HERE'S TWO TICKETS |
| 01:03:32 |
TO THE LIONS CLUB |
| 01:03:34 |
100 BUCKS. |
| 01:03:36 |
I GOT TO RUN. |
| 01:03:37 |
LISTEN. |
| 01:03:38 |
YOU GIVE ANY MORE THOUGHT |
| 01:03:39 |
TO THAT PROPOSAL |
| 01:03:42 |
- YEAH. |
| 01:03:45 |
PAULEY CAN HAVE IT. |
| 01:03:46 |
- OKAY. |
| 01:03:48 |
- NOW ALL YOU GOT TO DO |
| 01:03:51 |
WHAT TO DO |
| 01:03:55 |
- MURIEL, |
| 01:03:57 |
YOU WANT TWO TICKETS |
| 01:04:00 |
- NO, THANKS. |
| 01:04:06 |
MURIEL? |
| 01:04:07 |
- YES? |
| 01:04:10 |
- HOW ABOUT YOU GO WITH ME? |
| 01:04:19 |
- DON'T YOU GUYS SAY A WORD. |
| 01:04:23 |
- PICK YOU UP AT 7:00? |
| 01:04:24 |
- SURE. |
| 01:04:27 |
WHY NOT? |
| 01:04:33 |
- [sighs] |
| 01:04:34 |
[guys chuckling] |
| 01:04:35 |
- WE CAN'T KEEP UP WITH YOU, |
| 01:04:37 |
- DON'T EVEN TRY, BABY. |
| 01:04:38 |
[all chuckling] |
| 01:04:39 |
[loud buzzing] |
| 01:04:48 |
- MORNING, PAULEY. |
| 01:04:50 |
[chuckles] |
| 01:04:52 |
I HEARD YOU WERE LOOKING FOR ME. |
| 01:04:53 |
- IT'S NOT FUNNY, HARRY. |
| 01:04:54 |
I THOUGHT |
| 01:04:56 |
- EVERYTHING UNDER CONTROL? |
| 01:04:58 |
- YEAH. |
| 01:04:59 |
FENTON SAID MY ESTIMATE |
| 01:05:02 |
[rumbling and squealing] |
| 01:05:05 |
- AND? |
| 01:05:07 |
- I SAID |
| 01:05:08 |
IT'S THE BEST I COULD DO. |
| 01:05:10 |
- GOOD FOR YOU. |
| 01:05:13 |
- OH, AND THEN HE'S LIKE, UH, |
| 01:05:14 |
"OH, I WAS JUST TESTING YOU," |
| 01:05:16 |
I SAID, "YEAH, WHATEVER." |
| 01:05:17 |
WE GOT THE JOB. |
| 01:05:20 |
- YOU WANT TO STAY IN BUSINESS, |
| 01:05:23 |
- WAIT A MINUTE. |
| 01:05:27 |
DOES THAT MEAN YOU'RE GONNA-- |
| 01:05:31 |
- WELL, IF YOU AGREE |
| 01:05:34 |
I THINK THEY'RE FAIR |
| 01:05:39 |
- THIS IS THE HAPPIEST DAY |
| 01:05:42 |
- OKAY. |
| 01:05:50 |
LOOK AT THIS. |
| 01:05:51 |
32-INCH WAIST. |
| 01:05:52 |
- OH, A FEW YEARS AGO, HUH? |
| 01:05:53 |
- EH. |
| 01:05:56 |
- WHAT ARE THOSE? |
| 01:05:57 |
- UH, THAT IS FOR GOOD CONDUCT. |
| 01:06:00 |
I THINK THAT'S NATO. |
| 01:06:02 |
I DON'T KNOW WHAT THAT ONE IS. |
| 01:06:05 |
- SEE SOME ACTION? |
| 01:06:08 |
- FIRED NO SHOTS IN ANGER, |
| 01:06:10 |
AND I WAS |
| 01:06:19 |
- OH. |
| 01:06:20 |
IS THAT YOU? |
| 01:06:21 |
SECOND FROM THE RIGHT? |
| 01:06:22 |
- YEP. |
| 01:06:23 |
- YOU WERE PRETTY GOOD-LOOKING, |
| 01:06:25 |
- GIVE ME THAT. |
| 01:06:26 |
- I MEAN-- |
| 01:06:31 |
- PAULEY, |
| 01:06:33 |
I WANT YOU |
| 01:06:37 |
TO THE DUMP YOUR NEXT TRIP. |
| 01:06:38 |
- TO THE DUMP? |
| 01:06:40 |
MAYBE YOUR SON |
| 01:06:41 |
- THE DUMP, PAULEY. |
| 01:06:43 |
EVERYTHING ELSE IN THE PLACE |
| 01:06:46 |
- THE CANOE? |
| 01:06:48 |
- EVERYTHING. |
| 01:06:50 |
- THE SNOWMOBILE? |
| 01:06:52 |
- "EVERYTHING" MEANS EVERYTHING. |
| 01:06:55 |
IT'S A LONG LIFE, PAULEY. |
| 01:06:56 |
YOU'RE GONNA NEED SOME TOYS |
| 01:06:58 |
- THEN WHY YOU ALWAYS SAYING |
| 01:07:02 |
- SOME DAYS IT'S LONG. |
| 01:07:06 |
- GOOD. |
| 01:07:07 |
- [chuckles] |
| 01:07:09 |
[tapping] |
| 01:07:15 |
[line trilling] |
| 01:07:19 |
- HELLO? |
| 01:07:20 |
- HELLO, BOBBY. |
| 01:07:21 |
IT'S DAD. |
| 01:07:23 |
SO YOU MADE IT HOME ALL RIGHT? |
| 01:07:25 |
- YEAH. |
| 01:07:27 |
- TRACY TOLD YOU I CALLED |
| 01:07:29 |
- YEAH. |
| 01:07:32 |
- LISTEN, I--MY FRIEND... |
| 01:07:34 |
PASSED AWAY. |
| 01:07:37 |
ONE THING LED TO ANOTHER, |
| 01:07:39 |
I...JUST WANTED TO TELL YOU |
| 01:07:42 |
HOW BAD I FEEL ABOUT... |
| 01:07:45 |
SKIPPING OUT THAT NIGHT. |
| 01:07:47 |
- LISTEN, I'M REALLY |
| 01:07:49 |
RIGHT NOW, DAD. |
| 01:07:50 |
UM... |
| 01:07:51 |
- RIGHT, WELL, NO, I JUST-- |
| 01:07:53 |
I JUST WANTED TO RUN THIS ONE |
| 01:07:56 |
HOW WOULD YOU FEEL |
| 01:07:59 |
MOVE TO YOUR NECK OF THE WOODS? |
| 01:08:01 |
- WHAT? |
| 01:08:02 |
- IF I WAS TO MOVE TO CHICAGO. |
| 01:08:04 |
I MEAN, I WOULDN'T, UH... |
| 01:08:05 |
I WOULDN'T WANT TO |
| 01:08:07 |
I'D GET A CONDO OR SOMETHING. |
| 01:08:10 |
AND THEN WHEN |
| 01:08:12 |
- I DON'T REALLY THINK |
| 01:08:14 |
I'M HAVING SOME PROBLEMS |
| 01:08:17 |
AND I DON'T KNOW |
| 01:08:19 |
MY BOSS IS REALLY GETTING ON ME, |
| 01:08:23 |
IT'S JUST NOT SOMETHING |
| 01:08:26 |
- YEAH, NO, NO, IT WAS JUST A-- |
| 01:08:28 |
IT WAS JUST A WILD IDEA |
| 01:08:31 |
ALL RIGHT. |
| 01:08:33 |
- I GOT TO GO, DAD. |
| 01:08:36 |
- I LOVE YOU, BOBBY. |
| 01:08:37 |
click! |
| 01:08:46 |
[smooth jazzy music] |
| 01:08:49 |
* * |
| 01:09:07 |
[sighs] |
| 01:09:10 |
[smooth jazzy music] |
| 01:09:13 |
DID YOU KNOW |
| 01:09:16 |
- [laughs] |
| 01:09:19 |
- YOU'RE NOT IMPRESSED? |
| 01:09:21 |
- [chuckles and groans] |
| 01:09:23 |
WARS ARE STUPID. |
| 01:09:25 |
- DID YOU ALWAYS KNOW THAT? |
| 01:09:28 |
- IT DOESN'T TAKE MUCH |
| 01:09:31 |
- YOU'D BE SURPRISED |
| 01:09:36 |
- YOU DON'T SEEM STUPID, HARRY. |
| 01:09:38 |
- DUMB AS MUD. |
| 01:09:43 |
[lively music] |
| 01:09:45 |
- * WE HAD A RAINY DAY * |
| 01:09:47 |
* * |
| 01:09:50 |
* I'M IN A |
| 01:09:53 |
[smooth saxophone music] |
| 01:09:56 |
- MURIEL, I'M SORRY |
| 01:09:58 |
ABOUT YOUR OFFER |
| 01:10:01 |
- OH, IT'S OKAY. |
| 01:10:04 |
- MAYBE WE COULD |
| 01:10:07 |
DINNER, MOVIE, SEE WHAT HAPPENS? |
| 01:10:10 |
* * |
| 01:10:12 |
- I'D LIKE THAT. |
| 01:10:13 |
- GREAT. |
| 01:10:14 |
* * |
| 01:10:19 |
- DO YOU DANCE? |
| 01:10:22 |
- I'M OKAY. |
| 01:10:24 |
- YOU WANT TO SHOW ME |
| 01:10:27 |
- I'LL GIVE IT A TRY. |
| 01:10:29 |
[swanky saxophone music] |
| 01:10:32 |
* * |
| 01:10:45 |
[music stops] |
| 01:10:46 |
[upbeat, swanky music] |
| 01:10:49 |
* * |
| 01:10:58 |
- * I * |
| 01:11:02 |
* OH * |
| 01:11:03 |
* I * |
| 01:11:08 |
* THIS LOVE * |
| 01:11:11 |
* GONNA MAKE WAY * |
| 01:11:13 |
* AND NOBODY * |
| 01:11:17 |
* GONNA TAKE THE BLAME * |
| 01:11:19 |
* DON'T TELL ME * |
| 01:11:22 |
* HOW TO LIVE MY LIFE * |
| 01:11:25 |
* WHEN YOU * |
| 01:11:27 |
* NEVER FELT THE PAIN * |
| 01:11:31 |
* OH * |
| 01:11:33 |
* OH * |
| 01:11:34 |
* OH * |
| 01:11:36 |
* OOH * |
| 01:11:37 |
- * OH, OH, OH * |
| 01:11:40 |
- * COME ON, BABE * |
| 01:11:41 |
- * OOH * |
| 01:11:45 |
- * THEY DON'T HEAR ME CRYING * |
| 01:11:47 |
* OOH * |
| 01:11:50 |
- * THEY DON'T HEAR ME TRYING * |
| 01:11:53 |
* OOH * |
| 01:11:56 |
- * THEY DON'T HEAR ME CRYING * |
| 01:11:59 |
* FOR WHAT * |
| 01:12:00 |
* I GOTTA DO * |
| 01:12:04 |
* * |
| 01:12:09 |
* YEAH, BABE * |
| 01:12:11 |
* * |
| 01:12:12 |
* ALL RIGHT * |
| 01:12:15 |
- WHO WERE YOU DANCING WITH? |
| 01:12:17 |
WAS IT YOUR WIFE? |
| 01:12:19 |
- NO, MURIEL. |
| 01:12:21 |
JUST A MEMORY, I-- |
| 01:12:23 |
- WOULD YOU TAKE ME HOME? |
| 01:12:24 |
I HAVE TO WORK TOMORROW. |
| 01:12:26 |
- * WHOA * |
| 01:12:28 |
* BURNING UP IN FLAMES * |
| 01:12:30 |
* YEAH, BURNING UP * |
| 01:12:32 |
* NOBODY * |
| 01:12:34 |
* WANT TO TAKE THE BLAME * |
| 01:12:36 |
* WANT TO TAKE THE * |
| 01:12:56 |
[both panting] |
| 01:13:11 |
[both grunting and gasping] |
| 01:13:45 |
[birds chirping] |
| 01:14:08 |
- * IT'S THE WAY * |
| 01:14:09 |
[indistinct singing |
| 01:14:12 |
- REMEMBER THE SECOND VERSE |
| 01:14:14 |
WHEN I STAND UP, |
| 01:14:16 |
[indistinct speech] |
| 01:14:19 |
[cheers and applause] |
| 01:14:34 |
- * YOU'VE GOT TO * |
| 01:14:36 |
men: * DOO * |
| 01:14:37 |
- * GIVE A LITTLE * |
| 01:14:39 |
men: * DO-WE-OOH * |
| 01:14:41 |
- * TAKE A LITTLE * |
| 01:14:42 |
men: * DOO-OOH * |
| 01:14:43 |
- * AND LET YOUR POOR HEART * |
| 01:14:45 |
* BREAK A LITTLE * |
| 01:14:49 |
men: * DOO * |
| 01:14:50 |
- * THAT'S THE STORY OF * |
| 01:14:52 |
* THAT'S THE GLORY OF LOVE * |
| 01:14:55 |
all: * GLORY OF LOVE * |
| 01:14:58 |
- * AS LONG * |
| 01:15:00 |
- * AS THERE'S THE TWO OF US * |
| 01:15:04 |
* WE'VE GOT THIS WORLD * |
| 01:15:06 |
* AND ALL OF ITS CHARMS * |
| 01:15:09 |
* AND WHEN THE WORLD * |
| 01:15:12 |
* IS THROUGH WITH US * |
| 01:15:15 |
* WE'LL HAVE EACH OTHER'S ARMS * |
| 01:15:20 |
- * YOU'VE GOT TO WIN A LITTLE * |
| 01:15:23 |
men: * DOO-WEE-OOH * |
| 01:15:24 |
- * LOSE A LITTLE * |
| 01:15:27 |
* AND ALWAYS |
| 01:15:33 |
* THAT'S THE STORY OF * |
| 01:15:35 |
men: * DOO-WEE-OOH * |
| 01:15:36 |
- * THAT'S THE GLORY OF LOVE * |
| 01:15:41 |
all: * GLORY OF LOVE * |
| 01:15:47 |
- * AND THAT'S * |
| 01:15:48 |
men: * THE STORY OF * |
| 01:15:50 |
- * THAT'S * |
| 01:15:51 |
men: * THE GLORY OF * |
| 01:15:55 |
* LOVE * |
| 01:15:57 |
- * THE GLORY OF LOVE * |
| 01:16:04 |
[cheers and applause] |
| 01:16:18 |
- GOOD JOB. |
| 01:16:19 |
- FANTASTIC. |
| 01:16:21 |
GREAT JOB. |
| 01:16:23 |
WONDERFUL. |
| 01:16:24 |
HARRY, GREAT JOB. |
| 01:16:26 |
YOU COMING FOR A BEER? |
| 01:16:27 |
- UH, YEAH, I'LL SEE YOU LATER. |
| 01:16:29 |
- UH-HUH. |
| 01:16:30 |
TELL MURIEL I SAID HI. |
| 01:16:31 |
- OKAY. |
| 01:16:37 |
[lively piano music] |
| 01:16:40 |
* * |
| 01:16:56 |
[music stops abruptly] |
| 01:17:22 |
- GOOD TO SEE YOU, DAVID. |
| 01:17:27 |
- YEAH, IT'S GOOD TO SEE YOU, |
| 01:17:31 |
[sighs] |
| 01:17:32 |
I GOT YOUR NOTE. |
| 01:17:34 |
- I WAS TOLD |
| 01:17:36 |
- OR YOU WOULD HAVE |
| 01:17:40 |
- I DON'T KNOW |
| 01:17:43 |
- I HOPE YOU HAVE TIME |
| 01:17:44 |
- MY TREAT? |
| 01:17:45 |
- NOPE. |
| 01:17:47 |
NEXT TIME. |
| 01:17:50 |
AND WE HAVEN'T GOT MUCH TIME. |
| 01:17:52 |
I'VE GOT A FLIGHT |
| 01:17:54 |
- AH. |
| 01:18:07 |
OH, MY. |
| 01:18:21 |
[engine turns over] |
| 01:18:27 |
HOW'D YOU FIND ME? |
| 01:18:29 |
- OH, I'VE ALWAYS KNOWN... |
| 01:18:31 |
WHERE YOU WERE. |
| 01:18:33 |
I HAVE SPIES EVERYWHERE. |
| 01:18:36 |
AFTER YOU GOT OUT, |
| 01:18:39 |
YOU WENT TO WORK |
| 01:18:41 |
YOU MARRIED |
| 01:18:44 |
HAD ONE CHILD, A BOY. |
| 01:18:46 |
AFTER A WHILE, |
| 01:18:48 |
IT WAS A GOOD BUSINESS. |
| 01:18:49 |
FIVE TRUCKS, EIGHT EMPLOYEES, |
| 01:18:52 |
- OH, MY GOD. |
| 01:18:55 |
- 12 YEARS AGO, |
| 01:18:58 |
SIGNED THE ENTIRE BUSINESS |
| 01:19:00 |
I COULDN'T FIGURE OUT |
| 01:19:04 |
AND THEN YOU MOVED OUT HERE |
| 01:19:07 |
TO START A NEW LIFE. |
| 01:19:08 |
HOW'S THAT GOING? |
| 01:19:12 |
- I SAW PORTER RECENTLY. |
| 01:19:13 |
REMEMBER PORTER? |
| 01:19:14 |
- MM. |
| 01:19:16 |
- I TOLD HIM |
| 01:19:18 |
I DIDN'T EVEN REALIZE IT |
| 01:19:23 |
- THAT'S SAD, HARRY. |
| 01:19:24 |
- [scoffs] |
| 01:19:27 |
WHAT MADE YOU COME OUT HERE |
| 01:19:31 |
- YOU CAME TO ME. |
| 01:19:35 |
YOU SEEMED TO INDICATE |
| 01:19:39 |
CARED FOR ME. |
| 01:19:40 |
I WAS... |
| 01:19:43 |
JUST WHAT THE HELL PROMPTED YOU |
| 01:19:48 |
- NO ONE KNEW ME. |
| 01:19:51 |
AND THERE WAS A SMALL BUSINESS |
| 01:19:56 |
YOU KNOW ABOUT THE OTHER GUYS? |
| 01:19:58 |
- FROM THE FORRESTAL? |
| 01:20:02 |
I WASN'T IN LOVE WITH THEM. |
| 01:20:08 |
- KELLY CALLED ME |
| 01:20:11 |
WANTED YOUR FORGIVENESS. |
| 01:20:15 |
HE THOUGHT HE WAS GOING TO HELL |
| 01:20:17 |
- YOU TURNED ON ME, HARRY. |
| 01:20:25 |
- I WAS SO GODDAMN SCARED. |
| 01:20:32 |
ALL I COULD THINK |
| 01:20:33 |
IF ALL THOSE GUYS KNEW |
| 01:20:39 |
YOU KNOW WHAT MY DAD |
| 01:20:42 |
AND, GOD, MY MOTHER. |
| 01:20:46 |
I TOLD EVERY LAST ONE OF THEM |
| 01:20:52 |
- AN AFFAIR? |
| 01:20:59 |
NOT FOR ME. |
| 01:21:01 |
I WAS READY |
| 01:21:05 |
THIS IS IT. |
| 01:21:16 |
HARRY? |
| 01:21:20 |
WHAT DO YOU REMEMBER |
| 01:21:25 |
- I REMEMBER |
| 01:21:27 |
THEN THE OTHERS. |
| 01:21:29 |
I HIT YOU. |
| 01:21:31 |
AT THAT POINT, |
| 01:21:35 |
ALL THESE YEARS, I THOUGHT |
| 01:21:37 |
WHO PICKED UP THE ARMATURE. |
| 01:21:39 |
- BUT NOW YOU'RE SURE |
| 01:21:42 |
- I STOPPED AND SAW GEBHARDT |
| 01:21:45 |
HE SAID IT WAS KELLY. |
| 01:21:48 |
- IS THAT WHAT HE SAID? |
| 01:21:50 |
- YEAH. |
| 01:21:52 |
EVEN KELLY THOUGHT IT WAS KELLY. |
| 01:21:55 |
- I REMEMBER THAT NIGHT |
| 01:21:57 |
I WASN'T DRINKING. |
| 01:21:58 |
IT WAS YOU, HARRY. |
| 01:21:59 |
YOU PICKED UP THE ARMATURE, |
| 01:22:00 |
AND YOU SMASHED MY HAND WITH IT. |
| 01:22:03 |
YOU. |
| 01:22:06 |
THE MAN I LOVED. |
| 01:22:10 |
THERE WAS SUCH RAGE |
| 01:22:16 |
COME ON. |
| 01:22:32 |
REMEMBER ROY HAYNES |
| 01:22:35 |
DA-DA-DA-DA-DA-DA-DA DA-DA! |
| 01:22:38 |
TA-TA! |
| 01:22:41 |
HIS EX-SAXOPHONIST |
| 01:22:44 |
WE WENT |
| 01:22:46 |
HOT PASTRAMI SANDWICHES. |
| 01:22:50 |
I TOOK THE LIBERTY |
| 01:22:51 |
OF HAVING TWO DELIVERED |
| 01:22:56 |
YOU LIKE THE COLESLAW. |
| 01:22:58 |
COME ON. |
| 01:23:03 |
THANK YOU. |
| 01:23:08 |
MY FATHER'S WINE. |
| 01:23:11 |
TWO OF THE LAST BOTTLES |
| 01:23:17 |
DON'T LOOK SO GLUM, HARRY. |
| 01:23:23 |
WHAT SHOULD WE DRINK TO? |
| 01:23:28 |
- FORGIVENESS. |
| 01:23:34 |
- LET'S DRINK TO FORGIVENESS |
| 01:23:36 |
AS A GENERAL RULE. |
| 01:23:39 |
IT'S BLESSED TO FORGIVE, |
| 01:23:54 |
WE COULD HAVE |
| 01:23:59 |
- THE THOUGHT |
| 01:24:05 |
- EAT. |
| 01:24:07 |
TAKE THAT. |
| 01:24:09 |
YOU NEED THAT. |
| 01:24:10 |
OOPS. |
| 01:24:11 |
- [laughs] |
| 01:24:14 |
- YOU'RE A GOOD SINGER, HARRY. |
| 01:24:16 |
- I THOUGHT OF SOMETHING |
| 01:24:20 |
A LITTLE SECRET YOU DIDN'T KNOW. |
| 01:24:23 |
ON SHORE LEAVE, I ACTUALLY SAW |
| 01:24:27 |
THREE TIMES. |
| 01:24:31 |
- YOU CAME AND SAW ME? |
| 01:24:33 |
- YOU WERE UNBELIEVABLE. |
| 01:24:34 |
- THREE TIMES? |
| 01:24:36 |
- MM-HMM. |
| 01:24:39 |
- YOU SAW ME TWICE AT EL PASEO |
| 01:24:41 |
AND ONCE AT CATALINA'S. |
| 01:24:46 |
- YOU SAW ME? |
| 01:24:49 |
YOU DOG. |
| 01:24:51 |
- YOU'RE HARD TO MISS, HARRY. |
| 01:24:59 |
- TO US. |
| 01:25:03 |
clink! |
| 01:25:09 |
I NEVER STOPPED LOVING YOU, |
| 01:25:16 |
- I HAVE TRIED-- |
| 01:25:17 |
BELIEVE ME, HARRY, |
| 01:25:23 |
UNDERSTAND. |
| 01:25:28 |
I THINK |
| 01:25:29 |
TO SEE IF YOU COULD HELP ME. |
| 01:25:34 |
- I'LL DO WHATEVER IT TAKES. |
| 01:25:37 |
- I BELIEVE YOU. |
| 01:25:39 |
BUT I NEED TO |
| 01:25:41 |
I DON'T KNOW WHY |
| 01:25:43 |
I'M MORE NERVOUS THAN I THOUGHT. |
| 01:25:45 |
[sighs deeply] |
| 01:25:48 |
[clears throat] |
| 01:25:52 |
[clattering] |
| 01:26:04 |
[upbeat piano music] |
| 01:26:07 |
* * |
| 01:26:09 |
REMEMBER THIS? |
| 01:26:10 |
[nostalgic piano music] |
| 01:26:13 |
* * |
| 01:26:33 |
* * |
| 01:26:48 |
* * |
| 01:27:06 |
* * |
| 01:27:23 |
* * |
| 01:27:33 |
* * |
| 01:27:49 |
[music stops] |
| 01:28:03 |
I WILL FORGIVE YOU, HARRY, |
| 01:28:08 |
IF YOU TRULY BELIEVE |
| 01:28:14 |
AND I WILL MEAN IT. |
| 01:29:23 |
[doors squealing] |
| 01:29:45 |
[wistful jazz music] |
| 01:29:48 |
* * |
| 01:30:00 |
* * |
