|
Alexis Zorbas Zorba the Greek
|
| 00:01:09 |
Be careful. |
| 00:01:44 |
Crete. |
| 00:01:48 |
Excuse me. |
| 00:01:51 |
He says, "Big storm. Ship must wait." |
| 00:01:56 |
- How long? |
| 00:03:42 |
You're traveling. |
| 00:03:44 |
Where to, with your permission? |
| 00:03:47 |
Crete. |
| 00:03:49 |
And you stay there long, no? |
| 00:03:52 |
How do you know? |
| 00:03:54 |
I watch you with all the boxes |
| 00:04:01 |
I like you. |
| 00:04:05 |
Take me with you. Will you? |
| 00:04:08 |
Take..? |
| 00:04:10 |
- Why? |
| 00:04:13 |
Will no man ever do something without |
| 00:04:17 |
All right, take me as a cook. |
| 00:04:21 |
You like soups, no? |
| 00:04:24 |
- Well... |
| 00:04:26 |
- Half. |
| 00:04:28 |
My father was Greek, |
| 00:04:31 |
Same thing. |
| 00:04:35 |
With your permission. |
| 00:04:41 |
Hey... |
| 00:04:44 |
"Virginia." |
| 00:04:52 |
- No. No, thank you. |
| 00:04:58 |
Keep the packet. |
| 00:04:59 |
Only one. |
| 00:05:21 |
Are you a cook? |
| 00:05:23 |
If you need one, I am. |
| 00:05:27 |
What I meant was, |
| 00:05:30 |
Listen to him. I got hands, |
| 00:05:35 |
Who the hell am I to choose? |
| 00:05:37 |
Well then, what was the most recent? |
| 00:05:39 |
In a mine. I am a good miner. |
| 00:05:45 |
But I beat up the boss, |
| 00:05:59 |
I'm getting awfully nervous |
| 00:06:02 |
If you like, I go ask. |
| 00:06:03 |
No, thank you. It's... It's all right. |
| 00:06:12 |
Well, maybe we could go together |
| 00:06:16 |
- Sure. Give me. |
| 00:06:33 |
He says 10:00. |
| 00:06:35 |
Well, that's three whole hours. Damn. |
| 00:06:38 |
- Are you in big hurry? |
| 00:06:41 |
Then it's all right. Come. |
| 00:06:51 |
Roumi. That's "rum." |
| 00:06:54 |
- I'll have some tea, if you don't mind. |
| 00:07:02 |
And you, mister, what do you do? |
| 00:07:05 |
Me? Well, I'm a writer. |
| 00:07:09 |
Excuse me, but you look it. |
| 00:07:12 |
What do you write? Love stories? |
| 00:07:14 |
No. Poetry. Essays. |
| 00:07:19 |
What's that? |
| 00:07:22 |
Essays. |
| 00:07:25 |
No. You think too much. |
| 00:07:28 |
Clever people and grocers, |
| 00:07:32 |
Me? If I was you, I would look |
| 00:07:35 |
"Zorba, come." Or, "Zorba, don't come." |
| 00:07:38 |
Zorba? |
| 00:07:40 |
That's me: Alexis Zorba. |
| 00:07:43 |
- I have other names, if you are interested. |
| 00:07:48 |
"Spaghetti," because I am long. |
| 00:07:51 |
And "California," |
| 00:07:54 |
And "Epidemic," because every place |
| 00:07:58 |
Your health. |
| 00:08:20 |
Listen to that bitch, the sea. |
| 00:08:25 |
That maker of widows. |
| 00:08:29 |
What have you got in there? |
| 00:08:31 |
Clothes? |
| 00:08:34 |
You ask such sensible questions. |
| 00:08:38 |
- It's my santouri. |
| 00:08:41 |
My santouri. |
| 00:08:44 |
Makes the best music. |
| 00:08:47 |
It goes with me always. |
| 00:08:54 |
And you, what are you go to |
| 00:08:58 |
I have some land there. |
| 00:09:01 |
And you go to write? |
| 00:09:05 |
Not exactly. |
| 00:09:07 |
What, exactly? |
| 00:09:09 |
I haven't written anything in months. |
| 00:09:17 |
On this land, there's an old mine. |
| 00:09:21 |
- Lignite. |
| 00:09:25 |
It's been idle for years. |
| 00:09:28 |
Why? |
| 00:09:31 |
Because I let it. |
| 00:09:33 |
And now you want to make it work. |
| 00:09:37 |
If I can. |
| 00:09:40 |
Yes. |
| 00:09:43 |
I must. |
| 00:10:08 |
Which way is it going? |
| 00:10:10 |
- What? |
| 00:10:14 |
Zorba up, or Zorba down? |
| 00:10:17 |
Well. I was thinking... |
| 00:10:21 |
That mine... |
| 00:10:23 |
I'm not very rich, and I will need |
| 00:10:29 |
- So I... |
| 00:10:32 |
Well, although I... |
| 00:10:35 |
I don't really know you very well... |
| 00:10:39 |
And what I'm doing is probably mad. |
| 00:10:44 |
It's yes. |
| 00:10:46 |
Yes? |
| 00:10:49 |
Yes. |
| 00:10:53 |
Shake. |
| 00:10:58 |
Mister, you are a lucky man. |
| 00:11:02 |
...no mine stands a chance. |
| 00:11:04 |
Be wonderful to get down |
| 00:11:07 |
Also, it'll be good for the village. |
| 00:11:11 |
We make everybody happy. |
| 00:11:14 |
And we'll have fun too. |
| 00:11:16 |
We'll swim. And we'll drink wine. |
| 00:11:20 |
And you'll play the santouri. |
| 00:11:28 |
What's the matter? |
| 00:11:31 |
It's about the santouri. |
| 00:11:33 |
We make a bargain, or I cannot come. |
| 00:11:37 |
In work, I am your man. |
| 00:11:39 |
But in things like playing |
| 00:11:46 |
How do you mean? |
| 00:11:48 |
I mean free. |
| 00:11:51 |
You... |
| 00:11:53 |
...you sign? |
| 00:11:57 |
I sign. |
| 00:12:03 |
- Here. |
| 00:12:05 |
This time you will. |
| 00:12:09 |
Well, Zorba, God bless. |
| 00:12:12 |
And the devil too, boss! |
| 00:13:25 |
You like her, boss? |
| 00:13:27 |
No. |
| 00:14:13 |
Are you all right? |
| 00:14:15 |
Sure. |
| 00:14:18 |
Here. |
| 00:14:21 |
Thanks, boss. |
| 00:14:27 |
Your friend in there |
| 00:14:33 |
Incidentally, you never told me. |
| 00:14:38 |
Am I not a man? |
| 00:14:42 |
I'm a man. So I married. |
| 00:14:47 |
Wife, children, house. Everything. |
| 00:14:52 |
The full catastrophe. |
| 00:14:56 |
What happened? |
| 00:14:59 |
Be a pal, boss. |
| 00:15:01 |
Don't make me talk. |
| 00:15:05 |
And you? |
| 00:15:07 |
No, I'm single. |
| 00:15:09 |
I guess too many books. |
| 00:15:15 |
Look! Look! A dolphin. |
| 00:15:19 |
Why, yes. |
| 00:15:21 |
What kind of a man are you? |
| 00:16:55 |
- I hope we find somewhere to stay. |
| 00:16:59 |
Have you never heard |
| 00:17:33 |
Now, Mr. Epidemic, you behave yourself. |
| 00:17:38 |
Boss, if there is a widow around, |
| 00:18:07 |
- What are they all saying? |
| 00:18:18 |
Madame Hortense. |
| 00:18:20 |
Who is that? |
| 00:18:21 |
- Who's Madame Hortense? |
| 00:18:24 |
She has hotel. |
| 00:18:26 |
I am Mavrandoni. |
| 00:18:28 |
So you come at last. I welcome you. |
| 00:18:31 |
- I'm glad to meet you. You got my letter? |
| 00:18:34 |
Mr. Mavrandoni has been |
| 00:18:37 |
This Madame. She's a widow? |
| 00:18:41 |
How many hairs on my head? |
| 00:18:44 |
She's a widow of the same number |
| 00:19:31 |
Bonjour. |
| 00:19:36 |
Bonjour. |
| 00:19:39 |
Welcome, gentlemen. |
| 00:19:43 |
This is a great pleasure, Madame. |
| 00:19:53 |
Two beds, Madame. |
| 00:19:56 |
Without bugs. |
| 00:19:58 |
Monsieur, Madame Hortense |
| 00:20:06 |
You have to admit, boss. It is big. |
| 00:20:08 |
But she shakes it well. |
| 00:20:14 |
This way. |
| 00:20:53 |
They say it was my grand success. |
| 00:20:59 |
You may not believe it, monsieur, |
| 00:21:04 |
I appear in all the most chic cabarets. |
| 00:21:12 |
I slept in the silk sheets with real lace. |
| 00:21:16 |
- Boss, ask her to dance. |
| 00:21:20 |
- Make a pass. Pinch her. |
| 00:21:23 |
It's only polite. |
| 00:21:25 |
What? |
| 00:21:28 |
He would like to dance with you. |
| 00:21:30 |
But he is shy. |
| 00:21:34 |
Perhaps Madame is tired. |
| 00:21:35 |
She is not. |
| 00:21:37 |
Are you? |
| 00:21:41 |
Come on. |
| 00:22:46 |
These Cretans. They are so ungrateful. |
| 00:22:51 |
Don't cry, my little chouchou. |
| 00:22:54 |
They would be dead, all dead, |
| 00:22:59 |
I know, I know. |
| 00:23:02 |
- No hands. |
| 00:23:06 |
Hey. |
| 00:23:17 |
Boss. Match? |
| 00:23:22 |
Madame. |
| 00:23:33 |
You know how I came to Crete? |
| 00:23:36 |
With the British fleet. Yes, monsieur. |
| 00:23:41 |
I was in love with the admiral... |
| 00:23:44 |
...and where he go, I go. |
| 00:23:48 |
It was here that I met the other three. |
| 00:23:51 |
What other three? |
| 00:23:53 |
Admirals, of course. |
| 00:23:56 |
The French, the Italian |
| 00:24:02 |
How lovely they was, |
| 00:24:06 |
...with their golden epaulets |
| 00:24:10 |
Like big, beautiful cockerels! |
| 00:24:14 |
And what beards. |
| 00:24:19 |
Fortunately, each has different |
| 00:24:24 |
...even in the dark. |
| 00:24:32 |
My little chouchou. Here, here. |
| 00:24:38 |
- My darling queen, please continue. |
| 00:24:46 |
Me and my admirals... |
| 00:24:49 |
...we sit on the deck... |
| 00:24:51 |
...dressed very informal... |
| 00:24:55 |
...and we discussion politics. |
| 00:24:58 |
Very serious. |
| 00:25:03 |
All the time they pour champagne |
| 00:25:10 |
It was summer, you know, very hot. |
| 00:25:13 |
And in this time, in Crete... |
| 00:25:16 |
...it was big trouble. |
| 00:25:19 |
Revolution or something. |
| 00:25:22 |
With my binoculars I could see |
| 00:25:28 |
...running in mountains |
| 00:25:32 |
My four admirals... |
| 00:25:34 |
...they want to open the fire. |
| 00:25:37 |
But I throw myself in the middle. |
| 00:25:41 |
I pull the Italian by the beard... |
| 00:25:43 |
You know, I was |
| 00:25:46 |
And I cry: |
| 00:25:48 |
"Stop it, you can't kill them! |
| 00:25:52 |
Please, Canavaro, Canavaro mio, |
| 00:25:56 |
Canavaro? What the hell is that? |
| 00:25:59 |
What you think it is? |
| 00:26:02 |
Himself. Canavaro. |
| 00:26:06 |
Canavaro mio. |
| 00:26:09 |
Go on, my chouchou. |
| 00:26:11 |
Again and again I stopped |
| 00:26:16 |
- And what do you think I get in the end? |
| 00:26:19 |
What? Tell me. |
| 00:26:21 |
Tell me what. |
| 00:26:24 |
Nothing! No medals! |
| 00:26:28 |
- Nothing! |
| 00:26:37 |
- You are laughing. |
| 00:26:42 |
- At me. |
| 00:26:46 |
Don't... Don't go. |
| 00:26:56 |
That was a very bad thing |
| 00:26:59 |
A poor, weak creature. |
| 00:27:07 |
Where are you? Bouboulina? |
| 00:27:10 |
Where are you? |
| 00:27:13 |
My Bouboulina. |
| 00:27:20 |
Bouboulina. |
| 00:27:26 |
Go away. |
| 00:27:33 |
It's me, your Canavaro. |
| 00:27:39 |
Fine Canavaro you are. |
| 00:27:42 |
No feathers. |
| 00:27:44 |
No beard. |
| 00:27:47 |
Here. Blow, my Bouboulina. |
| 00:27:55 |
What's that, "Bouboulina"? |
| 00:27:58 |
She was a big hero in the war |
| 00:28:03 |
Yes, Madame. She was like you. |
| 00:28:06 |
A great sea dog. |
| 00:28:08 |
You see? |
| 00:28:11 |
Yes. |
| 00:28:13 |
Me too. I fought breasts to breasts. |
| 00:28:18 |
But then came the bad times. |
| 00:28:22 |
They make the peace... |
| 00:28:25 |
...and the ship must go away. |
| 00:28:31 |
"And me... |
| 00:28:33 |
...what will become of me?" I cry. |
| 00:28:37 |
Four times a widow. |
| 00:28:43 |
They laughed, monsieur. |
| 00:28:46 |
You men are so cruel. |
| 00:28:51 |
In the end, they was sorry for me, |
| 00:28:56 |
...they fill the bath with champagne... |
| 00:29:00 |
...and they drop me. |
| 00:29:03 |
Then they sit all around. |
| 00:29:06 |
You understand that now that |
| 00:29:13 |
And they drank all the champagne. |
| 00:29:16 |
AII, from the top to the bottom. |
| 00:29:24 |
Then... |
| 00:29:27 |
And then they put out the light. |
| 00:29:33 |
When I waked up... |
| 00:29:36 |
...I smelled so good. |
| 00:29:40 |
All their perfume... |
| 00:29:43 |
...one on top of the other. |
| 00:29:49 |
But they was gone. |
| 00:29:54 |
Men are so cruel. |
| 00:30:00 |
Canavaro. |
| 00:30:02 |
Hello? |
| 00:30:06 |
Canavaro. |
| 00:30:15 |
What is it? |
| 00:31:46 |
Look. |
| 00:32:50 |
Boss, a big, beautiful, wild widow. |
| 00:34:47 |
Pavlo! |
| 00:35:33 |
Look at Mavrandoni. |
| 00:35:37 |
He is burning. |
| 00:35:40 |
Why? |
| 00:35:42 |
His son is crazy in love |
| 00:35:47 |
But she spits him in the eye. |
| 00:35:51 |
The more she spits... |
| 00:35:54 |
...the more he wants her. |
| 00:35:58 |
Look. |
| 00:36:01 |
Look at the faces of all these. |
| 00:36:04 |
They all want her. |
| 00:36:08 |
And they hate her |
| 00:36:14 |
Only one man here... |
| 00:36:18 |
...can. |
| 00:36:23 |
Who? |
| 00:36:29 |
You. |
| 00:36:31 |
Rubbish. |
| 00:36:32 |
I saw her eyes |
| 00:36:37 |
- Zorba, don't start. |
| 00:36:40 |
God, who is a clever devil, today put |
| 00:36:46 |
- Don't be silly. |
| 00:36:51 |
To grab. Well, grab. |
| 00:37:27 |
- Boss. |
| 00:37:28 |
Boss, listen. You go, you knock. |
| 00:37:30 |
You say, |
| 00:37:34 |
- She will say, "Please, please come in." |
| 00:37:36 |
Boss. Boss, don't make me mad. |
| 00:37:39 |
I don't want any trouble. |
| 00:37:41 |
Boss. Life is trouble, |
| 00:37:45 |
To be alive is to undo your belt |
| 00:37:50 |
Well? |
| 00:37:52 |
No. |
| 00:40:46 |
Zorba! |
| 00:40:55 |
What? |
| 00:41:16 |
For God's sake, boss. |
| 00:41:38 |
Zorba? |
| 00:41:56 |
Get out. |
| 00:41:59 |
Get out! |
| 00:42:27 |
Zorba! |
| 00:42:45 |
You bastard mountain! |
| 00:42:47 |
I'll eat your guts! |
| 00:42:58 |
What is it, Zorba? |
| 00:43:00 |
They left axes inside, |
| 00:43:03 |
They are so brave, every time they |
| 00:43:11 |
Zorba, leave them alone! |
| 00:43:12 |
- Axes cost money. |
| 00:43:15 |
Right now I'm just glad |
| 00:43:19 |
And what's more, I think you should |
| 00:43:24 |
Boss. |
| 00:43:26 |
You better make up your mind. Are you |
| 00:43:38 |
I'm hungry. |
| 00:44:01 |
We've got to find some strong trees... |
| 00:44:03 |
...to make beams for the galleries. |
| 00:48:22 |
Hello. |
| 00:48:49 |
You're late. |
| 00:49:02 |
What is it, Zorba? |
| 00:49:11 |
Out with it. |
| 00:49:15 |
Boss... |
| 00:49:21 |
Do you trust me? |
| 00:49:24 |
Yes, I do. |
| 00:49:26 |
Why the hell do you? |
| 00:49:29 |
- Because you are you. |
| 00:49:33 |
My brain is not the right weight. |
| 00:49:35 |
It... It gives me such crazy ideas. |
| 00:49:41 |
I might ruin you. |
| 00:49:44 |
I'll take that chance. |
| 00:49:50 |
Say that again, boss. |
| 00:49:53 |
Give me courage. |
| 00:49:56 |
I'll take that chance. |
| 00:50:04 |
Boss. |
| 00:50:07 |
- Boss. |
| 00:50:10 |
- Do you dance? |
| 00:50:15 |
Then get out of the way. |
| 00:52:26 |
Zorba! |
| 00:52:28 |
That's enough! |
| 00:52:33 |
Stop. Stop. |
| 00:52:36 |
Go! |
| 00:53:07 |
Zorba. Zorba! |
| 00:53:11 |
Are you all right? |
| 00:53:16 |
Now... |
| 00:53:20 |
Now, I can... |
| 00:53:22 |
I can talk again. |
| 00:53:25 |
What on earth came over you? |
| 00:53:30 |
When a man is full... |
| 00:53:33 |
...what can he do? |
| 00:53:36 |
Burst? |
| 00:53:41 |
When my little boy, Dimitri, died... |
| 00:53:48 |
...everybody was crying. |
| 00:53:51 |
Me? |
| 00:53:55 |
I got up... |
| 00:53:58 |
...and I danced. |
| 00:54:01 |
They said: |
| 00:54:03 |
"Zorba is mad." |
| 00:54:08 |
But it was the dancing... |
| 00:54:12 |
...only the dancing |
| 00:54:18 |
You see, he was my first. |
| 00:54:26 |
And he was only 3. |
| 00:54:35 |
When I'm happy... |
| 00:54:37 |
...it's the same thing. |
| 00:54:49 |
Come inside. You'll catch cold. |
| 00:55:15 |
With your permission. |
| 00:55:21 |
Now... |
| 00:55:25 |
...will you tell me |
| 00:55:29 |
- I got a plan. |
| 00:55:32 |
A great, big, crazy plan. |
| 00:55:34 |
Well, what? |
| 00:55:37 |
- I cannot tell you. |
| 00:55:39 |
I got many things to be figuring: |
| 00:55:43 |
Tomorrow, maybe. |
| 00:55:46 |
Tonight we celebrate. |
| 00:55:52 |
Come on! Don't be delicate. |
| 00:56:09 |
- Boss. |
| 00:56:15 |
Come and see. |
| 00:56:21 |
Do you remember that plan |
| 00:56:26 |
- Here it is. |
| 00:56:31 |
It's a mountain. That one. |
| 00:56:34 |
Oh, yes. |
| 00:56:37 |
Look. |
| 00:56:41 |
That's the way |
| 00:56:43 |
An overhead cable? You're mad. |
| 00:56:47 |
Why? |
| 00:56:48 |
Well, to begin with |
| 00:56:51 |
Well it doesn't, and it does. |
| 00:56:56 |
What does that mean? |
| 00:56:57 |
It belongs to the monastery. |
| 00:57:01 |
And God belongs to everybody. |
| 00:57:05 |
No, I certainly don't. |
| 00:57:07 |
All right, |
| 00:57:10 |
...but not much. |
| 00:57:12 |
They are friends of mine. |
| 00:57:15 |
If it works, we will bring down |
| 00:57:19 |
First we get the mine going. |
| 00:57:22 |
We get stinking rich, then make our |
| 00:57:31 |
Aren't you going a little too fast? |
| 00:57:34 |
Do you know how old I am? |
| 00:57:36 |
Never mind, that's a secret. |
| 00:57:38 |
But I have got to go fast. |
| 00:57:42 |
You know, they... They say that |
| 00:57:48 |
That he hears death coming. |
| 00:57:51 |
He opens the door and says, |
| 00:57:54 |
That is a pack of old damn lies! |
| 00:57:58 |
I've got enough fight in me |
| 00:58:01 |
So I fight. |
| 00:58:08 |
Well? Do we? |
| 00:58:12 |
Or do we let the mountain win? |
| 00:58:17 |
Tell me what you need. |
| 00:58:19 |
I will need some strong wire, |
| 00:58:23 |
I will have to go to town. |
| 00:58:25 |
I still have to figure out the angle. |
| 00:58:28 |
If it's not perfect, |
| 00:58:36 |
How long will it take you? |
| 00:58:39 |
The way things are going, |
| 00:58:49 |
I'll give you until Christmas. |
| 01:00:50 |
Hey, boss. |
| 01:00:56 |
Rose water. |
| 01:01:11 |
- Boss? |
| 01:01:16 |
I made a great discovery. |
| 01:01:19 |
Stones are alive. |
| 01:01:22 |
Well, that's fine. |
| 01:01:25 |
Well, I wish instead you'd discover |
| 01:01:29 |
I'm trying, boss. |
| 01:01:40 |
- Look, your umbrella. |
| 01:01:46 |
Just let me remind you |
| 01:01:50 |
I know. |
| 01:02:00 |
Wh..? Where are you going? |
| 01:02:04 |
I need some wire. |
| 01:02:18 |
Where the hell did I put it? |
| 01:02:22 |
Won't this string do? |
| 01:02:27 |
Excuse me. |
| 01:02:33 |
Look. |
| 01:02:35 |
A melomakarouna. |
| 01:02:37 |
- A what? |
| 01:02:40 |
Well, what's so strange about that? |
| 01:02:43 |
Nothing. |
| 01:02:45 |
But many melomakarouna inside |
| 01:02:50 |
- An umbrella under a bed is also strange. |
| 01:02:55 |
- She came here? |
| 01:02:59 |
Now you have the proof. |
| 01:03:03 |
- Tonight, after Bouboulina's party... |
| 01:03:11 |
Boss, you want me |
| 01:03:15 |
It's good for the strength. |
| 01:03:19 |
Boss, now I can tell you a secret. |
| 01:03:22 |
All these days I couldn't work, |
| 01:03:25 |
And you know why? |
| 01:03:28 |
Don't get me wrong, I know |
| 01:03:32 |
But to think of her without anybody... |
| 01:03:35 |
...that was too much. |
| 01:03:37 |
All right, laugh, but remember this. |
| 01:03:42 |
If a woman sleeps alone, |
| 01:03:47 |
God has a very big heart... |
| 01:03:49 |
...but there is one sin |
| 01:03:52 |
If a woman calls a man to her bed |
| 01:03:57 |
I know, because a very wise, |
| 01:04:03 |
A Turk? And you, |
| 01:04:19 |
I'm going to wash. |
| 01:04:22 |
I thought the Greeks |
| 01:04:25 |
They just fought. |
| 01:04:31 |
Don't tell me you never went to war. |
| 01:04:34 |
I don't like that kind of stupid talk. |
| 01:04:36 |
What's so stupid about... |
| 01:04:38 |
...fighting for your country? |
| 01:04:41 |
You talk like a teacher. |
| 01:04:45 |
How can you understand? |
| 01:04:47 |
Of course I can. |
| 01:04:50 |
With your head, yes. |
| 01:04:53 |
You say, "This is right. |
| 01:04:55 |
This is wrong." |
| 01:04:58 |
But when you talk... |
| 01:05:00 |
...I watch your arms... |
| 01:05:02 |
...your legs, your chest. |
| 01:05:06 |
They are dumb. |
| 01:05:08 |
They say nothing. |
| 01:05:09 |
- So how can you understand? |
| 01:05:14 |
I don't believe you give |
| 01:05:17 |
Don't you talk to me like that! |
| 01:05:20 |
Look, here, and here and here. |
| 01:05:23 |
Nothing on the back! |
| 01:05:29 |
I have done things for my country |
| 01:05:33 |
I have killed, burned villages, |
| 01:05:38 |
And why? |
| 01:05:40 |
Because they were Turks |
| 01:05:43 |
That's the rotten damn fool I was. |
| 01:05:48 |
Now I look at a man, any man, |
| 01:05:53 |
What do I care if he's Greek or Turk? |
| 01:05:58 |
As I get older, |
| 01:06:01 |
I even stop asking that. |
| 01:06:08 |
They all end up the same way... |
| 01:06:12 |
...food for worms. |
| 01:06:19 |
And as for women, |
| 01:06:23 |
How can I not love them? |
| 01:06:25 |
They're such poor, weak creatures. |
| 01:06:29 |
And it takes so little. |
| 01:06:31 |
A man's hand on their breast... |
| 01:06:34 |
...and they give you all they've got. |
| 01:06:46 |
Where are you, Bouboulina? |
| 01:06:49 |
Canavaro is here. |
| 01:06:58 |
Chouchou! |
| 01:07:00 |
Look what I brought you. |
| 01:07:02 |
- Merci. |
| 01:07:06 |
I made it myself |
| 01:07:20 |
- It's me? |
| 01:07:22 |
- Merry Christmas, Madame. |
| 01:07:26 |
What is that extraordinary smell |
| 01:07:30 |
- It is a big fat Turkish. |
| 01:07:34 |
- I hope he's not burning. |
| 01:07:39 |
We will start from the center, |
| 01:07:43 |
Then we will take care |
| 01:07:47 |
Yes. |
| 01:08:00 |
Merci. |
| 01:08:08 |
Aren't you feeling well? |
| 01:08:14 |
In my age, monsieur, |
| 01:08:19 |
Especially on the holidays. |
| 01:08:23 |
I drink to your health, |
| 01:08:30 |
May you grow new teeth... |
| 01:08:32 |
...and new skin... |
| 01:08:35 |
...and throw away these stupid ribbons |
| 01:08:42 |
May the Great Powers |
| 01:08:46 |
And when you rise out |
| 01:08:49 |
...may all their damn ships crash... |
| 01:08:52 |
...on these round, hard rocks. |
| 01:09:00 |
I wish it could happen, what you say. |
| 01:09:04 |
- But it is too late. |
| 01:09:19 |
Please, no! |
| 01:09:37 |
Are you all right? |
| 01:09:40 |
You see, it is too late. |
| 01:09:54 |
Oh, don't be sad, my little Bouboulina. |
| 01:09:59 |
I have heard of a new doctor in Europe. |
| 01:10:02 |
He makes miracles. |
| 01:10:05 |
You take what the hell ever |
| 01:10:09 |
...and you become 20 again. |
| 01:10:11 |
Maybe 25. |
| 01:10:14 |
I will get you some. |
| 01:10:18 |
- You will? |
| 01:10:20 |
- A big bottle? |
| 01:10:27 |
Here. |
| 01:10:34 |
What are you thinking? |
| 01:10:38 |
Alexandria, Beirut, Istanbul. |
| 01:10:42 |
How they loved me. |
| 01:10:44 |
Who? |
| 01:10:47 |
Everybody. |
| 01:10:50 |
Ali Bey, Mustafa Nahas Pasha. |
| 01:10:53 |
Suleiman Pasha. Especially Suleiman. |
| 01:11:07 |
Those damn cats. |
| 01:11:31 |
Well, I... |
| 01:11:33 |
What? |
| 01:11:36 |
- She's asleep? |
| 01:11:41 |
Let her. |
| 01:11:43 |
She's 20 again. |
| 01:11:46 |
She's strolling |
| 01:11:51 |
Look at her, smiling. |
| 01:11:55 |
Silly old bitch. Come on. |
| 01:11:59 |
We can't go and just leave her alone. |
| 01:12:01 |
She's not alone. She is with |
| 01:12:06 |
Dirty old cow. |
| 01:12:24 |
She is in. |
| 01:12:27 |
Go. |
| 01:12:28 |
And God bless you. |
| 01:12:38 |
- Where are you going? |
| 01:12:40 |
- I've never been to a Greek Christmas. |
| 01:12:43 |
- No. Don't you understand? |
| 01:12:48 |
I don't understand |
| 01:12:51 |
I've had enough of this. |
| 01:12:54 |
I love you, |
| 01:12:57 |
- Don't shout! |
| 01:13:00 |
There she is. She is waiting. |
| 01:13:04 |
- Cigarette. |
| 01:13:06 |
- I'm not going to stand here arguing. |
| 01:13:09 |
...she is waiting for you. |
| 01:13:13 |
...and I've got to go my own way. |
| 01:13:16 |
If God went your way, |
| 01:13:19 |
He didn't go to church, he went to Mary. |
| 01:13:23 |
He went that way. Mary is the widow. |
| 01:13:39 |
On a deaf man's door, |
| 01:13:43 |
Ever. |
| 01:14:46 |
- Now, here's the money. |
| 01:14:49 |
And remember, it's all I can afford. |
| 01:14:51 |
- Poor boss, I know. |
| 01:14:55 |
...and come straight back. |
| 01:14:58 |
- Don't get stuck anywhere on the way. |
| 01:15:02 |
- Five days. You promised. |
| 01:15:09 |
Goodbye, boss. |
| 01:15:11 |
Zorba. Zorba! |
| 01:15:15 |
What do you want? |
| 01:15:17 |
Don't forget me. |
| 01:15:19 |
Yes. Goodbye. |
| 01:15:28 |
Don't be sad. He's coming back. |
| 01:15:34 |
They all say that. |
| 01:18:09 |
Garçon! Champagne. |
| 01:20:16 |
"I shall not describe you... |
| 01:20:21 |
...the continuation. |
| 01:20:24 |
Except to say... |
| 01:20:26 |
...that it was long and very wild." |
| 01:20:36 |
Very, very wild. |
| 01:20:45 |
Next afternoon... |
| 01:20:48 |
Next afternoon... |
| 01:20:51 |
...I wake up. |
| 01:20:54 |
And... |
| 01:20:56 |
...what do I see? |
| 01:20:59 |
Next to me, in bed... |
| 01:21:07 |
...the female sex... |
| 01:21:10 |
...in person. |
| 01:21:16 |
Soft... |
| 01:21:20 |
...and warm... |
| 01:21:22 |
...and sweet-smelling. |
| 01:21:26 |
So I say to myself: |
| 01:21:30 |
"Zorba... |
| 01:21:34 |
...you are in paradise. |
| 01:21:40 |
Enjoy it. |
| 01:21:42 |
Don't move." |
| 01:21:47 |
Imagine what luck. |
| 01:21:50 |
... and they sends us food, |
| 01:21:56 |
... steaks, baklava, everything. |
| 01:21:59 |
We eat and back to work, |
| 01:22:07 |
Antoni! |
| 01:22:10 |
This is my good news, boss. And don't |
| 01:22:14 |
But I ask you, why push things? |
| 01:22:20 |
... and I shall be able |
| 01:22:23 |
I kiss you friendly. Me, Zorba. |
| 01:22:41 |
P. S., I forgot to tell you. |
| 01:23:04 |
Monsieur. |
| 01:23:08 |
Pardon. They told me you had a letter. |
| 01:23:14 |
It's from him? |
| 01:23:16 |
It's from him. |
| 01:23:24 |
What does he say? |
| 01:23:30 |
Read it yourself. |
| 01:23:48 |
I cannot. |
| 01:23:52 |
My eyes. |
| 01:23:58 |
He says... |
| 01:24:01 |
...he's very busy. |
| 01:24:06 |
There is something for me? |
| 01:24:10 |
Of course. |
| 01:24:13 |
Read it. |
| 01:24:16 |
Please. |
| 01:24:22 |
"Please tell Bouboulina |
| 01:24:30 |
Go on. |
| 01:24:36 |
"Tell her... |
| 01:24:38 |
...that every night I go back |
| 01:24:43 |
...and I pray to God |
| 01:24:47 |
...quickly. |
| 01:24:53 |
For without my Bouboulina... |
| 01:24:57 |
...I feel so damn miserable... |
| 01:25:00 |
...that when I see her again I... |
| 01:25:04 |
...I'll..." |
| 01:25:08 |
What? |
| 01:25:11 |
"I'll kneel before her... |
| 01:25:15 |
...and ask her to be mine forever." |
| 01:25:22 |
Forever? |
| 01:25:25 |
Yes, forever. That's what he says. |
| 01:25:33 |
All right. |
| 01:25:35 |
Tell him that I accept. |
| 01:25:39 |
And please, write that he brings me... |
| 01:25:43 |
...5 meters of white satin... |
| 01:25:46 |
...and voile. |
| 01:25:49 |
You see, I cannot find here. |
| 01:25:54 |
I understand. |
| 01:25:56 |
You are very kind. |
| 01:26:01 |
One thing more. |
| 01:26:06 |
You know... |
| 01:26:08 |
...Zorba and me, |
| 01:26:13 |
Will you be our witness? |
| 01:26:18 |
It will be an honor. |
| 01:32:20 |
I'm sorry. |
| 01:37:47 |
Mr. Zorba. |
| 01:37:50 |
Boss! |
| 01:37:55 |
Oh, boss. |
| 01:38:01 |
You stink of perfume, Mr. Zorba. |
| 01:38:03 |
Yes, I know. I scrubbed my skin for |
| 01:38:09 |
Isn't it? |
| 01:38:16 |
Well, what's all this? |
| 01:38:18 |
- Presents. |
| 01:38:20 |
- Who the hell for? |
| 01:38:24 |
This... |
| 01:38:25 |
...is for poor little Bouboulina. |
| 01:38:30 |
A what? |
| 01:38:32 |
Well, you heard me. |
| 01:38:36 |
Boss... |
| 01:38:39 |
...what have you been cooking up? |
| 01:38:43 |
Well she was here |
| 01:38:47 |
I couldn't very well read to her |
| 01:38:50 |
Could I? |
| 01:38:53 |
That was not a very good joke, boss. |
| 01:39:03 |
What about the stuff |
| 01:39:05 |
I got everything. |
| 01:39:07 |
Don't worry. |
| 01:39:10 |
A gift for you. |
| 01:39:13 |
A box of English chocolates. |
| 01:39:19 |
Thank you. |
| 01:39:20 |
It's all right. |
| 01:39:24 |
Hey, no more fooling around. |
| 01:39:28 |
Not in this place. |
| 01:39:30 |
Now we pull up our pants and we make |
| 01:39:35 |
You are incorrigible. |
| 01:39:40 |
I don't know what that means, |
| 01:39:42 |
With my compliments. |
| 01:39:46 |
Good God. |
| 01:39:48 |
What have you done to your hair? |
| 01:39:50 |
- I painted it. |
| 01:39:53 |
For pride. So I could go out with Lola, |
| 01:40:01 |
He laughs. But listen, you know what? |
| 01:40:06 |
I became young like my hair. |
| 01:40:09 |
Stronger than a bull. |
| 01:40:11 |
You ask Lola. |
| 01:40:14 |
And you know that pain |
| 01:40:17 |
That's gone. |
| 01:40:19 |
Figure that out! |
| 01:40:27 |
By the way, boss... |
| 01:40:29 |
...I come in last night, |
| 01:40:33 |
Where the hell are you? |
| 01:48:14 |
I... |
| 01:48:16 |
...couldn't help. |
| 01:48:31 |
Why do the young die? |
| 01:48:34 |
Why does anybody die? Tell me. |
| 01:48:38 |
I don't know. |
| 01:48:41 |
What's the use |
| 01:48:44 |
If they don't tell you that, |
| 01:48:50 |
They tell me... |
| 01:48:53 |
...about the agony of men... |
| 01:48:57 |
...who can't answer |
| 01:49:04 |
I spit on their agony. |
| 01:49:58 |
Who's that? |
| 01:50:00 |
It's me. |
| 01:50:03 |
- Boss. |
| 01:50:09 |
Hey. |
| 01:50:20 |
Did you get drenched? |
| 01:50:26 |
You are cruel. |
| 01:50:30 |
Why you abandon me? |
| 01:50:33 |
I will make some coffee. |
| 01:50:38 |
The whole village, |
| 01:50:43 |
Where is my white satin? |
| 01:50:47 |
Where is my wedding dress? |
| 01:50:52 |
In Crete... |
| 01:50:54 |
...you don't find the real good satin. |
| 01:50:57 |
No! |
| 01:51:00 |
So... |
| 01:51:02 |
...I ordered some. |
| 01:51:04 |
From Athens. |
| 01:51:06 |
Yes. |
| 01:51:07 |
Also some white candles... |
| 01:51:11 |
...with silk ribbons. |
| 01:51:12 |
And pink bonbonnières. |
| 01:51:21 |
Our wedding, my dear Bouboulina... |
| 01:51:23 |
...will be so splendiferous... |
| 01:51:26 |
...it will blind the world with glory. |
| 01:51:31 |
I can no longer keep it a secret. |
| 01:51:36 |
I have engaged |
| 01:51:40 |
...to make for you a dress |
| 01:51:45 |
Or the West. |
| 01:51:48 |
Twenty meters of white satin |
| 01:51:51 |
With the sun on one breast |
| 01:51:56 |
In pure gold. |
| 01:52:04 |
Me too. |
| 01:52:08 |
I have a secret for you. |
| 01:52:24 |
What's that? |
| 01:52:27 |
Open it. |
| 01:52:30 |
- I'll have some coffee first. |
| 01:52:33 |
Now. |
| 01:52:40 |
You see what you've done. |
| 01:52:48 |
Where the hell did you get these rings? |
| 01:52:51 |
I had them made for us. |
| 01:52:53 |
From two golden sovereign |
| 01:52:58 |
I was keeping them for my... |
| 01:53:03 |
For what? |
| 01:53:06 |
My funeral. |
| 01:53:13 |
Zorba? |
| 01:53:14 |
Please. We become fiancés. |
| 01:53:17 |
Now. |
| 01:53:19 |
- But... |
| 01:53:22 |
We have the rings. |
| 01:53:24 |
Please? |
| 01:53:26 |
But we have no priest. |
| 01:53:27 |
I don't mind. |
| 01:53:30 |
God is watching. |
| 01:53:33 |
No? |
| 01:53:37 |
All right. |
| 01:53:38 |
We go outside |
| 01:53:43 |
You, you get ready. |
| 01:53:45 |
Witness, come on. |
| 01:53:59 |
What do we do? |
| 01:54:02 |
Can you sing? |
| 01:54:04 |
- Certainly not. |
| 01:54:06 |
Weddings, baptisms, funerals, |
| 01:54:09 |
I was a boy chanter. |
| 01:55:10 |
It's nothing. |
| 01:55:12 |
Just a cold. |
| 01:55:15 |
Tomorrow you'll feel better. |
| 01:55:19 |
Next Sunday we go out, |
| 01:55:24 |
It's Easter, you know. |
| 01:55:26 |
Yes. |
| 01:55:28 |
Yes. |
| 01:55:35 |
You need some sun to cheer you up. |
| 01:55:58 |
Now, my beautiful. |
| 01:56:00 |
We pull everything away. |
| 01:56:03 |
Listen to that... |
| 01:56:05 |
...beautiful noise. |
| 01:56:13 |
Like kissing. |
| 01:56:19 |
Very sexy. |
| 01:56:25 |
I'm jealous. |
| 01:58:06 |
- I don't want... |
| 01:58:08 |
- I don't know what... |
| 01:59:41 |
Canavaro. |
| 01:59:46 |
Canavaro. |
| 02:00:25 |
It's me, Zorba. |
| 02:00:29 |
Don't be afraid. |
| 02:03:00 |
He asks us to drink to her soul. |
| 02:04:12 |
Zorba, what about the funeral? |
| 02:04:15 |
There will be no funeral. |
| 02:04:18 |
Why? |
| 02:04:19 |
She was a Frank. |
| 02:04:21 |
She crossed herself with four fingers. |
| 02:04:26 |
But I don't understand. |
| 02:04:29 |
The priest will not bury her |
| 02:04:33 |
- But that's dreadful. |
| 02:04:35 |
She is dead. |
| 02:04:37 |
It makes no difference. |
| 02:05:51 |
Hey, boss! |
| 02:05:53 |
Boss! |
| 02:05:54 |
Come on. We are nearly ready. |
| 02:05:56 |
Hey, Canavaro, |
| 02:06:04 |
Come on. |
| 02:07:22 |
It's nothing. It's nothing! |
| 02:07:25 |
The first time it always does that. |
| 02:08:18 |
Boss, where are you, boss? |
| 02:08:20 |
It's nothing. |
| 02:10:17 |
Hey, Canavaro. How are you? |
| 02:10:24 |
- The lamb! |
| 02:10:25 |
It will burn! |
| 02:11:12 |
You know... |
| 02:11:13 |
...people tell the future from this. |
| 02:11:17 |
Can you? |
| 02:11:19 |
Everything's fine. |
| 02:11:21 |
We will live a thousand years. |
| 02:11:25 |
Oh, I see a journey. |
| 02:11:28 |
A big journey to a city. |
| 02:11:30 |
With big houses. |
| 02:11:39 |
How soon, boss? |
| 02:11:42 |
I don't know. |
| 02:11:44 |
A few days. |
| 02:11:47 |
What will I do... |
| 02:11:49 |
...without your company? |
| 02:11:51 |
Cheer up. |
| 02:11:53 |
We'll get together again. |
| 02:11:56 |
No. |
| 02:11:57 |
You'll go away and stay. |
| 02:12:00 |
With your books. |
| 02:12:03 |
Your health. |
| 02:12:06 |
Yours, Zorba. |
| 02:12:14 |
Damn it, boss, |
| 02:12:17 |
You've got everything... |
| 02:12:19 |
...except one thing: |
| 02:12:23 |
A man needs a little madness, |
| 02:12:27 |
Or else? |
| 02:12:28 |
He never dares cut the rope |
| 02:12:42 |
Are you angry with me? |
| 02:12:53 |
Teach me to dance. |
| 02:12:56 |
Will you? |
| 02:12:59 |
Dance? |
| 02:13:03 |
Did you say dance? |
| 02:13:09 |
Come on, my boy. |
| 02:13:19 |
Together. |
| 02:13:29 |
Let's go. |
| 02:13:38 |
Again. |
| 02:13:49 |
Down. |
| 02:13:59 |
Boss... |
| 02:14:01 |
...I have so much to tell you. |
| 02:14:04 |
I never loved a man more than you. |
| 02:14:20 |
Hey, boss... |
| 02:14:22 |
...did you ever see |
| 02:14:39 |
You can laugh too, huh? |
| 02:14:40 |
Hey, you laugh! |
| 02:14:45 |
You saw... You saw how they all ran. |
| 02:14:49 |
Especially the monks. |
| 02:14:54 |
The second time... |
| 02:14:56 |
The third time was the best. |
| 02:14:59 |
Nothing left! |
