Harper

en
00:04:12 Lew Harper for Mrs. Sampson.
00:04:53 - Yes?
00:04:56 Park it over there.
00:05:33 This way, Mr. Harper.
00:06:00 - Mrs. Sampson?
00:06:03 Lew Harper.
00:06:06 Albert Graves telephoned. Said
00:06:09 Oh.
00:06:11 - A drink, Mr. Harper?
00:06:16 - I thought you were a detective.
00:06:20 Oh.
00:06:21 Albert Graves is one of our lawyers.
00:06:24 It's on his recommendation I'm hiring you.
00:06:26 It's about time he threw
00:06:29 I've known Albert since he was DA up here.
00:06:32 Oh. He said you were good at finding things.
00:06:36 My husband's...
00:06:38 You're sitting on my robe.
00:06:41 My husband's disappeared.
00:06:44 Tried Missing Persons?
00:06:46 Well, that might mean publicity.
00:06:49 Besides, he's got an
00:06:52 I simply want you to find him and
00:06:55 - Any particular female?
00:06:59 Ralph need never know about this.
00:07:01 He'd be sure I was gathering
00:07:05 Actually, I have no
00:07:08 I only intend to outlive him. I
00:07:15 - What a terrible thing to say.
00:07:19 I used to love him, before we were married.
00:07:23 But after we took our
00:07:26 and that very same week Ralph started
00:07:31 It's taken me a while to forgive him.
00:07:34 A long, long while.
00:07:36 When did your husband...
00:07:37 Don't you want to know what happened to me?
00:07:40 Not necessary.
00:07:41 - When did your husband disappear?
00:07:44 Our pilot, Allan, flew Ralph down from Vegas.
00:07:47 When they reached the airport,
00:07:50 When he came back, Ralph
00:07:52 - Any particular reason?
00:07:55 I don't like him drunk on the loose.
00:07:57 He gets sloppy, sentimental.
00:08:00 Last time it happened, he
00:08:03 He gave it to some semi-nude
00:08:06 You know, LA is the big
00:08:10 That's 'cause there's nothing to do at night.
00:08:12 If you can find him quickly, I'd be grateful.
00:08:15 And if he's with another woman, I'd be...
00:08:21 Well, more than interested.
00:08:25 Felix.
00:08:27 You're lurking in doorways again.
00:08:29 I did not want to interrupt.
00:08:31 You can go now. I'll have
00:08:36 Thank you.
00:08:41 Allan's down by the pool.
00:08:43 Any more particulars you
00:08:46 I'll leave the matter of fee
00:08:49 Did you drive up from LA?
00:08:51 Leave your car here.
00:08:53 Felix will drive you to Albert's
00:08:56 Goodbye, Mr. Harper.
00:08:59 It would help some if I knew
00:09:02 Oh, silly of me.
00:09:07 Here.
00:09:09 You can keep that one.
00:09:11 "A poor thing, but mine own. "
00:09:30 Where's the telephone?
00:09:32 I have to call Los Angeles.
00:09:35 Do you got one with a little more privacy?
00:09:37 That's the phone the help's supposed to use.
00:09:58 - Hello.
00:10:00 Is Susan there yet?
00:10:03 Yes.
00:10:05 Tell her I'm not gonna
00:10:07 I got called in on a situation.
00:10:08 And we were going to get
00:10:11 Where is he this time?
00:10:12 I'm up in Santa Theresa.
00:10:15 Said he needed me for
00:10:17 Something about Albert Graves needing him
00:10:20 and you'll understand.
00:10:21 No. No, I don't.
00:10:23 I've been trying to get this divorce
00:10:26 and I have lately been
00:10:30 - She says she's...
00:10:32 Tell her that I...
00:10:34 We're supposed to be
00:10:35 Now, I don't want a screaming match,
00:10:37 but the last time we were going
00:10:40 It wasn't my fault.
00:10:41 - He says it wasn't...
00:10:44 I don't care what he says.
00:10:45 He's just trying to stall because he
00:10:48 Well, I may change a lot
00:10:51 but my mind isn't about to be one of them.
00:10:53 Look, let me speak to her, will you?
00:10:56 - Here.
00:10:57 Would you put her on?
00:11:00 Take it. Talk to him.
00:11:02 I have taken it. Every year
00:11:05 And I've talked to him, too.
00:11:09 No more nothing.
00:11:12 You hear me, Lew? I don't love you.
00:11:14 And you can get shot in some stinking alley
00:11:16 and I'll be a little
00:11:18 Just a little sorry.
00:11:20 Tell him that, lawyer. Tell
00:11:45 Hey!
00:11:46 Hey. Top of the morning.
00:11:48 - Allan Taggert.
00:11:51 That's Mr. Sampson's daughter.
00:11:53 Miranda.
00:11:58 Miranda.
00:12:00 Lew Harper.
00:12:04 - Could we talk?
00:12:11 Can you tell me something...
00:12:12 My stepmother, Lady Macbeth,
00:12:16 Meaning me, Miss Sampson? I'm
00:12:19 Not you especially.
00:12:21 Everything she does is extreme.
00:12:24 Other women fall off horses
00:12:27 Not Elaine. I think it's
00:12:30 You've been reading too many books.
00:12:31 That's something they'll never accuse you of.
00:12:34 She's not a raving beauty anymore.
00:12:36 - Can I have a sandwich?
00:12:39 So she retired from competition.
00:12:41 Falling off the horse
00:12:43 And for all I know she did it intentionally.
00:12:45 And you've got to admit it's pretty extreme,
00:12:48 hiring a private detective
00:12:50 when your husband's been gone just one night.
00:12:53 That may be so, Miss Sampson.
00:12:55 Tell me about Sampson's disappearance.
00:12:58 He disappeared.
00:13:04 Yesterday afternoon about 3:30,
00:13:05 we flew in from Vegas and
00:13:08 I let Mr. Sampson off at
00:13:10 He said he wanted to call the
00:13:13 Daddy keeps a bungalow there.
00:13:15 I taxied the plane up to
00:13:18 When I got back to the entrance,
00:13:20 I waited. Then I went to the
00:13:25 What about luggage? Was he
00:13:27 He said he was, but he
00:13:30 That doesn't mean anything.
00:13:32 Daddy keeps a lot of clothes at the bungalow.
00:13:34 He likes to be able to pick up fast.
00:13:37 So do I.
00:13:40 How long did it take you
00:13:42 Fifteen minutes. Twenty at the outside.
00:13:44 That's not very much time for a
00:13:50 Maybe he never called the hotel.
00:13:53 Will you be going back to Los Angeles?
00:13:56 - Yeah, after I see a friend.
00:13:59 Sampson's lawyer.
00:14:01 Albert Graves.
00:14:04 Well, you can fly Mr. Harper
00:14:08 I'll fly.
00:14:10 It'll keep me from getting bored.
00:14:13 - Hey, you in a hurry?
00:14:16 - Storing up for the winter?
00:14:19 - Come on, let's split.
00:14:43 You met my friend Felix?
00:14:48 He's always listening.
00:14:51 We're friends, aren't we, Felix?
00:14:57 He's some cat, that Felix.
00:14:59 How come so rough on Miranda?
00:15:01 How come everybody jumps to
00:15:03 Listen, she's no genius, you know.
00:15:05 Besides, she's an adolescent.
00:15:09 Anyway, I got myself a real woman.
00:15:13 How does Miranda get along with her old man?
00:15:15 Okay, until a little while ago,
00:15:17 when he started trying
00:15:19 Oh, yeah? Anybody in particular?
00:15:22 Yeah. Your buddy.
00:15:27 Albert Graves.
00:15:33 Oh.
00:15:43 Oh! Hi.
00:15:47 You look like death warmed over.
00:15:49 Always nice to hear from
00:15:52 What's that?
00:15:54 - Things any better with Susan?
00:15:57 Good, good.
00:16:00 Oh, I just... Staying in shape.
00:16:02 I still do the old Canadian Air
00:16:05 Yogurt for lunch and then a lot of this.
00:16:07 It's all paying off, don't you think?
00:16:09 Yeah, I've never seen you look more
00:16:12 You talk to Mrs. Sampson?
00:16:14 - That's a sweet lady. Warm, content.
00:16:18 - Why'd she hire me?
00:16:21 I think Sampson needs protection.
00:16:22 He's worth $20 million on the
00:16:25 That's just for openers.
00:16:26 I also think he's losing his mind.
00:16:27 Did she mention Claude, the
00:16:31 Yeah.
00:16:32 Now Mrs. Sampson thinks the old
00:16:35 That's because I encouraged
00:16:37 She'd never spend a penny on him if
00:16:41 What about the old-fashioned
00:16:43 I can't. He's psychotic on the subject.
00:16:46 If I went to them and they
00:16:49 What kind of a weirdo is Sampson?
00:16:51 Well, I can tell you everything
00:16:55 He has to make money. He's dedicated to it.
00:16:59 It's the only way he can prove
00:17:02 He had a son, you know.
00:17:05 A pilot. He was killed a few years back.
00:17:07 That's when he started losing his mind.
00:17:09 He's got this fella now, Allan Taggert.
00:17:12 - We met. Nice-looking fella. -
00:17:16 Well, the point is, we're less than
00:17:19 so what does he need a pilot for?
00:17:21 Personally, I like Allan,
00:17:23 I feel he's an unnecessary expense.
00:17:26 How do you have an unnecessary
00:17:30 Well, that's enough exercising.
00:17:32 I don't wanna get too strong.
00:17:35 Did you meet Sampson's daughter?
00:17:38 That ugly, skinny kid?
00:17:42 Oh, Lew, isn't she incredible?
00:17:52 Oh, boy.
00:17:54 You dirty old man.
00:17:56 Go on. You think I'm too old for her.
00:17:57 No. When she's 100, you'll only be 124.
00:18:00 You think I'm old enough to be her father?
00:18:01 You're old enough to be her grandfather.
00:18:05 Go to hell.
00:18:13 Solid Citizen Albert, hung
00:18:16 That's a hoot.
00:18:17 - Lew, did she say anything about me?
00:18:19 - She didn't even mention my name?
00:18:22 Oh, that explains it.
00:18:23 How does she feel about you?
00:18:25 Well, she's young and cautious.
00:18:28 But I have great expectations.
00:18:31 So do I.
00:18:33 My going rate is $2,000 flat
00:18:37 - against 100 hours a day and expenses.
00:18:41 But you can have it if you'll
00:18:43 My pleasure.
00:18:49 Hey, what are your virtues?
00:19:03 I decided to fly down to
00:19:05 - Hello, Miranda.
00:20:28 Excuse me, honey.
00:20:30 Say, did you send a
00:20:33 - to Van Nuys Airport yesterday?
00:20:36 Well, there was this
00:20:38 said he left in a big, black limousine.
00:20:39 Well, he called here
00:20:42 but then he called back and canceled.
00:20:44 You sure it was Sampson both times?
00:20:45 Oh, yes. I recognize his voice.
00:20:50 Did he sound drunk?
00:20:51 Oh, sir, I couldn't give
00:20:54 Sorry.
00:20:56 Got the key?
00:20:58 Well?
00:21:03 Daddy hasn't been here for a
00:21:05 Terrific.
00:21:24 Here.
00:21:25 Well, I think I'll flake out
00:21:30 Well, I was hoping we might do something.
00:21:32 The thing about you, Miranda,
00:21:41 Wow!
00:21:44 No wonder your old man took to the sauce.
00:21:45 I would, too, if I had to sleep in here.
00:21:48 Ever since my brother died I've
00:21:51 this astrology bit,
00:21:52 but obviously without much success.
00:21:54 - Any astrologist in particular?
00:22:02 - Harper.
00:22:06 - You work hard, you know that?
00:22:12 - Harper?
00:22:16 Don't you ever feel the need to relax?
00:22:23 Let's relax some, Harper.
00:22:27 For what? So the beauty in the next
00:22:30 Lady, if you can't get him
00:22:32 I sure ain't gonna do it for you.
00:22:36 Don't you think I'm attractive?
00:22:39 You're young, rich and beautiful,
00:22:41 What do you think I think?
00:22:44 I think you wanna relax.
00:22:50 All right, honey. If you
00:22:53 we'll just douse the lights
00:23:03 Feel better now, Myrtle?
00:23:14 - You know her?
00:23:19 - Hey, Beauty, Fay Estabrook strike a note?
00:23:22 You ever seen her with Sampson?
00:23:24 Any idea where she hangs out?
00:23:26 Yeah, sometimes.
00:23:27 She used to be a pretty hot young
00:23:32 She got fat!
00:23:42 Give me another one of those, will you?
00:23:45 It's 6:02.
00:23:47 We don't serve domestic after 6:00.
00:23:51 Only imported.
00:23:52 Terrific. Keep the change.
00:23:55 There is no change.
00:23:59 Keep it anyway.
00:24:35 Are you Miss Estabrook?
00:24:37 - No! Fay Estabrook?
00:24:40 It is, isn't it? Can I have your autograph?
00:24:43 Well...
00:24:45 You know, it's for my daughter.
00:24:47 She thinks you're just wonderful.
00:24:49 - That's nice.
00:24:51 No. It's no bother.
00:24:53 Thanks. That's all right.
00:24:54 No, that's all right, just one.
00:24:56 Just make it to Billie Lou.
00:24:58 Ain't you got a pencil?
00:25:00 Well...
00:25:05 - Billie Lou?
00:25:06 Can I sit down?
00:25:11 Actually, you know, that's... I
00:25:16 I don't know how many fans you
00:25:18 but ain't nothing, nobody
00:25:20 I just watch all your
00:25:23 Oh, that's nice.
00:25:24 - Can I buy you a drink?
00:25:29 - Boy?
00:25:32 - When were you born?
00:25:35 June 2. Gemini. Oh, Gemini are cold-hearted.
00:25:40 Oh, are you cold-hearted, dumpling?
00:25:43 Well, hell, big dogs is
00:26:38 - Hey!
00:26:43 - Oh, it's just what I needed, honey.
00:26:48 You're sweet. You ain't no Gemini.
00:26:53 Honey, where is the... The...
00:27:23 Hey, this place is like the morgue.
00:27:25 Where have all the merrymakers gone?
00:27:29 - I'm gonna take you home, honey.
00:27:33 Come on, let's have another
00:27:35 - You want another little drinkie?
00:27:42 Anyway, you're too classy
00:27:44 Yeah. I am classy.
00:27:48 Not everybody notices.
00:27:51 Well, I got just the spot
00:27:53 Oh, the Bel-Air? Oh, yes,
00:28:13 Hey, you think you could
00:28:15 Oh, and let's have a little caviar, huh?
00:28:17 Oh, I love this place. I've always adored it.
00:28:20 Why, I'm so glad you suggested it.
00:28:22 - You know, I have a friend stays here a lot.
00:28:26 Oh, you're jealous. You're
00:28:30 What is it with me that men
00:28:37 Your friend stay around here now?
00:28:40 Oh, you really are jealous.
00:28:42 Oh, baby!
00:28:45 The green-eyed dragon!
00:28:48 Oh, Ralph's much older than you, baby.
00:28:51 And he's in Vegas,
00:28:52 and, besides, now I only
00:28:55 and a little interior decorating.
00:28:58 I did his room in the hotel. Oh,
00:29:01 I have this fabulous taste.
00:29:03 You got everything, baby.
00:29:06 Oh! He's my oldest friend.
00:29:10 But he's not a nice man.
00:29:13 He...
00:29:15 He's gotten to be a very kinky personality.
00:29:20 - Kinky?
00:29:25 Weird. You know what I mean?
00:29:31 Say, you're a real pistol.
00:29:37 - Be back in a sec.
00:29:45 You're supposed to be looking for Daddy.
00:29:47 Come on, get her out of here, will you?
00:29:49 That happens to be a
00:29:51 Say, Mrs. Sampson's been calling.
00:29:54 - About what?
00:29:55 She got a special delivery letter from Daddy.
00:29:57 He told her to tell Albert
00:30:00 and get some money ready.
00:30:01 About half a million, cash.
00:30:03 - Are you kidding?
00:30:05 - Is she sure it's your father's writing?
00:30:10 - Well, you better get the money.
00:30:12 Wait.
00:30:14 Till somebody gives us proof
00:30:18 It's a possibility, so
00:30:19 Why don't you get her bedded down?
00:30:28 No, you're no Mexican. I know
00:30:34 - No, you're a phony Mexican.
00:30:36 They don't wanna play La Cucaracha,
00:30:38 and I do La Cucaracha like nothing!
00:30:44 What do you know? You...
00:30:46 Honey, he ain't got no guitar.
00:30:48 Well, if he was a real
00:30:52 - Where do you live?
00:30:54 'Cause if I don't grab you
00:30:57 Oh, I live in the Pacific
00:31:03 - I'm gonna drive you home.
00:31:09 Help!
00:31:11 Don't try to do anything to me
00:31:17 Some other time. Any other time.
00:32:43 - Yeah?
00:32:46 This is Betty. Is Fay there?
00:32:49 Listen, I heard she was in the Bel-Air
00:32:52 We don't want him at the house
00:32:55 so get rid of him.
00:32:56 - Where are you?
00:33:00 Is Ralph Sampson there?
00:33:03 All right, who is this?
00:33:21 I beg you not to do
00:33:24 - Is that thing loaded?
00:33:27 Oh, boy.
00:33:28 - Who are you?
00:33:31 Well, I'm Miss Estabrook's
00:33:34 And I see the light on in
00:33:35 What were you doing in there?
00:33:36 I didn't go in there. I swear I didn't.
00:33:38 No, she had to go to the...
00:33:41 Yeah, well, she never could hold her liquor.
00:33:48 Boy, that's shocking treatment.
00:33:49 Ain't nothing like this ever happen in Texas.
00:33:52 Oh, you all from Texas, huh?
00:33:57 Why are you interested in
00:33:59 She's not an old bag of worms.
00:34:02 Well, I disagree, but then, you
00:34:05 and I know whereof I speak.
00:34:11 See what I mean?
00:34:14 Now, my name is Dwight Troy.
00:34:15 I don't think you ever
00:34:17 My name is Lewis Harper. I sell insurance.
00:34:20 I didn't know she was married.
00:34:22 Oh, relax, old stick. I
00:34:25 You want her, you can have her.
00:34:26 But I do not like strangers in my house.
00:34:30 So I don't think I'd better
00:34:34 Is that a threat?
00:34:35 Oh, is it ever, old stick. Now you get along.
00:34:51 You know a place called Piano?
00:34:54 Yeah. Yeah, sure.
00:34:56 But I don't think you wanna go there, mister.
00:34:58 Oh, well, I'm a swinger.
00:36:06 - Lew Harper.
00:36:11 Nice sound you lay down.
00:36:14 Don't put me on. You're probably tone-deaf.
00:36:16 Maybe, but I got every side you ever cut.
00:36:21 You're not very hip, but I believe you.
00:36:27 Except you got cop's eyes.
00:36:34 Narcotics?
00:36:36 Listen, I did my time. I'm straight now.
00:36:42 - What are you after?
00:36:46 I know your voice.
00:36:49 You said you were Troy.
00:36:53 What about Sampson?
00:36:56 - I don't know him.
00:37:00 And I think I can convince my
00:37:03 that those tracks are fresh.
00:37:09 All right, I know him.
00:37:10 He comes in here sometimes and gets drunk.
00:37:12 He's a drunk, and all drunks look alike.
00:37:15 - What else you know?
00:37:16 - Come on.
00:37:18 - Come on!
00:37:19 Puddler.
00:37:23 He's fuzz, Puddler. Private.
00:37:48 Wise guys. Always making waves.
00:37:56 I'm gonna teach you.
00:38:13 Hot damn! I did it!
00:38:15 Hey, Harper. Hey, you see that?
00:38:17 Harper? You all right?
00:38:21 Sure you are. Come on.
00:38:23 Hey, you know, this
00:38:26 - Oh, boy.
00:38:28 Wait a minute. Wait...
00:38:29 Can you make it?
00:38:35 - Where'd you come from?
00:38:38 So I talked one of my buddies out of a car
00:38:39 and started hitting some of Sampson's spots.
00:38:41 This joint was one of them. I was
00:38:44 Well, I'm in your debt, Beauty.
00:38:48 - Where you parked?
00:38:51 Hey, you really think Sampson was kidnapped?
00:38:53 - Who'd do it?
00:38:56 A guy named Troy, maybe
00:38:59 - Come on, let's go.
00:39:02 Back to the first place I
00:39:25 What's this place all about?
00:39:27 That Fraley broad said something
00:39:29 and somebody didn't want me around.
00:39:32 Maybe 'cause Sampson's in it.
00:40:13 - Do you want me to break that down?
00:40:16 - You really mean it?
00:40:18 Hot damn!
00:40:23 Yeah, detective work is
00:40:29 Oh, boy. That hurt a little
00:40:38 You know how to use this?
00:40:40 Oh, I prefer a Thompson, actually,
00:40:43 You dirty rat!
00:40:44 - "You gave that man oranges?"
00:40:48 If that truck should come through, or
00:41:05 Some other time, dumpling.
00:41:30 - What happened?
00:41:35 I was trying to blow a tire.
00:42:13 Hey, Lew. You all right?
00:42:17 I'm awful tired of answering that question.
00:42:27 You sure the handwriting is his?
00:42:29 That moronic scrawl is unforgettable.
00:42:34 It's not unlikely your husband's
00:42:37 Kidnapping is a federal offense.
00:42:39 I'm well aware of that, Mr. Harper,
00:42:41 but please don't bother suggesting
00:42:44 Kidnapping is a federal offense.
00:42:47 I'm not sure my husband's business
00:42:50 Not all of them, anyway.
00:42:52 You may be jumping to conclusions.
00:42:54 For all we know,
00:42:56 Ralph may be planning
00:42:58 with some happy harlot and
00:43:01 I think your husband's been kidnapped.
00:43:04 Your husband keeps lousy
00:43:08 as bad as there is in LA.
00:43:10 And that's as bad as there is.
00:43:12 I knew it.
00:43:15 Oh, he loves playing the family
00:43:20 Water seeks its own level,
00:43:22 and that should leave Ralph bathing
00:43:26 Daddy may be dead, and you're crowing.
00:43:28 I don't believe it's the
00:43:31 You have such an advantage
00:43:34 being frigid.
00:43:36 Puss, puss, puss.
00:43:38 Did Allan brush you off again?
00:43:40 You simpy, primping, narcissistic...
00:43:43 Either I'm a narcissist or I'm frigid, pussy.
00:43:45 I can't very well be both.
00:43:48 Excuse me, ladies.
00:43:49 Oh, why are you leaving?
00:43:55 I should think you'd be accustomed
00:43:59 I love your wrinkles. I revel in them.
00:44:03 Puss, puss, puss.
00:44:11 I...
00:44:12 I just don't enjoy carrying
00:44:15 I'm a lawyer, not a financier.
00:44:17 Albert, you got any friends in the LA Police
00:44:19 from when you were DA up here?
00:44:21 I have some favors left uncollected, yes.
00:44:23 Get them to run a check
00:44:25 rented or stolen in the last three days.
00:44:27 See if you can get them to put
00:44:31 Dwight Troy's place.
00:44:34 You mean Troy...
00:44:35 What do you know about him?
00:44:37 I had to take some papers to Las
00:44:39 He and Troy were gambling.
00:44:41 I checked on Troy.
00:44:42 He seems elegant enough, but people
00:44:47 I've tried telling Sampson, but...
00:44:52 Oh, thank heavens.
00:44:55 I was so nervous, bringing that here.
00:44:57 I got this out of mothballs.
00:44:59 You know, you always were the
00:45:03 Still know how to use it?
00:45:05 I hope not.
00:45:07 Better get a cop up here to
00:45:09 You're not staying?
00:45:11 I'm getting buggy sitting around here.
00:45:13 It's about time I visited that
00:45:16 Miranda? Hello, Miranda. Miranda's coming.
00:45:19 How are you?
00:45:20 - Suicidal.
00:45:22 I just had the nicest chat with stepmommy.
00:45:25 How do I get to that mountain, anyway?
00:45:27 Oh, here, I'll diagram it for you.
00:45:29 Don't bother. I'll take him. I've
00:45:33 Wait till I change.
00:45:39 Wow!
00:45:46 I expect you to behave in all
00:45:50 First it's Taggert's boyish charm, and
00:45:54 - Poor, nice Albert.
00:45:57 Wouldn't you think she'd notice?
00:46:01 The bottom is loaded
00:46:04 Only cream and bastards rise.
00:46:17 Why so fast, Harper?
00:46:19 You got a way of starting
00:46:23 Why is your wife divorcing you?
00:46:26 You got a way of starting
00:46:35 What do you do this kind
00:46:38 What, are you trying to be funny?
00:46:41 I do it because I believe
00:46:42 and Southeast Asia and...
00:46:44 You think it's funny if your life depends
00:46:48 What about the English pound?
00:46:50 I'll tell you something, boy,
00:46:52 you'll find Lew Harper on the job.
00:46:56 - Are you putting me on?
00:47:06 Hey, Harper, what do you think of me?
00:47:10 Well, I'd say you had nearly everything
00:47:13 and could develop into almost anything.
00:47:15 What's my big deficiency?
00:47:20 Your sideburns.
00:47:23 Come on.
00:47:24 Just that.
00:47:25 Stop acting like a bitch in heat
00:47:27 every time anything
00:47:28 Oh, so we think we're pretty.
00:47:30 Well, what's your big deficiency?
00:47:32 I have none. I'm a bloody saint.
00:47:34 Yeah? What about that woman
00:47:36 Well, what could be more saintly?
00:47:37 Just feeding booze to an
00:47:39 All part of the job.
00:47:41 Well, when I'm bored, I drive fast.
00:47:43 I pretend I'm on my way to
00:47:46 all naked and bright.
00:47:48 I've gone 105 along here.
00:47:50 Oh, what are you trying to do? Impress me?
00:47:52 Well, why don't you stand on it, old man?
00:47:56 You're just as stuffy as Albert.
00:48:01 You probably still think a
00:48:04 Not in my home.
00:48:43 Well, now, there's something
00:49:12 Have you come to seek salvation?
00:49:16 It's me, Claude, Miranda Sampson.
00:49:19 This is Mr. Harper.
00:49:21 We're looking for Daddy. Has he been here?
00:49:23 No.
00:49:25 To my sorrow, no.
00:49:27 I'm sorry.
00:49:29 You may not come onto holy
00:49:34 I was once a lost and evil man,
00:49:38 blind-hearted and sinful.
00:49:41 Miranda here can tell you that.
00:49:43 But then the sword of the blessed sun
00:49:46 slew the black beast of the flesh
00:49:49 and I was purified at last.
00:49:52 Can't I just look around?
00:49:55 He'll be risking the wrath of the sun god.
00:49:59 I'm lionhearted.
00:50:16 Expecting disciples for supper?
00:50:18 Whoever comes to the Temple of the Clouds
00:50:20 may be sure of some warm beans and a bed.
00:50:28 - Where is the harm?
00:50:36 I know you think me a charlatan.
00:50:39 I can only say that if you were correct,
00:50:41 then death could not claim me too quickly.
00:50:44 You obviously have some strong
00:50:48 Don't deride me to them, I beg you.
00:50:50 The gift of this temple was
00:50:55 I know to you I look ridiculous,
00:50:59 but I only want to increase the
00:51:04 Where is the harm?
00:51:08 Nowhere.
00:51:09 That in itself is a victory. Don't laugh.
00:51:12 Oh, I only laugh at what's funny.
00:51:14 What's that,
00:51:17 - the bedroom?
00:51:19 It's nice.
00:51:27 How many followers you got up here?
00:51:29 - It varies.
00:51:32 You might say that.
00:51:35 Thanks for the tour.
00:51:38 - Walk with love.
00:51:56 Yeah, I only laugh when it's funny.
00:52:01 My own stupidity, maybe.
00:52:50 - Mr. Graves here?
00:52:52 But there's a deputy in the library.
00:52:57 What's going on?
00:52:59 - Nothing much. Kidnapping and extortion.
00:53:02 Fingerprints?
00:53:05 Now, I knew that. What's the matter with me?
00:53:08 - You got an evidence kit?
00:53:10 Right out in the car. Do you
00:53:12 Oh, no, no. I just want to stand here
00:53:15 No, listen, though, I'll get it for you, sir.
00:53:22 Long arm of the law, good luck.
00:53:37 - Yes?
00:53:39 - Yeah.
00:53:43 "Deposit $500,000
00:53:46 "at 9:00 tonight.
00:53:48 "Oil field, one mile south of Santa Theresa.
00:53:51 "Leave money at large oil
00:53:56 "After drop, drive north and keep on going.
00:53:59 "Too bad for Sampson if you screw up. "
00:54:02 9:00 tonight. That only gives
00:54:04 Better call the Sheriff
00:54:06 Right.
00:54:07 - Anything on the limousine?
00:54:10 Lew?
00:54:12 How do you suppose they
00:54:14 I don't know. Either they're gambling
00:54:18 - You think?
00:54:20 Okay.
00:54:31 Hey!
00:54:33 What are you doing there?
00:54:34 - I was just...
00:54:35 - Five.
00:54:36 Six! Three up, three down.
00:54:41 Too many.
00:54:42 Too damn many.
00:54:47 Since you phoned, I've
00:54:49 and it's my opinion we
00:54:51 and hope they come through with Sampson.
00:54:53 Then if they don't, he'll hunt them down.
00:54:55 - You think?
00:54:56 Oh, no, no. This note says to
00:55:00 Well, that means he'll be
00:55:02 I'll set up a roadblock down the highway.
00:55:04 You do that, you kiss goodbye to Sampson.
00:55:07 Well, whoever I catch, I
00:55:09 You make it worse, you trip the money man.
00:55:12 We'll have the kidnapper in the county jail
00:55:13 but Sampson with his throat cut somewhere.
00:55:15 Who is this clown?
00:55:17 He's a private detective working for us.
00:55:19 Yeah, I used to be a sheriff,
00:55:22 Now, wait a minute.
00:55:24 Gentlemen, please!
00:55:27 - All right. You make the delivery.
00:55:30 I want Beauty and Albert to do it.
00:55:33 And what'll you do?
00:55:38 Are you going to rescue my Ralph for me?
00:55:41 Oh, now, Elaine, I don't want you to worry.
00:55:43 How can I worry with men like you on the job?
00:55:47 - Now, there's a pretty brave woman.
00:58:25 - Hi, there.
00:58:27 Boy, that's gonna look terrific,
00:58:30 You want a nice table?
00:58:32 Well, later, maybe. You can help me, though.
00:58:42 I'm looking for this fella, see.
00:58:44 I met him at the ballpark and he said
00:58:48 - Well, what's his name?
00:58:52 - Now, wait a minute.
00:58:55 I owe him some money on
00:58:59 He's about 40. He's very tall.
00:59:02 Wears a windbreaker and Levi's,
00:59:05 and he drives this small van-truck.
00:59:07 Come again on why you wanna find him?
00:59:09 Well, I owe him money on a bet, see?
00:59:12 And you're just eaten up
00:59:14 You know what happens to
00:59:18 I knew you was a bookie
00:59:21 No kidding.
00:59:26 You could really tell that I
00:59:29 You been waiting tables as long as
00:59:34 But you can't be no help, huh?
00:59:36 Eddie's who you want.
00:59:38 Eddie's somebody.
00:59:39 Only he ain't been here for two
00:59:42 I remember 'cause he wanted
00:59:44 and the boss didn't care for that,
00:59:45 'cause sometimes he gets stung
00:59:48 Well, Eddie made the call anyway.
00:59:54 How much you owe Eddie?
00:59:56 Where's the boss?
00:59:59 Behind the bar.
01:00:07 Give me a can of beer.
01:00:09 Say, I'm looking for a fellow by the
01:00:13 Well, he called me long-distance
01:00:17 - You from Las Vegas?
01:00:20 You know, I would've
01:00:22 No kidding. You can tell, huh?
01:00:26 Oh, really tell?
01:00:29 You must be physic.
01:00:31 Psychic, you mean.
01:00:35 You know where Eddie lives?
01:00:40 Well, give me some dimes then, will you?
01:01:09 Oh, terrific.
01:02:04 Hello?
01:02:05 - Oh, Mrs. Harper?
01:02:08 - Mrs. Lewis Harper?
01:02:11 Oh, thank heavens.
01:02:12 You see, we've just picked your name
01:02:17 only you had to be there to
01:02:20 Win?
01:02:23 Six one-hour frug lessons, absolutely free.
01:02:27 Yes. Well, I'm Austin Schwartz-Marmaduke
01:02:29 of the Schwartz-Marmaduke
01:02:33 Well, you must have heard of
01:02:35 Yes, next to the Frug Foundation.
01:02:38 I don't want any frug lessons.
01:02:40 Oh, but of course you do, dear lady.
01:02:42 Well, just think how terrific you'll feel
01:02:44 the next time you and
01:02:47 how endlessly feminine you'll feel.
01:02:49 My husband is dead.
01:02:52 Oh. Well, that's too bad.
01:02:55 - As a matter of fact...
01:02:58 His death did nothing but
01:03:02 He was a fool, a sadist,
01:03:04 a functioning pathological pervert.
01:03:07 You mean he actually...
01:03:09 Oh, but I do. Oh, he was
01:03:12 I mean, can a soul be atrocious?
01:03:14 Well, I'd never...
01:03:17 His was.
01:03:19 He was a degenerate's degenerate.
01:03:24 You won't believe this, Mr. Marmaduke,
01:03:26 but he used to call me
01:03:28 pretending to be other people.
01:03:30 He actually thought it was funny.
01:03:32 Well...
01:03:35 Listen, I'm in a bar at Castle Beach,
01:03:37 but I'm hiding from an idiot cop in
01:03:45 You're right. That is funny!
01:03:53 - Lew?
01:03:56 - Lew?
01:03:59 Kiss off.
01:04:01 Oh, come on now. Don't hang up.
01:04:04 What are you? You lost your sense of humor?
01:04:14 - Okay, put them up.
01:04:16 Your hands.
01:04:18 I just couldn't. I mean, I really couldn't.
01:04:20 - How'd you get here?
01:04:22 - How did you know his name was Eddie?
01:04:27 Why don't you kiss off?
01:04:29 - The Sheriff told me to stay on the job.
01:04:32 This bartender here told me that Eddie
01:04:36 Yeah, well, I was trying
01:04:39 - Pump. It's a gag.
01:04:42 Now, why don't you tell
01:04:43 Well, I found out that Eddie phoned
01:04:48 Sampson was in Las Vegas three nights ago.
01:04:51 It all fits. It all fits!
01:04:53 Oh, yeah, it all fits.
01:04:55 You know, you ought to stick around.
01:04:58 This place is a hotbed of information.
01:05:00 Oh, yeah, right here.
01:05:04 Go ahead.
01:07:02 What are you doing here?
01:07:04 I got the call. I've been converted.
01:07:07 Is there no end to your sacrilege?
01:07:13 Stay right where you are, fella.
01:07:17 Please. I don't want any trouble.
01:07:22 I said please.
01:07:25 Where's Sampson?
01:07:40 Stay right there.
01:07:42 Tell them to stay there!
01:08:45 Well, well. Do get up, old stick.
01:08:48 No, I kind of like it down here.
01:08:52 Come, come, Mr. Harper. You
01:08:59 I'm shocked, Mr. Troy. A man of your eminence
01:09:03 involved in something as seamy
01:09:06 Yeah, well, you are right,
01:09:09 But it pays so well.
01:09:10 You know, they are wonderfully cheap workers.
01:09:12 And the poor idiots, they
01:09:14 and then ranch owners and
01:09:17 Disgustingly lucrative.
01:09:19 But, as you suggest, hardly
01:09:25 More important, Mr. Harper, at
01:09:33 I'll pay you to let me go.
01:09:36 Well, you're rather low on bargaining
01:09:40 Not necessarily. Where's Sampson?
01:09:42 Ralph Sampson? Well, dear
01:09:44 And the 500,000?
01:09:47 500,000 what?
01:09:55 No more riddles, old stick.
01:09:57 Your driver kidnapped Sampson two days ago.
01:10:00 Eddie Rossiter?
01:10:02 Tonight he picked up a half
01:10:05 Well, he hasn't got the brains.
01:10:07 Got enough brains to be
01:10:10 Whoever killed him got the money.
01:10:13 Well, I see, and that's
01:10:16 You suspect me.
01:10:17 I do if you drive a white convertible.
01:10:25 Mr. Harper, I am surrounded
01:10:29 Claude, we are leaving the temple.
01:10:31 Collect our latest truckload. Take
01:10:34 Get the cash, lose the truck.
01:10:39 Puddler, was Betty at the club tonight?
01:10:42 - No.
01:10:44 The white convertible, yeah.
01:10:45 Does she still live in the same place?
01:10:47 No, she moved to a beach house
01:10:50 - You know where it is?
01:10:53 You take Mr. Harper to the usual place.
01:11:02 Au revoir, Mr. Harper.
01:11:10 Now, you make yourself at home, old stick.
01:11:19 Now, you and me are gonna have
01:11:24 You're not gonna cause me any problems.
01:11:31 Leave it open. I need the air. You stink.
01:11:35 Man, you got a bad mouth.
01:11:38 You're rotten. I can smell you.
01:11:49 You be a good boy.
01:11:51 'Cause I can give you a lot
01:11:55 - We both know what you're afraid of.
01:12:01 You?
01:12:14 You know, there's an old expression.
01:12:17 You kill the body and the head dies.
01:12:20 Did you ever hear that?
01:12:37 How'd you like that, huh? Huh?
01:12:42 Tell me about it. How'd you like that?
01:12:43 You kill the body and the head dies, huh?
01:12:44 You tell me about it, huh?
01:12:46 Untie me and I'll tear your head off.
01:12:49 Now I get it.
01:12:51 You want me to untie you
01:12:54 You can't trick me.
01:12:55 You fish-eyed faggot.
01:13:40 Harper!
01:13:45 Harper!
01:13:46 You ain't going nowhere.
01:16:29 - Who is it?
01:16:35 What do you want?
01:16:41 Susan?
01:16:50 But what happened?
01:16:53 I'm cold.
01:16:56 Why did you come here?
01:16:58 - You know why.
01:17:04 We're not going to get involved.
01:17:10 We are involved.
01:17:12 Were. We've been there. It didn't work.
01:17:16 Help me, Susan.
01:17:25 - Get out, Lew.
01:17:27 - Now you do. What about later?
01:17:30 No, you'll take off on whatever
01:17:34 - I'm through.
01:17:36 - No, I mean it.
01:17:37 - I hate it. I'm done with it.
01:17:39 I swear to you.
01:17:40 You just want a warm body beside
01:17:43 - Not anymore.
01:17:46 - The hell you say.
01:17:47 - Not when I'm like this.
01:17:50 - Just a few kind words.
01:17:54 Anything I can get.
01:18:00 At least you're honest.
01:18:20 - Let me get some...
01:18:32 - I'm not even sure I like you.
01:18:37 You used to carry me.
01:18:39 That's when I was younger.
01:19:20 I thought I threw out all your suits.
01:19:25 You sure threw out all the shirts.
01:19:27 And we were just gonna lounge around all day.
01:19:30 I'll call you as soon as I can.
01:19:33 Going back on it.
01:19:37 And what you said last night.
01:19:41 Forget what I said last night.
01:19:44 Oh, sure. I understand.
01:19:51 You're really ending things
01:19:55 You know that?
01:19:59 Why do you have to go back? Why?
01:20:04 Can't you tell me?
01:20:07 'Cause it's not over yet.
01:20:13 All this food. I feel like such a fool.
01:20:20 Our little wedding breakfast.
01:20:23 Goodbye, Lew.
01:20:26 Goodbye.
01:20:31 Aren't you gonna wish me luck?
01:20:43 Just an infinitely lingering disease.
01:20:59 - Hello, Albert.
01:21:02 Anything new on Sampson?
01:21:03 No, but we know who the murdered man is.
01:21:05 I copied down the high
01:21:08 Name, Eddie Rossiter. Usual truancy stuff.
01:21:10 Worked his way up to car thief.
01:21:12 Boy, that's a colorful one.
01:21:14 Then narcotics, arrested with sister
01:21:18 - After he got out, he...
01:21:20 - How are you, Beauty?
01:21:25 - Where does he live?
01:21:30 The Sheriff is a bit put
01:21:32 He feels you haven't quite
01:21:40 Okay. Where did you go after you left
01:21:46 I was looking for Sampson.
01:21:48 A half a million in cash missing,
01:21:52 Wait a minute. You expect me
01:21:54 Look, I don't care whether
01:21:56 Baby, I'm not working for you.
01:21:57 You know, if I wanted to be ugly,
01:21:58 - I could put you away...
01:22:01 - Does he know who he's talking to?
01:22:03 A sheriff with a tough case on his hands
01:22:05 and no ideas in his head.
01:22:06 Well, if you'd come on like a human
01:22:10 I might have given you a couple
01:22:12 Put out a statewide alarm.
01:22:14 And put her down for suspicion
01:22:17 And you can put out another alarm
01:22:19 and a religious nut named Claude,
01:22:22 They've been using Sampson's
01:22:24 and they just dropped a bunch
01:22:26 Oh, and don't bother thanking me,
01:22:30 doing his duty.
01:22:35 - Are you sure of all that?
01:22:37 - You better give King Kong a hand.
01:22:40 I'm gonna crack this thing,
01:22:42 It's gonna be laid out.
01:23:34 - Lew, baby.
01:23:38 Hey! What happened to you?
01:23:40 She was a big girl.
01:23:41 - You're a big jazz buff, aren't you?
01:23:45 What can I do for you?
01:23:47 You're very polite.
01:23:48 What you really mean is what the
01:23:50 Well, my shirt's not as neat as it might be
01:23:52 and I thought I might borrow one from you.
01:23:54 Help yourself. You want a beer?
01:23:56 Yeah.
01:23:57 Do you really believe that's why I came here?
01:23:59 - Sure.
01:24:03 'Cause what I'm trying to do is tie
01:24:06 in on the kidnapping.
01:24:10 Are you kidding?
01:24:11 Hey, I don't know what you're on,
01:24:14 Eddie Rossiter phoned you in Las Vegas.
01:24:18 You told him when Sampson was coming to LA.
01:24:19 You probably told him to rent a limousine.
01:24:22 And the next day you got Sampson
01:24:26 And when he phoned the
01:24:29 and phoned for Eddie to pick him up instead.
01:24:34 The canceled call's important, buddy,
01:24:36 'cause you're the only one who knew
01:24:42 Go ahead.
01:24:43 Give me your Sampson imitation.
01:24:48 Lew, I'm on your side.
01:24:52 You did, temporarily, to
01:24:55 It worked, too.
01:24:57 When you took a potshot at that
01:25:00 But what you were really doing
01:25:05 Are you saying all this because
01:25:07 You know, there's hundreds of
01:25:10 First day I met you, you
01:25:13 Is that it?
01:25:14 I don't even know her. I never
01:25:17 Were you seen a lot together? I can check.
01:25:19 Well, so check.
01:25:20 I mean, look. Sure, I been to
01:25:22 Just to hear her. I dig the way she
01:25:29 I don't. Honestly.
01:25:39 Okay, kid, I believe you.
01:25:43 Oh, this mess has got me crawling up
01:25:46 But I had to pressure you, you understand?
01:25:48 Sure.
01:25:53 I mean, just for starters, the...
01:25:55 You know, the idea of you
01:25:59 I know a little something about human nature,
01:26:02 and you two just don't cut
01:26:06 - This one okay?
01:26:13 She's a perverted, no-talent junkie.
01:26:17 A prime nympho, on top of that.
01:26:20 Night I was there, she was
01:26:23 Not just me, but everybody in
01:26:26 She's a blemish come to life, that one.
01:26:29 Can you believe that something
01:26:32 You know, if we had the right contacts,
01:26:35 Book her into all the best freak shows.
01:26:37 'Course, we'd only let her be seen at night.
01:26:39 We wouldn't wanna have little
01:26:42 I've seen pigs in my day, but...
01:26:46 Can you imagine what it'd be
01:26:50 Like cozying up to a piece of fungus.
01:26:56 That's the first chick I ever met
01:26:59 They ought to truck her back to the...
01:27:12 You can be very cruel, you know that?
01:27:16 What Betty and I have together,
01:27:19 But that doesn't give you
01:27:22 If you think she's Aphrodite,
01:27:25 All I want is Sampson, if he's still alive.
01:27:28 He is, so far.
01:27:30 Then give him to me.
01:27:32 Take the money. I won't talk, I mean it.
01:27:35 But killing me gets you nothing.
01:27:38 Wrong, baby.
01:27:40 It guarantees me freedom of action.
01:27:42 In this state, it
01:27:45 What kind of freedom are you gonna have,
01:27:48 Nobody's running.
01:27:50 We'll be sitting very happily at Castle Beach
01:27:52 in our lovely little cottage by the sea
01:27:54 while everybody thinks we're running.
01:27:55 You can have your lousy little
01:28:05 Top of the morning.
01:28:40 He was in on the kidnapping,
01:28:43 She was in love with him.
01:28:45 Do you know that I almost stopped off
01:28:52 How could you get caught like that?
01:28:56 Well, I guess I hoped he wasn't involved.
01:29:00 You better get the Sheriff in
01:29:15 Come on.
01:29:43 I wonder how Miranda's gonna take that.
01:29:44 Well, there's a strong chance she
01:29:48 - And I'm wondering if...
01:29:51 Well, I know it isn't strictly
01:29:53 You got a big nerve, asking favors like that.
01:29:55 What have you done for me lately?
01:30:09 Miss Sampson?
01:30:12 I've got some moderately good news for you.
01:30:14 We have reason to believe
01:30:17 How do you know?
01:30:18 I just spoke to one of the
01:30:20 His name was Allan Taggert.
01:30:23 You killed him?
01:30:24 He was trying to kill me. Albert got him.
01:30:30 Allan was so beautiful.
01:30:32 Typecast for the hero.
01:30:33 You keep getting fooled by appearances.
01:30:42 Go ahead, let it out.
01:30:44 Why don't you shut up?
01:30:47 Fooled by appearances?
01:30:51 I'm the grieving daughter, right?
01:30:53 Not right. I don't give
01:30:58 I never did.
01:30:59 He's a terrible man, and
01:31:03 Yesterday, when the note came, I
01:31:08 and that means I'm just like my stepmother.
01:31:12 So I thought, "You'd better
01:31:14 "before everyone discovers what
01:31:20 Albert.
01:31:25 Do you think I'm horrid, Albert?
01:31:27 Horrid?
01:31:29 Why, no, no!
01:31:33 What? Certainly not.
01:31:42 What? Quite the contrary.
01:32:01 - Hey. Castle Beach, right?
01:32:04 Got a road that runs down by the ocean?
01:32:07 Yes, sir. You house-hunting?
01:32:09 More or less.
01:32:10 Well, you go down here and you
01:32:14 and go down to the ocean,
01:32:16 and it starts right there
01:32:18 Thanks.
01:33:29 No! Oh, no!
01:33:34 No! No! No!
01:33:36 Oh, God! Oh, God! Oh...
01:33:43 Betty, honey,
01:33:46 I simply cannot fathom
01:33:50 Betty, tell him. Please tell him.
01:33:53 You and Eddie. Very devious,
01:34:02 You know by now, along with my friends here,
01:34:05 that I enjoy inflicting pain.
01:34:10 As well as I know that you
01:34:13 So now I think the sensible thing for you
01:34:15 would just be to tell me where the money is.
01:34:22 No?
01:34:24 Well, then, I must warn
01:34:29 is gorgeously unendurable.
01:35:08 The locker in the frozen meat place.
01:35:12 The key's in that black shell.
01:35:18 Thank you very kindly, Betty.
01:35:37 You killed him in cold blood!
01:35:39 If you don't stop yelling,
01:35:57 You remember this, don't you, buddy boy?
01:36:00 See this?
01:36:07 I'll give you everything. I'll
01:36:09 - It's a rich choice. I'll take your shoes.
01:36:12 All right! I'll give you...
01:36:17 - Look. Get in there.
01:36:25 Can you walk?
01:36:27 Maybe.
01:36:30 You're coming with me.
01:36:45 Fay'll get out.
01:36:47 What, a fat, barefoot
01:36:52 I'm still looking for Sampson. Where is he?
01:36:56 I'll tell you what I think.
01:36:59 You got the key to the locker,
01:37:06 But I know where Sampson is,
01:37:08 and that's gonna buy me my
01:37:13 Right?
01:37:15 Well, the happiness market's crashed, baby.
01:37:19 Taggert's dead.
01:37:25 Now, where is Sampson?
01:37:28 You're just trying to get me to talk.
01:37:30 You're right. I'm trying to get you to talk.
01:37:33 But I'm not lying about Taggert.
01:37:36 He's dead.
01:37:45 Now, you recognize his gun, don't you?
01:37:53 The far side of Santa Theresa.
01:37:56 The old section of the pier.
01:38:01 Sampson's in the first
01:38:11 Just rest your feet,
01:38:32 Albert? Put on your skates, buddy boy. Yeah.
01:38:38 The old pier. He's in an abandoned
01:38:42 - You got that?
01:38:43 - Think you'll be able to find it?
01:38:47 All right. Oh, listen, you
01:38:49 Yeah. Have him go down to
01:38:52 A lovely little cottage down there
01:38:55 Yeah, that's on the outside.
01:38:57 On the inside there's a couple of guys
01:38:58 that are pretty badly chewed up.
01:38:59 Better get down there with an ambulance.
01:39:01 Yeah, well, listen, buddy, with a little
01:39:05 - What?
01:39:30 - Did you kill Allan?
01:39:34 He was trying to kill me.
01:39:37 Don't I wish he had!
01:39:41 You know, I could feel a lot of sympathy
01:39:42 for someone as tenderhearted as you, Betty,
01:39:45 except I keep remembering that
01:39:47 - Shot him in the head.
01:39:52 I brought him up.
01:39:55 I taught him about music, and
01:40:01 Narcotics?
01:40:02 He fingered me as a user.
01:40:06 Eddie never knew I knew he fingered me,
01:40:10 but I always swore I'd get him.
01:40:14 I got him.
01:40:17 You sucked Taggert in 'cause you needed
01:40:20 No. No, we loved each other. We cared.
01:40:26 Allan and me, we...
01:40:27 We needed money so we could be together.
01:40:32 Hell, I don't buy love's old
01:40:35 Yeah, well, it's true.
01:40:37 You're jealous.
01:40:39 Everybody was jealous of Allan and me.
01:40:45 Were you there when he died?
01:40:49 I bet he died...
01:40:53 Oh, I bet his last words were about me.
01:40:59 I bet he died saying my name.
01:41:03 Tell me
01:41:05 the truth now.
01:41:08 Tell me.
01:41:10 Yeah, you're right. I am
01:41:14 Don't you think I knew that?
01:42:46 Mr. Sampson?
01:43:06 Albert? Albert?
01:43:11 Lew? Lew, it's me.
01:43:15 Lew?
01:43:18 Lew, it's Albert.
01:43:25 - What happened?
01:43:28 - You gonna be all right?
01:43:31 Somebody must have been
01:43:34 He really suckered me.
01:43:35 - What kept you?
01:43:38 I couldn't find this silly tug.
01:43:40 I been in one boat after another.
01:43:42 I was looking for your car. I'm sorry, Lew.
01:43:45 - You mean it's not there now?
01:43:47 I didn't see it, anyway.
01:43:49 Well, the guy that mugged
01:43:51 He just hotwired the ignition
01:43:56 But I wonder if they took off with Sampson.
01:44:00 We better check everything. Come on.
01:44:07 You wanna check down there?
01:44:35 - That's Sampson, isn't it?
01:44:39 Well, you did all you could, Lew.
01:44:41 No, if you did all you could and you did
01:44:48 - Give me your car key.
01:44:51 - After Betty Fraley.
01:44:54 Well, he cops will want
01:44:56 Come on. Move it! Move it!
01:45:02 How do you know which way she went?
01:45:04 I know the ransom money's in a
01:45:07 Well, then, why are we
01:45:09 She'll want to get as far
01:45:12 'cause I got the key to the locker.
01:45:15 Well, if we catch her on this
01:45:17 I haven't changed spark plugs
01:45:20 I'll catch her.
01:47:19 13-A2.
01:47:21 It was pretty bad.
01:47:24 Found him this afternoon, Mrs. Sampson.
01:47:26 Albert was there. He identified him.
01:47:29 Well, I'm sorry, Mrs. Sampson,
01:47:32 but your husband is dead.
01:47:35 Oh, that's terrible. Terrible!
01:47:42 Ralph!
01:47:44 Yeah, well, listen, you better tell
01:47:49 But Ralph didn't have an enemy in the world.
01:47:53 He was such a good man.
01:47:56 Gentle, kind,
01:47:59 wouldn't hurt a fly.
01:48:05 Hang this up, will you?
01:48:07 Miranda!
01:48:09 Miranda!
01:48:14 Mommy has something to tell you.
01:48:18 All units in the vicinity of 57th
01:48:22 All units in the vicinity of 57
01:48:26 Where to now?
01:48:28 - 311, handle a call, Code 3.
01:49:21 Where now?
01:49:23 The grieving widow.
01:49:26 Sheriff Spanner seemed very confident
01:49:32 What? I'm sorry. I wasn't listening.
01:49:33 The fourth man. The one
01:49:36 Spanner says there's a waiter at The Piano.
01:49:40 He hasn't showed up for a
01:49:43 He's the fourth man, the albino.
01:49:45 Spanner says he won't be hard to find.
01:49:48 What fourth man?
01:49:52 You're the fourth man, fink.
01:49:57 You think I kidnapped Sampson?
01:50:00 No, but you killed him.
01:50:02 What do you think was killing
01:50:06 Wasn't any fourth man, Albert.
01:50:08 She took off in that car by
01:50:12 No strain to her. She was taught
01:50:16 Oh, well, who cares? Who cares?
01:50:22 This is what nailed you. Really nailed you.
01:50:26 You think a member of a
01:50:30 and then with $500,000 at stake,
01:50:34 And Betty wouldn't tell him?
01:50:38 No, you killed him, Albert,
01:50:42 But what I don't know is why.
01:50:44 As a lawyer, I have to caution you
01:50:47 Well, proving it's not my job.
01:50:48 - I'll be perfectly safe in a court of law.
01:50:52 Just a couple of buddies
01:50:54 discussing the events of the day.
01:50:58 Only don't lie to me, Albert. I
01:51:02 Okay?
01:51:06 Come on.
01:51:11 I don't know why, actually.
01:51:18 I hadn't intended to. Nothing premeditated.
01:51:24 But when I found him
01:51:27 and was faced with the
01:51:32 it just suddenly seemed
01:51:37 When it came to cruelty, he
01:51:40 With anybody.
01:51:42 His wife, daughter, stranger in the street.
01:51:48 When he found out how I felt about
01:51:52 But he never would have let me
01:51:58 Just laughs for the client,
01:52:05 And then today, when she
01:52:08 and I felt the texture of her skin...
01:52:15 Perhaps I killed him
01:52:19 But I do know that his passing will
01:52:25 You gonna turn me in?
01:52:27 - Got no other choice, buddy boy.
01:52:31 Got a better friend than me?
01:52:34 I haven't got many friends,
01:52:37 He was scum, Lew. I swear it.
01:52:40 Well, you know, when we first met,
01:52:44 you were gonna push your way
01:52:48 of this great and powerful
01:52:51 That was a pretty nasty and
01:52:57 Do governor-type people do that today?
01:53:00 Jeez, makes you stop and wonder.
01:53:03 And you were going to push your way up
01:53:06 that the great and powerful
01:53:12 How does it feel to be popping your
01:53:17 spying on the cheaters?
01:53:19 Yeah, well...
01:53:22 Things just don't turn out
01:53:25 You were hired by a bitch to find scum.
01:53:28 Yeah, and every time I hope
01:53:32 sending me out to scout out Cinderella.
01:53:36 Oh, yeah.
01:53:39 Boy, I had a total of about eight
01:53:44 But then I had five or six good weeks.
01:53:47 Let me tell you something.
01:53:49 I mean, it's something
01:53:51 and Susan sure as hell won't,
01:53:55 but those five or six
01:54:01 So all I can do, Albert,
01:54:04 all the way down the line.
01:54:07 Well, I understand why
01:54:10 Do you understand why I can't let you?
01:54:12 Oh, yeah. You still got the gun?
01:54:17 Well, then, you better use
01:54:30 Well, the way I feel now, if
01:54:32 it won't be the worst thing
01:54:39 So long, Albert.
01:55:08 Oh, hell.
01:55:11 Oh, hell.
01:55:53 English