Harper
|
00:04:12 |
Lew Harper for Mrs. Sampson. |
00:04:53 |
- Yes? |
00:04:56 |
Park it over there. |
00:05:33 |
This way, Mr. Harper. |
00:06:00 |
- Mrs. Sampson? |
00:06:03 |
Lew Harper. |
00:06:06 |
Albert Graves telephoned. Said |
00:06:09 |
Oh. |
00:06:11 |
- A drink, Mr. Harper? |
00:06:16 |
- I thought you were a detective. |
00:06:20 |
Oh. |
00:06:21 |
Albert Graves is one of our lawyers. |
00:06:24 |
It's on his recommendation I'm hiring you. |
00:06:26 |
It's about time he threw |
00:06:29 |
I've known Albert since he was DA up here. |
00:06:32 |
Oh. He said you were good at finding things. |
00:06:36 |
My husband's... |
00:06:38 |
You're sitting on my robe. |
00:06:41 |
My husband's disappeared. |
00:06:44 |
Tried Missing Persons? |
00:06:46 |
Well, that might mean publicity. |
00:06:49 |
Besides, he's got an |
00:06:52 |
I simply want you to find him and |
00:06:55 |
- Any particular female? |
00:06:59 |
Ralph need never know about this. |
00:07:01 |
He'd be sure I was gathering |
00:07:05 |
Actually, I have no |
00:07:08 |
I only intend to outlive him. I |
00:07:15 |
- What a terrible thing to say. |
00:07:19 |
I used to love him, before we were married. |
00:07:23 |
But after we took our |
00:07:26 |
and that very same week Ralph started |
00:07:31 |
It's taken me a while to forgive him. |
00:07:34 |
A long, long while. |
00:07:36 |
When did your husband... |
00:07:37 |
Don't you want to know what happened to me? |
00:07:40 |
Not necessary. |
00:07:41 |
- When did your husband disappear? |
00:07:44 |
Our pilot, Allan, flew Ralph down from Vegas. |
00:07:47 |
When they reached the airport, |
00:07:50 |
When he came back, Ralph |
00:07:52 |
- Any particular reason? |
00:07:55 |
I don't like him drunk on the loose. |
00:07:57 |
He gets sloppy, sentimental. |
00:08:00 |
Last time it happened, he |
00:08:03 |
He gave it to some semi-nude |
00:08:06 |
You know, LA is the big |
00:08:10 |
That's 'cause there's nothing to do at night. |
00:08:12 |
If you can find him quickly, I'd be grateful. |
00:08:15 |
And if he's with another woman, I'd be... |
00:08:21 |
Well, more than interested. |
00:08:25 |
Felix. |
00:08:27 |
You're lurking in doorways again. |
00:08:29 |
I did not want to interrupt. |
00:08:31 |
You can go now. I'll have |
00:08:36 |
Thank you. |
00:08:41 |
Allan's down by the pool. |
00:08:43 |
Any more particulars you |
00:08:46 |
I'll leave the matter of fee |
00:08:49 |
Did you drive up from LA? |
00:08:51 |
Leave your car here. |
00:08:53 |
Felix will drive you to Albert's |
00:08:56 |
Goodbye, Mr. Harper. |
00:08:59 |
It would help some if I knew |
00:09:02 |
Oh, silly of me. |
00:09:07 |
Here. |
00:09:09 |
You can keep that one. |
00:09:11 |
"A poor thing, but mine own. " |
00:09:30 |
Where's the telephone? |
00:09:32 |
I have to call Los Angeles. |
00:09:35 |
Do you got one with a little more privacy? |
00:09:37 |
That's the phone the help's supposed to use. |
00:09:58 |
- Hello. |
00:10:00 |
Is Susan there yet? |
00:10:03 |
Yes. |
00:10:05 |
Tell her I'm not gonna |
00:10:07 |
I got called in on a situation. |
00:10:08 |
And we were going to get |
00:10:11 |
Where is he this time? |
00:10:12 |
I'm up in Santa Theresa. |
00:10:15 |
Said he needed me for |
00:10:17 |
Something about Albert Graves needing him |
00:10:20 |
and you'll understand. |
00:10:21 |
No. No, I don't. |
00:10:23 |
I've been trying to get this divorce |
00:10:26 |
and I have lately been |
00:10:30 |
- She says she's... |
00:10:32 |
Tell her that I... |
00:10:34 |
We're supposed to be |
00:10:35 |
Now, I don't want a screaming match, |
00:10:37 |
but the last time we were going |
00:10:40 |
It wasn't my fault. |
00:10:41 |
- He says it wasn't... |
00:10:44 |
I don't care what he says. |
00:10:45 |
He's just trying to stall because he |
00:10:48 |
Well, I may change a lot |
00:10:51 |
but my mind isn't about to be one of them. |
00:10:53 |
Look, let me speak to her, will you? |
00:10:56 |
- Here. |
00:10:57 |
Would you put her on? |
00:11:00 |
Take it. Talk to him. |
00:11:02 |
I have taken it. Every year |
00:11:05 |
And I've talked to him, too. |
00:11:09 |
No more nothing. |
00:11:12 |
You hear me, Lew? I don't love you. |
00:11:14 |
And you can get shot in some stinking alley |
00:11:16 |
and I'll be a little |
00:11:18 |
Just a little sorry. |
00:11:20 |
Tell him that, lawyer. Tell |
00:11:45 |
Hey! |
00:11:46 |
Hey. Top of the morning. |
00:11:48 |
- Allan Taggert. |
00:11:51 |
That's Mr. Sampson's daughter. |
00:11:53 |
Miranda. |
00:11:58 |
Miranda. |
00:12:00 |
Lew Harper. |
00:12:04 |
- Could we talk? |
00:12:11 |
Can you tell me something... |
00:12:12 |
My stepmother, Lady Macbeth, |
00:12:16 |
Meaning me, Miss Sampson? I'm |
00:12:19 |
Not you especially. |
00:12:21 |
Everything she does is extreme. |
00:12:24 |
Other women fall off horses |
00:12:27 |
Not Elaine. I think it's |
00:12:30 |
You've been reading too many books. |
00:12:31 |
That's something they'll never accuse you of. |
00:12:34 |
She's not a raving beauty anymore. |
00:12:36 |
- Can I have a sandwich? |
00:12:39 |
So she retired from competition. |
00:12:41 |
Falling off the horse |
00:12:43 |
And for all I know she did it intentionally. |
00:12:45 |
And you've got to admit it's pretty extreme, |
00:12:48 |
hiring a private detective |
00:12:50 |
when your husband's been gone just one night. |
00:12:53 |
That may be so, Miss Sampson. |
00:12:55 |
Tell me about Sampson's disappearance. |
00:12:58 |
He disappeared. |
00:13:04 |
Yesterday afternoon about 3:30, |
00:13:05 |
we flew in from Vegas and |
00:13:08 |
I let Mr. Sampson off at |
00:13:10 |
He said he wanted to call the |
00:13:13 |
Daddy keeps a bungalow there. |
00:13:15 |
I taxied the plane up to |
00:13:18 |
When I got back to the entrance, |
00:13:20 |
I waited. Then I went to the |
00:13:25 |
What about luggage? Was he |
00:13:27 |
He said he was, but he |
00:13:30 |
That doesn't mean anything. |
00:13:32 |
Daddy keeps a lot of clothes at the bungalow. |
00:13:34 |
He likes to be able to pick up fast. |
00:13:37 |
So do I. |
00:13:40 |
How long did it take you |
00:13:42 |
Fifteen minutes. Twenty at the outside. |
00:13:44 |
That's not very much time for a |
00:13:50 |
Maybe he never called the hotel. |
00:13:53 |
Will you be going back to Los Angeles? |
00:13:56 |
- Yeah, after I see a friend. |
00:13:59 |
Sampson's lawyer. |
00:14:01 |
Albert Graves. |
00:14:04 |
Well, you can fly Mr. Harper |
00:14:08 |
I'll fly. |
00:14:10 |
It'll keep me from getting bored. |
00:14:13 |
- Hey, you in a hurry? |
00:14:16 |
- Storing up for the winter? |
00:14:19 |
- Come on, let's split. |
00:14:43 |
You met my friend Felix? |
00:14:48 |
He's always listening. |
00:14:51 |
We're friends, aren't we, Felix? |
00:14:57 |
He's some cat, that Felix. |
00:14:59 |
How come so rough on Miranda? |
00:15:01 |
How come everybody jumps to |
00:15:03 |
Listen, she's no genius, you know. |
00:15:05 |
Besides, she's an adolescent. |
00:15:09 |
Anyway, I got myself a real woman. |
00:15:13 |
How does Miranda get along with her old man? |
00:15:15 |
Okay, until a little while ago, |
00:15:17 |
when he started trying |
00:15:19 |
Oh, yeah? Anybody in particular? |
00:15:22 |
Yeah. Your buddy. |
00:15:27 |
Albert Graves. |
00:15:33 |
Oh. |
00:15:43 |
Oh! Hi. |
00:15:47 |
You look like death warmed over. |
00:15:49 |
Always nice to hear from |
00:15:52 |
What's that? |
00:15:54 |
- Things any better with Susan? |
00:15:57 |
Good, good. |
00:16:00 |
Oh, I just... Staying in shape. |
00:16:02 |
I still do the old Canadian Air |
00:16:05 |
Yogurt for lunch and then a lot of this. |
00:16:07 |
It's all paying off, don't you think? |
00:16:09 |
Yeah, I've never seen you look more |
00:16:12 |
You talk to Mrs. Sampson? |
00:16:14 |
- That's a sweet lady. Warm, content. |
00:16:18 |
- Why'd she hire me? |
00:16:21 |
I think Sampson needs protection. |
00:16:22 |
He's worth $20 million on the |
00:16:25 |
That's just for openers. |
00:16:26 |
I also think he's losing his mind. |
00:16:27 |
Did she mention Claude, the |
00:16:31 |
Yeah. |
00:16:32 |
Now Mrs. Sampson thinks the old |
00:16:35 |
That's because I encouraged |
00:16:37 |
She'd never spend a penny on him if |
00:16:41 |
What about the old-fashioned |
00:16:43 |
I can't. He's psychotic on the subject. |
00:16:46 |
If I went to them and they |
00:16:49 |
What kind of a weirdo is Sampson? |
00:16:51 |
Well, I can tell you everything |
00:16:55 |
He has to make money. He's dedicated to it. |
00:16:59 |
It's the only way he can prove |
00:17:02 |
He had a son, you know. |
00:17:05 |
A pilot. He was killed a few years back. |
00:17:07 |
That's when he started losing his mind. |
00:17:09 |
He's got this fella now, Allan Taggert. |
00:17:12 |
- We met. Nice-looking fella. - |
00:17:16 |
Well, the point is, we're less than |
00:17:19 |
so what does he need a pilot for? |
00:17:21 |
Personally, I like Allan, |
00:17:23 |
I feel he's an unnecessary expense. |
00:17:26 |
How do you have an unnecessary |
00:17:30 |
Well, that's enough exercising. |
00:17:32 |
I don't wanna get too strong. |
00:17:35 |
Did you meet Sampson's daughter? |
00:17:38 |
That ugly, skinny kid? |
00:17:42 |
Oh, Lew, isn't she incredible? |
00:17:52 |
Oh, boy. |
00:17:54 |
You dirty old man. |
00:17:56 |
Go on. You think I'm too old for her. |
00:17:57 |
No. When she's 100, you'll only be 124. |
00:18:00 |
You think I'm old enough to be her father? |
00:18:01 |
You're old enough to be her grandfather. |
00:18:05 |
Go to hell. |
00:18:13 |
Solid Citizen Albert, hung |
00:18:16 |
That's a hoot. |
00:18:17 |
- Lew, did she say anything about me? |
00:18:19 |
- She didn't even mention my name? |
00:18:22 |
Oh, that explains it. |
00:18:23 |
How does she feel about you? |
00:18:25 |
Well, she's young and cautious. |
00:18:28 |
But I have great expectations. |
00:18:31 |
So do I. |
00:18:33 |
My going rate is $2,000 flat |
00:18:37 |
- against 100 hours a day and expenses. |
00:18:41 |
But you can have it if you'll |
00:18:43 |
My pleasure. |
00:18:49 |
Hey, what are your virtues? |
00:19:03 |
I decided to fly down to |
00:19:05 |
- Hello, Miranda. |
00:20:28 |
Excuse me, honey. |
00:20:30 |
Say, did you send a |
00:20:33 |
- to Van Nuys Airport yesterday? |
00:20:36 |
Well, there was this |
00:20:38 |
said he left in a big, black limousine. |
00:20:39 |
Well, he called here |
00:20:42 |
but then he called back and canceled. |
00:20:44 |
You sure it was Sampson both times? |
00:20:45 |
Oh, yes. I recognize his voice. |
00:20:50 |
Did he sound drunk? |
00:20:51 |
Oh, sir, I couldn't give |
00:20:54 |
Sorry. |
00:20:56 |
Got the key? |
00:20:58 |
Well? |
00:21:03 |
Daddy hasn't been here for a |
00:21:05 |
Terrific. |
00:21:24 |
Here. |
00:21:25 |
Well, I think I'll flake out |
00:21:30 |
Well, I was hoping we might do something. |
00:21:32 |
The thing about you, Miranda, |
00:21:41 |
Wow! |
00:21:44 |
No wonder your old man took to the sauce. |
00:21:45 |
I would, too, if I had to sleep in here. |
00:21:48 |
Ever since my brother died I've |
00:21:51 |
this astrology bit, |
00:21:52 |
but obviously without much success. |
00:21:54 |
- Any astrologist in particular? |
00:22:02 |
- Harper. |
00:22:06 |
- You work hard, you know that? |
00:22:12 |
- Harper? |
00:22:16 |
Don't you ever feel the need to relax? |
00:22:23 |
Let's relax some, Harper. |
00:22:27 |
For what? So the beauty in the next |
00:22:30 |
Lady, if you can't get him |
00:22:32 |
I sure ain't gonna do it for you. |
00:22:36 |
Don't you think I'm attractive? |
00:22:39 |
You're young, rich and beautiful, |
00:22:41 |
What do you think I think? |
00:22:44 |
I think you wanna relax. |
00:22:50 |
All right, honey. If you |
00:22:53 |
we'll just douse the lights |
00:23:03 |
Feel better now, Myrtle? |
00:23:14 |
- You know her? |
00:23:19 |
- Hey, Beauty, Fay Estabrook strike a note? |
00:23:22 |
You ever seen her with Sampson? |
00:23:24 |
Any idea where she hangs out? |
00:23:26 |
Yeah, sometimes. |
00:23:27 |
She used to be a pretty hot young |
00:23:32 |
She got fat! |
00:23:42 |
Give me another one of those, will you? |
00:23:45 |
It's 6:02. |
00:23:47 |
We don't serve domestic after 6:00. |
00:23:51 |
Only imported. |
00:23:52 |
Terrific. Keep the change. |
00:23:55 |
There is no change. |
00:23:59 |
Keep it anyway. |
00:24:35 |
Are you Miss Estabrook? |
00:24:37 |
- No! Fay Estabrook? |
00:24:40 |
It is, isn't it? Can I have your autograph? |
00:24:43 |
Well... |
00:24:45 |
You know, it's for my daughter. |
00:24:47 |
She thinks you're just wonderful. |
00:24:49 |
- That's nice. |
00:24:51 |
No. It's no bother. |
00:24:53 |
Thanks. That's all right. |
00:24:54 |
No, that's all right, just one. |
00:24:56 |
Just make it to Billie Lou. |
00:24:58 |
Ain't you got a pencil? |
00:25:00 |
Well... |
00:25:05 |
- Billie Lou? |
00:25:06 |
Can I sit down? |
00:25:11 |
Actually, you know, that's... I |
00:25:16 |
I don't know how many fans you |
00:25:18 |
but ain't nothing, nobody |
00:25:20 |
I just watch all your |
00:25:23 |
Oh, that's nice. |
00:25:24 |
- Can I buy you a drink? |
00:25:29 |
- Boy? |
00:25:32 |
- When were you born? |
00:25:35 |
June 2. Gemini. Oh, Gemini are cold-hearted. |
00:25:40 |
Oh, are you cold-hearted, dumpling? |
00:25:43 |
Well, hell, big dogs is |
00:26:38 |
- Hey! |
00:26:43 |
- Oh, it's just what I needed, honey. |
00:26:48 |
You're sweet. You ain't no Gemini. |
00:26:53 |
Honey, where is the... The... |
00:27:23 |
Hey, this place is like the morgue. |
00:27:25 |
Where have all the merrymakers gone? |
00:27:29 |
- I'm gonna take you home, honey. |
00:27:33 |
Come on, let's have another |
00:27:35 |
- You want another little drinkie? |
00:27:42 |
Anyway, you're too classy |
00:27:44 |
Yeah. I am classy. |
00:27:48 |
Not everybody notices. |
00:27:51 |
Well, I got just the spot |
00:27:53 |
Oh, the Bel-Air? Oh, yes, |
00:28:13 |
Hey, you think you could |
00:28:15 |
Oh, and let's have a little caviar, huh? |
00:28:17 |
Oh, I love this place. I've always adored it. |
00:28:20 |
Why, I'm so glad you suggested it. |
00:28:22 |
- You know, I have a friend stays here a lot. |
00:28:26 |
Oh, you're jealous. You're |
00:28:30 |
What is it with me that men |
00:28:37 |
Your friend stay around here now? |
00:28:40 |
Oh, you really are jealous. |
00:28:42 |
Oh, baby! |
00:28:45 |
The green-eyed dragon! |
00:28:48 |
Oh, Ralph's much older than you, baby. |
00:28:51 |
And he's in Vegas, |
00:28:52 |
and, besides, now I only |
00:28:55 |
and a little interior decorating. |
00:28:58 |
I did his room in the hotel. Oh, |
00:29:01 |
I have this fabulous taste. |
00:29:03 |
You got everything, baby. |
00:29:06 |
Oh! He's my oldest friend. |
00:29:10 |
But he's not a nice man. |
00:29:13 |
He... |
00:29:15 |
He's gotten to be a very kinky personality. |
00:29:20 |
- Kinky? |
00:29:25 |
Weird. You know what I mean? |
00:29:31 |
Say, you're a real pistol. |
00:29:37 |
- Be back in a sec. |
00:29:45 |
You're supposed to be looking for Daddy. |
00:29:47 |
Come on, get her out of here, will you? |
00:29:49 |
That happens to be a |
00:29:51 |
Say, Mrs. Sampson's been calling. |
00:29:54 |
- About what? |
00:29:55 |
She got a special delivery letter from Daddy. |
00:29:57 |
He told her to tell Albert |
00:30:00 |
and get some money ready. |
00:30:01 |
About half a million, cash. |
00:30:03 |
- Are you kidding? |
00:30:05 |
- Is she sure it's your father's writing? |
00:30:10 |
- Well, you better get the money. |
00:30:12 |
Wait. |
00:30:14 |
Till somebody gives us proof |
00:30:18 |
It's a possibility, so |
00:30:19 |
Why don't you get her bedded down? |
00:30:28 |
No, you're no Mexican. I know |
00:30:34 |
- No, you're a phony Mexican. |
00:30:36 |
They don't wanna play La Cucaracha, |
00:30:38 |
and I do La Cucaracha like nothing! |
00:30:44 |
What do you know? You... |
00:30:46 |
Honey, he ain't got no guitar. |
00:30:48 |
Well, if he was a real |
00:30:52 |
- Where do you live? |
00:30:54 |
'Cause if I don't grab you |
00:30:57 |
Oh, I live in the Pacific |
00:31:03 |
- I'm gonna drive you home. |
00:31:09 |
Help! |
00:31:11 |
Don't try to do anything to me |
00:31:17 |
Some other time. Any other time. |
00:32:43 |
- Yeah? |
00:32:46 |
This is Betty. Is Fay there? |
00:32:49 |
Listen, I heard she was in the Bel-Air |
00:32:52 |
We don't want him at the house |
00:32:55 |
so get rid of him. |
00:32:56 |
- Where are you? |
00:33:00 |
Is Ralph Sampson there? |
00:33:03 |
All right, who is this? |
00:33:21 |
I beg you not to do |
00:33:24 |
- Is that thing loaded? |
00:33:27 |
Oh, boy. |
00:33:28 |
- Who are you? |
00:33:31 |
Well, I'm Miss Estabrook's |
00:33:34 |
And I see the light on in |
00:33:35 |
What were you doing in there? |
00:33:36 |
I didn't go in there. I swear I didn't. |
00:33:38 |
No, she had to go to the... |
00:33:41 |
Yeah, well, she never could hold her liquor. |
00:33:48 |
Boy, that's shocking treatment. |
00:33:49 |
Ain't nothing like this ever happen in Texas. |
00:33:52 |
Oh, you all from Texas, huh? |
00:33:57 |
Why are you interested in |
00:33:59 |
She's not an old bag of worms. |
00:34:02 |
Well, I disagree, but then, you |
00:34:05 |
and I know whereof I speak. |
00:34:11 |
See what I mean? |
00:34:14 |
Now, my name is Dwight Troy. |
00:34:15 |
I don't think you ever |
00:34:17 |
My name is Lewis Harper. I sell insurance. |
00:34:20 |
I didn't know she was married. |
00:34:22 |
Oh, relax, old stick. I |
00:34:25 |
You want her, you can have her. |
00:34:26 |
But I do not like strangers in my house. |
00:34:30 |
So I don't think I'd better |
00:34:34 |
Is that a threat? |
00:34:35 |
Oh, is it ever, old stick. Now you get along. |
00:34:51 |
You know a place called Piano? |
00:34:54 |
Yeah. Yeah, sure. |
00:34:56 |
But I don't think you wanna go there, mister. |
00:34:58 |
Oh, well, I'm a swinger. |
00:36:06 |
- Lew Harper. |
00:36:11 |
Nice sound you lay down. |
00:36:14 |
Don't put me on. You're probably tone-deaf. |
00:36:16 |
Maybe, but I got every side you ever cut. |
00:36:21 |
You're not very hip, but I believe you. |
00:36:27 |
Except you got cop's eyes. |
00:36:34 |
Narcotics? |
00:36:36 |
Listen, I did my time. I'm straight now. |
00:36:42 |
- What are you after? |
00:36:46 |
I know your voice. |
00:36:49 |
You said you were Troy. |
00:36:53 |
What about Sampson? |
00:36:56 |
- I don't know him. |
00:37:00 |
And I think I can convince my |
00:37:03 |
that those tracks are fresh. |
00:37:09 |
All right, I know him. |
00:37:10 |
He comes in here sometimes and gets drunk. |
00:37:12 |
He's a drunk, and all drunks look alike. |
00:37:15 |
- What else you know? |
00:37:16 |
- Come on. |
00:37:18 |
- Come on! |
00:37:19 |
Puddler. |
00:37:23 |
He's fuzz, Puddler. Private. |
00:37:48 |
Wise guys. Always making waves. |
00:37:56 |
I'm gonna teach you. |
00:38:13 |
Hot damn! I did it! |
00:38:15 |
Hey, Harper. Hey, you see that? |
00:38:17 |
Harper? You all right? |
00:38:21 |
Sure you are. Come on. |
00:38:23 |
Hey, you know, this |
00:38:26 |
- Oh, boy. |
00:38:28 |
Wait a minute. Wait... |
00:38:29 |
Can you make it? |
00:38:35 |
- Where'd you come from? |
00:38:38 |
So I talked one of my buddies out of a car |
00:38:39 |
and started hitting some of Sampson's spots. |
00:38:41 |
This joint was one of them. I was |
00:38:44 |
Well, I'm in your debt, Beauty. |
00:38:48 |
- Where you parked? |
00:38:51 |
Hey, you really think Sampson was kidnapped? |
00:38:53 |
- Who'd do it? |
00:38:56 |
A guy named Troy, maybe |
00:38:59 |
- Come on, let's go. |
00:39:02 |
Back to the first place I |
00:39:25 |
What's this place all about? |
00:39:27 |
That Fraley broad said something |
00:39:29 |
and somebody didn't want me around. |
00:39:32 |
Maybe 'cause Sampson's in it. |
00:40:13 |
- Do you want me to break that down? |
00:40:16 |
- You really mean it? |
00:40:18 |
Hot damn! |
00:40:23 |
Yeah, detective work is |
00:40:29 |
Oh, boy. That hurt a little |
00:40:38 |
You know how to use this? |
00:40:40 |
Oh, I prefer a Thompson, actually, |
00:40:43 |
You dirty rat! |
00:40:44 |
- "You gave that man oranges?" |
00:40:48 |
If that truck should come through, or |
00:41:05 |
Some other time, dumpling. |
00:41:30 |
- What happened? |
00:41:35 |
I was trying to blow a tire. |
00:42:13 |
Hey, Lew. You all right? |
00:42:17 |
I'm awful tired of answering that question. |
00:42:27 |
You sure the handwriting is his? |
00:42:29 |
That moronic scrawl is unforgettable. |
00:42:34 |
It's not unlikely your husband's |
00:42:37 |
Kidnapping is a federal offense. |
00:42:39 |
I'm well aware of that, Mr. Harper, |
00:42:41 |
but please don't bother suggesting |
00:42:44 |
Kidnapping is a federal offense. |
00:42:47 |
I'm not sure my husband's business |
00:42:50 |
Not all of them, anyway. |
00:42:52 |
You may be jumping to conclusions. |
00:42:54 |
For all we know, |
00:42:56 |
Ralph may be planning |
00:42:58 |
with some happy harlot and |
00:43:01 |
I think your husband's been kidnapped. |
00:43:04 |
Your husband keeps lousy |
00:43:08 |
as bad as there is in LA. |
00:43:10 |
And that's as bad as there is. |
00:43:12 |
I knew it. |
00:43:15 |
Oh, he loves playing the family |
00:43:20 |
Water seeks its own level, |
00:43:22 |
and that should leave Ralph bathing |
00:43:26 |
Daddy may be dead, and you're crowing. |
00:43:28 |
I don't believe it's the |
00:43:31 |
You have such an advantage |
00:43:34 |
being frigid. |
00:43:36 |
Puss, puss, puss. |
00:43:38 |
Did Allan brush you off again? |
00:43:40 |
You simpy, primping, narcissistic... |
00:43:43 |
Either I'm a narcissist or I'm frigid, pussy. |
00:43:45 |
I can't very well be both. |
00:43:48 |
Excuse me, ladies. |
00:43:49 |
Oh, why are you leaving? |
00:43:55 |
I should think you'd be accustomed |
00:43:59 |
I love your wrinkles. I revel in them. |
00:44:03 |
Puss, puss, puss. |
00:44:11 |
I... |
00:44:12 |
I just don't enjoy carrying |
00:44:15 |
I'm a lawyer, not a financier. |
00:44:17 |
Albert, you got any friends in the LA Police |
00:44:19 |
from when you were DA up here? |
00:44:21 |
I have some favors left uncollected, yes. |
00:44:23 |
Get them to run a check |
00:44:25 |
rented or stolen in the last three days. |
00:44:27 |
See if you can get them to put |
00:44:31 |
Dwight Troy's place. |
00:44:34 |
You mean Troy... |
00:44:35 |
What do you know about him? |
00:44:37 |
I had to take some papers to Las |
00:44:39 |
He and Troy were gambling. |
00:44:41 |
I checked on Troy. |
00:44:42 |
He seems elegant enough, but people |
00:44:47 |
I've tried telling Sampson, but... |
00:44:52 |
Oh, thank heavens. |
00:44:55 |
I was so nervous, bringing that here. |
00:44:57 |
I got this out of mothballs. |
00:44:59 |
You know, you always were the |
00:45:03 |
Still know how to use it? |
00:45:05 |
I hope not. |
00:45:07 |
Better get a cop up here to |
00:45:09 |
You're not staying? |
00:45:11 |
I'm getting buggy sitting around here. |
00:45:13 |
It's about time I visited that |
00:45:16 |
Miranda? Hello, Miranda. Miranda's coming. |
00:45:19 |
How are you? |
00:45:20 |
- Suicidal. |
00:45:22 |
I just had the nicest chat with stepmommy. |
00:45:25 |
How do I get to that mountain, anyway? |
00:45:27 |
Oh, here, I'll diagram it for you. |
00:45:29 |
Don't bother. I'll take him. I've |
00:45:33 |
Wait till I change. |
00:45:39 |
Wow! |
00:45:46 |
I expect you to behave in all |
00:45:50 |
First it's Taggert's boyish charm, and |
00:45:54 |
- Poor, nice Albert. |
00:45:57 |
Wouldn't you think she'd notice? |
00:46:01 |
The bottom is loaded |
00:46:04 |
Only cream and bastards rise. |
00:46:17 |
Why so fast, Harper? |
00:46:19 |
You got a way of starting |
00:46:23 |
Why is your wife divorcing you? |
00:46:26 |
You got a way of starting |
00:46:35 |
What do you do this kind |
00:46:38 |
What, are you trying to be funny? |
00:46:41 |
I do it because I believe |
00:46:42 |
and Southeast Asia and... |
00:46:44 |
You think it's funny if your life depends |
00:46:48 |
What about the English pound? |
00:46:50 |
I'll tell you something, boy, |
00:46:52 |
you'll find Lew Harper on the job. |
00:46:56 |
- Are you putting me on? |
00:47:06 |
Hey, Harper, what do you think of me? |
00:47:10 |
Well, I'd say you had nearly everything |
00:47:13 |
and could develop into almost anything. |
00:47:15 |
What's my big deficiency? |
00:47:20 |
Your sideburns. |
00:47:23 |
Come on. |
00:47:24 |
Just that. |
00:47:25 |
Stop acting like a bitch in heat |
00:47:27 |
every time anything |
00:47:28 |
Oh, so we think we're pretty. |
00:47:30 |
Well, what's your big deficiency? |
00:47:32 |
I have none. I'm a bloody saint. |
00:47:34 |
Yeah? What about that woman |
00:47:36 |
Well, what could be more saintly? |
00:47:37 |
Just feeding booze to an |
00:47:39 |
All part of the job. |
00:47:41 |
Well, when I'm bored, I drive fast. |
00:47:43 |
I pretend I'm on my way to |
00:47:46 |
all naked and bright. |
00:47:48 |
I've gone 105 along here. |
00:47:50 |
Oh, what are you trying to do? Impress me? |
00:47:52 |
Well, why don't you stand on it, old man? |
00:47:56 |
You're just as stuffy as Albert. |
00:48:01 |
You probably still think a |
00:48:04 |
Not in my home. |
00:48:43 |
Well, now, there's something |
00:49:12 |
Have you come to seek salvation? |
00:49:16 |
It's me, Claude, Miranda Sampson. |
00:49:19 |
This is Mr. Harper. |
00:49:21 |
We're looking for Daddy. Has he been here? |
00:49:23 |
No. |
00:49:25 |
To my sorrow, no. |
00:49:27 |
I'm sorry. |
00:49:29 |
You may not come onto holy |
00:49:34 |
I was once a lost and evil man, |
00:49:38 |
blind-hearted and sinful. |
00:49:41 |
Miranda here can tell you that. |
00:49:43 |
But then the sword of the blessed sun |
00:49:46 |
slew the black beast of the flesh |
00:49:49 |
and I was purified at last. |
00:49:52 |
Can't I just look around? |
00:49:55 |
He'll be risking the wrath of the sun god. |
00:49:59 |
I'm lionhearted. |
00:50:16 |
Expecting disciples for supper? |
00:50:18 |
Whoever comes to the Temple of the Clouds |
00:50:20 |
may be sure of some warm beans and a bed. |
00:50:28 |
- Where is the harm? |
00:50:36 |
I know you think me a charlatan. |
00:50:39 |
I can only say that if you were correct, |
00:50:41 |
then death could not claim me too quickly. |
00:50:44 |
You obviously have some strong |
00:50:48 |
Don't deride me to them, I beg you. |
00:50:50 |
The gift of this temple was |
00:50:55 |
I know to you I look ridiculous, |
00:50:59 |
but I only want to increase the |
00:51:04 |
Where is the harm? |
00:51:08 |
Nowhere. |
00:51:09 |
That in itself is a victory. Don't laugh. |
00:51:12 |
Oh, I only laugh at what's funny. |
00:51:14 |
What's that, |
00:51:17 |
- the bedroom? |
00:51:19 |
It's nice. |
00:51:27 |
How many followers you got up here? |
00:51:29 |
- It varies. |
00:51:32 |
You might say that. |
00:51:35 |
Thanks for the tour. |
00:51:38 |
- Walk with love. |
00:51:56 |
Yeah, I only laugh when it's funny. |
00:52:01 |
My own stupidity, maybe. |
00:52:50 |
- Mr. Graves here? |
00:52:52 |
But there's a deputy in the library. |
00:52:57 |
What's going on? |
00:52:59 |
- Nothing much. Kidnapping and extortion. |
00:53:02 |
Fingerprints? |
00:53:05 |
Now, I knew that. What's the matter with me? |
00:53:08 |
- You got an evidence kit? |
00:53:10 |
Right out in the car. Do you |
00:53:12 |
Oh, no, no. I just want to stand here |
00:53:15 |
No, listen, though, I'll get it for you, sir. |
00:53:22 |
Long arm of the law, good luck. |
00:53:37 |
- Yes? |
00:53:39 |
- Yeah. |
00:53:43 |
"Deposit $500,000 |
00:53:46 |
"at 9:00 tonight. |
00:53:48 |
"Oil field, one mile south of Santa Theresa. |
00:53:51 |
"Leave money at large oil |
00:53:56 |
"After drop, drive north and keep on going. |
00:53:59 |
"Too bad for Sampson if you screw up. " |
00:54:02 |
9:00 tonight. That only gives |
00:54:04 |
Better call the Sheriff |
00:54:06 |
Right. |
00:54:07 |
- Anything on the limousine? |
00:54:10 |
Lew? |
00:54:12 |
How do you suppose they |
00:54:14 |
I don't know. Either they're gambling |
00:54:18 |
- You think? |
00:54:20 |
Okay. |
00:54:31 |
Hey! |
00:54:33 |
What are you doing there? |
00:54:34 |
- I was just... |
00:54:35 |
- Five. |
00:54:36 |
Six! Three up, three down. |
00:54:41 |
Too many. |
00:54:42 |
Too damn many. |
00:54:47 |
Since you phoned, I've |
00:54:49 |
and it's my opinion we |
00:54:51 |
and hope they come through with Sampson. |
00:54:53 |
Then if they don't, he'll hunt them down. |
00:54:55 |
- You think? |
00:54:56 |
Oh, no, no. This note says to |
00:55:00 |
Well, that means he'll be |
00:55:02 |
I'll set up a roadblock down the highway. |
00:55:04 |
You do that, you kiss goodbye to Sampson. |
00:55:07 |
Well, whoever I catch, I |
00:55:09 |
You make it worse, you trip the money man. |
00:55:12 |
We'll have the kidnapper in the county jail |
00:55:13 |
but Sampson with his throat cut somewhere. |
00:55:15 |
Who is this clown? |
00:55:17 |
He's a private detective working for us. |
00:55:19 |
Yeah, I used to be a sheriff, |
00:55:22 |
Now, wait a minute. |
00:55:24 |
Gentlemen, please! |
00:55:27 |
- All right. You make the delivery. |
00:55:30 |
I want Beauty and Albert to do it. |
00:55:33 |
And what'll you do? |
00:55:38 |
Are you going to rescue my Ralph for me? |
00:55:41 |
Oh, now, Elaine, I don't want you to worry. |
00:55:43 |
How can I worry with men like you on the job? |
00:55:47 |
- Now, there's a pretty brave woman. |
00:58:25 |
- Hi, there. |
00:58:27 |
Boy, that's gonna look terrific, |
00:58:30 |
You want a nice table? |
00:58:32 |
Well, later, maybe. You can help me, though. |
00:58:42 |
I'm looking for this fella, see. |
00:58:44 |
I met him at the ballpark and he said |
00:58:48 |
- Well, what's his name? |
00:58:52 |
- Now, wait a minute. |
00:58:55 |
I owe him some money on |
00:58:59 |
He's about 40. He's very tall. |
00:59:02 |
Wears a windbreaker and Levi's, |
00:59:05 |
and he drives this small van-truck. |
00:59:07 |
Come again on why you wanna find him? |
00:59:09 |
Well, I owe him money on a bet, see? |
00:59:12 |
And you're just eaten up |
00:59:14 |
You know what happens to |
00:59:18 |
I knew you was a bookie |
00:59:21 |
No kidding. |
00:59:26 |
You could really tell that I |
00:59:29 |
You been waiting tables as long as |
00:59:34 |
But you can't be no help, huh? |
00:59:36 |
Eddie's who you want. |
00:59:38 |
Eddie's somebody. |
00:59:39 |
Only he ain't been here for two |
00:59:42 |
I remember 'cause he wanted |
00:59:44 |
and the boss didn't care for that, |
00:59:45 |
'cause sometimes he gets stung |
00:59:48 |
Well, Eddie made the call anyway. |
00:59:54 |
How much you owe Eddie? |
00:59:56 |
Where's the boss? |
00:59:59 |
Behind the bar. |
01:00:07 |
Give me a can of beer. |
01:00:09 |
Say, I'm looking for a fellow by the |
01:00:13 |
Well, he called me long-distance |
01:00:17 |
- You from Las Vegas? |
01:00:20 |
You know, I would've |
01:00:22 |
No kidding. You can tell, huh? |
01:00:26 |
Oh, really tell? |
01:00:29 |
You must be physic. |
01:00:31 |
Psychic, you mean. |
01:00:35 |
You know where Eddie lives? |
01:00:40 |
Well, give me some dimes then, will you? |
01:01:09 |
Oh, terrific. |
01:02:04 |
Hello? |
01:02:05 |
- Oh, Mrs. Harper? |
01:02:08 |
- Mrs. Lewis Harper? |
01:02:11 |
Oh, thank heavens. |
01:02:12 |
You see, we've just picked your name |
01:02:17 |
only you had to be there to |
01:02:20 |
Win? |
01:02:23 |
Six one-hour frug lessons, absolutely free. |
01:02:27 |
Yes. Well, I'm Austin Schwartz-Marmaduke |
01:02:29 |
of the Schwartz-Marmaduke |
01:02:33 |
Well, you must have heard of |
01:02:35 |
Yes, next to the Frug Foundation. |
01:02:38 |
I don't want any frug lessons. |
01:02:40 |
Oh, but of course you do, dear lady. |
01:02:42 |
Well, just think how terrific you'll feel |
01:02:44 |
the next time you and |
01:02:47 |
how endlessly feminine you'll feel. |
01:02:49 |
My husband is dead. |
01:02:52 |
Oh. Well, that's too bad. |
01:02:55 |
- As a matter of fact... |
01:02:58 |
His death did nothing but |
01:03:02 |
He was a fool, a sadist, |
01:03:04 |
a functioning pathological pervert. |
01:03:07 |
You mean he actually... |
01:03:09 |
Oh, but I do. Oh, he was |
01:03:12 |
I mean, can a soul be atrocious? |
01:03:14 |
Well, I'd never... |
01:03:17 |
His was. |
01:03:19 |
He was a degenerate's degenerate. |
01:03:24 |
You won't believe this, Mr. Marmaduke, |
01:03:26 |
but he used to call me |
01:03:28 |
pretending to be other people. |
01:03:30 |
He actually thought it was funny. |
01:03:32 |
Well... |
01:03:35 |
Listen, I'm in a bar at Castle Beach, |
01:03:37 |
but I'm hiding from an idiot cop in |
01:03:45 |
You're right. That is funny! |
01:03:53 |
- Lew? |
01:03:56 |
- Lew? |
01:03:59 |
Kiss off. |
01:04:01 |
Oh, come on now. Don't hang up. |
01:04:04 |
What are you? You lost your sense of humor? |
01:04:14 |
- Okay, put them up. |
01:04:16 |
Your hands. |
01:04:18 |
I just couldn't. I mean, I really couldn't. |
01:04:20 |
- How'd you get here? |
01:04:22 |
- How did you know his name was Eddie? |
01:04:27 |
Why don't you kiss off? |
01:04:29 |
- The Sheriff told me to stay on the job. |
01:04:32 |
This bartender here told me that Eddie |
01:04:36 |
Yeah, well, I was trying |
01:04:39 |
- Pump. It's a gag. |
01:04:42 |
Now, why don't you tell |
01:04:43 |
Well, I found out that Eddie phoned |
01:04:48 |
Sampson was in Las Vegas three nights ago. |
01:04:51 |
It all fits. It all fits! |
01:04:53 |
Oh, yeah, it all fits. |
01:04:55 |
You know, you ought to stick around. |
01:04:58 |
This place is a hotbed of information. |
01:05:00 |
Oh, yeah, right here. |
01:05:04 |
Go ahead. |
01:07:02 |
What are you doing here? |
01:07:04 |
I got the call. I've been converted. |
01:07:07 |
Is there no end to your sacrilege? |
01:07:13 |
Stay right where you are, fella. |
01:07:17 |
Please. I don't want any trouble. |
01:07:22 |
I said please. |
01:07:25 |
Where's Sampson? |
01:07:40 |
Stay right there. |
01:07:42 |
Tell them to stay there! |
01:08:45 |
Well, well. Do get up, old stick. |
01:08:48 |
No, I kind of like it down here. |
01:08:52 |
Come, come, Mr. Harper. You |
01:08:59 |
I'm shocked, Mr. Troy. A man of your eminence |
01:09:03 |
involved in something as seamy |
01:09:06 |
Yeah, well, you are right, |
01:09:09 |
But it pays so well. |
01:09:10 |
You know, they are wonderfully cheap workers. |
01:09:12 |
And the poor idiots, they |
01:09:14 |
and then ranch owners and |
01:09:17 |
Disgustingly lucrative. |
01:09:19 |
But, as you suggest, hardly |
01:09:25 |
More important, Mr. Harper, at |
01:09:33 |
I'll pay you to let me go. |
01:09:36 |
Well, you're rather low on bargaining |
01:09:40 |
Not necessarily. Where's Sampson? |
01:09:42 |
Ralph Sampson? Well, dear |
01:09:44 |
And the 500,000? |
01:09:47 |
500,000 what? |
01:09:55 |
No more riddles, old stick. |
01:09:57 |
Your driver kidnapped Sampson two days ago. |
01:10:00 |
Eddie Rossiter? |
01:10:02 |
Tonight he picked up a half |
01:10:05 |
Well, he hasn't got the brains. |
01:10:07 |
Got enough brains to be |
01:10:10 |
Whoever killed him got the money. |
01:10:13 |
Well, I see, and that's |
01:10:16 |
You suspect me. |
01:10:17 |
I do if you drive a white convertible. |
01:10:25 |
Mr. Harper, I am surrounded |
01:10:29 |
Claude, we are leaving the temple. |
01:10:31 |
Collect our latest truckload. Take |
01:10:34 |
Get the cash, lose the truck. |
01:10:39 |
Puddler, was Betty at the club tonight? |
01:10:42 |
- No. |
01:10:44 |
The white convertible, yeah. |
01:10:45 |
Does she still live in the same place? |
01:10:47 |
No, she moved to a beach house |
01:10:50 |
- You know where it is? |
01:10:53 |
You take Mr. Harper to the usual place. |
01:11:02 |
Au revoir, Mr. Harper. |
01:11:10 |
Now, you make yourself at home, old stick. |
01:11:19 |
Now, you and me are gonna have |
01:11:24 |
You're not gonna cause me any problems. |
01:11:31 |
Leave it open. I need the air. You stink. |
01:11:35 |
Man, you got a bad mouth. |
01:11:38 |
You're rotten. I can smell you. |
01:11:49 |
You be a good boy. |
01:11:51 |
'Cause I can give you a lot |
01:11:55 |
- We both know what you're afraid of. |
01:12:01 |
You? |
01:12:14 |
You know, there's an old expression. |
01:12:17 |
You kill the body and the head dies. |
01:12:20 |
Did you ever hear that? |
01:12:37 |
How'd you like that, huh? Huh? |
01:12:42 |
Tell me about it. How'd you like that? |
01:12:43 |
You kill the body and the head dies, huh? |
01:12:44 |
You tell me about it, huh? |
01:12:46 |
Untie me and I'll tear your head off. |
01:12:49 |
Now I get it. |
01:12:51 |
You want me to untie you |
01:12:54 |
You can't trick me. |
01:12:55 |
You fish-eyed faggot. |
01:13:40 |
Harper! |
01:13:45 |
Harper! |
01:13:46 |
You ain't going nowhere. |
01:16:29 |
- Who is it? |
01:16:35 |
What do you want? |
01:16:41 |
Susan? |
01:16:50 |
But what happened? |
01:16:53 |
I'm cold. |
01:16:56 |
Why did you come here? |
01:16:58 |
- You know why. |
01:17:04 |
We're not going to get involved. |
01:17:10 |
We are involved. |
01:17:12 |
Were. We've been there. It didn't work. |
01:17:16 |
Help me, Susan. |
01:17:25 |
- Get out, Lew. |
01:17:27 |
- Now you do. What about later? |
01:17:30 |
No, you'll take off on whatever |
01:17:34 |
- I'm through. |
01:17:36 |
- No, I mean it. |
01:17:37 |
- I hate it. I'm done with it. |
01:17:39 |
I swear to you. |
01:17:40 |
You just want a warm body beside |
01:17:43 |
- Not anymore. |
01:17:46 |
- The hell you say. |
01:17:47 |
- Not when I'm like this. |
01:17:50 |
- Just a few kind words. |
01:17:54 |
Anything I can get. |
01:18:00 |
At least you're honest. |
01:18:20 |
- Let me get some... |
01:18:32 |
- I'm not even sure I like you. |
01:18:37 |
You used to carry me. |
01:18:39 |
That's when I was younger. |
01:19:20 |
I thought I threw out all your suits. |
01:19:25 |
You sure threw out all the shirts. |
01:19:27 |
And we were just gonna lounge around all day. |
01:19:30 |
I'll call you as soon as I can. |
01:19:33 |
Going back on it. |
01:19:37 |
And what you said last night. |
01:19:41 |
Forget what I said last night. |
01:19:44 |
Oh, sure. I understand. |
01:19:51 |
You're really ending things |
01:19:55 |
You know that? |
01:19:59 |
Why do you have to go back? Why? |
01:20:04 |
Can't you tell me? |
01:20:07 |
'Cause it's not over yet. |
01:20:13 |
All this food. I feel like such a fool. |
01:20:20 |
Our little wedding breakfast. |
01:20:23 |
Goodbye, Lew. |
01:20:26 |
Goodbye. |
01:20:31 |
Aren't you gonna wish me luck? |
01:20:43 |
Just an infinitely lingering disease. |
01:20:59 |
- Hello, Albert. |
01:21:02 |
Anything new on Sampson? |
01:21:03 |
No, but we know who the murdered man is. |
01:21:05 |
I copied down the high |
01:21:08 |
Name, Eddie Rossiter. Usual truancy stuff. |
01:21:10 |
Worked his way up to car thief. |
01:21:12 |
Boy, that's a colorful one. |
01:21:14 |
Then narcotics, arrested with sister |
01:21:18 |
- After he got out, he... |
01:21:20 |
- How are you, Beauty? |
01:21:25 |
- Where does he live? |
01:21:30 |
The Sheriff is a bit put |
01:21:32 |
He feels you haven't quite |
01:21:40 |
Okay. Where did you go after you left |
01:21:46 |
I was looking for Sampson. |
01:21:48 |
A half a million in cash missing, |
01:21:52 |
Wait a minute. You expect me |
01:21:54 |
Look, I don't care whether |
01:21:56 |
Baby, I'm not working for you. |
01:21:57 |
You know, if I wanted to be ugly, |
01:21:58 |
- I could put you away... |
01:22:01 |
- Does he know who he's talking to? |
01:22:03 |
A sheriff with a tough case on his hands |
01:22:05 |
and no ideas in his head. |
01:22:06 |
Well, if you'd come on like a human |
01:22:10 |
I might have given you a couple |
01:22:12 |
Put out a statewide alarm. |
01:22:14 |
And put her down for suspicion |
01:22:17 |
And you can put out another alarm |
01:22:19 |
and a religious nut named Claude, |
01:22:22 |
They've been using Sampson's |
01:22:24 |
and they just dropped a bunch |
01:22:26 |
Oh, and don't bother thanking me, |
01:22:30 |
doing his duty. |
01:22:35 |
- Are you sure of all that? |
01:22:37 |
- You better give King Kong a hand. |
01:22:40 |
I'm gonna crack this thing, |
01:22:42 |
It's gonna be laid out. |
01:23:34 |
- Lew, baby. |
01:23:38 |
Hey! What happened to you? |
01:23:40 |
She was a big girl. |
01:23:41 |
- You're a big jazz buff, aren't you? |
01:23:45 |
What can I do for you? |
01:23:47 |
You're very polite. |
01:23:48 |
What you really mean is what the |
01:23:50 |
Well, my shirt's not as neat as it might be |
01:23:52 |
and I thought I might borrow one from you. |
01:23:54 |
Help yourself. You want a beer? |
01:23:56 |
Yeah. |
01:23:57 |
Do you really believe that's why I came here? |
01:23:59 |
- Sure. |
01:24:03 |
'Cause what I'm trying to do is tie |
01:24:06 |
in on the kidnapping. |
01:24:10 |
Are you kidding? |
01:24:11 |
Hey, I don't know what you're on, |
01:24:14 |
Eddie Rossiter phoned you in Las Vegas. |
01:24:18 |
You told him when Sampson was coming to LA. |
01:24:19 |
You probably told him to rent a limousine. |
01:24:22 |
And the next day you got Sampson |
01:24:26 |
And when he phoned the |
01:24:29 |
and phoned for Eddie to pick him up instead. |
01:24:34 |
The canceled call's important, buddy, |
01:24:36 |
'cause you're the only one who knew |
01:24:42 |
Go ahead. |
01:24:43 |
Give me your Sampson imitation. |
01:24:48 |
Lew, I'm on your side. |
01:24:52 |
You did, temporarily, to |
01:24:55 |
It worked, too. |
01:24:57 |
When you took a potshot at that |
01:25:00 |
But what you were really doing |
01:25:05 |
Are you saying all this because |
01:25:07 |
You know, there's hundreds of |
01:25:10 |
First day I met you, you |
01:25:13 |
Is that it? |
01:25:14 |
I don't even know her. I never |
01:25:17 |
Were you seen a lot together? I can check. |
01:25:19 |
Well, so check. |
01:25:20 |
I mean, look. Sure, I been to |
01:25:22 |
Just to hear her. I dig the way she |
01:25:29 |
I don't. Honestly. |
01:25:39 |
Okay, kid, I believe you. |
01:25:43 |
Oh, this mess has got me crawling up |
01:25:46 |
But I had to pressure you, you understand? |
01:25:48 |
Sure. |
01:25:53 |
I mean, just for starters, the... |
01:25:55 |
You know, the idea of you |
01:25:59 |
I know a little something about human nature, |
01:26:02 |
and you two just don't cut |
01:26:06 |
- This one okay? |
01:26:13 |
She's a perverted, no-talent junkie. |
01:26:17 |
A prime nympho, on top of that. |
01:26:20 |
Night I was there, she was |
01:26:23 |
Not just me, but everybody in |
01:26:26 |
She's a blemish come to life, that one. |
01:26:29 |
Can you believe that something |
01:26:32 |
You know, if we had the right contacts, |
01:26:35 |
Book her into all the best freak shows. |
01:26:37 |
'Course, we'd only let her be seen at night. |
01:26:39 |
We wouldn't wanna have little |
01:26:42 |
I've seen pigs in my day, but... |
01:26:46 |
Can you imagine what it'd be |
01:26:50 |
Like cozying up to a piece of fungus. |
01:26:56 |
That's the first chick I ever met |
01:26:59 |
They ought to truck her back to the... |
01:27:12 |
You can be very cruel, you know that? |
01:27:16 |
What Betty and I have together, |
01:27:19 |
But that doesn't give you |
01:27:22 |
If you think she's Aphrodite, |
01:27:25 |
All I want is Sampson, if he's still alive. |
01:27:28 |
He is, so far. |
01:27:30 |
Then give him to me. |
01:27:32 |
Take the money. I won't talk, I mean it. |
01:27:35 |
But killing me gets you nothing. |
01:27:38 |
Wrong, baby. |
01:27:40 |
It guarantees me freedom of action. |
01:27:42 |
In this state, it |
01:27:45 |
What kind of freedom are you gonna have, |
01:27:48 |
Nobody's running. |
01:27:50 |
We'll be sitting very happily at Castle Beach |
01:27:52 |
in our lovely little cottage by the sea |
01:27:54 |
while everybody thinks we're running. |
01:27:55 |
You can have your lousy little |
01:28:05 |
Top of the morning. |
01:28:40 |
He was in on the kidnapping, |
01:28:43 |
She was in love with him. |
01:28:45 |
Do you know that I almost stopped off |
01:28:52 |
How could you get caught like that? |
01:28:56 |
Well, I guess I hoped he wasn't involved. |
01:29:00 |
You better get the Sheriff in |
01:29:15 |
Come on. |
01:29:43 |
I wonder how Miranda's gonna take that. |
01:29:44 |
Well, there's a strong chance she |
01:29:48 |
- And I'm wondering if... |
01:29:51 |
Well, I know it isn't strictly |
01:29:53 |
You got a big nerve, asking favors like that. |
01:29:55 |
What have you done for me lately? |
01:30:09 |
Miss Sampson? |
01:30:12 |
I've got some moderately good news for you. |
01:30:14 |
We have reason to believe |
01:30:17 |
How do you know? |
01:30:18 |
I just spoke to one of the |
01:30:20 |
His name was Allan Taggert. |
01:30:23 |
You killed him? |
01:30:24 |
He was trying to kill me. Albert got him. |
01:30:30 |
Allan was so beautiful. |
01:30:32 |
Typecast for the hero. |
01:30:33 |
You keep getting fooled by appearances. |
01:30:42 |
Go ahead, let it out. |
01:30:44 |
Why don't you shut up? |
01:30:47 |
Fooled by appearances? |
01:30:51 |
I'm the grieving daughter, right? |
01:30:53 |
Not right. I don't give |
01:30:58 |
I never did. |
01:30:59 |
He's a terrible man, and |
01:31:03 |
Yesterday, when the note came, I |
01:31:08 |
and that means I'm just like my stepmother. |
01:31:12 |
So I thought, "You'd better |
01:31:14 |
"before everyone discovers what |
01:31:20 |
Albert. |
01:31:25 |
Do you think I'm horrid, Albert? |
01:31:27 |
Horrid? |
01:31:29 |
Why, no, no! |
01:31:33 |
What? Certainly not. |
01:31:42 |
What? Quite the contrary. |
01:32:01 |
- Hey. Castle Beach, right? |
01:32:04 |
Got a road that runs down by the ocean? |
01:32:07 |
Yes, sir. You house-hunting? |
01:32:09 |
More or less. |
01:32:10 |
Well, you go down here and you |
01:32:14 |
and go down to the ocean, |
01:32:16 |
and it starts right there |
01:32:18 |
Thanks. |
01:33:29 |
No! Oh, no! |
01:33:34 |
No! No! No! |
01:33:36 |
Oh, God! Oh, God! Oh... |
01:33:43 |
Betty, honey, |
01:33:46 |
I simply cannot fathom |
01:33:50 |
Betty, tell him. Please tell him. |
01:33:53 |
You and Eddie. Very devious, |
01:34:02 |
You know by now, along with my friends here, |
01:34:05 |
that I enjoy inflicting pain. |
01:34:10 |
As well as I know that you |
01:34:13 |
So now I think the sensible thing for you |
01:34:15 |
would just be to tell me where the money is. |
01:34:22 |
No? |
01:34:24 |
Well, then, I must warn |
01:34:29 |
is gorgeously unendurable. |
01:35:08 |
The locker in the frozen meat place. |
01:35:12 |
The key's in that black shell. |
01:35:18 |
Thank you very kindly, Betty. |
01:35:37 |
You killed him in cold blood! |
01:35:39 |
If you don't stop yelling, |
01:35:57 |
You remember this, don't you, buddy boy? |
01:36:00 |
See this? |
01:36:07 |
I'll give you everything. I'll |
01:36:09 |
- It's a rich choice. I'll take your shoes. |
01:36:12 |
All right! I'll give you... |
01:36:17 |
- Look. Get in there. |
01:36:25 |
Can you walk? |
01:36:27 |
Maybe. |
01:36:30 |
You're coming with me. |
01:36:45 |
Fay'll get out. |
01:36:47 |
What, a fat, barefoot |
01:36:52 |
I'm still looking for Sampson. Where is he? |
01:36:56 |
I'll tell you what I think. |
01:36:59 |
You got the key to the locker, |
01:37:06 |
But I know where Sampson is, |
01:37:08 |
and that's gonna buy me my |
01:37:13 |
Right? |
01:37:15 |
Well, the happiness market's crashed, baby. |
01:37:19 |
Taggert's dead. |
01:37:25 |
Now, where is Sampson? |
01:37:28 |
You're just trying to get me to talk. |
01:37:30 |
You're right. I'm trying to get you to talk. |
01:37:33 |
But I'm not lying about Taggert. |
01:37:36 |
He's dead. |
01:37:45 |
Now, you recognize his gun, don't you? |
01:37:53 |
The far side of Santa Theresa. |
01:37:56 |
The old section of the pier. |
01:38:01 |
Sampson's in the first |
01:38:11 |
Just rest your feet, |
01:38:32 |
Albert? Put on your skates, buddy boy. Yeah. |
01:38:38 |
The old pier. He's in an abandoned |
01:38:42 |
- You got that? |
01:38:43 |
- Think you'll be able to find it? |
01:38:47 |
All right. Oh, listen, you |
01:38:49 |
Yeah. Have him go down to |
01:38:52 |
A lovely little cottage down there |
01:38:55 |
Yeah, that's on the outside. |
01:38:57 |
On the inside there's a couple of guys |
01:38:58 |
that are pretty badly chewed up. |
01:38:59 |
Better get down there with an ambulance. |
01:39:01 |
Yeah, well, listen, buddy, with a little |
01:39:05 |
- What? |
01:39:30 |
- Did you kill Allan? |
01:39:34 |
He was trying to kill me. |
01:39:37 |
Don't I wish he had! |
01:39:41 |
You know, I could feel a lot of sympathy |
01:39:42 |
for someone as tenderhearted as you, Betty, |
01:39:45 |
except I keep remembering that |
01:39:47 |
- Shot him in the head. |
01:39:52 |
I brought him up. |
01:39:55 |
I taught him about music, and |
01:40:01 |
Narcotics? |
01:40:02 |
He fingered me as a user. |
01:40:06 |
Eddie never knew I knew he fingered me, |
01:40:10 |
but I always swore I'd get him. |
01:40:14 |
I got him. |
01:40:17 |
You sucked Taggert in 'cause you needed |
01:40:20 |
No. No, we loved each other. We cared. |
01:40:26 |
Allan and me, we... |
01:40:27 |
We needed money so we could be together. |
01:40:32 |
Hell, I don't buy love's old |
01:40:35 |
Yeah, well, it's true. |
01:40:37 |
You're jealous. |
01:40:39 |
Everybody was jealous of Allan and me. |
01:40:45 |
Were you there when he died? |
01:40:49 |
I bet he died... |
01:40:53 |
Oh, I bet his last words were about me. |
01:40:59 |
I bet he died saying my name. |
01:41:03 |
Tell me |
01:41:05 |
the truth now. |
01:41:08 |
Tell me. |
01:41:10 |
Yeah, you're right. I am |
01:41:14 |
Don't you think I knew that? |
01:42:46 |
Mr. Sampson? |
01:43:06 |
Albert? Albert? |
01:43:11 |
Lew? Lew, it's me. |
01:43:15 |
Lew? |
01:43:18 |
Lew, it's Albert. |
01:43:25 |
- What happened? |
01:43:28 |
- You gonna be all right? |
01:43:31 |
Somebody must have been |
01:43:34 |
He really suckered me. |
01:43:35 |
- What kept you? |
01:43:38 |
I couldn't find this silly tug. |
01:43:40 |
I been in one boat after another. |
01:43:42 |
I was looking for your car. I'm sorry, Lew. |
01:43:45 |
- You mean it's not there now? |
01:43:47 |
I didn't see it, anyway. |
01:43:49 |
Well, the guy that mugged |
01:43:51 |
He just hotwired the ignition |
01:43:56 |
But I wonder if they took off with Sampson. |
01:44:00 |
We better check everything. Come on. |
01:44:07 |
You wanna check down there? |
01:44:35 |
- That's Sampson, isn't it? |
01:44:39 |
Well, you did all you could, Lew. |
01:44:41 |
No, if you did all you could and you did |
01:44:48 |
- Give me your car key. |
01:44:51 |
- After Betty Fraley. |
01:44:54 |
Well, he cops will want |
01:44:56 |
Come on. Move it! Move it! |
01:45:02 |
How do you know which way she went? |
01:45:04 |
I know the ransom money's in a |
01:45:07 |
Well, then, why are we |
01:45:09 |
She'll want to get as far |
01:45:12 |
'cause I got the key to the locker. |
01:45:15 |
Well, if we catch her on this |
01:45:17 |
I haven't changed spark plugs |
01:45:20 |
I'll catch her. |
01:47:19 |
13-A2. |
01:47:21 |
It was pretty bad. |
01:47:24 |
Found him this afternoon, Mrs. Sampson. |
01:47:26 |
Albert was there. He identified him. |
01:47:29 |
Well, I'm sorry, Mrs. Sampson, |
01:47:32 |
but your husband is dead. |
01:47:35 |
Oh, that's terrible. Terrible! |
01:47:42 |
Ralph! |
01:47:44 |
Yeah, well, listen, you better tell |
01:47:49 |
But Ralph didn't have an enemy in the world. |
01:47:53 |
He was such a good man. |
01:47:56 |
Gentle, kind, |
01:47:59 |
wouldn't hurt a fly. |
01:48:05 |
Hang this up, will you? |
01:48:07 |
Miranda! |
01:48:09 |
Miranda! |
01:48:14 |
Mommy has something to tell you. |
01:48:18 |
All units in the vicinity of 57th |
01:48:22 |
All units in the vicinity of 57 |
01:48:26 |
Where to now? |
01:48:28 |
- 311, handle a call, Code 3. |
01:49:21 |
Where now? |
01:49:23 |
The grieving widow. |
01:49:26 |
Sheriff Spanner seemed very confident |
01:49:32 |
What? I'm sorry. I wasn't listening. |
01:49:33 |
The fourth man. The one |
01:49:36 |
Spanner says there's a waiter at The Piano. |
01:49:40 |
He hasn't showed up for a |
01:49:43 |
He's the fourth man, the albino. |
01:49:45 |
Spanner says he won't be hard to find. |
01:49:48 |
What fourth man? |
01:49:52 |
You're the fourth man, fink. |
01:49:57 |
You think I kidnapped Sampson? |
01:50:00 |
No, but you killed him. |
01:50:02 |
What do you think was killing |
01:50:06 |
Wasn't any fourth man, Albert. |
01:50:08 |
She took off in that car by |
01:50:12 |
No strain to her. She was taught |
01:50:16 |
Oh, well, who cares? Who cares? |
01:50:22 |
This is what nailed you. Really nailed you. |
01:50:26 |
You think a member of a |
01:50:30 |
and then with $500,000 at stake, |
01:50:34 |
And Betty wouldn't tell him? |
01:50:38 |
No, you killed him, Albert, |
01:50:42 |
But what I don't know is why. |
01:50:44 |
As a lawyer, I have to caution you |
01:50:47 |
Well, proving it's not my job. |
01:50:48 |
- I'll be perfectly safe in a court of law. |
01:50:52 |
Just a couple of buddies |
01:50:54 |
discussing the events of the day. |
01:50:58 |
Only don't lie to me, Albert. I |
01:51:02 |
Okay? |
01:51:06 |
Come on. |
01:51:11 |
I don't know why, actually. |
01:51:18 |
I hadn't intended to. Nothing premeditated. |
01:51:24 |
But when I found him |
01:51:27 |
and was faced with the |
01:51:32 |
it just suddenly seemed |
01:51:37 |
When it came to cruelty, he |
01:51:40 |
With anybody. |
01:51:42 |
His wife, daughter, stranger in the street. |
01:51:48 |
When he found out how I felt about |
01:51:52 |
But he never would have let me |
01:51:58 |
Just laughs for the client, |
01:52:05 |
And then today, when she |
01:52:08 |
and I felt the texture of her skin... |
01:52:15 |
Perhaps I killed him |
01:52:19 |
But I do know that his passing will |
01:52:25 |
You gonna turn me in? |
01:52:27 |
- Got no other choice, buddy boy. |
01:52:31 |
Got a better friend than me? |
01:52:34 |
I haven't got many friends, |
01:52:37 |
He was scum, Lew. I swear it. |
01:52:40 |
Well, you know, when we first met, |
01:52:44 |
you were gonna push your way |
01:52:48 |
of this great and powerful |
01:52:51 |
That was a pretty nasty and |
01:52:57 |
Do governor-type people do that today? |
01:53:00 |
Jeez, makes you stop and wonder. |
01:53:03 |
And you were going to push your way up |
01:53:06 |
that the great and powerful |
01:53:12 |
How does it feel to be popping your |
01:53:17 |
spying on the cheaters? |
01:53:19 |
Yeah, well... |
01:53:22 |
Things just don't turn out |
01:53:25 |
You were hired by a bitch to find scum. |
01:53:28 |
Yeah, and every time I hope |
01:53:32 |
sending me out to scout out Cinderella. |
01:53:36 |
Oh, yeah. |
01:53:39 |
Boy, I had a total of about eight |
01:53:44 |
But then I had five or six good weeks. |
01:53:47 |
Let me tell you something. |
01:53:49 |
I mean, it's something |
01:53:51 |
and Susan sure as hell won't, |
01:53:55 |
but those five or six |
01:54:01 |
So all I can do, Albert, |
01:54:04 |
all the way down the line. |
01:54:07 |
Well, I understand why |
01:54:10 |
Do you understand why I can't let you? |
01:54:12 |
Oh, yeah. You still got the gun? |
01:54:17 |
Well, then, you better use |
01:54:30 |
Well, the way I feel now, if |
01:54:32 |
it won't be the worst thing |
01:54:39 |
So long, Albert. |
01:55:08 |
Oh, hell. |
01:55:11 |
Oh, hell. |
01:55:53 |
English |