Alibi The Lies and Alibis
|
00:00:44 |
OK, recent studies |
00:00:46 |
one in four men |
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And one in ten women, |
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Ray, I will explain. |
00:01:04 |
Hey man, I'm so sorry... |
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Now that's aweful. |
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I know this must look bad, |
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- You, stop talking now. |
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Dorothy, you see |
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He works for your husband. |
00:01:25 |
But then I realized, |
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imagine how much more impressive |
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if people thought they could |
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Here put these up |
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Two minutes, out the door. |
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You, ten minutes after that, |
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half a mile down the road |
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call a cab. |
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Cynical? |
00:01:47 |
My former partner, |
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taught me, our job in life |
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and desires of our fellow men |
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is to profit upon them. |
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And well, some might see this |
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I say business is good. |
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- Ray |
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Do me a favour, will you? |
00:02:09 |
Double check the receipts |
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I'm super sorry about the other night, Ray. |
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It's not good enough, Vic. |
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That's the third time |
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Ray, we deed three dollars for |
00:02:20 |
That is two months severance. |
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You need any contacts, |
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We've got some issues with |
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Give it to Walter. |
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Do you want to sign off |
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Track me down this afternoon. |
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Ray I need approval on the travel account. |
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I did it, it's on your desk. |
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- Ray, this OK? |
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New client? |
00:02:38 |
Your eleven o'clock. you said you wanted |
00:02:48 |
Don't let the twins fool you. |
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They may look affectionate, but they're |
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They also like to breed |
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You can call me Lola. |
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- OK, let's go by |
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Benjamin's root canal is going over. |
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Also Peter Miller's pass code |
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And I will talk to you |
00:03:09 |
So Lola, do you have any lunch plans? |
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You worked under Randall Pual. |
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I was one of seventeen Jr. VPs in out division |
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specializing interest derivatives, |
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plus a little P/L analyses |
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- Sounds... |
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And just a point of clarification, |
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never under them. |
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And what would you say |
00:03:39 |
- My patience. |
00:03:42 |
So, how close to the street are you? |
00:03:45 |
Your shoes. Very fashionable |
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about five or six years ago. |
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You look like a woman who would care. |
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- Do you wanna talk about it? |
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I had banked some stock options from |
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and decided to seek enlightenment |
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I would have guessed Tibet... |
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I'm old school. |
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Can I ask you a question? |
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What exactly do you do? |
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Well this is a surprise. |
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- Putty. Good to see you. |
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Fucking good. |
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Getting any work? |
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I'm Retired. |
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I banked some stock options |
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then decided to seek enlightenment in Tibet... |
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The Holy land, huh? No shit. |
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Ray |
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I hear Jack's back on the radar. |
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Well, I wouldn't know about that. |
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No? Don't keep in touch with your old boss? |
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You guys were like...Batman and Robin. |
00:04:43 |
Without the capes, of course. |
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I hear he was seen at the airport |
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he's hiding out in a bangalow |
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Yeah, I heard it was a villa in Sweden. |
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I wouldn't put too much stock in idle gossip. |
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Nothing idle about a 5 million dollar |
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Excuse me, Sir? |
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I was looking for some good guys. |
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Ma'am |
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Fuck are you looking at? |
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That was interesting, little creepy. |
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- So what can you tell me about him? |
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I'd say high school graduate, |
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possibly a missionary or insurance salesman |
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although with obvious connections |
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Okay, what else? |
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So you know this, or you've heard this? |
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I know that Jack McCadden |
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out of 15 million dollars. |
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Yeah that's the legend. |
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What about this Ray fellow? |
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He was always just the frontman |
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Jack disappeared with Ray's cut |
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A Sultan? |
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- Language Bobo. |
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- And would you say he is... |
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Divorced. |
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If there were a woman's life |
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she'd make him a babe |
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Excuse me. |
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So is this Sultan still want Jack bit? |
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What I hear, 5 million open contract |
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5 million's a lot of money. |
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To clip a gifter, it certainly is. |
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OK, where is he now? |
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No no no, I will take it. |
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So, when can you start? |
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You asked me two questions |
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Ah, three. |
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I have sense about people. |
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Now. |
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Seems like our new friend Ray |
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I don't know if Ray is still in touch. |
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He's handsome. |
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I think he's found religion. |
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What good is it for man to have faith, |
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Con men don't reform. |
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They simply find better angles. |
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OK What do we do? We're a risk management firm. |
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- Which means? |
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How do you do that? |
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We grease the way |
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People who cheat get caught because, A they want to, |
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or B they're found somewhere they said they weren't. |
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Goodmorning Jay Z Incorporated? |
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Mr Williams is in meeting right now, |
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We create a false reality, |
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where they're supposed to be. |
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Adams and Randalph. |
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Mr North? Let me check. |
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I'm sorry, your wife |
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I will try it when she gets off. |
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Fifth precinct. |
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Sykes? |
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I can try him on his walkie if it's an emergency. |
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So you help men cheat on their wives? |
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And wives cheat on their husbands. |
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We're an equal opportunity employer. |
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You're a professional liar. |
00:08:01 |
Lies are the great foundation |
00:08:04 |
'Great outfit, honey.' |
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And my personal favorite, |
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But that's just being polite. |
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Fact is your average relationship |
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if people told the truth. |
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We just help maintain the illusion. |
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Mom's happy, Dad's happy |
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and the kids don't have to |
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So this is all for the children, then? |
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Families don't break up because of infidelity, |
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Thank you. |
00:08:30 |
They break up because someone get caught. |
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Let me guess, |
00:08:33 |
You're just a hard-working child |
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trying to save others |
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I just see people for the well dressed, |
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Mate, eat, sleep and mate some more, |
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But you can't really believe that. |
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Not everyone operate |
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A man is as faithful as his opportunities. |
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Perfect example. |
00:08:59 |
They got back together |
00:09:00 |
When was that, about a year ago? |
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Yeah, How did you know that? |
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He just bought us lunch. |
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Are you ready? |
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I'll let you know. |
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You dare defy your emperor! |
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Robert? Lobby, two minutes. |
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And you might want to |
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Morning? |
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You ever consider a more traditional line of work? |
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Insurance? Sales? |
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Making money's easy. |
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Keeping yourself interested |
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OK here's the situation. |
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In a few seconds, |
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steaming through that door |
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and raise Mary hell till |
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Inside this is |
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You can be anyone you want to be |
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I need two thousand a week, |
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plus all the regular holidays. |
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We tend to work holidays, |
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we've got great dental |
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What's going on here, Ray? |
00:10:14 |
- Hey how ya doing there? |
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That comes with a co-pay. |
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OK, the objective |
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from this situation |
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Ray... |
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Son of a bitch... |
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- Holy shit. |
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I give you the best years of my life |
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and you go and throw it away |
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I don't know who you think |
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but no one speaks to me like that. |
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I can't work like this, Mr. Hatch. |
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We are Rogette's jewelers, |
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Diamonds? |
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To my dearest on this special day. |
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Much love. |
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But why are you meeting here? |
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Our office is in New york, so |
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Mr. Hatch has been flying in |
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to work on the design |
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Robert... |
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Do you like it? |
00:11:18 |
Robert... |
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I think this concludes our business, Mr Hatch. |
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So if I want to examine some other items |
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how could we arrange that? |
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I can have a catalogue |
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You didn't tell her? |
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Robert! |
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- We need to go to Rodeo Drive, Hannibal. |
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Mr. Hatch needs new swim togs. |
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And in the future, |
00:12:02 |
I was in the moment. |
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I'll also need a cell phone. |
00:12:07 |
And moment or not, you didn't |
00:12:11 |
We both know he had it coming. |
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Company car? |
00:12:16 |
I guess anyone can get away |
00:12:18 |
No we don't alibi crimes, |
00:12:20 |
I will not be an instrument |
00:12:23 |
- Beyond that... |
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It's all smoke and mirrors. |
00:12:29 |
So how rich do people |
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We give discounts to cops, plumbers, |
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Nice to give something back |
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If it makes you feel better, |
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but then they go back a little wiser |
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Anything else? |
00:12:44 |
Overtime, dress code? |
00:12:46 |
Yes, for both. |
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Do we have a deal? |
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If I'm there for more than a year, |
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OK on one condition. |
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Don't slap the spouse. |
00:12:57 |
Don't micromanage. |
00:13:02 |
Profit sharing? |
00:13:04 |
Perhaps that was a bit much. |
00:13:06 |
But I was temporarily seduced |
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attention to detail. |
00:13:15 |
You see my current line of work |
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planning for every conceivable contingency |
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Accounting for every detail. |
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Every nuance, and every possible mistake. |
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I know exactly where he is. |
00:13:27 |
Why? |
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Because I commit the one unpardonable sin. |
00:13:30 |
The one my old partner Jack |
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I'm forced, on a daily basis |
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to rely on the intelligence of others |
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Ten days, Ray. |
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Ten days I had sleep with my wife. |
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Break the rules, these thing happen. |
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By the way, you'll be |
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You gave her with a real one |
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I've already billed your account. |
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You realize I actually had to... |
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I shudder just thinking about it. |
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You could always leave her, Robert. |
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Hey I'd leave, I'd leave in a heartbeat, |
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it's no secret the money's |
00:14:03 |
I leave, I'm ruined you know that. |
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We all have our crosses to bear, right? |
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Those damned matches. |
00:14:11 |
I just keep losing my lighters. |
00:14:13 |
Nothing from your liaisons |
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on your breath or on your skin. |
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Robert? you've already met Lola. |
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My son's getting married next month. |
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Good girl from a good family. |
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But you know the Hatch men... |
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You know, we always have |
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that my grandfather, my father, me |
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Amazing. |
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So, where's he not supposed |
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and who's he not supposed |
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Ray, I'd appreciate it if you handled this yourself. |
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Robert, apart for |
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I do very little fieldwork |
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You're my last personal client. |
00:15:00 |
Yeah but I was your first client. |
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Think of it as a wedding present |
00:15:06 |
One you get to bill for. |
00:15:11 |
OK? |
00:15:14 |
OK. |
00:15:16 |
Don't let the Hatch thing bother you. |
00:15:20 |
So that man was your first client? |
00:15:23 |
That man's libido paid the rent |
00:15:26 |
What? No start-up help |
00:15:29 |
No. |
00:15:31 |
He sounds like quite the character. |
00:15:33 |
International man of intrigue. |
00:15:37 |
How long did you two date? |
00:15:38 |
Okay, Jack is not a topic I care to discuss. |
00:15:42 |
Bad break up? |
00:15:44 |
Drop it. |
00:15:48 |
Dropped. |
00:15:52 |
She wants a friar to marry us. |
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A fucking friar, like what am I, Robin Hood? |
00:16:02 |
Look, don't get me wrong. |
00:16:06 |
Shit. "Til death do us part?' |
00:16:08 |
Men aren't wired to be monogamous. |
00:16:11 |
You know, we gotta spread the seed. |
00:16:17 |
Your father tells me |
00:16:20 |
That's terrible, right? I'm a terrible person. |
00:16:22 |
I don't know you, Wendell. |
00:16:25 |
Yeah, I guess you're right. |
00:16:27 |
- Alright, so this girl, do I tell you her name? |
00:16:30 |
Alright, she wants to go to |
00:16:32 |
Are Click and Clack going too? |
00:16:35 |
What? |
00:16:37 |
No dude. Just me and her. |
00:16:41 |
OK. There's a brokers' convention |
00:16:45 |
I'll book you a room |
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and reserve a flight |
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OK. |
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Then I will book a room in Santa Barbara under my name |
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and give you a credit card to use while you're up there. |
00:17:00 |
Friday, you go to Santa Barbara |
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where I check into your room |
00:17:08 |
I have dinner, make phone calls. |
00:17:10 |
In short, you become me |
00:17:15 |
Temporarily. |
00:17:17 |
And when Sandy tries to call me? |
00:17:18 |
We intercept all the calls. |
00:17:21 |
If there's an emergency |
00:17:23 |
and I will contact you. |
00:17:26 |
Shit. |
00:17:29 |
Dude, do you have a card? |
00:17:31 |
I don't. |
00:17:33 |
Anything else? No, I'm good. |
00:17:36 |
Good. |
00:17:41 |
Wendell. |
00:17:43 |
In the future, don't make me do this |
00:17:47 |
It's kind of tacky... |
00:17:48 |
and it'll get you caught. Guaranteed. |
00:17:55 |
It'd be easy for a man in my line of work |
00:17:58 |
cynical on the subject of relationships |
00:18:00 |
So what's in San Francisco? |
00:18:02 |
It's business. |
00:18:04 |
What's her name? |
00:18:07 |
Lola, I prefer to keep my work life |
00:18:10 |
- It keeps things simple. |
00:18:13 |
Boring is safe. |
00:18:14 |
And safe is for old people. |
00:18:16 |
This is fun, want to keep going? |
00:18:17 |
I got a plane to catch. |
00:18:23 |
Have a good weekend? |
00:18:24 |
But you see, romance is my greatest ally. |
00:18:29 |
That makes people vulnerable. |
00:18:34 |
You sure, you didn't tell anyone? |
00:18:35 |
In short, perfect clients. |
00:18:37 |
We've been over this a thousand times. |
00:18:39 |
What did you tell your boyfriend? |
00:18:41 |
That I'm visiting my mom. |
00:18:43 |
Trust me, he's an idiot. |
00:18:46 |
So after the wedding, |
00:18:50 |
I don't know we might have to |
00:18:53 |
Oh shit, does your boyfriend |
00:18:56 |
No. |
00:18:58 |
Will you calm down? |
00:19:06 |
Did you ever get a blow job |
00:19:09 |
We're only going sixty. |
00:19:12 |
Then you better step on it. |
00:19:27 |
Hey, hey. |
00:19:28 |
One second! |
00:19:30 |
You've got about ten seconds |
00:19:32 |
and fuck you right here |
00:19:33 |
Can't wait to do that. |
00:19:35 |
Now, what can I do for you |
00:19:38 |
We have a room booked. |
00:19:49 |
Hi. Wendell Hatch, arrogant prick. |
00:19:54 |
Wendell |
00:20:05 |
Hi Wendell Hatch, good to meet you. |
00:20:07 |
Hi Wendell. |
00:20:09 |
Hello. |
00:20:23 |
You son of a bitch. |
00:20:25 |
Takes one to know one, Mr. Williams. |
00:20:27 |
Good to see you. |
00:20:28 |
God, didn't we have a hell |
00:20:31 |
My liver's still not talking to me. |
00:20:33 |
They forget to print you a name tag? |
00:20:35 |
That's what you get for pre-registering. |
00:20:38 |
Say Michael, you ever talk to |
00:20:41 |
What was his name, |
00:20:43 |
No I was hoping you could tell me |
00:20:44 |
I got so much loose change |
00:20:46 |
Now I can't get the bastard on the phone. |
00:20:49 |
So you know what Jack used to say |
00:20:52 |
I know what it means. |
00:20:54 |
Come on I want you to |
00:20:56 |
Come on. |
00:22:14 |
Oh my god. |
00:22:18 |
Oh my god. |
00:22:24 |
That was amazing. |
00:22:29 |
All tingling. |
00:22:31 |
Hello. |
00:22:34 |
Hey, sugar, |
00:22:36 |
how's work going? |
00:22:40 |
Nope, just hanging out with my sister. |
00:22:45 |
You want to say hi? |
00:22:47 |
Hang on... |
00:22:55 |
Sorry, Babe, she's in the bathroom. |
00:22:59 |
Yeah, me too. |
00:23:03 |
Study hard. |
00:23:08 |
What are you doing? |
00:23:11 |
Have you... |
00:23:12 |
Now, while we let the little |
00:23:14 |
it's my turn. |
00:23:16 |
OK, now what... |
00:23:21 |
- You could have scratched me. |
00:23:25 |
Okay. But what if I hurt you? |
00:23:28 |
Yes, please. |
00:23:32 |
Fine, the safety word is 'gum' |
00:23:38 |
Okay. |
00:24:01 |
- Hello? |
00:24:04 |
Who is this? |
00:24:05 |
I think she's dead, Ray. |
00:24:07 |
I don't...she's not waking up. |
00:24:10 |
- Wendell? |
00:24:12 |
Okay Wendell, get a hold of yourself. |
00:24:14 |
She, you know, she liked it rough. |
00:24:17 |
I just, I thought I was... |
00:24:19 |
She didn't say 'gum' Ray |
00:24:21 |
I was listening, she never said 'gum'! |
00:24:22 |
Wendell, did you check her pulse? |
00:24:23 |
She's blue. That's not normal, right? |
00:24:25 |
Listen to me. Check her pulse. |
00:24:27 |
I gotta get out of here. |
00:24:29 |
Now Wendell, you must not leave the room. |
00:24:31 |
You need to call an ambulance. |
00:24:33 |
I can't go to jail |
00:24:36 |
If I fucking call an ambulance. |
00:24:37 |
This whole thing comes out, |
00:24:39 |
You, your business, my father, |
00:24:42 |
- You gonna be ruined. |
00:24:45 |
Bull-shit. you work for me, goddamn it |
00:24:48 |
It doesn't work like that Wendell? |
00:24:53 |
You gotta help me please. |
00:24:57 |
Please don't make me beg, man. |
00:25:02 |
Please help me. |
00:25:04 |
Okay I'll call you back in five minutes. |
00:25:10 |
Bobo, get increase on your money. |
00:25:14 |
Just little bit. |
00:25:16 |
Putty. |
00:25:19 |
Hello? |
00:25:21 |
Hello? |
00:25:23 |
Hey Putty, it's Ray. |
00:25:26 |
You up for |
00:25:32 |
Ray? |
00:25:33 |
Someone's coming to solve this out. |
00:25:35 |
Oh Jesus Christ, |
00:25:38 |
Now Wendell, this is very important, |
00:25:42 |
Okay. |
00:25:42 |
When he gets there, do NOT give him |
00:25:50 |
I'm Wendell. I mean Pete. |
00:25:53 |
Hey Wendell. |
00:25:56 |
- She come with the room? |
00:25:59 |
Did the dead girl come with the room |
00:26:01 |
- or did you bring her here yourself? |
00:26:05 |
- Usually is. |
00:26:10 |
I doubt that. |
00:26:24 |
So no one saw you moved the body? |
00:26:26 |
No. |
00:26:29 |
Wendell. Wendell, look at me. |
00:26:31 |
Did anybody know you were |
00:26:34 |
No. I mean, the guys knew I was going, |
00:26:37 |
Is anyone likey come looking for her? |
00:26:44 |
She has a Mexican. |
00:26:47 |
She has a boyfriend who is Mexican |
00:26:49 |
He is a Hispanic-American, |
00:26:51 |
but he would fucking |
00:26:54 |
The guy at the bed and breakfast saw me. |
00:26:56 |
- You know this was all her idea. |
00:27:00 |
Did you have any idea? |
00:27:04 |
I'm sorry, believe me. |
00:27:09 |
Look, the good thing is |
00:27:13 |
Not mine, so technically |
00:27:20 |
You're not gonna tell my dad, are you? |
00:27:24 |
Give me my credit card. |
00:27:31 |
Okay get moving |
00:27:34 |
And don't, ever ever |
00:27:49 |
Hello, is this the number for reporting |
00:27:56 |
Yeah. |
00:27:57 |
Ray Elliott. |
00:28:18 |
Hello. |
00:28:50 |
I know what you are thinking |
00:28:52 |
but a deal is a deal. |
00:29:22 |
Darling, you should really try |
00:29:30 |
Come on in. |
00:29:31 |
Sorry to interrupt. Are you busy? |
00:29:34 |
Yes, Ray, I was having a glamour night. |
00:29:38 |
I'm goint to... |
00:29:40 |
I'm going to tell you something |
00:29:44 |
Well, we all know how good I am at that. |
00:29:47 |
We slept together last night. |
00:29:52 |
Did I like it? |
00:29:53 |
I said no questions, remember? |
00:29:57 |
- Did you like it? |
00:30:01 |
How do you know I wasn't |
00:30:04 |
Were you? |
00:30:06 |
I thought the idea was |
00:30:08 |
and work life separate? |
00:30:13 |
Okay, |
00:30:16 |
go ahead. |
00:30:18 |
You invited me over yesterday morning. |
00:30:21 |
I showed up at seven-thirty PM |
00:30:24 |
- What kind? |
00:30:27 |
And you cooked me dinner. |
00:30:29 |
Don't tell this story my mother. |
00:30:32 |
A roast. |
00:30:34 |
Lasagna. I can make lasagna. |
00:30:37 |
Fine, lasagna. |
00:30:39 |
I showed up at seven-thirty, we had dinner |
00:30:43 |
and I didn't leave until |
00:30:45 |
Just one more question. |
00:30:47 |
What? |
00:30:51 |
Are you gonna call me? |
00:31:11 |
So you are the only one |
00:31:14 |
together at the bed and breakfast. |
00:31:16 |
Plus the inn keeper but |
00:31:17 |
I don't see how anyone's gonna register |
00:31:21 |
So how much do you |
00:31:24 |
That's not what this is about. |
00:31:26 |
I will give you 23 grand cash |
00:31:30 |
Hey that's what I've got. |
00:31:32 |
Robert, I don't want your money. |
00:31:36 |
Hello, leaving the fucking conversation. |
00:31:43 |
Our actions have consequences. |
00:31:51 |
Wait a minuite. |
00:31:53 |
If this is some kind of con Ray |
00:31:56 |
I pay up, and this chick shows up with |
00:31:58 |
my 23 grand on some beach somewhere. |
00:32:00 |
No way, no fucking way. |
00:32:01 |
She's dead |
00:32:04 |
Your son killed her. Deal with it. |
00:32:08 |
So that I don't have to. |
00:32:12 |
Okay Ray. |
00:32:14 |
I will see what I can do. |
00:32:43 |
- This is Carol. |
00:32:46 |
You working this weekend? |
00:32:47 |
Come on man, you know that I never sleep. |
00:32:50 |
So I heard my old friend might be in town. |
00:32:53 |
- You heard anything? |
00:32:55 |
I've been waiting to call you. |
00:32:57 |
He just came in. |
00:33:00 |
And now, direct from an extended tour |
00:33:05 |
crown'ed heads of Arabia and their wives... |
00:33:12 |
Cam? Is this a joke? |
00:33:14 |
What? |
00:33:15 |
That's not Jack McCadden. |
00:33:17 |
Are you sure? |
00:33:18 |
Same age, same build? |
00:33:23 |
But here's the thing |
00:33:30 |
Or a steel bolt through his penis. |
00:33:35 |
I gotta go. |
00:33:49 |
Can I help you? |
00:33:50 |
Detective Bryce to see Mr. Elliott. |
00:33:57 |
Sorry! Never seen her before. |
00:33:59 |
Right. |
00:34:01 |
And your credit card was stolen or lost |
00:34:03 |
just the day before it was used |
00:34:06 |
Neat how that worked out, isn't it? |
00:34:09 |
- You're not LAPD, are you? |
00:34:13 |
That's where the prices and |
00:34:19 |
What exactly do you do here |
00:34:24 |
Risk assessment and management. |
00:34:28 |
As a former confidence man |
00:34:32 |
The same way you got to Carnegie Hall, Detective. |
00:34:35 |
Practice, practice, practice. |
00:34:37 |
Where is Ms. Price, Mr. Elliott? |
00:34:38 |
Or should I call you Mr. Avalon, |
00:34:43 |
- Detective, I swear to God |
00:34:44 |
Your old boss Jack McCadden? |
00:34:47 |
I heard this crazy story |
00:34:48 |
about a really rich Arab |
00:34:54 |
I haven't talked to Jack in couple of years. |
00:34:57 |
Now when grifters |
00:34:59 |
I really don't gice a shit. |
00:35:01 |
But Ms. Price's father is an assemblyman, |
00:35:03 |
and he's pushing really us |
00:35:06 |
It's how it works, he pushes me, |
00:35:09 |
Then I get to go home to my husband |
00:35:11 |
who I'm pretty sure |
00:35:12 |
on pizza every night |
00:35:14 |
- That sounds painfully domestic. |
00:35:19 |
Now you make me stick around this town, |
00:35:21 |
I'm gonna do my damndest to |
00:35:23 |
find something |
00:35:26 |
For my scrapbook. |
00:35:29 |
You know you don't have to waive |
00:35:32 |
It's a new process they've had it |
00:35:46 |
Download this, will you please. |
00:35:55 |
- What did the cop want? |
00:35:58 |
I'm going to need you to cover |
00:36:02 |
- Not a problem. |
00:36:09 |
Hey, Ray. |
00:36:11 |
Putty, how nice to see you. |
00:36:15 |
- Gotta go for a ride. |
00:36:18 |
That's not like you. |
00:36:19 |
I'm hurt you'd even think such a thing. |
00:36:23 |
- I take this is not optional? |
00:36:31 |
So who you working for these days? |
00:36:33 |
Guy used to run out of Salt Lake. |
00:36:36 |
The Mormon? |
00:36:37 |
You heard of him? Really nice guy. |
00:36:39 |
I've heard of at least six guys who'd argue that point, |
00:36:42 |
if they were still around. |
00:36:43 |
E don't really keep track. |
00:36:45 |
But me and Bobo get benefits ; |
00:36:48 |
- Nice uniforms? |
00:36:57 |
- I remember you. |
00:37:03 |
- I'm Adelle. |
00:37:08 |
And you are? |
00:37:11 |
Too old. |
00:37:21 |
Do you have a bathroom? |
00:37:34 |
It's a little crowded |
00:37:38 |
I may be married to the old creep, |
00:37:42 |
Well that's good to know, |
00:37:44 |
so where you from, young lady? |
00:37:47 |
South Dakota. Tiny little town. |
00:37:53 |
How are you enjoying life in the big city? |
00:37:57 |
Yeah right. |
00:37:58 |
It's like being in prison with a nice pool. |
00:38:02 |
But... |
00:38:04 |
I do manage to find the odd distraction. |
00:38:10 |
Bridge? |
00:38:13 |
Come on. |
00:38:27 |
- Are you insane? |
00:38:29 |
Doesn't matter who's |
00:38:31 |
He'll tear your head off |
00:38:33 |
You dragged me here, remember? |
00:38:46 |
I spent a fortune for landscaping, |
00:38:51 |
but I think it's worth it. |
00:38:54 |
It's very beautiful. |
00:38:56 |
Thank you. |
00:38:59 |
Putty tells me you've met one of my wives. |
00:39:02 |
How does that work anyway? |
00:39:04 |
Three. |
00:39:06 |
Congratulations. |
00:39:07 |
Our Doctrine says 'Celestial marriage |
00:39:13 |
Sorry, do they work in shifts |
00:39:21 |
Things manage to work themselves out. |
00:39:24 |
But enough about me. Are you married? |
00:39:28 |
No. |
00:39:30 |
I guess I just haven't met |
00:39:33 |
Funny. |
00:39:36 |
I've heard there's a price on the head |
00:39:41 |
I've also heard he maybe in town. |
00:39:45 |
And you want me to tell you where he is? |
00:39:48 |
- You know my chosen profession, right? |
00:39:52 |
People have been hiring hitmen |
00:39:56 |
Ever since some Neanderthal |
00:40:00 |
to clock his brother with a rock. |
00:40:02 |
Neanderthals? I would have taken you |
00:40:07 |
More of a pragmatist, really. |
00:40:10 |
Which is where you come in. |
00:40:12 |
Do I? |
00:40:13 |
I think having a man of your skills |
00:40:18 |
would be extremely helpful. |
00:40:19 |
Well I'm sorry |
00:40:22 |
You alibied one. |
00:40:24 |
For the Hatch family, wasn't it? |
00:40:27 |
That was the first and last. |
00:40:31 |
Oh, I think not. |
00:40:35 |
I think from now on |
00:40:40 |
Unless becoming an accessory after the fact strikes you |
00:40:44 |
reasonable way to spend |
00:40:49 |
Good evening Ray, we'll be in touch. |
00:40:54 |
The genious of Jack McCadden |
00:40:56 |
was that he was part magician |
00:41:00 |
Ray, Jack's back on the radar. |
00:41:03 |
You guys were like Batman and Robin. |
00:41:05 |
Although it was a previlege to |
00:41:07 |
What was his name, Jack something? |
00:41:08 |
I've gone to great pains |
00:41:10 |
Jack McCadden, would he know? |
00:41:12 |
So I hear there's a price |
00:41:15 |
But that's the problem with the past. |
00:41:17 |
Bad breakup? |
00:41:19 |
It's never really dead |
00:41:22 |
Dropped. |
00:41:24 |
That's not a very comforting thought. |
00:41:29 |
Yeah. |
00:41:30 |
Dude, it's Cam. |
00:41:34 |
Cam, I can't really deal with |
00:41:38 |
But if it is him |
00:41:41 |
Hey asshole. |
00:41:44 |
Ah no it's just |
00:41:47 |
I will call you later. |
00:41:50 |
Bye. |
00:41:53 |
Wendell. |
00:41:56 |
You dick, I can't believe |
00:41:59 |
Somebody needed to straight things out. |
00:42:00 |
I don't know who you think you are, |
00:42:02 |
and you don't threaten my father. |
00:42:03 |
You're a fucking employee, |
00:42:07 |
You are a berger flipper. |
00:42:13 |
So let's step outside |
00:42:21 |
What is that? |
00:42:24 |
Tae Kwon Doe. |
00:42:26 |
Oh Tae Kwon Doe. |
00:42:32 |
Why do we do it here? |
00:42:35 |
If you move those two chairs. |
00:42:39 |
Hey! |
00:42:41 |
That's what I'm talking about. |
00:42:43 |
- You want some more of this, pal? |
00:42:45 |
Wendell. I don't want to get all philosophical |
00:42:47 |
but a person's life has been taken, |
00:42:52 |
Do you follow me? |
00:42:53 |
Please don't kill me, I'll pay you. |
00:42:57 |
Go, go, go! |
00:42:59 |
Come on! |
00:43:02 |
Stupid, asshole. |
00:43:07 |
I think I did. |
00:43:13 |
Using your intellect is nice |
00:43:15 |
but nothing beats the thrill of |
00:43:20 |
What's wrong with that guy? |
00:43:23 |
Okay come on, get in. |
00:43:40 |
Wakey, wakey. |
00:43:43 |
Look who's up. |
00:43:46 |
I thought you were gonna sleep forever, princess. |
00:43:48 |
I think there's been a mistake. |
00:43:51 |
My house is that way. |
00:43:55 |
This ain't no car service, motherfucker. |
00:43:58 |
Well, my worst nightmare has rats in it. |
00:44:00 |
Well, we're gonna get to that. |
00:44:04 |
- I know you. |
00:44:06 |
You're Hatch's driver. |
00:44:08 |
That's right asshole and |
00:44:12 |
You think you are better than me? |
00:44:15 |
What the fuck, |
00:44:17 |
I suggest you get real smart real fast |
00:44:21 |
Look you better get smart. |
00:44:22 |
Don't be annoyed but, |
00:44:25 |
who? |
00:44:30 |
Heather. |
00:44:32 |
Heather Price, motherfucker. |
00:44:35 |
Little B-cup, ass like butter, right? |
00:44:40 |
You took her to that hotel |
00:44:41 |
Let me tell you something, |
00:44:44 |
H. It wasn't a hotel man, |
00:44:46 |
you shut the fuck up |
00:44:49 |
I wasn't at that hotel, I reported |
00:44:53 |
I spent weekend with friends |
00:44:55 |
You expect somebody believe |
00:44:57 |
Is that your best shot? |
00:45:03 |
Come on, give me something before |
00:45:04 |
I get me to engage |
00:45:06 |
Give me something, man. |
00:45:08 |
Something within the realm of Plausibility. |
00:45:12 |
She wouldn't be cheating on me man. |
00:45:14 |
No matter what she's done |
00:45:19 |
I have the capacity to forgive. |
00:45:22 |
Unfortunately, tonight is not going to be |
00:45:31 |
Do you want me to get extreme |
00:45:34 |
Where is she? |
00:45:35 |
Say something! |
00:45:38 |
Listen, if you want to beat |
00:45:39 |
you gotta be |
00:45:42 |
Alright point taken, |
00:45:46 |
Now where is she? |
00:45:48 |
- Go ahead. |
00:45:52 |
She's dead. |
00:45:55 |
- I didn't do it. |
00:45:59 |
You can kill me if you want to, |
00:46:00 |
- You do it? |
00:46:03 |
Do you know who fucking did it? |
00:46:04 |
Wendell Hatch. |
00:46:05 |
He was having an affair with her. |
00:46:08 |
No way. Can't fucking be Wendell Hatch man. |
00:46:10 |
The man is bullshitting man. |
00:46:13 |
Couldn't be a little ain't no worth. |
00:46:15 |
Think about it, Hannibal. |
00:46:16 |
Weren't there times when she wanted to |
00:46:19 |
- What! |
00:46:23 |
She wanted to take shower |
00:46:26 |
Jewelry! Did she have a new jewelry |
00:46:32 |
Talk to me. |
00:46:37 |
He's fucking right. |
00:46:38 |
I caught her. I caught her with big-assed diamond ear rings. |
00:46:44 |
Shit is right man. |
00:46:45 |
Happens more often than you think. |
00:46:49 |
I know where he lives. |
00:46:51 |
Remember, what about that time |
00:46:52 |
when we went to Jino party |
00:46:56 |
Don't do it, Hannibal. There's a better way. |
00:46:58 |
Better than shooting his ass? |
00:47:00 |
Better than you going to |
00:47:03 |
who was fucking around on you. |
00:47:05 |
Better than you throwing away |
00:47:06 |
what you've got going on for a third strike |
00:47:09 |
A needle motherfucker, |
00:47:14 |
What do you know about me |
00:47:15 |
The ink says you've been inside. |
00:47:18 |
And I know you drive for Hatch |
00:47:22 |
- You promise he goes down? |
00:47:24 |
Better make it happen. |
00:47:27 |
I'm gonna finish it in my way. |
00:47:29 |
You've made yourself very clear. |
00:47:32 |
So I wanted to. |
00:47:35 |
I said you made yourself very clear. |
00:47:38 |
- Almost kept my first one in there. |
00:47:45 |
Excuse me. |
00:47:49 |
Hello? |
00:47:50 |
Ray, my friend. Is this a bad time? |
00:47:56 |
It is a very bad time. |
00:47:57 |
Can you come by? |
00:47:59 |
I was hoping we could firm up |
00:48:02 |
I can't tonight. |
00:48:06 |
I've got... |
00:48:09 |
Tomorrow then. |
00:48:11 |
Oh, by the way, a gentleman contacted me |
00:48:17 |
- What did he want? |
00:48:19 |
I'm pretty sure I'm not your type. |
00:48:22 |
It wasn't some sodomite tea party, Ray. |
00:48:29 |
What did you say? |
00:48:30 |
I said it was out of the question |
00:48:36 |
What did he offer you? |
00:48:38 |
A man should always know his worth. |
00:48:41 |
Your asking price is twenty three thousand. |
00:48:46 |
Tell Hatch you'll take it. |
00:48:48 |
Very impressive. |
00:48:53 |
If you take the constract at least |
00:48:56 |
You know, |
00:48:58 |
you and I might never |
00:49:01 |
Five million dollars buys |
00:49:05 |
I'll see you tomorrow. |
00:49:14 |
Shit. |
00:49:34 |
Lucky for you I didn't make |
00:49:38 |
What happened? |
00:49:41 |
Opera? |
00:49:43 |
What happened? |
00:49:46 |
I was car jacked. |
00:49:50 |
Doubtful. |
00:49:53 |
Care to try again? |
00:49:56 |
It was Hatch's driver. |
00:50:00 |
Why would he come after you? |
00:50:02 |
It's better if you don't know. |
00:50:06 |
I think I can decide |
00:50:16 |
Well? |
00:50:19 |
It was Hatch's son. |
00:50:23 |
He spent last weekend in Santa Barbara |
00:50:29 |
And I...we were on the job. |
00:50:33 |
I got that guy Putty |
00:50:36 |
And now the cops are all over me |
00:50:38 |
and a very bad man has been hired to kill me. |
00:50:42 |
You sure this job is worth it? |
00:50:45 |
It's not normally this bad. |
00:50:51 |
You ever consider asking |
00:50:55 |
- It's not so easy. |
00:50:59 |
Because you are Jack McCadden? |
00:51:04 |
It makes a certain amount of sense. |
00:51:07 |
What that guy putty said, |
00:51:11 |
How much it must have |
00:51:15 |
Plus you calling Jack your boss |
00:51:17 |
when I really can't see you |
00:51:21 |
A woman can tell when a man lies, Ray |
00:51:24 |
If she's paying attention and |
00:51:27 |
And if I can figure it out |
00:51:32 |
It's funny. |
00:51:35 |
You think I'm Jack, |
00:51:37 |
the detective thinks I killed Jack |
00:51:39 |
and the Mormon thinks |
00:51:44 |
So who's right? |
00:51:47 |
I know you won't believe me Ray, |
00:51:54 |
Well... |
00:51:56 |
That maybe. But for five million dollars, |
00:52:04 |
Then I suppose you have a choice to make. |
00:52:08 |
I suppose I do. |
00:52:21 |
You look like a man with a problem. |
00:52:25 |
Several. |
00:52:27 |
Care to add to the burden? |
00:52:30 |
I need an alibi for Thursday night. |
00:52:37 |
Well the only absolutely air-tight alibi... |
00:52:42 |
is death. |
00:52:48 |
What's happening Thursday night? |
00:52:54 |
Let me explain something. |
00:52:56 |
It helps if I know where you are going to be, |
00:53:02 |
Honey? |
00:53:09 |
Fine. I'll be at the Ellroy Hotel. |
00:53:13 |
But that's all you get. |
00:53:15 |
And where would you want to pretend to be? |
00:53:20 |
Does it matter? |
00:53:22 |
It's your neck. |
00:53:33 |
Thank you, Adelle. |
00:53:36 |
How about this? |
00:53:37 |
How about if I write you a check right now |
00:53:45 |
Do you have five million |
00:53:49 |
Unless you're trying to tell me Jack |
00:53:53 |
You wouldn't have me waste my time |
00:53:56 |
who's already passed on to the |
00:53:59 |
greater celestial court, |
00:54:02 |
would you? |
00:54:06 |
Anything else, Ray? |
00:54:09 |
Not right now. No. |
00:54:24 |
So... |
00:54:28 |
Business, actually. |
00:54:30 |
I've heard you want my boss dead. |
00:54:32 |
- Excuse me? |
00:54:36 |
- I kind of thought that you and Ray were maybe... |
00:54:41 |
Can I ask why? |
00:54:43 |
No. |
00:54:46 |
Now, your only problem is, |
00:54:50 |
the man who you approached to get the job done |
00:54:55 |
You understand there's a difference |
00:54:57 |
between wanting someone dead |
00:55:02 |
And here I thought you were the proactive, |
00:55:08 |
My mistake. I won't waste your time. |
00:55:13 |
Okay. Okay. |
00:55:16 |
So let's say... |
00:55:18 |
hypothetically, that |
00:55:21 |
Then let's say, hypothetically, |
00:55:23 |
you meet me here on |
00:55:27 |
And should I bring something else? |
00:55:34 |
Your appetite. |
00:55:40 |
Come in. |
00:55:41 |
So it's not a problem? |
00:55:44 |
- For you, sweetie, nothing's a problem. |
00:55:48 |
- How are things with you and Ted? |
00:55:51 |
Maybe I should have tried it harder. |
00:55:54 |
There's no rule that says you can't |
00:55:58 |
If you still love him. |
00:56:01 |
Wow. |
00:56:03 |
Did Ray Elliott actually just use |
00:56:06 |
I'm just saying... |
00:56:08 |
Oh my god. |
00:56:15 |
To be honest with you, Dorothy, |
00:56:18 |
- I'm not sure what I've got. |
00:56:26 |
- Ray. |
00:56:28 |
Pretty much as expected. |
00:56:30 |
Let's get rolling. |
00:56:32 |
Alright ladies, it's on. |
00:56:36 |
Yes, Mr Sykes. |
00:56:39 |
Ray would consider it a personal favor. |
00:56:42 |
- Wendell Hatch? |
00:56:45 |
I'm Detective Sykes, this is Detective Holbrook. |
00:56:47 |
We'd like you to come down to the station |
00:56:52 |
How well do you know Ray Elliott? |
00:56:54 |
He's involved in a missing person's case |
00:56:56 |
- He is? |
00:56:58 |
Young lady named Heather Price. |
00:57:01 |
We believe Mr. Elliott took her to |
00:57:05 |
She hasn't been heard from since. |
00:57:07 |
Mr, Elliott took her to a bed and breakfast? |
00:57:10 |
What do I always tell you about mumbling? |
00:57:14 |
Seems like He's been spinning some tail |
00:57:17 |
about how his credit card was stolen... |
00:57:19 |
but we're pretty sure he killed her. |
00:57:24 |
Thank you. |
00:57:26 |
You know anything about it. |
00:57:28 |
Why would you think that I would? |
00:57:29 |
One of our officers saw you |
00:57:31 |
And he says there was |
00:57:35 |
I don't, I don't really know him. |
00:57:40 |
and I, I was in this bar and he was |
00:57:44 |
Were there words exchanged? |
00:57:48 |
- Words? |
00:57:51 |
You know those things |
00:57:53 |
Only this time in a hostile context. |
00:57:55 |
Yeah there were words, |
00:58:00 |
Hey you jerk... |
00:58:01 |
You know so it wasn't anything |
00:58:02 |
but he did hit me out of nowhere, |
00:58:06 |
We never talked about |
00:58:09 |
That's what your question was. |
00:58:13 |
Okay. Okay. |
00:58:17 |
Thanks for clearing that up, Mr. Hatch. |
00:58:20 |
I hope you find this guy |
00:58:22 |
Hey you know what? |
00:58:26 |
As a matter of fact, the owner of |
00:58:29 |
and take a look at some pictures. |
00:58:31 |
Have you been to this place? |
00:58:34 |
No I, I haven't been. |
00:58:35 |
Hey! Hey! |
00:58:36 |
It's just routine, Mr. Hatch. |
00:58:38 |
We want to mix in some photos with Mr. Elliott's, |
00:58:40 |
You know, give the guy |
00:58:43 |
I mean, don't you have to ask my permission |
00:58:45 |
- You don't mind, do you? |
00:58:48 |
- what's the harm? |
00:58:51 |
Detectives! |
00:58:52 |
Will you excuse us for a minute? |
00:59:03 |
Ellroy Hotel. |
00:59:05 |
Sorry about that. |
00:59:07 |
- So what were you saying? |
00:59:11 |
- Thanks for coming in by the way. |
00:59:22 |
Something like that? |
00:59:24 |
I think you've earned yourself |
00:59:29 |
It's Shady Grove |
00:59:30 |
- Matthew Klump please. |
00:59:33 |
Mr Klump. Congratulations. |
00:59:37 |
You've just one a night of total luxury |
00:59:42 |
All for being a loyal subscriber to B and B magazine, |
00:59:45 |
yes, we'd remove |
00:59:46 |
from your bill plus |
00:59:49 |
You got it. |
00:59:50 |
And those would be red roses? |
00:59:52 |
- Yes I'd like one dozen. |
00:59:55 |
Right, so deliever the envelope |
00:59:58 |
That's right. |
01:00:01 |
Adelle, these flowers are a pale |
01:00:08 |
Who's Bob? |
01:00:10 |
Bob's the man who make the mistake of sending |
01:00:15 |
Don't let her out of your sight. |
01:00:34 |
Where you going? |
01:00:36 |
Dressing room. |
01:00:39 |
Unless you boys want me |
01:00:50 |
Was wondering when you'd show up. |
01:00:52 |
- Oh, Ray. I could just eat you up. |
01:00:57 |
You like your gift certificate? |
01:01:01 |
That was from you? |
01:01:04 |
- Ray, you're gonna spoil me. |
01:01:09 |
Now can you come to the Ellroy Hotel |
01:01:14 |
I've got us a room. |
01:01:18 |
I'll have no miss choir practice. |
01:01:22 |
I can write you a note? |
01:01:27 |
Okay, maybe I'm no Casanova. |
01:01:30 |
And maybe I'm in way over my head. |
01:01:32 |
But this was always Jack's job |
01:01:38 |
Unfortunately, being able to tell you |
01:01:42 |
three and four hitmen are hired by one spouse |
01:01:44 |
to kill the other isn't |
01:01:48 |
Unless of course you are the one |
01:01:52 |
Jack was right, |
01:02:03 |
I need a piece. |
01:02:05 |
A piece of what? |
01:02:08 |
You know a gun. |
01:02:10 |
Oh why do you say that Snoop Dog? |
01:02:11 |
Let me show you what we've got. |
01:02:16 |
Ever get the feeling you're |
01:02:18 |
- This is Walsh. |
01:02:20 |
and this guy stand my fucking left breast... |
01:02:23 |
Think we might have something. |
01:02:24 |
This guy I have watching |
01:02:26 |
going down this afternoon |
01:02:28 |
How good is your guy? |
01:02:30 |
Good enough to supply a room number. |
01:02:32 |
Great. Let's go. |
01:02:44 |
- Ray. |
01:02:46 |
Any sign of Wendell? |
01:02:48 |
Are you sure this is gonna work out? |
01:02:51 |
Low ranks circus? |
01:02:57 |
- I'm off to church. |
01:02:59 |
Ma'am, could you hang on |
01:03:01 |
You clear it with the boss? |
01:03:04 |
I go every Thursday, |
01:03:06 |
but you can check with |
01:03:10 |
We got that thing, anyway. Remember? |
01:03:14 |
Don't be late. |
01:03:29 |
To new partners. |
01:03:30 |
To the late, great Ray Elliott. |
01:03:34 |
That is why, if we stay cool, |
01:03:37 |
What tells you to |
01:03:41 |
Little piece of shit just arrived. |
01:03:56 |
God Damn it. He's bailing. |
01:03:59 |
Tell me what's happening. |
01:04:00 |
He just left. Look we did it your way |
01:04:03 |
We have to stay to the plan. |
01:04:06 |
And Wendell will walk. |
01:04:08 |
- Just get him in inside. |
01:04:10 |
I must get him killed. |
01:04:14 |
Hey Holmes! |
01:04:15 |
- Park my car right there. |
01:04:24 |
Alright he's inside. |
01:04:25 |
So I brought what you told me to bring. |
01:04:29 |
I like a man who takes direction. |
01:04:34 |
Why don't we go up to your room and talk? |
01:05:04 |
My grandfather's staying here. |
01:05:07 |
And what's your grandfather's name? |
01:05:10 |
Oh, Klump. |
01:05:14 |
Yes, sir. He just checked in. |
01:05:19 |
I will just... |
01:05:23 |
Sir? |
01:05:25 |
It's room 1015. |
01:05:29 |
1015? |
01:05:38 |
Mr Klump? What are you doing here? |
01:05:41 |
I won a contest. |
01:05:55 |
Welcome to the Ellroy Hotel. |
01:05:56 |
Yes. There should be an envelope for me. |
01:05:58 |
My name's McGillicutty. |
01:06:04 |
Here you are. |
01:06:09 |
Mr Klump. |
01:06:14 |
Exactly what kind of contest did you win? |
01:06:18 |
A magazine kind? |
01:06:27 |
- Drink? |
01:06:32 |
Let's get the business out of the way first. |
01:06:35 |
You're sure you still want to get rid of Ray? |
01:06:37 |
I'm not a man prone to second thought. |
01:06:40 |
- And you haven't found anyone else? |
01:06:43 |
Good. |
01:06:45 |
How do I know you're for real? |
01:06:49 |
You'll never know for sure, |
01:06:53 |
but I promise you won't be dissapointed. |
01:07:17 |
Adelle! |
01:07:20 |
You son of a bitch! |
01:07:24 |
- Take care and keep an eye on. |
01:07:38 |
Whoever you are |
01:07:43 |
Now I don't know about you, Bobby, |
01:07:46 |
Can't I watch? |
01:07:59 |
- Ray? |
01:08:04 |
Just covering our accounts, as instructed. |
01:08:07 |
So I think I need to tell you something. |
01:08:14 |
That's what you needed to tell me? |
01:08:15 |
But I always preferred Carmen to Salome. |
01:08:20 |
Because in Salome the hero loses his head |
01:08:23 |
and in Carmen the evil temptress |
01:08:26 |
Oh no. Actually, it's the overture. |
01:08:31 |
Hey Lola, Are you okay? |
01:08:35 |
Yeah I'm ready. |
01:08:44 |
God Damn! |
01:08:48 |
Excuse me sir. |
01:08:58 |
- Ice for Champagne? |
01:09:00 |
Why don't you get in the tub with me? |
01:09:02 |
I know these things that |
01:09:06 |
- I tell you what... |
01:09:08 |
You're going to need ice. |
01:09:12 |
Can I help you? |
01:09:13 |
I'm looking for Ray |
01:09:16 |
He's a guest here. |
01:09:17 |
- Are you Adelle? |
01:09:20 |
Room 1215. |
01:09:23 |
Thank you. |
01:09:43 |
I've learned not to rely on |
01:09:47 |
And I'm not. |
01:09:48 |
I'm relying on a dozen. |
01:09:50 |
Mostly cheats, killers and cons. |
01:09:55 |
And I happen to trust these people. |
01:09:57 |
Or at least trust on their baser instincts. |
01:10:01 |
Let's hope they don't disappoint me. |
01:10:14 |
Nice shoes. |
01:10:17 |
Thank you. |
01:10:20 |
Oh fuck! |
01:10:24 |
I got a paper cut. |
01:10:26 |
Boss, you better down. |
01:10:30 |
But the most important thing |
01:10:32 |
within the face of real danger, |
01:10:35 |
make certain that |
01:10:52 |
I don't like this. |
01:10:54 |
Mr Klump I think we need to |
01:10:56 |
Hell no! |
01:10:57 |
This is Detective Walsh. |
01:11:00 |
we're at the Ellroy Hotel, |
01:11:02 |
I swear it was her. |
01:11:05 |
I'm gonna kill him. |
01:11:07 |
Then I'll pray for God to resurrect him |
01:11:13 |
Ray. Where are you? |
01:11:17 |
Ray? |
01:11:18 |
- Front desk. |
01:11:20 |
- I'm sorry? |
01:11:23 |
What's the last name? |
01:11:24 |
I don't know |
01:11:26 |
If there are any Roberts or |
01:11:29 |
or I will come down there and |
01:11:32 |
I have a first initial 'R' |
01:11:35 |
- Yeah? |
01:11:41 |
Sir? Hello? |
01:11:48 |
So...you never thought |
01:11:52 |
You try to cover all the basis |
01:11:56 |
At the end of the day |
01:11:58 |
It's the people you trust. |
01:12:02 |
I'm not a huge proponent of that word. |
01:12:04 |
I prefer leverage to human nature any day. |
01:12:11 |
Sometimes, you just have to roll the dice... |
01:12:19 |
Come on in, the water's fine. |
01:12:23 |
- I ask you a question. |
01:12:27 |
Making a speech. |
01:12:29 |
You almost done? |
01:12:40 |
Room service! |
01:12:50 |
It's open. |
01:12:59 |
Oh my god. |
01:13:00 |
You friend of Lola's? |
01:13:10 |
Oh shit. |
01:13:30 |
Listen. Please. I swear to God |
01:13:34 |
My name is Robert Hatch... |
01:13:36 |
- Bob Hatch? |
01:13:38 |
You see any flowers |
01:13:45 |
What's going on here? |
01:13:47 |
To be honest, I'm not quite sure. |
01:13:49 |
Hey. That's him. That's the guy |
01:13:53 |
I've never seen this old guy |
01:13:55 |
- He's lying! |
01:13:59 |
- Hey boss! |
01:14:01 |
It's six thirteen. |
01:14:04 |
God bless it. Give me the envelope. |
01:14:15 |
Don't kill him until I get back. |
01:14:31 |
Suppose we will... |
01:15:11 |
Contest will be just fine... |
01:15:15 |
Step back into your suite. |
01:15:28 |
Come on. |
01:15:36 |
I don't know you |
01:15:56 |
House keeping. |
01:15:59 |
Hello? |
01:16:08 |
This is dispatch, I need two uniforms |
01:16:10 |
to room fifteen-seventeen. |
01:16:11 |
Maid reports an immobile Caucasian male. |
01:16:15 |
Roger that. |
01:16:17 |
Victim with several gun shot wounds |
01:16:19 |
Roger. |
01:16:20 |
We have a positive ID on the shooting victim. |
01:16:23 |
Victim identified as Jack McCadden. |
01:16:30 |
- Lola! |
01:16:35 |
Lola! |
01:18:33 |
What the hell was wrong with |
01:18:38 |
I just wanted to make sure |
01:18:42 |
You just couldn't stand the idea of |
01:18:46 |
Vatiny's gonna be the death of you, Ray. |
01:18:49 |
Let's hope. |
01:18:56 |
That should cover the cops |
01:18:59 |
And then some. |
01:19:05 |
Hey Cam! |
01:19:11 |
It's not every day you get to bury yourself. |
01:19:18 |
What are you gonna do with the money? |
01:19:20 |
Assuming the Sultan actually pays what he says? |
01:19:23 |
I don't know. |
01:19:26 |
but I am a river to my people. |
01:19:29 |
Enough warmed over Lawrence of Arabia, Sudhir. |
01:19:32 |
You're from the Boston. |
01:19:34 |
Where I have people. |
01:19:36 |
Goodbye, Jack McCadden. |
01:19:38 |
May I rest in peace? |
01:19:42 |
Here's a new spin. |
01:19:44 |
If one in four men cheats on their wives |
01:19:46 |
Then three in four are faithful |
01:19:49 |
And even more admirable |
01:19:52 |
Not bad odds to play. |
01:19:55 |
So no more Jack |
01:19:59 |
Just the thought of waking up |
01:20:02 |
You are such an asshole. |
01:20:05 |
Sometimes it helps |
01:20:10 |
In business. Not relationships. |
01:20:13 |
I want you to be part of |
01:20:20 |
So where should we go? |
01:20:23 |
It's up to you. |
01:20:25 |
You said you've already been to the Holy land |
01:20:28 |
I also mentioned not everyone |
01:20:33 |
Noted. |
01:20:34 |
I think we should try the full |
01:20:38 |
I'm not sure about Asia. How's London. |
01:20:41 |
Not a good idea, at the moment. |
01:20:42 |
- Caribbean? |
01:20:45 |
- Paris? |
01:20:49 |
- Amsterdam? Greenland? |
01:21:04 |
I just realized you are |