|
Heat
|
| 00:03:36 |
Check, charge or cash? |
| 00:03:38 |
Cash. |
| 00:03:41 |
Make it out to... |
| 00:03:43 |
...Jack's Demolition. Tucson. |
| 00:03:45 |
$788.30. |
| 00:05:38 |
Taking me to breakfast? |
| 00:05:40 |
I can't. I'm meeting Bosko. |
| 00:05:43 |
Hey, Vincent. |
| 00:05:44 |
Where are my barrettes? |
| 00:05:46 |
I saw them on the kitchen table. |
| 00:05:48 |
I already checked. |
| 00:05:50 |
Coffee? |
| 00:05:51 |
No school today? |
| 00:05:52 |
My dad's taking me to the new building |
| 00:05:56 |
Try under the sofa cushions. |
| 00:06:01 |
He's already a half an hour late. |
| 00:06:04 |
He's going to show, |
| 00:06:08 |
I'll make coffee. |
| 00:06:09 |
Out of time. |
| 00:06:23 |
Mom, my barrettes are not on the couch. |
| 00:06:27 |
Wear the blue ones. |
| 00:06:29 |
I don't want to wear the blue ones. |
| 00:06:32 |
-Did you check in your bathroom? |
| 00:06:34 |
What do you want me to do? |
| 00:06:36 |
Find them ! |
| 00:06:37 |
-Mom, pay attention! |
| 00:06:40 |
Daddy's going to be here. |
| 00:06:42 |
I won't be ready! |
| 00:06:43 |
-I'll be late. |
| 00:06:45 |
I will be late! |
| 00:06:47 |
Before Daddy comes, |
| 00:06:50 |
It's all right, baby. It's all right. |
| 00:06:54 |
We'll find them together, you and me. |
| 00:06:57 |
Just relax. He won't come |
| 00:07:12 |
Give me another refill. |
| 00:07:26 |
What's your name? |
| 00:07:27 |
Waingro. |
| 00:07:37 |
You're Michael? |
| 00:07:51 |
You guys always work together? |
| 00:07:54 |
All the time. |
| 00:07:56 |
Real tight crew? |
| 00:07:58 |
Real tight. |
| 00:08:00 |
If this works good, |
| 00:08:04 |
Yeah. Stop talking, okay, Slick? |
| 00:08:17 |
How's he doing? |
| 00:08:18 |
Hundred percent. |
| 00:08:20 |
Right on schedule. |
| 00:08:22 |
Made a right on Venice Boulevard. |
| 00:08:26 |
We're a mile and a half from you. |
| 00:08:28 |
Okay. |
| 00:08:52 |
Just crossed over the number one lane, |
| 00:08:56 |
Get set. |
| 00:08:57 |
I am. |
| 00:09:08 |
Here we go. |
| 00:10:09 |
211 ! |
| 00:10:11 |
We're being held up! |
| 00:10:18 |
-211 alarm. Armored car. |
| 00:10:21 |
Three minutes. |
| 00:10:24 |
Clear! |
| 00:11:29 |
Eighty seconds left! |
| 00:11:32 |
Get back! Get back! |
| 00:11:35 |
Get back! |
| 00:11:39 |
Slick, see that shit coming out of |
| 00:11:43 |
Cool it! |
| 00:11:56 |
I got it. |
| 00:11:58 |
Got it. |
| 00:12:02 |
You had to fuck with me. |
| 00:12:04 |
Want to fuck with me? |
| 00:12:31 |
What are you doing? What did he do? |
| 00:12:33 |
He was making a move. |
| 00:12:44 |
Dumb motherfucker. |
| 00:13:41 |
A million six.... |
| 00:13:44 |
Forty cents on the dollar, $640,000 to you. |
| 00:13:46 |
Here's $150,000 front money. |
| 00:13:49 |
Get you the rest in two, three days. |
| 00:13:53 |
Who owned these? |
| 00:13:58 |
"Malibu Equity and Investments." |
| 00:14:01 |
Roger Van Zant. |
| 00:14:02 |
Owns banks in the Caymans... |
| 00:14:04 |
...runs investment portfolios |
| 00:14:08 |
So? |
| 00:14:10 |
You ripped off his bearer bonds. |
| 00:14:12 |
He's insured. |
| 00:14:14 |
That's the point. He collects |
| 00:14:17 |
He's a player. Maybe he buys his bonds |
| 00:14:20 |
...for 60 percent of their value. Makes |
| 00:14:26 |
Sell it back to him, |
| 00:14:30 |
Try it on. |
| 00:14:32 |
Kelso called. |
| 00:14:33 |
About what? |
| 00:14:34 |
A score he's putting out, |
| 00:14:38 |
I don't need his score. I got my own. |
| 00:14:40 |
Says it's clean and low eight figures. |
| 00:14:43 |
9:00 a.m. tomorrow. |
| 00:14:44 |
What happened? |
| 00:14:47 |
Don't ask. |
| 00:15:23 |
Find the ambulance? |
| 00:15:25 |
-Dumped it four blocks from here. |
| 00:15:29 |
They torched it. |
| 00:15:34 |
They were airborne. They taped the last |
| 00:15:41 |
Stolen from Fresno two weeks ago. |
| 00:15:43 |
Yellow pickup truck out of Whittier |
| 00:15:46 |
You taking this one? |
| 00:15:48 |
Or does it stay in Division? |
| 00:15:51 |
Does this look like gangbangers |
| 00:15:55 |
Robbery-Homicide's taking it. |
| 00:15:58 |
We got three motorists. |
| 00:15:59 |
All they saw were men with masks. |
| 00:16:02 |
TV man over there, however, |
| 00:16:06 |
Did he ID anybody? |
| 00:16:07 |
He was hiding. He heard it mostly. |
| 00:16:12 |
What about them? |
| 00:16:15 |
According to TV man, |
| 00:16:18 |
Smart. |
| 00:16:19 |
Somebody called a guard "Slick." |
| 00:16:22 |
Now, I figure this guy... |
| 00:16:24 |
...went for that hold-out piece, |
| 00:16:28 |
From here... |
| 00:16:30 |
...bang, bang... |
| 00:16:31 |
...bang, bang, bang. |
| 00:16:33 |
This side. |
| 00:16:34 |
This guy has got what appears to be |
| 00:16:39 |
Tattooing around the head wound, |
| 00:16:42 |
Probably executed. |
| 00:16:46 |
It was a million six in bearer bonds. |
| 00:16:48 |
They ignored the loose cash. |
| 00:16:50 |
'Cause they had no time. |
| 00:16:53 |
Which means they knew |
| 00:16:56 |
...had our air, immobilized it, entered... |
| 00:17:00 |
...escaped in under three minutes. |
| 00:17:02 |
It's a good spot here. |
| 00:17:05 |
Two freeways... |
| 00:17:06 |
...within a quarter of a mile. |
| 00:17:08 |
Traffic video camera? |
| 00:17:10 |
Probably disabled. Check it anyway. |
| 00:17:12 |
You recognize the M.O.? |
| 00:17:13 |
M.O... |
| 00:17:15 |
...is that they're good. |
| 00:17:17 |
Once it escalated into a murder-one |
| 00:17:21 |
...they didn't hesitate. |
| 00:17:22 |
Popped guard number three because... |
| 00:17:27 |
Why leave a living witness? |
| 00:17:29 |
Drop of a hat, these guys will rock-and-roll. |
| 00:17:35 |
The shape charge. |
| 00:17:37 |
The shape charge indicates |
| 00:17:40 |
Proficient enough to go in on the prowl. |
| 00:17:43 |
Let's look for recent high-line burglaries |
| 00:17:46 |
Run "Slick" as an alias to the FBI. |
| 00:17:50 |
Do it anyway. |
| 00:17:54 |
Check the usual fences. You and I will |
| 00:17:58 |
I want you to take Goldstein and Alfaro. |
| 00:18:00 |
Hang in with Forensics. |
| 00:18:02 |
From the bomb squad, |
| 00:18:05 |
If we're lucky, it's exotic. |
| 00:18:09 |
Get your hand out of that man's pocket. |
| 00:18:20 |
Anyone want some pie? |
| 00:18:31 |
Gotta go to the john. |
| 00:19:04 |
I had to get it on. He was making a move. |
| 00:19:21 |
Split's in the car. |
| 00:19:25 |
...to make up for his full end... |
| 00:19:28 |
...'cause I want to pay off and get rid |
| 00:20:11 |
Hold it! |
| 00:21:52 |
Where's the rest? |
| 00:21:54 |
We're late. You look too good to go out. |
| 00:21:57 |
I'll just jump you right here. |
| 00:22:02 |
-Where is it? |
| 00:22:05 |
There's more in a couple of days, |
| 00:22:09 |
Come on. |
| 00:22:10 |
You gotta be kidding me. |
| 00:22:13 |
Honey... |
| 00:22:14 |
...it ain't worth the risks you take |
| 00:22:19 |
Let's go. |
| 00:22:20 |
Get your coat. |
| 00:22:24 |
There is no point talking. |
| 00:22:27 |
What does that mean? |
| 00:22:29 |
We're not making forward progress |
| 00:22:33 |
...because I married a gambling junkie. |
| 00:22:35 |
Get in the fucking car. |
| 00:22:39 |
What am I doing in here? |
| 00:22:41 |
You're not! |
| 00:22:42 |
You want me to leave the bank book |
| 00:22:45 |
...in the kitchen on the way out the door? |
| 00:22:47 |
-Are we going? |
| 00:22:53 |
Don't even think about.... |
| 00:23:19 |
Tell me Albert Torena called back. |
| 00:23:23 |
Albert Torena call Vincent? |
| 00:23:26 |
No. |
| 00:23:27 |
Report came in. |
| 00:23:29 |
The explosive was Dy-Ex, |
| 00:23:32 |
You can pick it up in Nevada... |
| 00:23:34 |
...Arizona, New Mexico. |
| 00:23:36 |
Too common to trace a sale. |
| 00:23:38 |
That's wonderful. |
| 00:24:00 |
You all right? |
| 00:24:02 |
What happened? Where have you been? |
| 00:24:04 |
Work. |
| 00:24:07 |
Lauren's dad show up? |
| 00:24:10 |
Didn't call... |
| 00:24:12 |
...didn't show. We waited for you till 10:30. |
| 00:24:16 |
Now, does this guy have any idea |
| 00:24:22 |
I don't know. |
| 00:24:24 |
Fucking jerk. |
| 00:24:28 |
Is she okay? |
| 00:24:30 |
She's been in her room all day. |
| 00:24:32 |
So, no, she's not okay. Neither am I. |
| 00:24:35 |
I made dinner... |
| 00:24:37 |
...for us, four hours ago. |
| 00:24:41 |
Every time I try to maintain |
| 00:24:44 |
...you withdraw. |
| 00:24:47 |
I got three dead bodies on a sidewalk... |
| 00:24:50 |
...off Venice Boulevard, Justine. |
| 00:24:53 |
I'm sorry... |
| 00:24:55 |
...if the goddamn... |
| 00:24:57 |
...chicken... |
| 00:24:59 |
...got overcooked. |
| 00:25:58 |
Coffee, sir? |
| 00:25:59 |
Please. |
| 00:26:06 |
Will you pass the cream? |
| 00:26:10 |
Thanks. |
| 00:26:11 |
What'd you get? |
| 00:26:13 |
What? |
| 00:26:15 |
What are you reading? |
| 00:26:23 |
Book about metals. |
| 00:26:28 |
Stress Fractures in Titanium. |
| 00:26:32 |
What kind of work do you do? |
| 00:26:37 |
Lady, why are you so interested |
| 00:26:45 |
I've seen you in the store. |
| 00:26:47 |
What store? |
| 00:26:48 |
Hennessey and Ingalls. I work there. |
| 00:26:52 |
If you don't want to talk to me, it's okay. |
| 00:26:55 |
I'm sorry I bothered you. |
| 00:27:07 |
I didn't mean to be rude. |
| 00:27:11 |
I work in metals. I'm a salesman. |
| 00:27:14 |
My name's Neil. |
| 00:27:20 |
I'm Eady. |
| 00:27:24 |
You like working there? |
| 00:27:27 |
Sure. |
| 00:27:29 |
I get a discount and there's |
| 00:27:33 |
What area? |
| 00:27:35 |
Graphic design. |
| 00:27:37 |
I do letterheads and logotypes |
| 00:27:41 |
...the store's a day job |
| 00:27:44 |
Who do you do that for? |
| 00:27:49 |
A restaurant. |
| 00:27:51 |
I did their menus, and... |
| 00:27:55 |
...a small record label. |
| 00:27:59 |
CDs. |
| 00:28:00 |
I've done two so far. |
| 00:28:04 |
You go to school for that? |
| 00:28:07 |
Yeah. |
| 00:28:09 |
I went to Parsons. |
| 00:28:10 |
Where's that? |
| 00:28:12 |
New York City. |
| 00:28:14 |
How long you been here? |
| 00:28:16 |
About a year. |
| 00:28:19 |
Like it? |
| 00:28:22 |
Not really. I'm mostly here for the work. |
| 00:28:32 |
Live in this neighborhood? |
| 00:28:34 |
No, I live kind of above Sunset Plaza. |
| 00:28:40 |
It's a little house I rent. |
| 00:28:41 |
And it's kind of rundown, |
| 00:28:47 |
What about you? |
| 00:28:48 |
I live up here. |
| 00:28:49 |
That's very funny. |
| 00:28:55 |
Where's your family from originally? |
| 00:29:00 |
They're Scots-Irish. |
| 00:29:02 |
They emigrated to Appalachia... |
| 00:29:04 |
...in the late 1700s. |
| 00:29:09 |
Where are you from? |
| 00:29:12 |
The Bay area. |
| 00:29:14 |
Your folks there? |
| 00:29:19 |
My mother died a long time ago, |
| 00:29:21 |
...I don't know where he is. |
| 00:29:23 |
Got a brother somewhere. |
| 00:29:31 |
You have a tight family. I can tell. |
| 00:29:34 |
Right? |
| 00:29:35 |
You're right. |
| 00:29:46 |
City of lights.... |
| 00:29:51 |
In Fiji, they have these... |
| 00:29:53 |
...iridescent algae that come out |
| 00:29:58 |
That's what it looks like out there. |
| 00:30:01 |
You been there? |
| 00:30:04 |
No, I'm going there some day. |
| 00:30:15 |
You travel a lot? |
| 00:30:19 |
Yeah. |
| 00:30:21 |
Travelling makes you lonely? |
| 00:30:28 |
I'm alone. I am not... |
| 00:30:30 |
...lonely. |
| 00:30:32 |
You? |
| 00:30:34 |
Real lonely. |
| 00:32:41 |
Albert! |
| 00:32:45 |
Shit! |
| 00:32:47 |
What you doing here? You crazy? |
| 00:32:50 |
You were supposed to get back to me. |
| 00:32:53 |
Where the fuck you been? |
| 00:32:56 |
I couldn't break free. |
| 00:32:57 |
Let's violate his ass right now. |
| 00:32:59 |
I do for you... |
| 00:33:01 |
...you don't do for me, is that it? |
| 00:33:04 |
Listen, man. I swear, I was out all night. |
| 00:33:09 |
That's got nothing to do with me. |
| 00:33:11 |
I'm cutting it smooth. I'm generating |
| 00:33:16 |
You bullshit. |
| 00:33:18 |
I paged your ass all day. |
| 00:33:20 |
You're a speed freak, |
| 00:33:23 |
Where's your empathy? |
| 00:33:26 |
Empathy was yesterday. Today you're |
| 00:33:30 |
You fall in love? |
| 00:33:32 |
Did you fall in love... |
| 00:33:35 |
...and went off somewhere? |
| 00:33:37 |
Tell me that, I'll settle for it. |
| 00:33:41 |
Give me all you got! |
| 00:33:43 |
Give me all you got! |
| 00:33:45 |
I swear, my brother Richard's going |
| 00:33:49 |
I heard Richard? |
| 00:33:51 |
He's going to talk to you. |
| 00:33:54 |
He's gonna meet you tonight. |
| 00:33:56 |
He's not here, is he? |
| 00:33:58 |
No, he'll meet you tonight. |
| 00:33:59 |
What happened to now? |
| 00:34:01 |
I implored him because I knew |
| 00:34:05 |
Bullshit. |
| 00:34:06 |
I swear. He said no... |
| 00:34:09 |
...'cause he in Phoenix. |
| 00:34:11 |
"By the time I get to Phoenix |
| 00:34:14 |
"He'll be rising |
| 00:34:17 |
"He'll probably leave a note |
| 00:34:19 |
"Right on the door" |
| 00:34:21 |
Tonight's the best I can do for you. |
| 00:34:25 |
He'll meet you at BJ's on Alvarado. |
| 00:34:29 |
At 2:00 a.m. |
| 00:34:31 |
Be there. |
| 00:34:32 |
You be there too. |
| 00:34:34 |
I can't be there, man. I got things to do. |
| 00:34:36 |
I got things to do, I got places to be. |
| 00:34:41 |
Be there. |
| 00:34:48 |
Don't waste my motherfucking time! |
| 00:34:54 |
What is it? |
| 00:34:57 |
It's a bank. |
| 00:34:59 |
It depos cash on Thursday for distribution |
| 00:35:02 |
...to cover Friday payroll checks. |
| 00:35:05 |
So on Thursdays, |
| 00:35:08 |
On the prowl or strong? |
| 00:35:09 |
Through the door. |
| 00:35:11 |
How many guys? |
| 00:35:12 |
About four, or three, plus a driver. |
| 00:35:16 |
You want $100,000 in advance |
| 00:35:20 |
Sounds like a cowboy score. |
| 00:35:22 |
They hit the hold-up alarms, |
| 00:35:26 |
They hit three hold-up alarm systems. |
| 00:35:29 |
Two Telco and a cellular. |
| 00:35:33 |
But the signals aren't |
| 00:35:36 |
...the night before... |
| 00:35:38 |
...you cut in... |
| 00:35:39 |
...and trick out |
| 00:35:42 |
...to turn itself... |
| 00:35:43 |
...and the video recorders off... |
| 00:35:46 |
...20 minutes before you enter. |
| 00:35:48 |
Architectural, electrical plans? |
| 00:35:50 |
I got that. |
| 00:35:52 |
I got the boards already built. |
| 00:35:56 |
What's the estimate? |
| 00:36:01 |
12.1, 12.2 million. |
| 00:36:06 |
You're on. |
| 00:36:08 |
Congratulations. |
| 00:36:10 |
Let me give you a little idea |
| 00:36:14 |
Nobody knew the merch was yours. |
| 00:36:17 |
My way, you get 100 percent |
| 00:36:20 |
...take the bonds back from us... |
| 00:36:22 |
...at 60 cents on the dollar |
| 00:36:27 |
The operation doesn't skip a beat. |
| 00:36:31 |
Sure, you got a deal. |
| 00:36:33 |
Good, because there's no percentage |
| 00:36:37 |
You have your man call me |
| 00:36:40 |
Yeah, okay. |
| 00:36:42 |
Nice talking to you. |
| 00:36:45 |
You gonna deal with these guys? |
| 00:36:46 |
Word's on the street |
| 00:36:50 |
I'm going to kill these sons of bitches. |
| 00:36:52 |
Have Harry bring me the spreadsheets |
| 00:37:00 |
That's not really an estimate. |
| 00:37:03 |
I have a printout of the bank's cash flow |
| 00:37:07 |
How'd you get this information? |
| 00:37:08 |
Just comes to you. |
| 00:37:10 |
This stuff just flies through the air. |
| 00:37:12 |
It's just beamed out all over the place. |
| 00:37:16 |
I know how to grab it. |
| 00:37:24 |
Okay, here we go. |
| 00:37:26 |
13.9 million. |
| 00:37:31 |
-I bought it. |
| 00:37:33 |
What did I tell you? |
| 00:37:38 |
Here. |
| 00:37:40 |
We're on. Call Van Zant, |
| 00:37:44 |
How is he? |
| 00:37:46 |
He's a businessman. |
| 00:38:26 |
Chris is at my place. |
| 00:38:30 |
What's wrong? |
| 00:38:32 |
Husband and wife stuff. |
| 00:38:34 |
I'll let him sleep it off. |
| 00:38:50 |
What happened to you? |
| 00:38:56 |
When will you get some furniture? |
| 00:38:58 |
When I get around to it. |
| 00:39:03 |
Charlene's gonna leave me. |
| 00:39:07 |
Why? |
| 00:39:11 |
Not enough steaks in the freezer. |
| 00:39:14 |
With everything we've been doing? |
| 00:39:17 |
Vegas and the Super Bowl cleaned me out. |
| 00:39:21 |
When you gonna get an old lady? |
| 00:39:23 |
When I get around to it. |
| 00:39:27 |
You got something else on the side? |
| 00:39:31 |
Nothing regular. |
| 00:39:33 |
She got something else on the side? |
| 00:39:36 |
You sure? |
| 00:39:38 |
Yeah, I'm sure. |
| 00:39:41 |
I don't know what you're doing. |
| 00:39:45 |
As Jimmy said, "You want to be |
| 00:39:49 |
"Have no attachments. |
| 00:39:53 |
"...that you can't walk out on in 30 seconds |
| 00:39:58 |
Remember that? |
| 00:40:06 |
For me, the sun rises |
| 00:40:23 |
We take delivery of cash from Van Zant... |
| 00:40:25 |
...then I drop a deposit on Kelso |
| 00:40:29 |
Bank? What bank? |
| 00:40:30 |
What about the platinum thing? |
| 00:40:33 |
That goes too. Then the bank. |
| 00:40:39 |
Want some breakfast? |
| 00:40:48 |
Are you okay? |
| 00:40:50 |
Yeah, sugar. |
| 00:40:59 |
For real. |
| 00:41:00 |
I'll do good. |
| 00:41:01 |
I'll see you later. |
| 00:41:19 |
You Solenko? |
| 00:41:21 |
Don Breedan. |
| 00:41:22 |
Grierson, my parole officer, told me to |
| 00:41:26 |
You're familiar with this kind of operation? |
| 00:41:28 |
I'm a great grill man. |
| 00:41:30 |
Good. Good for you. |
| 00:41:32 |
You'll mop the toilets, hit the dishwasher, |
| 00:41:36 |
Give me a hard time, I'll report you loaded, |
| 00:41:39 |
I'll violate you back fast. |
| 00:41:42 |
Twenty-five percent of your take-home |
| 00:41:44 |
Rules of the game. Call Grierson, |
| 00:41:55 |
What are you waiting for? |
| 00:42:17 |
Malibu Equity and Investments. |
| 00:42:18 |
Roger Van Zant. |
| 00:42:20 |
Please hold. |
| 00:42:25 |
This is Roger Van Zant. |
| 00:42:27 |
I'm supposed to get something. |
| 00:42:30 |
Someone will call you back |
| 00:42:34 |
818-133-6089. |
| 00:43:02 |
I got a package for you. There's a drive-in |
| 00:43:06 |
Just send one man, alone. |
| 00:43:34 |
-Who was that guy? |
| 00:43:37 |
-Who was that guy? |
| 00:43:40 |
I gotta know who he is! Who is he? |
| 00:43:41 |
He's nobody, Neil. |
| 00:43:43 |
He's a legit liquor salesman |
| 00:43:47 |
Chris will make up. |
| 00:43:48 |
-It's too late! I'm sick of him ! |
| 00:43:53 |
Here's the deal. You'll give Chris |
| 00:43:56 |
After that, he fucks up, |
| 00:44:00 |
...on my own, anywhere you want. |
| 00:44:03 |
Dominick will go with you. |
| 00:44:05 |
And my word counts. But right now... |
| 00:44:07 |
...you will give him the chance. |
| 00:44:14 |
Clean up, go home. |
| 00:44:17 |
Clean up, go home! |
| 00:45:04 |
Give me your money. |
| 00:45:06 |
You'll get smoked with that shit. |
| 00:45:08 |
Won't be you. |
| 00:45:12 |
He's coming in alone. Send him through. |
| 00:45:45 |
Vincent, hey, man. |
| 00:45:50 |
This is my brother, Richard. Vincent. |
| 00:45:52 |
It's all right. |
| 00:45:55 |
What have you got for me? |
| 00:45:58 |
Before we even get into that, there's |
| 00:46:04 |
Now, in the back of a trim shop... |
| 00:46:06 |
...that somebody wants to pay |
| 00:46:10 |
...they might find two Turbos |
| 00:46:14 |
You looking to rid yourself |
| 00:46:17 |
I'm a good citizen. |
| 00:46:19 |
I'm Donald Duck. |
| 00:46:21 |
You got something to tell me? |
| 00:46:25 |
Check this out, cuz. |
| 00:46:27 |
How do I know if I tell you |
| 00:46:31 |
...that you gonna do |
| 00:46:35 |
Hanna is straight up. |
| 00:46:38 |
I ain't your cuz, you rat motherfucker. |
| 00:46:40 |
And you know because I say so... |
| 00:46:43 |
...after I hear what the fuck |
| 00:46:46 |
Fuck you. |
| 00:46:47 |
You understand? |
| 00:46:49 |
I'd get killed for telling you. |
| 00:46:51 |
You'd get killed walking your doggie! |
| 00:46:53 |
All right, man... |
| 00:46:55 |
...there was a cat I was locked up with. |
| 00:46:57 |
Did a couple of two, three years. |
| 00:47:05 |
And so? |
| 00:47:06 |
He's a big fiend for action. |
| 00:47:09 |
Now, if he'd have said nothing, |
| 00:47:13 |
...he goes on and on, running down to me |
| 00:47:16 |
...and nothing's been going on |
| 00:47:19 |
Right then and there I know... |
| 00:47:22 |
...this cat's got something going down. |
| 00:47:32 |
Pretty fucking great. |
| 00:47:35 |
Albert, what's wrong with you? |
| 00:47:38 |
You drag me here, waste my time like this. |
| 00:47:42 |
You saw a guy on the street |
| 00:47:45 |
That's right. |
| 00:47:46 |
Well, I am... |
| 00:47:48 |
...over-fucking-whelmed. |
| 00:47:50 |
What do you want for that, |
| 00:47:53 |
You gonna make the call on them Porches? |
| 00:47:56 |
Is he kidding me? |
| 00:47:59 |
I'm telling you: |
| 00:48:00 |
Slick is no joke. |
| 00:48:02 |
He's double time. |
| 00:48:04 |
Say what? |
| 00:48:06 |
"Slick." What does that mean? |
| 00:48:08 |
That's what he calls people: "Slick." |
| 00:48:12 |
Tell me about him. |
| 00:48:16 |
About 6 feet tall... |
| 00:48:18 |
...lots of jailhouse tats. |
| 00:48:20 |
Got a big-ass peacock right here. |
| 00:48:24 |
What's his name? |
| 00:48:27 |
Cheritto. |
| 00:48:29 |
Michael Cheritto. |
| 00:48:35 |
Thirty-three busts since 1976. |
| 00:48:38 |
Eleven for armed robbery, |
| 00:48:40 |
Two out of a three-to-five year beef |
| 00:48:43 |
Three years in Marion. |
| 00:48:45 |
Five years in Folsom off a knock-back |
| 00:48:48 |
Jacket's two inches thick. |
| 00:48:49 |
Who do I have there now? |
| 00:48:51 |
-Drucker and me. And Schwartz. |
| 00:48:54 |
...I want full surveillance. That's 24 hours. |
| 00:48:58 |
We never close. Open every day. |
| 00:49:00 |
Bug the car, the house, the work. |
| 00:49:02 |
When he moves or sits, |
| 00:49:04 |
...I want pictures of who he moves |
| 00:49:07 |
Then run makes on them. |
| 00:49:11 |
I want it up and running |
| 00:50:09 |
Put your hands where I can see them. |
| 00:50:11 |
Put your hands where I can see them. |
| 00:50:14 |
I tell you what to do. |
| 00:50:16 |
I tell you how to do it. |
| 00:50:19 |
Now, with your right hand only, |
| 00:50:24 |
...take the package and throw it in here. |
| 00:50:44 |
Behind you. |
| 00:50:45 |
On the right. |
| 00:52:06 |
Roger Van Zant. |
| 00:52:08 |
Who's this? |
| 00:52:09 |
You know who this is. |
| 00:52:12 |
Yes, I do. |
| 00:52:14 |
I sent a guy to deliver the package. |
| 00:52:16 |
He didn't call. Is everything okay? |
| 00:52:19 |
I tell you what, forget the money. |
| 00:52:21 |
What? |
| 00:52:23 |
Forget the money. |
| 00:52:27 |
It's a lot of money. What are you doing? |
| 00:52:32 |
What am I doing? |
| 00:52:35 |
I don't understand. |
| 00:52:37 |
'Cause there is a dead man |
| 00:53:02 |
Do you like it? |
| 00:53:03 |
Look at my ring. |
| 00:53:10 |
Did you know? |
| 00:53:13 |
You are insane. |
| 00:53:20 |
Do you like it? |
| 00:53:21 |
-It's beautiful. |
| 00:53:23 |
Don't ask him where he got it. |
| 00:53:34 |
What do you want to be |
| 00:53:36 |
I don't know. |
| 00:53:41 |
Just like me. |
| 00:53:42 |
I don't know either. |
| 00:53:58 |
Hello? |
| 00:54:00 |
It's me. |
| 00:54:03 |
I was wondering if you'd call. |
| 00:54:07 |
I've been busy. |
| 00:54:08 |
Can I see you? |
| 00:54:10 |
I was afraid that was just... |
| 00:54:13 |
...the one night. |
| 00:54:16 |
Not for me, it wasn't. |
| 00:54:20 |
Yeah, me neither. |
| 00:54:24 |
Can I fall by? |
| 00:54:27 |
Yeah. |
| 00:54:28 |
I'll see you in a little bit. |
| 00:54:43 |
All right. |
| 00:54:45 |
Goddamn convention. |
| 00:54:48 |
-Which one's Slick? |
| 00:54:50 |
We got two transmitters. |
| 00:54:52 |
One's in the wheel well, |
| 00:54:55 |
Here we are. |
| 00:54:56 |
Did you say good night to Neil? |
| 00:54:59 |
The blond is Chris Shiherlis. |
| 00:55:01 |
SIS has got a revolving tail |
| 00:55:07 |
Cheritto's cruised the precious-metals |
| 00:55:11 |
Platinum, silver, and some bullion. |
| 00:55:14 |
Sammy and I think that's going to be |
| 00:55:16 |
Who's the loner? |
| 00:55:21 |
First time we're seeing him. |
| 00:55:23 |
We're not on him yet. |
| 00:55:26 |
Get on it. |
| 00:55:45 |
When these guys walk out the door of |
| 00:55:52 |
...they're gonna have the surprise |
| 00:56:11 |
Baby, time to go. |
| 00:56:14 |
Showed you a good time, didn't I? |
| 00:56:20 |
You fly. |
| 00:56:21 |
You cool. |
| 00:56:30 |
You're lying to me. |
| 00:56:35 |
I ain't lying. |
| 00:56:37 |
You a hot dog. |
| 00:56:39 |
A regular rodeo rider. |
| 00:56:42 |
And this was the monster fuck |
| 00:56:49 |
Now, I got to get my ass street-side, sugar. |
| 00:56:52 |
You don't have a truth-telling style. |
| 00:56:54 |
What are you talking about? |
| 00:56:56 |
You don't know what this is. |
| 00:57:05 |
The Grim Reaper's visiting with you. |
| 00:57:26 |
Where have you been? |
| 00:57:29 |
SHU at Pelican Bay. |
| 00:57:31 |
And Folsom, B-wing. |
| 00:57:34 |
I am a cowboy... |
| 00:57:36 |
...looking for anything heavy. |
| 00:57:38 |
Billy said to come see you. |
| 00:57:41 |
That is why I am here. |
| 00:57:52 |
Why don't you call this guy? |
| 00:57:56 |
This guy's always putting guys on. |
| 00:58:02 |
Thank you. |
| 00:58:18 |
You're perfect for each other. |
| 00:58:26 |
I knew a guy in grade school. |
| 00:58:28 |
His name was Raoul...whatever. |
| 00:58:30 |
You could take his fingers |
| 00:58:34 |
He'd turn his eyelids inside out.... |
| 00:58:36 |
I can't keep my hands off you. |
| 00:58:41 |
That's what's so wonderful |
| 00:58:43 |
...bestial sort of way. |
| 00:58:50 |
Woman. |
| 00:58:58 |
This better be earth-shattering. |
| 00:59:06 |
This is to Raoul. |
| 00:59:10 |
Yeah, Vincent Hanna. |
| 00:59:54 |
Here's how we found her. |
| 01:00:00 |
How old? |
| 01:00:01 |
16, 17. Been here about six hours. |
| 01:00:05 |
How'd she die? |
| 01:00:07 |
Beat her head in, same as the others. |
| 01:00:13 |
Who's that? |
| 01:00:15 |
Mother and siblings. |
| 01:00:16 |
-Why are they here? |
| 01:00:18 |
Somebody inside knew the girl |
| 01:00:22 |
Let's go. |
| 01:00:28 |
Nice. |
| 01:00:30 |
My intuition says the check on the semen |
| 01:00:34 |
...so it's a series and ending up |
| 01:00:37 |
Sheriff's getting anywhere? |
| 01:00:39 |
Not yet. |
| 01:00:42 |
Get off of me! |
| 01:00:46 |
Oh, my God! |
| 01:00:52 |
Where is she? |
| 01:00:53 |
Easy, easy, easy. |
| 01:00:58 |
Please, come on. |
| 01:01:02 |
It's okay. It's okay. |
| 01:01:06 |
Where is my baby? |
| 01:01:07 |
Where is she? |
| 01:01:09 |
I need to know what happened. |
| 01:01:54 |
I guess the earth shattered. |
| 01:01:57 |
So why didn't you let Bosko |
| 01:02:01 |
I didn't want to ruin their night too. |
| 01:02:04 |
What was it? |
| 01:02:07 |
You don't want to know. |
| 01:02:09 |
I'd like to know what's behind |
| 01:02:12 |
I don't do that. You know it. Let's go. |
| 01:02:16 |
You never told me I'd be excluded. |
| 01:02:20 |
I told you when we hooked up... |
| 01:02:22 |
...that you were gonna have to share me... |
| 01:02:24 |
...with all the bad people |
| 01:02:28 |
And I bought into that sharing... |
| 01:02:31 |
...because I love you. |
| 01:02:33 |
I love you fat, bald, money, |
| 01:02:37 |
I don't care. |
| 01:02:39 |
But you have got to be present |
| 01:02:42 |
That's sharing. |
| 01:02:45 |
What I should do is come home and say: |
| 01:02:49 |
"Hi, honey, guess what? |
| 01:02:52 |
"...where this junkie asshole |
| 01:02:56 |
"...because he was crying too loud, |
| 01:03:00 |
"Come on, let's share that |
| 01:03:03 |
"...we'll somehow cathartically dispel |
| 01:03:08 |
Right? |
| 01:03:12 |
Wrong. |
| 01:03:13 |
You know why? |
| 01:03:14 |
'Cause you prefer the normal routine. |
| 01:03:17 |
We fuck and you don't speak. |
| 01:03:19 |
'Cause I got to hold onto my angst. |
| 01:03:22 |
I preserve it... |
| 01:03:23 |
...because I need it. |
| 01:03:27 |
Where I gotta be. |
| 01:03:36 |
You don't live with me. |
| 01:03:40 |
You live among the remains |
| 01:03:47 |
You sift through the detritus. |
| 01:03:50 |
You read the terrain. |
| 01:03:53 |
You search for signs of passing... |
| 01:03:56 |
...for the scent of your prey... |
| 01:03:59 |
...and then you hunt them down. |
| 01:04:02 |
That's the only thing you're committed to. |
| 01:04:08 |
The rest is the mess you leave |
| 01:04:16 |
What I don't understand is |
| 01:04:40 |
Let's go, baby. |
| 01:04:44 |
I met the manager. |
| 01:04:46 |
Is that the boss? |
| 01:04:49 |
I did time for what that motherfucker |
| 01:04:52 |
Can you just handle it |
| 01:04:57 |
Can you do that? |
| 01:05:00 |
Ain't a hard time been invented |
| 01:05:09 |
What you're hanging with me for? |
| 01:05:13 |
Because I'm proud of you. |
| 01:05:21 |
You're proud of me? |
| 01:05:27 |
Why the hell are you proud of me? |
| 01:05:31 |
Come on home. |
| 01:05:43 |
What were you doing there? |
| 01:05:45 |
I was skiing. |
| 01:05:47 |
I was trying to ski. |
| 01:05:49 |
That's what people do there. |
| 01:05:53 |
...and you meet people. |
| 01:05:55 |
You try to have a good time. |
| 01:05:57 |
-Did you have a good time? |
| 01:05:59 |
Why not? |
| 01:06:00 |
I'm not good at meeting people. |
| 01:06:03 |
You met me. |
| 01:06:05 |
That happened without my thinking |
| 01:06:08 |
Which is why I probably.... |
| 01:06:10 |
No, it's because you are fine. |
| 01:06:18 |
Take off with me for a while. |
| 01:06:21 |
Where? |
| 01:06:23 |
New Zealand. |
| 01:06:25 |
When? |
| 01:06:28 |
I have to go separate. |
| 01:06:31 |
But my job-- |
| 01:06:33 |
I got money. You don't need money. |
| 01:06:35 |
You could set up a studio and work there. |
| 01:06:38 |
I don't know. |
| 01:06:39 |
What's there to know? |
| 01:06:41 |
Are you married? |
| 01:06:44 |
What? |
| 01:06:45 |
The last thing I am is married. |
| 01:06:47 |
I'm a needle starting at zero |
| 01:06:50 |
Then, all of a sudden... |
| 01:06:53 |
...someone like you comes along. |
| 01:06:59 |
You don't know me. |
| 01:07:00 |
I know enough. |
| 01:07:05 |
Come with me. |
| 01:07:17 |
What's wrong? |
| 01:07:20 |
Nothing's wrong. Everything's right. |
| 01:07:28 |
Yeah. |
| 01:07:32 |
Good. |
| 01:07:58 |
Hi, sweetie. |
| 01:08:01 |
You forget your mom was picking you up? |
| 01:08:05 |
No. |
| 01:08:08 |
So, what's going on? |
| 01:08:12 |
I felt like being alone. |
| 01:08:17 |
Come on, I'll drive you home. |
| 01:09:15 |
What's happening? |
| 01:09:19 |
Sir. |
| 01:09:19 |
Captain Jackson wants to know |
| 01:09:23 |
Nothing's going on. Stay off the air. |
| 01:10:19 |
Technique. |
| 01:10:40 |
Open Sesame. Right there. |
| 01:11:40 |
There he is. |
| 01:12:44 |
We walk! |
| 01:12:45 |
I'm there. |
| 01:12:46 |
We walk! |
| 01:13:02 |
He's heard it. |
| 01:13:12 |
Heads up. |
| 01:13:15 |
-One's coming out. |
| 01:13:17 |
Vincent, he's not carrying anything. |
| 01:13:20 |
I see. |
| 01:13:24 |
-Here we go. |
| 01:13:26 |
Both of them are not carrying anything. |
| 01:13:38 |
-Let them go. |
| 01:13:39 |
We can take them on! |
| 01:13:41 |
On what? |
| 01:13:42 |
They didn't steal anything. |
| 01:13:44 |
It gets knocked back to a misdemeanor, |
| 01:13:49 |
No fucking way. |
| 01:13:50 |
I'm not taking the heat from my boss. |
| 01:13:54 |
That's exactly what they'll do. |
| 01:13:57 |
I have tactical command |
| 01:14:00 |
They will walk away |
| 01:14:49 |
Back to work. |
| 01:14:53 |
LAPD, the G, what? |
| 01:14:57 |
Maybe it's the score they were onto. |
| 01:15:00 |
Because it's been hit a couple of times. |
| 01:15:03 |
Assume they got our phones, our houses. |
| 01:15:07 |
...as we sit. Everything. Assume it all. |
| 01:15:10 |
How are we gonna buy the bank package? |
| 01:15:12 |
I'll front that. |
| 01:15:14 |
What if Van Zant has 750? |
| 01:15:15 |
With the heat we got, you want to play |
| 01:15:19 |
No, I want my 750. |
| 01:15:22 |
I got more motivation to whack Van Zant |
| 01:15:26 |
Our problem is to take the bank, |
| 01:15:29 |
Do not go home, do not pack, nothing. |
| 01:15:31 |
Thirty seconds flat from now, we are gone |
| 01:15:41 |
The bank is worth the risk. |
| 01:15:43 |
I need it, brother. |
| 01:15:46 |
We should stay and take it down. |
| 01:16:01 |
I roll with you, Neil. Whatever. |
| 01:16:03 |
-Whatever. |
| 01:16:05 |
On this one, you're on your own. |
| 01:16:20 |
You figure this is the best thing to do? |
| 01:16:23 |
This is the best thing to do? |
| 01:16:25 |
I've got plans, I'm going away after, |
| 01:16:29 |
But Elaine takes good care of you. |
| 01:16:32 |
You got T-bonds, real estate. |
| 01:16:34 |
If I were you, I would be smart |
| 01:16:55 |
For me... |
| 01:16:57 |
...the action is the juice. |
| 01:16:59 |
I'm in. |
| 01:17:06 |
Yeah, sure. |
| 01:17:08 |
Let's go. |
| 01:17:10 |
Fuck them, let's do it. |
| 01:17:12 |
Let's go. We got a lot of work to do. |
| 01:17:31 |
Tim, I gotta call you back. |
| 01:17:34 |
-Can I help you? |
| 01:17:36 |
Who the fuck are you? |
| 01:17:38 |
Who am I? |
| 01:17:39 |
Lieutenant Vincent Hanna, LAPD. |
| 01:17:42 |
LA? This is Las Vegas. |
| 01:17:47 |
Do you know who the fuck you're pushing |
| 01:17:50 |
Las Vegas PD takes you into custody. |
| 01:17:55 |
You are extradited to Newark |
| 01:17:59 |
...up from North Carolina three years ago... |
| 01:18:01 |
...or you go to work for us. |
| 01:18:04 |
Cut and dried. |
| 01:18:06 |
That is it. |
| 01:18:07 |
Shit. |
| 01:18:09 |
Charlene Shiherlis. |
| 01:18:12 |
Who? |
| 01:18:13 |
Who? |
| 01:18:14 |
What are you, a fucking owl? |
| 01:18:16 |
The lady you been talking dirty to |
| 01:18:20 |
You can't tie me to her. |
| 01:18:22 |
Who needs to? Your ass is on a plane |
| 01:18:29 |
Why did I get mixed up with her? |
| 01:18:30 |
Because she got a great ass! |
| 01:18:35 |
And you got your head all the way up it. |
| 01:18:38 |
Jesus. |
| 01:18:40 |
Ferocious, aren't I? |
| 01:18:42 |
When I think of asses... |
| 01:18:44 |
...a woman's ass... |
| 01:18:46 |
...something comes out of me. |
| 01:18:49 |
So? |
| 01:18:50 |
So, no big thing. |
| 01:18:52 |
All I want... |
| 01:18:54 |
...is her husband |
| 01:18:57 |
You'll work with Sgt. Drucker. |
| 01:19:04 |
San Clemente Road and Hermosa... |
| 01:19:06 |
...that's where we cut through the fence. |
| 01:19:10 |
Right. |
| 01:19:11 |
The security systems around here |
| 01:19:18 |
St. Vincent Thomas Bridge, |
| 01:19:22 |
Number two: |
| 01:19:23 |
Over here. Anaheim to the 110. |
| 01:19:26 |
Good. |
| 01:19:27 |
You got it? |
| 01:19:28 |
Good. Let's go. |
| 01:19:52 |
They were looking back... |
| 01:19:55 |
...in this direction. |
| 01:19:57 |
A container facility? |
| 01:19:59 |
What? Cartage theft? |
| 01:20:01 |
Too visible. Too lowball for them. |
| 01:20:08 |
There's an oil refinery and a scrap yard. |
| 01:20:10 |
Refinery pays by check. |
| 01:20:12 |
No cash around. |
| 01:20:13 |
Same for the scrap yard. |
| 01:20:18 |
Stealing hubcaps? |
| 01:20:24 |
A refinery and a scrap yard. |
| 01:20:27 |
What the hell is going on? |
| 01:20:29 |
That's what we are trying to figure out. |
| 01:20:32 |
We thought we had it. |
| 01:20:34 |
Thought we had it. |
| 01:20:45 |
I got an idea... |
| 01:20:48 |
...on what they're looking at. |
| 01:20:54 |
Want to know what they're looking at? |
| 01:20:58 |
I mean, is this guy something, |
| 01:21:02 |
This crew is good. |
| 01:21:06 |
You want to know? |
| 01:21:09 |
What? |
| 01:21:11 |
Us. |
| 01:21:14 |
The LAPD. |
| 01:21:16 |
The police department. |
| 01:21:19 |
We just got made. |
| 01:21:29 |
Yeah! |
| 01:21:38 |
Okay! |
| 01:21:49 |
Okay, motherfucker! |
| 01:22:11 |
Kelso come through? |
| 01:22:13 |
Yeah, you can build a bank with these. |
| 01:22:22 |
Name is Hanna. |
| 01:22:23 |
First name, Vincent. |
| 01:22:26 |
I smeared this sergeant five yards. |
| 01:22:28 |
Hanna's all over you. |
| 01:22:30 |
He's on all the work cars. |
| 01:22:33 |
Not yours. They've been losing you |
| 01:22:35 |
He's a hot dog. |
| 01:22:37 |
Graduate school. Marine Corps. |
| 01:22:40 |
Lieutenant in Robbery-Homicide. |
| 01:22:42 |
He's taken down some heavy crews. |
| 01:22:45 |
He was a fucking maniac. |
| 01:22:48 |
He was working narcotics before that. |
| 01:22:51 |
Divorced twice. Current wife's Justine. |
| 01:22:53 |
He's why the extra heat. |
| 01:22:57 |
The vice sergeant... |
| 01:23:00 |
...says Hanna likes you... |
| 01:23:03 |
...thinks you're some kind of star. |
| 01:23:07 |
Look how sharp this guy is to figure that. |
| 01:23:12 |
Funny as a heart attack. |
| 01:23:13 |
Three marriages? Do you think that means |
| 01:23:18 |
Means he's one of those guys out there... |
| 01:23:20 |
...prowling around all night, dedicated. |
| 01:23:25 |
With him and this much heat, |
| 01:23:35 |
It's worth the stretch. |
| 01:23:38 |
This guy can hit or miss. |
| 01:23:40 |
You can't miss once. |
| 01:23:43 |
You sure? |
| 01:23:45 |
I am sure. |
| 01:23:52 |
Let's go to the garage. |
| 01:24:22 |
Where are we going? |
| 01:24:29 |
Where are you going? |
| 01:24:31 |
Out. |
| 01:25:31 |
What are they on? |
| 01:25:32 |
TAC 9. |
| 01:25:35 |
They're northbound out LAX on the 405. |
| 01:25:57 |
This is Vincent Hanna in Air 18. |
| 01:26:01 |
This is JJ. I'm in Air 40. |
| 01:26:03 |
Richard Glover's with me. |
| 01:26:07 |
...approaching the 110. |
| 01:26:09 |
Revolving tail? |
| 01:26:11 |
I got two units in front, three behind. |
| 01:26:14 |
Have one of them pick me up |
| 01:26:18 |
Let's go. |
| 01:27:09 |
Am I 100 yards, or what? |
| 01:27:13 |
Three hundred yards, center lane. |
| 00:00:39 |
What do you say I buy you a cup of coffee? |
| 00:00:48 |
Yeah, sure. Let's go. |
| 00:00:50 |
Follow me. |
| 00:01:07 |
Seven years in Folsom. |
| 00:01:10 |
In the hole for three. |
| 00:01:12 |
McNeil before that. |
| 00:01:16 |
McNeil as tough as they say? |
| 00:01:20 |
You looking to become a penologist? |
| 00:01:23 |
You looking to go back? |
| 00:01:25 |
I chased down some crews. Guys just |
| 00:01:29 |
That you? |
| 00:01:31 |
You must've worked some dipshit crews. |
| 00:01:34 |
I worked all kinds. |
| 00:01:39 |
You see me doing liquor store holdup |
| 00:01:45 |
I do not. |
| 00:01:46 |
Right. |
| 00:01:49 |
I am never going back. |
| 00:01:52 |
Then don't take down scores. |
| 00:01:56 |
I do what I do best. |
| 00:01:57 |
I take scores. You do what you do best: |
| 00:02:05 |
You never wanted a regular type life? |
| 00:02:08 |
What is that? The barbecues |
| 00:02:13 |
Yeah. |
| 00:02:17 |
This regular type like your life? |
| 00:02:19 |
My life? No, my life.... |
| 00:02:23 |
My life's a disaster zone. |
| 00:02:27 |
I got a stepdaughter so fucked up... |
| 00:02:30 |
...because her real father |
| 00:02:33 |
I got a wife. |
| 00:02:34 |
We're passing each other |
| 00:02:37 |
My third. |
| 00:02:40 |
Because I spend all my time |
| 00:02:44 |
That's my life. |
| 00:02:52 |
Guy told me one time: |
| 00:02:55 |
"Don't get attached to anything |
| 00:03:00 |
"...if you feel the heat around the corner." |
| 00:03:04 |
If you're on me and you got to move |
| 00:03:07 |
...how do you expect to keep a marriage? |
| 00:03:12 |
That's an interesting point. |
| 00:03:16 |
What are you, a monk? |
| 00:03:18 |
I have a woman. |
| 00:03:20 |
What do you tell her? |
| 00:03:24 |
I tell her I'm a salesman. |
| 00:03:33 |
So, if you spot me coming |
| 00:03:37 |
...you'll just walk out on her? |
| 00:03:40 |
Not say good-bye? |
| 00:03:42 |
That's the discipline. |
| 00:03:45 |
That's pretty vacant. |
| 00:03:47 |
It is what it is. |
| 00:03:49 |
It's that, or we both better go do |
| 00:03:53 |
I don't know how to do anything else. |
| 00:03:56 |
Neither do I. |
| 00:04:00 |
I don't want to either. |
| 00:04:02 |
Neither do I. |
| 00:04:11 |
You know, I have this recurring dream. |
| 00:04:16 |
I'm sitting at this big banquet table and... |
| 00:04:19 |
...all the victims of all the murders |
| 00:04:23 |
...and they're staring at me |
| 00:04:27 |
...because they got eight-ball hemorrhages |
| 00:04:32 |
And there they are, |
| 00:04:36 |
...because I found them two weeks |
| 00:04:40 |
The neighbors reported the smell... |
| 00:04:43 |
...and there they are... |
| 00:04:45 |
...all just sitting there. |
| 00:04:49 |
What do they say? |
| 00:04:52 |
Nothing. |
| 00:04:54 |
No talk? |
| 00:04:57 |
They have nothing to say. |
| 00:05:00 |
We just look at each other. |
| 00:05:03 |
They look at me... |
| 00:05:05 |
...and that's it. That's the dream. |
| 00:05:10 |
I have one where I'm drowning. |
| 00:05:13 |
I gotta wake myself up and start breathing |
| 00:05:18 |
What's that about? |
| 00:05:22 |
Having enough time. |
| 00:05:25 |
Enough time... |
| 00:05:26 |
...to do what you want to do? |
| 00:05:28 |
That's right. |
| 00:05:32 |
You doing it now? |
| 00:05:34 |
No, not yet. |
| 00:05:40 |
You know, we're sitting here... |
| 00:05:44 |
...like a couple of regular fellas. |
| 00:05:46 |
You do what you do, |
| 00:05:51 |
Now that we've been face to face... |
| 00:05:56 |
...if I'm there and I gotta put you away... |
| 00:05:59 |
...I won't like it. |
| 00:06:02 |
But, I tell you... |
| 00:06:05 |
...if it's between you... |
| 00:06:08 |
...and some poor bastard whose wife |
| 00:06:12 |
...brother... |
| 00:06:14 |
...you are going down. |
| 00:06:28 |
There's a flip side to that coin. |
| 00:06:33 |
What if you do got me boxed in... |
| 00:06:36 |
...and I gotta put you down? |
| 00:06:39 |
Because no matter what... |
| 00:06:41 |
...you won't get in my way. |
| 00:06:44 |
We've been face to face, yeah. |
| 00:06:50 |
But I will not hesitate. |
| 00:06:52 |
Not for a second. |
| 00:07:00 |
Maybe that'll happen. |
| 00:07:04 |
Or... |
| 00:07:05 |
...who knows? |
| 00:07:07 |
Maybe we'll never see each other again. |
| 00:07:25 |
They dumped us. |
| 00:07:28 |
What? |
| 00:07:30 |
They dumped us. |
| 00:07:32 |
What do you mean? |
| 00:07:33 |
Chris slipped away. |
| 00:07:34 |
He doesn't talk about their scores... |
| 00:07:36 |
...so there's nothing for me to get |
| 00:07:40 |
-What about Cheritto? |
| 00:07:42 |
Transponders got put on a bus |
| 00:07:48 |
They dumped all our surveillance? |
| 00:07:49 |
Yes, at the same time. 9:00 p.m. |
| 00:07:53 |
I had coffee with McCauley |
| 00:07:56 |
We were on you. |
| 00:07:58 |
Then McCauley drives in to LAX |
| 00:08:02 |
His car's still there. He's gone. |
| 00:08:10 |
Does anybody have any idea |
| 00:09:14 |
Hear from him? |
| 00:09:16 |
Not a thing. And not hearing |
| 00:09:23 |
This guy... |
| 00:09:24 |
...we put him on. |
| 00:09:26 |
Says he knows McCauley. |
| 00:09:33 |
Who are you? |
| 00:09:35 |
Waingro. |
| 00:09:37 |
My name's Waingro. |
| 00:09:39 |
I've been living in this office. |
| 00:09:43 |
We took some major scores together. |
| 00:09:50 |
Why haven't I heard from him? |
| 00:09:52 |
He's probably busy right now. |
| 00:09:54 |
But he's real thorough. |
| 00:09:57 |
He ain't going to forget about you. |
| 00:10:00 |
That's reassuring. |
| 00:10:03 |
I got some moves I could make here. |
| 00:10:07 |
Probably be a big help to you. |
| 00:10:30 |
You recognize the grill man? |
| 00:10:40 |
No. |
| 00:10:41 |
Folsom. |
| 00:10:42 |
D-block. Housed with Dobie Rush. |
| 00:10:46 |
I ain't got my break yet. |
| 00:10:47 |
Cisco and Pancho didn't show. |
| 00:10:50 |
Haul out the garbage. Mop up the back. |
| 00:10:53 |
Take your break later. |
| 00:10:55 |
Piece of shit. |
| 00:10:57 |
Pick up! |
| 00:11:01 |
Where the hell is he? |
| 00:11:03 |
I want to check the slot for the work car. |
| 00:11:05 |
So did I. |
| 00:11:14 |
Hang on. |
| 00:11:18 |
Use the land line. Call me at 103-7206. |
| 00:11:35 |
Where are you? |
| 00:11:37 |
There's cops all over me, man, |
| 00:11:40 |
I can't dump them. |
| 00:11:44 |
They know you see them? |
| 00:11:46 |
They're doing parallels. |
| 00:11:51 |
I can try to dump them again. |
| 00:11:52 |
How are we going to know if you did? |
| 00:11:55 |
You'll draw them to us. |
| 00:11:57 |
Go to Ventura. |
| 00:11:58 |
Pull them out of here. |
| 00:11:59 |
I'm sorry. Last thing I wanted to do |
| 00:12:29 |
Pick up. |
| 00:12:33 |
Neil, man. What's up? |
| 00:12:34 |
What's up? |
| 00:12:36 |
What are you doing here? |
| 00:12:38 |
I'm looking for a driver |
| 00:12:41 |
Right now, today. |
| 00:12:43 |
You remember the drill? |
| 00:12:44 |
Yeah, sure. |
| 00:12:46 |
You cool? |
| 00:12:48 |
You know I'm cool. |
| 00:12:50 |
One answer, yes or no. Right now. |
| 00:13:07 |
Yeah, man. Fuck, yeah. You're on. |
| 00:13:11 |
Out back in five. |
| 00:13:23 |
What's burning? |
| 00:13:25 |
What is this? |
| 00:13:27 |
Where do you think you're going? |
| 00:15:05 |
Don't move! Put your hands in the air! |
| 00:15:07 |
Hands up! |
| 00:15:08 |
Put them up! Now! |
| 00:15:11 |
Get on your knees! |
| 00:15:12 |
The keys! |
| 00:15:15 |
Get on your knees! |
| 00:15:20 |
Get over there! |
| 00:15:23 |
Turn around! |
| 00:15:24 |
Put your hands behind you! |
| 00:15:26 |
Get down! |
| 00:15:27 |
Stay down! |
| 00:15:29 |
Get down! |
| 00:15:33 |
-Down! |
| 00:15:40 |
Stay down! |
| 00:15:42 |
We want to hurt no one. |
| 00:15:45 |
Your money is insured by the government. |
| 00:15:48 |
Think of your families. |
| 00:15:50 |
Don't risk your life. Don't be a hero. |
| 00:15:53 |
I want you to sit on the floor, put your |
| 00:15:57 |
...anybody got heart trouble, |
| 00:16:01 |
The key. |
| 00:16:02 |
What key? |
| 00:16:06 |
Sit down and stay down! |
| 00:16:09 |
Sit there. Don't move. Let it bleed. |
| 00:17:01 |
Get down. Down, down, down. |
| 00:17:03 |
Put your heads down! |
| 00:17:30 |
You guys working a case |
| 00:17:32 |
This C.I., Hugh Benny, |
| 00:17:39 |
Far East National Bank, 11:30! |
| 00:17:59 |
I want a block at Figueroa and Fifth... |
| 00:18:02 |
...and I want a block |
| 00:18:43 |
They're already coming out. |
| 00:18:45 |
We gotta take them in the car. |
| 00:18:47 |
Wait till they are all in. |
| 00:18:49 |
Get clean shots. Watch your background. |
| 00:19:01 |
Police! Move! |
| 00:19:04 |
Move. Move. Get down. |
| 00:19:28 |
Move it. Down, down. |
| 00:19:33 |
We did it! |
| 00:19:38 |
Move! |
| 00:19:45 |
Get down! |
| 00:19:56 |
Get in the car! |
| 00:20:14 |
Go! Go! |
| 00:21:16 |
Go! |
| 00:21:42 |
Go! |
| 00:23:58 |
Get down! |
| 00:24:13 |
Out of the way! Get them down! Now! |
| 00:25:17 |
Come here. |
| 00:26:04 |
I got you. |
| 00:26:09 |
Tragedy in the neighborhood today. |
| 00:26:14 |
Claudia Newman, live on the scene. |
| 00:26:17 |
This afternoon, a neighborhood was |
| 00:26:21 |
With the streets full of shoppers and kids, |
| 00:26:25 |
Excuse me, bartender. |
| 00:26:27 |
Our top story tonight: |
| 00:26:31 |
A Los Angeles neighborhood is shaken |
| 00:26:34 |
...that ended in homicide and terror. |
| 00:26:37 |
Michael Cheritto... |
| 00:26:38 |
...one of four men involved |
| 00:26:43 |
Also fatally wounded: |
| 00:26:44 |
...another suspect, Donald Breedan, |
| 00:26:47 |
...during the extensive gunfire |
| 00:26:53 |
All right, hold him. |
| 00:26:55 |
It's all right. |
| 00:27:05 |
So? |
| 00:27:06 |
He's got blood loss and shock. |
| 00:27:08 |
I'll give you quarter-grain bottles |
| 00:27:12 |
Bottom line? |
| 00:27:14 |
It's mostly tissue damage, which is good. |
| 00:27:17 |
His clavicle's fractured. Can you rest? |
| 00:27:20 |
Six, seven hours. |
| 00:27:22 |
-That's it? |
| 00:27:23 |
Take off your shirt. |
| 00:27:25 |
What? |
| 00:27:28 |
Take off your shirt. |
| 00:27:38 |
My daughter gave it to me. |
| 00:27:39 |
I don't give a shit. Take it off. |
| 00:27:54 |
Listen to me. |
| 00:27:55 |
Nate's going to pick you up. |
| 00:28:01 |
Where's Charlene? |
| 00:28:02 |
We gotta go. We're on the 6 o'clock news. |
| 00:28:06 |
I'm not going without her. |
| 00:28:09 |
Think about that. |
| 00:28:10 |
I will meet you at Nate's. |
| 00:28:12 |
Where are you going? |
| 00:28:14 |
To find out if our out got spilled |
| 00:28:18 |
Who did it? |
| 00:28:21 |
Who wasn't there? |
| 00:28:24 |
Trejo. |
| 00:28:28 |
See you at Nate's. |
| 00:28:38 |
You still want me? |
| 00:28:40 |
You come down here right now |
| 00:28:44 |
Okay, baby. |
| 00:28:46 |
I'll be there in two hours. |
| 00:28:49 |
All right. |
| 00:28:52 |
Goddamn you, Chris. |
| 00:28:54 |
Goddamn you. |
| 00:28:56 |
You're on a plane to Los Angeles. |
| 00:28:59 |
Right. |
| 00:29:48 |
Why did you do it? What happened? |
| 00:29:52 |
-They made me. |
| 00:29:53 |
Where's Anna? |
| 00:29:56 |
She's dead. |
| 00:30:00 |
So is Michael and Breedan, |
| 00:30:04 |
Who did it? |
| 00:30:05 |
Who did it? |
| 00:30:06 |
They had Anna, man. |
| 00:30:08 |
Who? |
| 00:30:11 |
Waingro. |
| 00:30:12 |
Waingro. |
| 00:30:14 |
On his own? |
| 00:30:18 |
-For someone. |
| 00:30:21 |
The other he worked for. |
| 00:30:24 |
Van Zant. |
| 00:30:28 |
Van Zant? |
| 00:30:34 |
Are you sure? |
| 00:30:36 |
Van Zant. |
| 00:30:39 |
Did you tell them how we're getting out? |
| 00:30:42 |
I don't think so. |
| 00:30:44 |
Come on. |
| 00:30:47 |
I don't remember. |
| 00:30:54 |
I'll call a medic. |
| 00:30:56 |
I'm not going to make it. |
| 00:31:00 |
I can't feel a bloody thing. |
| 00:31:04 |
My Anna's gone. |
| 00:31:08 |
She's gone. |
| 00:31:12 |
Don't leave me like this. |
| 00:31:15 |
Please, homes. |
| 00:31:17 |
Don't leave me like this. |
| 00:31:46 |
You on a cellular? Use a hard line. |
| 00:31:50 |
It's a new one. |
| 00:31:52 |
The guy lives on Hillside Terrace, Encino. |
| 00:31:55 |
10725. |
| 00:31:57 |
10725. |
| 00:31:59 |
Chris? |
| 00:32:00 |
He's with me, my place. |
| 00:32:02 |
Next, Waingro, okay? |
| 00:32:07 |
You got the time? |
| 00:32:09 |
I'll make time. |
| 00:32:11 |
And I need a new out. |
| 00:32:13 |
Is it blown? |
| 00:32:16 |
How can I trust it? |
| 00:32:21 |
You got it. |
| 00:32:23 |
Stay healthy. |
| 00:32:30 |
Charlene Shiherlis. |
| 00:32:32 |
Drucker's got a safe house in Venice |
| 00:32:35 |
Neil's transportation. |
| 00:32:37 |
Get on the phone. Somewhere, someone's |
| 00:32:41 |
You don't believe he already had a plan? |
| 00:32:44 |
Sure. Now he needs another. |
| 00:32:46 |
Would you trust yours |
| 00:32:49 |
This rat motherfucker, |
| 00:32:52 |
He's a C.I. for a burglary cop. |
| 00:32:56 |
On Neil McCauley. |
| 00:32:57 |
How much time we got? |
| 00:32:59 |
Eight, ten hours for him to set up |
| 00:33:58 |
You ratted McCauley to us! |
| 00:34:01 |
Who told you? |
| 00:34:03 |
Who told you, rat motherfucker? |
| 00:34:05 |
Who? |
| 00:34:51 |
Waingro, where is he? |
| 00:34:54 |
Where? |
| 00:34:55 |
How would I know? |
| 00:35:22 |
Well... |
| 00:35:23 |
...what do we have here? |
| 00:35:26 |
This pretty? |
| 00:35:27 |
This pretty? |
| 00:35:32 |
You piece of shit. |
| 00:35:33 |
Told me you wanted out from under. |
| 00:35:37 |
You want out? This is out. |
| 00:35:39 |
-Yeah, what's your end? |
| 00:35:43 |
How'd I get into this? |
| 00:35:44 |
Easy. |
| 00:35:46 |
You heard me. She had a rough ride. |
| 00:35:49 |
Fix her a drink. |
| 00:35:50 |
Look in the cabinet above the sink. |
| 00:35:52 |
Fuck her. |
| 00:35:55 |
You better get in there and stay in there. |
| 00:36:01 |
Lookie here. |
| 00:36:04 |
My name is Sgt. Drucker, LAPD Homicide. |
| 00:36:07 |
You want to put Dominick |
| 00:36:09 |
He stays with me. |
| 00:36:21 |
So, what now? |
| 00:36:25 |
He's right. |
| 00:36:26 |
You want out? This is out. |
| 00:36:30 |
You believe you have to betray Chris? |
| 00:36:33 |
No shit. |
| 00:36:34 |
That's right. You would have to. |
| 00:36:37 |
See, if you don't betray Chris, |
| 00:36:42 |
'Cause he becomes an orphan |
| 00:36:46 |
...'cause you got no parents to take him. |
| 00:36:51 |
...juvenile facilities. |
| 00:36:53 |
Then he steals a car. |
| 00:36:55 |
Then he winds up in gladiator academies |
| 00:37:01 |
Fucked for life. |
| 00:37:04 |
You know what happens, |
| 00:37:09 |
Dominick didn't get a chance yet |
| 00:37:15 |
If you give up Chris, you get off clean. |
| 00:37:19 |
You can do it... |
| 00:37:20 |
...for your kid, so you can raise him. |
| 00:37:27 |
What else are you selling? |
| 00:37:28 |
All kinds of shit. |
| 00:37:31 |
But I don't have to sell this, you know it. |
| 00:37:42 |
Here's an update. |
| 00:37:44 |
Drucker's on Line 2. |
| 00:37:46 |
Hold on for a second. |
| 00:37:50 |
Drucker's on the other line. |
| 00:37:53 |
Conference him in. |
| 00:37:55 |
Go ahead. |
| 00:37:57 |
Vincent, it's me. |
| 00:38:01 |
One answer. What's it going to be? |
| 00:38:10 |
We're set here. She'll make the call. |
| 00:38:13 |
That's good. Here's the deal. |
| 00:38:16 |
Hugh Benny has reformed |
| 00:38:20 |
...and become a born-again good citizen. |
| 00:38:22 |
Apparently, Neil got sold out to us |
| 00:38:27 |
Waingro used to be a part of Neil's crew, |
| 00:38:32 |
Van Zant. |
| 00:38:35 |
Units are at Van Zant's house |
| 00:38:37 |
...because he got shot dead earlier tonight. |
| 00:38:40 |
If Neil goes after anybody else, |
| 00:38:43 |
Waingro just got himself a suite |
| 00:38:47 |
...under the name Jamieson. |
| 00:38:49 |
He's there now. I want you to get that |
| 00:38:53 |
...assignment officers |
| 00:38:57 |
Anyone you can think of who'll put it |
| 00:39:01 |
...and personally check their coms |
| 00:39:04 |
Because maybe Neil will go for him. |
| 00:39:07 |
How're you feeling? |
| 00:39:09 |
Hang up, but I'll live. |
| 00:39:19 |
He's here. |
| 00:39:21 |
Neil is still here. |
| 00:39:24 |
I can feel it. |
| 00:39:27 |
For how long? |
| 00:39:29 |
Seven, eight hours, max. |
| 00:39:41 |
What did you do? |
| 00:39:43 |
That was you? |
| 00:39:44 |
I don't sell metal. |
| 00:39:47 |
Would have been okay, you fly out after. |
| 00:39:50 |
We gotta go together. |
| 00:39:52 |
Those other people were with you? |
| 00:39:56 |
My friend, Michael... |
| 00:39:59 |
...he knew the risks. |
| 00:40:06 |
When it rains, you get wet. |
| 00:40:10 |
Get packed. |
| 00:40:31 |
Why did you do this to me? |
| 00:40:45 |
It'll be all right. |
| 00:40:46 |
Do you understand? |
| 00:40:53 |
It's going to be all right. |
| 00:41:06 |
There's a Camaro at this address, |
| 00:41:15 |
Here's some cash. |
| 00:41:19 |
When is it over? |
| 00:41:24 |
Twenty-two hours from now. |
| 00:41:26 |
-Then we get out of here clean. |
| 00:41:33 |
Go now. |
| 00:41:35 |
You want out? There's the door. |
| 00:41:37 |
Will you let me leave later? |
| 00:41:44 |
It will be different. |
| 00:41:48 |
Do you even understand? |
| 00:42:20 |
It's ready. |
| 00:42:29 |
This is my friend Ralph. |
| 00:42:32 |
You didn't tell me you were-- |
| 00:42:35 |
Oh, my God! |
| 00:42:36 |
Where's Lauren? |
| 00:42:38 |
She's at Lisa-Beth's. |
| 00:42:40 |
This has nothing to do with me. I'm sorry. |
| 00:42:42 |
What are you sorry about? |
| 00:42:43 |
Sit down. |
| 00:42:45 |
Don't you even get angry? |
| 00:42:48 |
I'm angry. |
| 00:42:51 |
I'm very angry, Ralph. |
| 00:42:53 |
You can ball my wife if she wants you to. |
| 00:42:58 |
You can lounge around here on her sofa. |
| 00:43:02 |
In her ex-husband's... |
| 00:43:05 |
...dead-tech, post-modernistic, |
| 00:43:08 |
...if you want to. |
| 00:43:12 |
But you do not get to watch... |
| 00:43:14 |
...my fucking... |
| 00:43:17 |
...television set! |
| 00:43:18 |
For God's sake. |
| 00:43:26 |
Put the television set down. |
| 00:43:28 |
-I never cheated on you, bitch. |
| 00:43:31 |
-I should have? |
| 00:43:33 |
I made Ralph fuck you |
| 00:43:36 |
Our situation is absurd. |
| 00:43:40 |
Shut up, Ralph! Sit down! |
| 00:43:46 |
Why is it that I have to figure things out |
| 00:43:50 |
I say what I mean, and I do what I say. |
| 00:43:53 |
How admirable. |
| 00:43:54 |
-You bet. |
| 00:43:57 |
No. |
| 00:44:00 |
I may be stoned on grass and Prozac but... |
| 00:44:03 |
...you walk through our life dead. |
| 00:44:06 |
Now I have to demean myself with Ralph |
| 00:44:23 |
Passports, traveler's checks, plastic. |
| 00:44:26 |
The plane... |
| 00:44:28 |
...charter terminal, LAX, Hangar 17. |
| 00:44:31 |
Call letters are 1011 Sierra. |
| 00:44:36 |
Touches down... |
| 00:44:38 |
...holds for you five minutes, then splits. |
| 00:44:41 |
The plane will stand an FAA check. |
| 00:44:46 |
Where's Chris? |
| 00:44:47 |
He's gone. |
| 00:44:50 |
What? |
| 00:44:51 |
Said he's going on his own. |
| 00:44:54 |
-Did you bring him here? |
| 00:44:57 |
What happened? |
| 00:44:59 |
It's a free country. |
| 00:45:06 |
Check in with me at 9:00... |
| 00:45:08 |
...everything is still cool. |
| 00:45:12 |
All right. |
| 00:45:36 |
I don't know what I'm doing anymore. |
| 00:45:42 |
I know life is short. |
| 00:45:44 |
Whatever time you get is luck. |
| 00:45:49 |
You want to walk? |
| 00:45:54 |
You walk right now... |
| 00:45:57 |
...all on your own. |
| 00:45:59 |
On your own you choose to come with me. |
| 00:46:08 |
All I know is... |
| 00:46:12 |
...there's no point in me |
| 00:46:17 |
...if it's going to be alone... |
| 00:46:20 |
...without you. |
| 00:47:22 |
I got a live one. |
| 00:47:24 |
I'll hold. |
| 00:47:28 |
Show yourself. |
| 00:47:30 |
-Do it. |
| 00:47:36 |
Now, just one second at the window... |
| 00:47:40 |
...and it's all over. |
| 00:49:31 |
Hey, man... |
| 00:49:35 |
...you know any place to rent around here? |
| 00:49:55 |
It's not him. |
| 00:49:56 |
It's not Chris. |
| 00:50:06 |
Unit 2, this is Command. |
| 00:50:08 |
Take him at the street. |
| 00:50:10 |
Check him out. |
| 00:50:39 |
He's John Peterson. |
| 00:50:40 |
Valid ID. Car's registered to... |
| 00:50:43 |
...Bukowski, Gene. |
| 00:50:45 |
Ran it to DMV. |
| 00:50:46 |
It's clean. |
| 00:50:50 |
Let him go. |
| 00:50:52 |
Roger. |
| 00:50:53 |
Thank you. Have a good evening. |
| 00:50:57 |
It's no-go. |
| 00:51:09 |
Would you like a cup of coffee |
| 00:51:12 |
Yeah, that would be nice. |
| 00:51:44 |
What do you got? |
| 00:51:46 |
Nothing's happening. |
| 00:52:01 |
Hello, it's Vincent. |
| 00:52:03 |
What do you got? |
| 00:52:04 |
Nothing's going on. Waingro went for ice. |
| 00:52:07 |
That's it. |
| 00:52:17 |
You know what? |
| 00:52:20 |
Neil is gone. |
| 00:52:27 |
Flying like a bird. |
| 00:52:29 |
How do you know? |
| 00:52:33 |
We still got bait! |
| 00:52:34 |
-Maybe some time! |
| 00:52:36 |
What do we got? |
| 00:52:38 |
Bon voyage, motherfucker. |
| 00:52:41 |
You were good. |
| 00:52:45 |
I'm going to the hotel. |
| 00:52:48 |
I'm going to take a shower... |
| 00:52:51 |
...and I'm going to sleep for a month. |
| 00:55:04 |
Here. |
| 00:55:13 |
Come on. |
| 00:55:22 |
Shit. |
| 00:55:33 |
Motherfucking waste. |
| 00:55:38 |
Assholes shoot themselves all fucking day. |
| 00:55:41 |
Not you, baby. |
| 00:55:42 |
Not you. |
| 00:55:49 |
Where would she be? Her name is Lauren. |
| 00:55:52 |
Lauren Gustafson, |
| 00:56:02 |
I need somebody to help.... |
| 00:56:10 |
I got you. |
| 00:56:13 |
You'll be all right, I swear. It's okay, baby. |
| 00:56:16 |
Let's get a doctor! |
| 00:56:18 |
Let's go! A doctor here! |
| 00:56:20 |
-There's your mama. |
| 00:56:22 |
-Is she on any drugs? |
| 00:56:27 |
Get a trauma surgeon |
| 00:56:30 |
I think she cut both arteries. |
| 00:56:34 |
Her pressure's down. |
| 00:56:35 |
So is the respiration. |
| 00:56:37 |
It's ready. |
| 00:56:40 |
When's the last time anybody saw her? |
| 00:56:42 |
I don't know. |
| 00:56:44 |
Where did you find her? |
| 00:56:45 |
The bathtub. |
| 00:56:48 |
Give her large-bore normal saline. |
| 00:56:51 |
Keep pressure on those bleeders. |
| 00:56:52 |
Give me two units, O-negative. |
| 00:56:57 |
Where is respiratory? We need more help. |
| 00:57:01 |
Let's have X-ray ready |
| 00:57:10 |
Your daughter's out of surgery |
| 00:57:14 |
Her vital signs are stable. |
| 00:57:15 |
The surgeon will speak to you |
| 00:57:18 |
She's okay? |
| 00:57:19 |
She's doing good. |
| 00:57:20 |
She'll be okay. |
| 00:57:22 |
She's going to be okay. |
| 00:57:24 |
Oh, my baby. |
| 00:57:29 |
Look what she did. |
| 00:57:36 |
It's all right. It's going to be all right. |
| 00:57:39 |
I'm here. I ain't going anywhere. |
| 00:57:41 |
Do you understand? |
| 00:57:59 |
It's me. |
| 00:58:01 |
Plane's in the air now. |
| 00:58:04 |
I still can't find a driver... |
| 00:58:06 |
...so that's in the trust. |
| 00:58:08 |
One other thing... |
| 00:58:11 |
...I gotta tell you. |
| 00:58:13 |
The guy you want is in the Marquis |
| 00:58:17 |
...which I figure you wouldn't. |
| 00:58:19 |
You figured right. |
| 00:58:21 |
So, so long, brother. |
| 00:58:25 |
You take it easy. |
| 00:58:27 |
You're home free. |
| 00:58:31 |
Take it easy. |
| 00:58:43 |
What is it? |
| 00:58:44 |
Nothing. |
| 00:58:46 |
Home free. |
| 00:59:25 |
I gotta take care of something. |
| 00:59:27 |
Is there time? |
| 00:59:29 |
There's time. |
| 00:59:59 |
I'll be right back. Just leave her running. |
| 01:00:44 |
Registration. |
| 01:00:45 |
This is room service. |
| 01:00:46 |
A Jamieson ordered a BLT, and they |
| 01:00:51 |
- They're always doing that. |
| 01:00:52 |
1735. |
| 01:00:54 |
Thank you. |
| 01:02:39 |
Your attention, please. |
| 01:02:41 |
We are currently experiencing a fire alarm. |
| 01:02:44 |
Do not panic. |
| 01:02:46 |
Do not take the elevators. |
| 01:02:53 |
I'm staying here. |
| 01:02:54 |
I'll check the stairs. |
| 01:03:02 |
What about her dad? Should I call him? |
| 01:03:06 |
He's somewhere in the Sierras. |
| 01:03:10 |
And she chose you. |
| 01:03:14 |
She picked your place. |
| 01:03:18 |
It's not right, what happened to her. |
| 01:03:20 |
No, it's not. |
| 01:03:38 |
Is there any way that... |
| 01:03:42 |
...it could work out between us? |
| 01:03:47 |
I wish I could say yes, you know. |
| 01:03:50 |
But... |
| 01:03:51 |
...in the end.... |
| 01:03:58 |
It's like you said: |
| 01:04:03 |
All I am... |
| 01:04:05 |
...is what I'm going after. |
| 01:04:14 |
I'm not what you want, Justine. |
| 01:04:27 |
Go on, if you have to. |
| 01:04:32 |
I'll stay. |
| 01:04:33 |
I'm okay. I can handle this. |
| 01:04:39 |
Just be careful. |
| 01:04:41 |
Call me here. Let me know you're okay. |
| 01:04:45 |
Okay? |
| 01:05:46 |
Security. There's a fire on three. |
| 01:05:49 |
We have to evacuate all floors. |
| 01:05:51 |
I can't leave here. |
| 01:06:01 |
Why don't we just talk |
| 01:06:18 |
He's here on 17. |
| 01:06:23 |
Look at me. |
| 01:06:24 |
Look at me! |
| 01:06:28 |
Look at me! |
| 01:07:02 |
LAPD! Don't move! |
| 01:07:03 |
Put your hands on your head! |
| 01:07:41 |
Switch me to TAC 5. |
| 01:07:43 |
Casals.... |
| 01:07:45 |
JJ.... |
| 01:07:46 |
Drucker, JJ.... |
| 01:07:48 |
I'm in the lobby level by the stairwell. |
| 01:07:50 |
What have you got? |
| 01:07:51 |
Teams are moving up the other elevators |
| 01:07:55 |
All out of commission because |
| 01:07:58 |
Fine. 10-4. |
| 01:10:25 |
Let me have that shot. |
| 01:16:44 |
Told you I'm never going back. |
| 01:16:51 |
Yeah. |
| 01:16:52 |
Fixed By Geniuses Group |
