High Art
|
00:03:17 |
[Man's Voice] |
00:03:20 |
Hey, James. |
00:03:29 |
Hey. |
00:03:32 |
I know. |
00:03:35 |
Yeah. |
00:03:43 |
Hey, Syd. |
00:03:47 |
Onions or olives? |
00:03:50 |
Olives! |
00:03:52 |
Sorry I'm late. |
00:03:57 |
- We had a lot of submissions. |
00:04:01 |
I thought they were getting |
00:04:04 |
They are. |
00:04:07 |
About an intern? |
00:04:11 |
They're being selective about an intern |
00:04:16 |
[Sighs] |
00:04:18 |
I think their priorities |
00:04:22 |
No one made me stay. |
00:04:24 |
I know they didn't make you. |
00:04:28 |
You sound like you meant that. |
00:04:32 |
If they made you an editor, |
00:04:36 |
I think it's degrading. |
00:04:39 |
Tsk. Assistant editor. |
00:04:42 |
Assistant editor. |
00:04:46 |
Come on, Syd. |
00:04:50 |
Why? I'm not being |
00:04:54 |
except you. |
00:04:56 |
[Scoffs] |
00:05:04 |
Good book? |
00:05:06 |
Yeah, |
00:05:12 |
Hey, that's great |
00:05:15 |
Thanks. |
00:05:19 |
No, I'm not really assisting anyone. |
00:05:22 |
Oh, that's great. |
00:05:26 |
Yeah. Did my faxes come through? |
00:05:30 |
Thanks. |
00:05:35 |
How'd you get that job? |
00:05:38 |
I mean, what did you |
00:05:41 |
What did I have to do |
00:05:43 |
what was your background, |
00:05:47 |
Uh, critical theory. |
00:05:49 |
Really, |
00:05:51 |
Yeah, it's like cultural studies |
00:05:54 |
Philosophy, you know? |
00:05:59 |
Oh, pretty cerebral, huh? |
00:06:01 |
No, it's actually really interesting. |
00:06:04 |
You think? |
00:06:08 |
Dostoevsky. That is cerebral. |
00:06:12 |
Yeah, well, I'm not sure |
00:06:14 |
Debbie, no calls, |
00:06:18 |
Morning. |
00:06:20 |
Did you reconfirm Dieter? |
00:06:24 |
I have some errands |
00:06:30 |
[Phone Rings] |
00:06:34 |
Uh, they should |
00:06:39 |
Are these Dieter's? |
00:06:45 |
That's brilliant. |
00:06:48 |
I got you your scone |
00:06:51 |
Oh, did you? |
00:06:56 |
I'd to like to have all |
00:06:59 |
Mmm. Thanks. |
00:07:08 |
[Sniffs] |
00:07:13 |
[Knocking On Door] |
00:07:17 |
There's a line forming out here. |
00:07:24 |
I'll be right with you, lady. |
00:07:29 |
[Toilet Flushes] |
00:07:36 |
Greta! |
00:07:38 |
No, sorry to hold you up. |
00:07:43 |
Did you finish? |
00:07:50 |
How've you been? |
00:07:53 |
Good. Everything's great. |
00:07:56 |
Good, good. |
00:08:02 |
How are you? |
00:08:07 |
Got a MacArthur last week. |
00:08:10 |
Oh, yeah. |
00:08:13 |
Ah, that's what they call it, |
00:08:15 |
I think it's really more |
00:08:20 |
[Mumbling] |
00:08:32 |
I saw that native lady. |
00:08:35 |
I always forget. |
00:08:38 |
White Hawk. |
00:08:41 |
Yeah, her. |
00:08:43 |
She got some genius award. |
00:08:50 |
Gonna eat? |
00:08:52 |
They should give you |
00:08:55 |
You're a genius. |
00:09:00 |
Thought you weren't gonna |
00:09:07 |
Really. |
00:09:10 |
I was talking to White Cloud. |
00:09:14 |
Woo-woo. |
00:09:18 |
She was chewing my ear off |
00:09:23 |
Really. It was sickening, |
00:09:29 |
Really. I can't stand that. |
00:09:34 |
You know, |
00:09:36 |
the ugliest quality |
00:09:40 |
Vanity. |
00:09:47 |
I don't care if she's disabled. |
00:09:51 |
[Laughs] |
00:09:57 |
[Water Dripping] |
00:10:06 |
- Hey, James? |
00:10:10 |
You know this crack in the ceiling? |
00:10:13 |
Yeah? |
00:10:16 |
Do you want me to try Boris? |
00:10:20 |
I think so. |
00:10:24 |
[Sniffs] |
00:10:33 |
Domino. |
00:10:40 |
That's me. |
00:10:44 |
Arnie, |
00:10:46 |
I'm not cheating, |
00:10:50 |
because if you count up the outsides, |
00:10:54 |
I think you should go |
00:10:58 |
I put my five. |
00:11:01 |
For cryin'out... |
00:11:04 |
You're not, um, focusing, |
00:11:08 |
Are you guys gonna play? |
00:11:11 |
[Giggles] |
00:11:13 |
Cause I've explained it... |
00:11:15 |
Can you... Is it like |
00:11:18 |
I don't have this problem |
00:11:21 |
Could you explain |
00:11:25 |
We're girls. |
00:11:28 |
why don't you |
00:11:32 |
Is Delia |
00:11:36 |
How come Delia |
00:11:39 |
- Because you broke up. |
00:11:47 |
Hi. Are you running a bath? |
00:11:49 |
No. Are you? |
00:11:53 |
No, I'm sorry. |
00:11:55 |
and our ceiling's leaking. |
00:11:58 |
Did you call, um, Boris? |
00:12:03 |
Yeah. He's not answering. |
00:12:06 |
Did you call a plumber? |
00:12:08 |
Well, I didn't really want to. |
00:12:13 |
It's probably just your drains |
00:12:16 |
I mean, you live right on top of us. |
00:12:19 |
Yeah, I wish I knew |
00:12:21 |
but no one here's |
00:12:24 |
Right. |
00:12:30 |
Find anything interesting? |
00:12:33 |
but I can't tell exactly where |
00:12:37 |
Do you have a rag? |
00:12:42 |
I might. I'll look. |
00:12:53 |
Who's that? |
00:12:57 |
She has a leak downstairs. |
00:12:59 |
She's trying to fix it. |
00:13:02 |
She's cute. |
00:13:27 |
You want to try this? |
00:13:30 |
Who's the photographer? |
00:13:34 |
Oh, I took that. |
00:13:37 |
It's a great picture. |
00:13:42 |
The composition is so skillful, |
00:13:44 |
but it seems really spontaneous, |
00:13:51 |
I think it was a snapshot. |
00:13:54 |
Yeah? [Laughs] |
00:13:57 |
It has this amazing |
00:14:01 |
It's really old. |
00:14:03 |
It still seems |
00:14:06 |
Did you take |
00:14:09 |
Um, I think so. |
00:14:13 |
Did you take the ones |
00:14:15 |
Yeah. Over the years. |
00:14:18 |
Do you ever publish them |
00:14:20 |
Is that, like, |
00:14:24 |
No. I did a long time ago, |
00:14:31 |
Who is this woman? |
00:14:36 |
Her name's Greta. |
00:14:39 |
[Sniffs] |
00:14:41 |
Luce, who's your friend? |
00:14:44 |
Um, sorry. |
00:14:49 |
Right. |
00:14:52 |
Uh, Arnie, Joan, Greta. |
00:14:56 |
Syd. |
00:14:58 |
- Did you get that leak fixed? |
00:15:00 |
We'll have to see what happens. |
00:15:02 |
- Let us know. |
00:15:07 |
[Joan] |
00:15:11 |
Yeah. |
00:15:13 |
See you. |
00:15:23 |
That woman upstairs |
00:15:28 |
Yeah? |
00:15:31 |
What kind |
00:15:34 |
Portraits mostly. |
00:15:36 |
Really. What's, uh... |
00:15:40 |
Lucy. |
00:15:43 |
Lucy? |
00:15:47 |
Yeah. Lucy. |
00:16:01 |
[Chattering] |
00:16:08 |
Good morning. |
00:16:10 |
Do you have any aspirin? |
00:16:13 |
Uh, I think so. |
00:16:16 |
That would help. |
00:16:20 |
Thanks for the tea. |
00:16:23 |
Harry, I was wondering |
00:16:26 |
Is it personal? |
00:16:28 |
[Laughs] No. Um, look, |
00:16:31 |
I can talk to you |
00:16:35 |
Well, it's just that I met... I mean |
00:16:40 |
and I just thought |
00:16:43 |
Lucy Krauss or Berli, |
00:16:47 |
Never heard of her. |
00:16:49 |
Uh, I'm not sure exactly. |
00:16:52 |
- Does she show? |
00:16:56 |
She does excellent work, Harry. |
00:16:58 |
It's mostly portraiture, |
00:17:03 |
It's... No, it's more |
00:17:06 |
And her lighting has this |
00:17:09 |
It's kind of like |
00:17:12 |
Okay, well, let me know |
00:17:16 |
Okay. I think you'd really |
00:17:20 |
I wouldn't consider her for anything |
00:17:25 |
I wasn't saying that you |
00:17:29 |
Bring something in. |
00:17:33 |
I think so. |
00:17:39 |
Okay. I'll definitely |
00:17:43 |
Brilliant. Can't wait. |
00:17:48 |
[Woman] |
00:17:51 |
No, I bought it. |
00:17:54 |
Ma, your American Express bill is huge. |
00:17:58 |
It's over there in the bag. |
00:18:04 |
And I think |
00:18:09 |
Ma, you didn't spend |
00:18:11 |
What, you don't like them? |
00:18:14 |
Come on. |
00:18:16 |
I don't know. |
00:18:19 |
How can you not remember, Ma? |
00:18:22 |
What does it matter? |
00:18:25 |
You just... You need to start |
00:18:30 |
I'm almost gone. |
00:18:35 |
Of course you do. |
00:18:38 |
[Sighs] |
00:18:40 |
You have yours. |
00:18:44 |
I'm not worried about it. |
00:18:46 |
So, what did Dr. Argold say? |
00:18:48 |
He said it's a miracle |
00:18:51 |
Come on, Ma. |
00:18:53 |
Are you still |
00:18:57 |
- The German's name is Greta. |
00:19:01 |
my mother would let me be with a girl, |
00:19:05 |
Well, it's not your time. |
00:19:09 |
Jew haters, all of them. |
00:19:13 |
Baruch ha shem |
00:19:18 |
Don't be irreverent. |
00:19:22 |
Of what? Of me? |
00:19:25 |
Why do you want |
00:19:28 |
You don't want to talk? |
00:19:32 |
You talk while I shoot. |
00:19:34 |
I told you, Lucy. |
00:19:38 |
Who else is left |
00:19:41 |
They're gone. Everyone's gone. |
00:19:44 |
I don't know |
00:19:46 |
Ma, you know why I stopped. |
00:19:49 |
Ah, you're too passive. |
00:19:53 |
Gifted and passive. |
00:19:56 |
Okay, big deal, |
00:19:59 |
That's the way it is. |
00:20:02 |
Can we just enjoy the morning? |
00:20:06 |
He promised me that part |
00:20:11 |
If he hadn't died first. |
00:20:14 |
[Laughs, Sniffs] |
00:20:18 |
No, it was right after |
00:20:23 |
[Sniffs] |
00:20:25 |
[Sighs] |
00:20:31 |
Yes. |
00:20:37 |
I don't want to talk about this anymore. |
00:20:43 |
Yeah, just come over. |
00:20:46 |
[Sniffs] |
00:20:49 |
She talks too much. |
00:20:53 |
[Sighs] |
00:22:23 |
[Knock On Door] |
00:22:30 |
[Knocking Continues] |
00:22:38 |
Arnie, right? |
00:22:42 |
Right? |
00:22:50 |
They're not staying all night. |
00:23:00 |
[Knock On Door] |
00:23:07 |
Hey. Sorry to bug you again. |
00:23:12 |
Is it still leaking? |
00:23:15 |
but it's still dripping, |
00:23:18 |
I thought we could try this. |
00:23:37 |
You know, |
00:23:39 |
- It's really not a big deal. |
00:23:43 |
I think this'll do it. |
00:23:47 |
Is that Greta? |
00:23:50 |
Ooh, Greta. |
00:23:56 |
Look at this bra. |
00:23:58 |
Eat me. |
00:24:02 |
You have to take it |
00:24:06 |
That girl's here again. |
00:24:08 |
Who? |
00:24:10 |
The chick with the leak. |
00:24:14 |
Really, it ties into |
00:24:19 |
The way he explores temporality |
00:24:23 |
I mean, I know it sounds |
00:24:25 |
but when I'm looking at your pictures, |
00:24:29 |
I don't know. |
00:24:33 |
I think so. |
00:24:35 |
Am I going off? |
00:24:37 |
No. No, not at all. |
00:24:41 |
I haven't been deconstructed |
00:24:45 |
- Yeah, I bet you hate that. |
00:24:52 |
What about you, Syd? |
00:24:56 |
[Laughs] |
00:25:00 |
Just a connoisseur. |
00:25:02 |
Well, no, I'm an editor. |
00:25:04 |
I mean, |
00:25:08 |
Go into the bedroom. |
00:25:12 |
The neighbor girl's here. |
00:25:15 |
That's exciting. |
00:25:20 |
Hey. |
00:25:23 |
You remember Syd. |
00:25:25 |
Of course. |
00:25:29 |
- Hey. |
00:25:33 |
Excuse me. |
00:25:36 |
Sit down. |
00:25:46 |
I'm Greta. |
00:25:49 |
I live for Lucy. |
00:25:51 |
I mean, |
00:25:58 |
Syd. |
00:26:02 |
You want one? |
00:26:04 |
Sure. |
00:26:15 |
That's a great picture. |
00:26:23 |
Thanks. |
00:26:31 |
All these pictures are great. |
00:26:36 |
- Do you have a book? |
00:26:40 |
Of your work... like a monograph |
00:26:43 |
- Nothing recent. |
00:26:46 |
No. |
00:26:55 |
That book's really old. |
00:27:03 |
Really. |
00:27:06 |
This is a great reproduction. |
00:27:09 |
Yeah, you know, |
00:27:16 |
Haven't we, liebchen? |
00:27:18 |
[Door Opens, Closes] |
00:27:23 |
Hey. |
00:27:25 |
- Greta around? |
00:27:30 |
Do you think I could |
00:27:32 |
You can have it. |
00:27:38 |
No, you take it. |
00:27:48 |
[Harry] |
00:27:55 |
Um... |
00:27:58 |
I don't think they're classic, really. |
00:28:00 |
Transcendent, not classic. |
00:28:03 |
Same thing, really. |
00:28:06 |
[Exhales] |
00:28:12 |
Sorry to interrupt. |
00:28:16 |
- Just brought you your sandwiches. |
00:28:19 |
- I think we spoke. I'm Dieter. |
00:28:23 |
Oh, I'm sorry. |
00:28:26 |
- What did she get? |
00:28:30 |
- What's the book? |
00:28:33 |
I just brought it in |
00:28:36 |
- I love Lucy Berliner. |
00:28:39 |
- She gave it to me. |
00:28:43 |
Well, I borrowed it from her. |
00:28:45 |
What's the book? |
00:28:48 |
the photographer |
00:28:51 |
You don't know |
00:28:53 |
Oh, right. |
00:28:58 |
I thought |
00:29:01 |
No, she's definitely here. |
00:29:05 |
- Is she working again? |
00:29:08 |
I can't believe that. |
00:29:11 |
She was so belligerent |
00:29:13 |
Right. I remember that. |
00:29:16 |
I mean, the real "fuck you" |
00:29:20 |
You know, that was it. |
00:29:26 |
How do you know her? |
00:29:30 |
When did she get back? |
00:29:35 |
Why didn't |
00:29:37 |
We should have |
00:29:40 |
I knew about it. |
00:29:44 |
- Did she get back about Thursday? |
00:29:48 |
Lunch on Thursday. |
00:29:51 |
Oh. No, not yet. |
00:29:55 |
Well, you better |
00:30:00 |
So, the show is at 10:30. |
00:30:03 |
And I told Ted that we would |
00:30:10 |
Shit. |
00:30:12 |
I forgot about that. Uh... |
00:30:15 |
I really need to talk to her tonight. |
00:30:20 |
It's okay. |
00:30:24 |
Um, no, I need to talk to her in person. |
00:30:30 |
Okay, so then |
00:30:33 |
No, it's fine. You go. |
00:30:38 |
Um, don't worry about it. |
00:30:47 |
[Cheering] |
00:30:51 |
Thank you. |
00:30:55 |
Luce, you got any? |
00:30:58 |
Did he say |
00:31:01 |
He better be. |
00:31:04 |
Whatever. |
00:31:06 |
Thank you. |
00:31:10 |
And don't go getting lost, man. |
00:31:15 |
Who else is coming |
00:31:20 |
Hey, looky here. |
00:31:24 |
Zoe! |
00:31:28 |
[Mumbles] |
00:31:31 |
Here you go, baby. |
00:31:35 |
You don't think |
00:31:37 |
I don't think you're old, |
00:31:43 |
Oh. |
00:31:45 |
An animal. |
00:31:49 |
[Zoe] |
00:31:52 |
Looks good. |
00:31:55 |
[Delia] |
00:31:59 |
[Zoe] |
00:32:02 |
Definitely big. |
00:32:08 |
Norton can tell you that. |
00:32:12 |
But it's your birthday. |
00:32:14 |
Joan. |
00:32:18 |
I might go to Berlin next week. |
00:32:22 |
That director keeps calling me |
00:32:29 |
You want me to come with you? |
00:32:33 |
[Laughs] |
00:32:35 |
I don't think you should go. |
00:32:39 |
I like the way the wall is. |
00:32:41 |
[Conversation Continues, Indistinct] |
00:32:50 |
No, butJoan, maybe |
00:32:57 |
[Delia] |
00:33:00 |
[Greta] |
00:33:18 |
I don't know know. |
00:33:23 |
I wonder if you would come with me. |
00:33:28 |
You know, or stay home. I don't know. |
00:33:34 |
[Arnie] |
00:33:37 |
Syd. |
00:33:41 |
I'd need you to help me. |
00:33:44 |
You just stay home. |
00:33:49 |
I'll play with myself. |
00:33:51 |
We'll be here. |
00:33:58 |
Doing okay? |
00:34:02 |
Yeah. |
00:34:08 |
I don't know. |
00:34:12 |
I like China. |
00:34:16 |
We had fabulous opium there. |
00:34:22 |
Didn't we, Luce? |
00:35:49 |
Baby? |
00:35:57 |
Are you fucked up? |
00:36:00 |
Yeah. |
00:36:02 |
Mmm, kinda fucked up. |
00:36:09 |
Yeah. |
00:36:11 |
You seem kind of... |
00:36:22 |
You want me to stop? |
00:36:26 |
Not necessarily. |
00:36:59 |
Hey. Are you sick? |
00:37:03 |
I don't know. |
00:37:11 |
Is it the tequila? |
00:37:16 |
[Moans] |
00:37:18 |
I did a line of heroin. |
00:37:23 |
[Sighs] |
00:37:32 |
Oh. |
00:37:35 |
It's, uh, sweet. |
00:37:43 |
I mean... |
00:37:47 |
What's... |
00:37:50 |
I just did a line, that's all. |
00:37:55 |
I mean, is that what |
00:38:02 |
It was only a line, James. |
00:38:06 |
Oh. What, am I being uptight? |
00:38:09 |
Mm-hmm. |
00:38:16 |
Yeah. |
00:38:24 |
Dominique Peugeot wants you |
00:38:30 |
Dominique Peugeot |
00:38:33 |
Yeah, but she's |
00:38:38 |
She really wants |
00:38:43 |
Wow. |
00:38:46 |
This is what I was talking |
00:38:49 |
They really want |
00:38:51 |
They want to take |
00:38:58 |
I appreciate it, |
00:39:02 |
Don't do what? |
00:39:05 |
Industry work. |
00:39:08 |
Well, it's not industry work. |
00:39:11 |
it's not like an assignment... |
00:39:16 |
Can I take pictures of you? |
00:39:19 |
Right now? |
00:39:22 |
[Laughing] |
00:39:24 |
I feel like shit right now. |
00:39:29 |
You look really sexy, actually. |
00:39:36 |
I stopped working commercially |
00:39:40 |
It was kind of a mental-health decision. |
00:39:45 |
Actually, no. |
00:39:48 |
I just made it impossible |
00:39:51 |
Impossible? How? |
00:39:57 |
I stopped showing up. |
00:40:00 |
For what? |
00:40:04 |
I don't know why, exactly. |
00:40:09 |
It just seemed sort of punk at the time. |
00:40:11 |
I don't understand |
00:40:13 |
I don't really know how |
00:40:17 |
There just stopped being a line |
00:40:21 |
People were glomming on |
00:40:24 |
and I just... got trapped. |
00:40:28 |
I mean, I loved the attention |
00:40:35 |
I felt sort of pigeonholed... |
00:40:39 |
um, sort of like |
00:40:43 |
Does that make sense? |
00:40:51 |
The people at Frame think |
00:40:54 |
Theyjust want |
00:40:58 |
I don't think |
00:41:01 |
I think they want |
00:41:07 |
[Dominique] |
00:41:16 |
Right. |
00:41:18 |
That's what I'm doing now. |
00:41:21 |
And who's the woman? |
00:41:24 |
Greta Krauss. |
00:41:28 |
I've actually done |
00:41:31 |
You done with that one? |
00:41:33 |
Just a second. |
00:41:38 |
[Harry] |
00:41:40 |
Right. |
00:41:44 |
[Harry] |
00:41:46 |
Right. |
00:41:49 |
I have to say, Lucy, |
00:41:52 |
I find the realism incredibly honest. |
00:41:55 |
Lucy, I think your work |
00:41:59 |
a cultural currency |
00:42:03 |
- A cultural currency. |
00:42:07 |
If I can interrupt, Lucy, |
00:42:09 |
that the public can appreciate |
00:42:12 |
the intimacy and desolation |
00:42:14 |
Lucy, we'd like to offer you |
00:42:17 |
We think the best way |
00:42:19 |
Well, to reintroduce... |
00:42:21 |
Right, reintroduce you publicly, |
00:42:25 |
We are thinking of an essay, |
00:42:28 |
sort of an examination |
00:42:31 |
You'd like me to examine my life. |
00:42:34 |
[Harry] |
00:42:39 |
I know deadlines are |
00:42:42 |
but we would need to |
00:42:45 |
Right. Well, let me think about it. |
00:42:49 |
We're usually not solicitous, |
00:42:51 |
I mean, we receive thousands |
00:42:54 |
But we'll put some very promising |
00:42:58 |
You know, it's flattering. |
00:43:02 |
And it sounds interesting. |
00:43:06 |
Um, but, I really have to see |
00:43:11 |
Well, we would need |
00:43:14 |
Otherwise, we'd have to give |
00:43:16 |
It's just that close, |
00:43:19 |
It's really yours to define, Lucy. |
00:43:21 |
I mean, I hope we've |
00:43:25 |
This is not an assignment. |
00:43:27 |
Of course, |
00:43:29 |
But we really need |
00:43:32 |
[Sighs] |
00:43:35 |
Okay. |
00:43:39 |
I want to work with Syd on it. |
00:43:42 |
Brilliant. |
00:43:45 |
She's involved |
00:43:48 |
I mean, she can certainly |
00:43:52 |
We always encourage that from her. |
00:43:54 |
No, I want Syd to be my editor. |
00:44:04 |
So, did you get a raise? |
00:44:08 |
It's not about a raise. |
00:44:12 |
What do you think |
00:44:15 |
No. |
00:44:17 |
I think it's sexy. |
00:44:22 |
I like it. |
00:44:26 |
I don't want to |
00:44:30 |
Really. |
00:44:41 |
Syd mentioned to me |
00:44:45 |
Yeah, I stopped working |
00:44:48 |
What, um... |
00:44:50 |
What made you decide |
00:44:55 |
I don't know. It just seemed |
00:45:10 |
Excuse me. |
00:45:14 |
Yeah, you too. |
00:45:35 |
[Greta Sniffs, Sighs] |
00:45:37 |
I'm gonna feel so fuckin' good |
00:45:45 |
I thought that was for me, |
00:45:48 |
[Sniffs] |
00:45:51 |
No. |
00:45:55 |
That was definitely for me. |
00:45:59 |
That's for you. |
00:46:05 |
You're such a gentleman, |
00:46:07 |
You guys are so glamorous. |
00:46:20 |
[Knock at Door] |
00:46:24 |
Hey, it's Syd. |
00:46:28 |
Come in. |
00:46:34 |
Come in. |
00:46:41 |
Cocktail? |
00:46:44 |
Thanks. |
00:46:59 |
[Sniffs] |
00:47:10 |
Did Lucy tell you |
00:47:14 |
What meeting? |
00:47:16 |
Lucy's doing |
00:47:20 |
What is |
00:47:25 |
I'm shooting something |
00:47:28 |
It's not just something... |
00:47:34 |
That's fabulous. |
00:47:37 |
Did you orchestrate that, Syd? |
00:47:40 |
Uh, I didn't really |
00:47:44 |
Yeah, I brought Lucy |
00:47:46 |
That's really great, Luce. |
00:47:49 |
You got yourself a cover. |
00:47:52 |
Good for fucking you. |
00:47:56 |
I feel good about it. |
00:48:01 |
We should celebrate that. |
00:48:14 |
Are you coming? |
00:48:16 |
In a second. |
00:48:26 |
See you out there. |
00:48:43 |
You wanna stop by Victor's? |
00:48:46 |
Z, this is James, Syd's boyfriend. |
00:48:50 |
Hey, Zoe. |
00:48:52 |
James. |
00:48:55 |
I didn't know |
00:48:58 |
Yeah. I didn't know either. |
00:49:01 |
Yeah, it was really good. |
00:49:15 |
Hey, excuse me. |
00:49:19 |
Syd, the woman you were |
00:49:24 |
Oh, yeah. |
00:49:34 |
No, that's... |
00:49:38 |
a wonderful thing about you... |
00:49:41 |
your ambition, your focus. |
00:49:49 |
Your drive. |
00:49:58 |
[Laughs] |
00:50:04 |
I really love |
00:50:07 |
I didn't know how much I missed it. |
00:50:10 |
I can't believe you asked them |
00:50:17 |
Why? |
00:50:20 |
I just didn't expect it. |
00:50:24 |
I mean, they didn't expect it. |
00:50:33 |
It's what you want, isn't it? |
00:50:37 |
Yeah. |
00:51:05 |
- Okay, Lucy? |
00:51:10 |
- Greta's out. |
00:51:14 |
Lucy, in the bathroom... |
00:51:17 |
Fuck! |
00:51:24 |
What the fuck |
00:51:26 |
What does it look like? |
00:51:30 |
Arnie? |
00:51:32 |
Okay, can you... |
00:51:35 |
Gimme the, uh, |
00:51:39 |
Goddamn it! |
00:51:43 |
Watch her tongue. |
00:51:46 |
[Skipped item nr. 634] |
00:51:50 |
[Skipped item nr. 635] |
00:51:50 |
Get your fuckin'... Jesus! |
00:51:50 |
- [Knock On Door] |
00:51:54 |
She's breathing! |
00:52:05 |
[Greta] |
00:52:08 |
What the fuck is she doing here? |
00:52:11 |
Get her the fuck |
00:52:14 |
Get her the fuck out. |
00:52:17 |
- Fuck you, Lucy! |
00:52:21 |
[Greta] |
00:52:26 |
[Greta] |
00:52:43 |
- Your clothes are wet. |
00:52:48 |
You took a bath with Lucy? |
00:52:56 |
Where were you? |
00:53:00 |
Where was I? |
00:53:02 |
I didn't see you leave. |
00:53:04 |
Yeah, that's 'cause you were |
00:53:22 |
How's the Berliner piece |
00:53:26 |
Good. |
00:53:30 |
Good. |
00:53:34 |
We need her elements |
00:53:36 |
Yeah, she's almost there. |
00:53:39 |
You know |
00:53:43 |
No, I didn't realize that. |
00:53:48 |
and it was incredibly |
00:53:51 |
I'm sure. |
00:53:54 |
I'm really expecting something |
00:53:58 |
Definitely, Dominique. |
00:54:02 |
Wonderful. Thank you. |
00:54:15 |
I'm telling Arnie |
00:54:20 |
The smell of these eggs |
00:54:22 |
You know, you have a good time, |
00:54:24 |
and then it just turns |
00:54:27 |
And I can't do it again. |
00:54:29 |
We had a bad bag or something. |
00:54:32 |
You know, |
00:54:36 |
Okay? Just fuck it! |
00:54:38 |
I had the same shit |
00:54:41 |
Then why are you |
00:54:43 |
Because you don't know |
00:54:46 |
You have no limits! |
00:54:48 |
and you keep kicking it back |
00:54:51 |
Tell that Syd |
00:54:54 |
She's a little sycophant. |
00:54:59 |
What is that? |
00:55:01 |
You know what that is. |
00:55:02 |
She's a bootlicker, a parasite. |
00:55:09 |
She saved your fuckin' life. |
00:55:11 |
Joan threw me in that tub, |
00:55:14 |
When I came into that room, |
00:55:18 |
She's sucking you off. |
00:55:20 |
You're so wrapped up in her, |
00:55:24 |
She comes in here, |
00:55:28 |
She doesn't know shit about us. |
00:55:32 |
Greta, would you just... |
00:55:40 |
I don't like you. |
00:55:45 |
[Knock At Door] |
00:55:47 |
If that's Arnie and Joan, |
00:55:52 |
I don't like you. |
00:56:00 |
Hey. Um, I brought some food. |
00:56:05 |
Is she... okay? |
00:56:13 |
I'm really sorry |
00:56:17 |
Hey, it's okay. |
00:56:25 |
I just lost it |
00:56:29 |
Really. It's okay. |
00:56:36 |
I'm sorry that happened. |
00:56:42 |
Yeah, so am I. |
00:56:56 |
L... |
00:56:58 |
I know this is a bad time, but... |
00:57:03 |
we really need to |
00:57:09 |
Yeah, I know. |
00:57:12 |
Have you been |
00:57:16 |
Uh, no. I haven't |
00:57:19 |
I haven't been |
00:57:23 |
Okay. Well, maybe |
00:57:27 |
I mean, maybe we could |
00:57:31 |
and you could shoot portraits... |
00:57:34 |
I mean, that's even easier. |
00:57:40 |
Or here. I mean, |
00:57:45 |
Yeah. I don't work that way, Syd. |
00:57:51 |
I don't set things up. |
00:57:55 |
Well, maybe you'll have |
00:57:59 |
I mean, we really have |
00:58:04 |
I think I need to get |
00:58:07 |
Now. |
00:58:10 |
I mean, when? |
00:58:15 |
I mean, Lucy, |
00:58:19 |
Okay? It's not flexible. |
00:58:22 |
I mean, we can't fuck this up. |
00:58:24 |
I mean, I can't fuck this up. |
00:58:27 |
Hey, we'll get something in |
00:58:30 |
Trust me, okay? |
00:58:32 |
Okay. I'm sorry. |
00:58:37 |
Just come with me. |
00:58:45 |
I'm going away... |
00:58:48 |
You go. |
00:58:51 |
No, you. |
00:58:59 |
Lucy asked me to go upstate |
00:59:02 |
She's been kinda distraught... |
00:59:05 |
and we need to do this piece. |
00:59:08 |
I can't be here |
00:59:11 |
- I haven't slept with Lucy. |
00:59:16 |
I don't know. |
00:59:19 |
Well, I think you have to start knowing. |
00:59:31 |
I guess you're... |
00:59:34 |
you're really at the center |
00:59:38 |
You got your powerjob, |
00:59:43 |
And all that access... |
00:59:46 |
This is just what you wanted. |
00:59:50 |
That's what you think, |
00:59:53 |
Yeah. Well, if you weren't so fixated |
00:59:57 |
Fixated on what? |
01:00:01 |
On pigeonholing me. |
01:00:04 |
What the fuck does that mean? |
01:00:07 |
you can't stop telling me |
01:00:09 |
I mean, I'm trying |
01:00:12 |
All I get from you |
01:00:16 |
and how pretentious |
01:00:20 |
and... [Sighs] |
01:00:22 |
You know what? |
01:00:27 |
This is what I care about. |
01:00:30 |
I mean, what do you |
01:00:33 |
I mean really... what? |
01:00:36 |
[Sighs] |
01:00:50 |
You know, this restaurant |
01:00:54 |
Oh, yeah, I'm sorry. |
01:00:59 |
I understand. But I'm going |
01:01:01 |
if she falls asleep again. |
01:01:04 |
Sure. I'm really sorry. |
01:01:17 |
I can't do this anymore. |
01:01:21 |
What? |
01:01:23 |
You want to break up with me again? |
01:01:27 |
G... |
01:01:31 |
I want to help you get over this. |
01:01:34 |
Sleep with Syd if you want. |
01:01:38 |
G, listen to me. |
01:01:40 |
She's such a poseur, |
01:01:44 |
I don't know |
01:01:51 |
I can't wait around and keep talking |
01:01:55 |
You need some help, G. |
01:02:02 |
Look at yourself, Lucy. |
01:02:18 |
Is this yours? |
01:03:07 |
The light's so nice around here. |
01:03:13 |
It is. |
01:03:19 |
Kinda lures you, |
01:03:23 |
Yeah. |
01:03:54 |
I didn't know |
01:04:02 |
I wanted to get high with you. |
01:04:08 |
I don't think |
01:04:14 |
No? |
01:04:16 |
No. |
01:04:18 |
Okay. |
01:04:22 |
I mean, I don't want to do that |
01:04:26 |
Okay. |
01:04:28 |
I mean, I don't want that |
01:04:36 |
It's not our only connection. |
01:04:39 |
Well, I don't want it |
01:04:49 |
This make you feel better? |
01:04:51 |
C'mon, Syd. |
01:04:57 |
It's not the point, okay? |
01:05:01 |
What is this? Is this some kind |
01:05:06 |
What is the point, Syd? |
01:05:08 |
Just say it! |
01:05:10 |
I don't have a point. |
01:05:14 |
I'm just saying it. |
01:05:38 |
I just don't want to be with you |
01:05:48 |
So basically she left him |
01:05:51 |
and we moved back here... |
01:05:53 |
and he stayed there... |
01:05:57 |
in his house, on top of a hill. |
01:06:00 |
In Tasmania. |
01:06:03 |
[Giggles] |
01:06:07 |
What does he do on his hill? |
01:06:10 |
I don't know. |
01:06:17 |
He writes letters. |
01:06:21 |
So who gave you the ring? |
01:06:26 |
No. |
01:06:28 |
No, my grandmother |
01:06:34 |
It's beautiful. |
01:06:38 |
Thank you. |
01:06:46 |
Come on. |
01:08:24 |
This is intense. |
01:08:29 |
Is it? |
01:08:34 |
I'm not usually like this. |
01:08:38 |
Like what? |
01:08:42 |
Nervous. |
01:09:12 |
You okay? |
01:09:14 |
Yeah. |
01:09:18 |
You sure? |
01:09:24 |
Yeah. It's just |
01:09:28 |
I look serious? |
01:09:32 |
Yeah. |
01:09:36 |
I mean, I'm kinda hot. |
01:09:39 |
That's kinda serious. |
01:09:42 |
It's hot in here. |
01:09:44 |
No. You're hot. |
01:10:00 |
What should I do to you? |
01:10:03 |
Whatever you |
01:10:10 |
I don't really know |
01:10:14 |
You're doing fine. |
01:10:18 |
Should I pinch you |
01:10:23 |
If you want to. |
01:10:33 |
Is that hard enough? |
01:10:58 |
Is that soft enough? |
01:11:06 |
You okay? |
01:11:12 |
Yeah. |
01:11:16 |
Who's serious now? |
01:11:18 |
I know. |
01:11:23 |
Is this |
01:11:25 |
No. |
01:11:29 |
What? Tell me. |
01:11:33 |
I don't know. |
01:11:37 |
I think I'm kind of in love with you. |
01:13:01 |
Lucy, I'm sleeping. |
01:13:04 |
No, you're not. |
01:13:11 |
[Giggling] |
01:13:14 |
Get back here. |
01:13:30 |
Est-ce que tu voudrais |
01:13:36 |
[Shutter Clicks] |
01:13:38 |
[Giggles] |
01:13:42 |
Where are you going? |
01:13:48 |
I'm coming in. |
01:13:55 |
[Camera Timer Buzzing] |
01:14:04 |
[Buzzing Continues] |
01:14:07 |
[Shutter Clicks] |
01:15:04 |
- Did you go alone? |
01:15:08 |
Who? The German? |
01:15:12 |
No, it was another friend. |
01:15:16 |
Syd. |
01:15:19 |
That's a man's name. |
01:15:24 |
Well, she's definitely |
01:15:27 |
Is sheJewish? |
01:15:30 |
I don't know, Ma. |
01:15:32 |
Oh, well. |
01:15:37 |
[Clears Throat] |
01:15:44 |
I'm not going to be able |
01:15:47 |
What happened? |
01:15:50 |
I didn't give you enough? |
01:15:53 |
You've given me more |
01:15:56 |
So why can't you come? |
01:16:00 |
I have a small problem |
01:16:02 |
What kind of problem? |
01:16:06 |
Is it the German? |
01:16:08 |
The German... it's Greta, |
01:16:12 |
What did she do to you? |
01:16:15 |
I did it to myself. |
01:16:19 |
Come on. Tell me. |
01:16:22 |
What kind of problem? |
01:16:24 |
I don't know if... |
01:16:28 |
It's not really |
01:16:30 |
It's more of an issue. |
01:16:33 |
You just said a problem. |
01:16:36 |
Now it's an issue. |
01:16:39 |
Both. |
01:16:41 |
I have a... |
01:16:44 |
a love issue... |
01:16:47 |
and a drug problem. |
01:16:51 |
Or maybe I have a love problem |
01:16:57 |
I don't know. |
01:17:00 |
God forbid. |
01:17:15 |
I can't help you with that. |
01:17:18 |
I know that. |
01:17:25 |
Would you excuse me, please? |
01:17:30 |
Don't walk away from me, Ma. |
01:17:35 |
[Sighs] |
01:17:37 |
[Knocking on Door] |
01:17:46 |
You alone? |
01:18:06 |
I missed you. |
01:18:21 |
I missed you too. |
01:18:28 |
Did you talk to her? |
01:18:31 |
Yeah. I did. |
01:18:37 |
Did you talk toJames? |
01:18:40 |
Nope. |
01:18:46 |
I got a room at the Chelsea. |
01:18:49 |
I thought, if you shoot tonight, |
01:18:57 |
Yeah, I have to talk to you |
01:19:01 |
Um, I need to |
01:19:06 |
What are you... |
01:19:08 |
What are you talking about... |
01:19:11 |
It's, like, all set up. |
01:19:13 |
I'm leaving tonight. |
01:19:15 |
That's insane, Lucy. |
01:19:18 |
Syd... |
01:19:20 |
What is this? |
01:19:22 |
Is this about |
01:19:24 |
Did Greta |
01:19:28 |
Yeah, it is about |
01:19:30 |
And Greta. |
01:19:34 |
I can't... function like this. |
01:19:42 |
You know? |
01:19:45 |
I can't deal with you being down here... |
01:19:48 |
and the way things are upstairs. |
01:19:53 |
Do you know what I'm saying? |
01:19:56 |
I have to change |
01:19:59 |
I don't want |
01:20:01 |
I mean, I can't. |
01:20:07 |
These are for you. |
01:20:11 |
Thanks. |
01:20:23 |
I want you to use them. |
01:20:28 |
What do you mean |
01:20:31 |
I'm in them. |
01:20:35 |
Is that too hard for you? |
01:20:44 |
Well, they wanted me |
01:20:48 |
I mean, this is it. |
01:20:56 |
I'm thinking |
01:21:04 |
Anyway, you look gorgeous. |
01:21:13 |
What about |
01:21:16 |
I mean, |
01:21:20 |
That's what you |
01:21:26 |
That's what you want? |
01:21:33 |
These are really beautiful. |
01:21:37 |
This one would make |
01:21:47 |
This would be better. |
01:21:54 |
I really had an instinct |
01:21:57 |
How did I know |
01:21:59 |
I thought we were very direct with her. |
01:22:01 |
I literally spelled it out. |
01:22:03 |
There's absolutely |
01:22:06 |
Nothing. |
01:22:12 |
This is a nightmare. |
01:22:14 |
She waited till the last fucking minute, |
01:22:16 |
These are |
01:22:18 |
I mean, the subject is different, |
01:22:22 |
Syd, Lucy Berliner has been |
01:22:25 |
The public has a five-year memory, |
01:22:28 |
Syd, if a best-selling crime writer |
01:22:32 |
and came back peddling love poems, |
01:22:34 |
Really well, |
01:22:37 |
I don't want to do it. |
01:22:39 |
I'm calling Dieter Shulte. |
01:22:41 |
You can't do that, Dominique. |
01:22:47 |
I have every right to do that. |
01:22:51 |
I'll see you at my office. |
01:22:55 |
[Sighs Deeply] |
01:23:35 |
I need to talk to you |
01:23:38 |
Let's just move forward, Syd. |
01:23:44 |
I want you to look |
01:23:46 |
I think that they're more |
01:23:48 |
Syd, we're practically at press. |
01:23:51 |
Look, I realize |
01:23:53 |
but this is her piece... |
01:23:56 |
I would like you to |
01:24:15 |
Why didn't you bring these before? |
01:24:17 |
I didn't think |
01:24:23 |
Did you stage these? |
01:24:26 |
No. |
01:24:33 |
I mean, is this some kind of critique? |
01:24:38 |
No, it's not a critique, |
01:24:41 |
It's just what happened? |
01:24:43 |
Well, I didn't realize that |
01:24:49 |
I'm confused, Syd. |
01:24:53 |
- Are you her sitter? |
01:24:56 |
not formally. |
01:24:59 |
I mean, |
01:25:05 |
Are you her lover? |
01:25:11 |
Yeah. |
01:25:31 |
Joan's gonna keep score |
01:25:34 |
Joan's gonna keep score? |
01:25:39 |
Hey! |
01:25:41 |
What are you doing here? |
01:25:43 |
Am I interrupting |
01:25:45 |
Not at all... |
01:25:48 |
Where's Greta? |
01:25:51 |
She'll be right back. |
01:25:53 |
We thought you were |
01:26:00 |
[Door Opens, Closes] |
01:26:11 |
When did you get here? |
01:26:16 |
What are you doing here? |
01:26:21 |
Why didn't you call? |
01:26:58 |
One of us has to go, |
01:27:02 |
Maybe I could just stay atJoan's |
01:27:06 |
That's not what |
01:27:27 |
I want you to keep |
01:27:32 |
I don't want your money. |
01:27:35 |
Well, I'm not just |
01:27:39 |
What are you doing then? |
01:27:42 |
What am I supposed to do now? |
01:27:46 |
No, you don't have to go back. |
01:27:49 |
No, it's not. |
01:27:51 |
I came here to be with you, |
01:27:55 |
I had everything in Berlin. |
01:27:58 |
Gret... |
01:28:02 |
Greta, Fassbinder's dead, |
01:28:05 |
You didn't have |
01:28:07 |
You are so spoiled. |
01:28:10 |
You are spoiled and selfish, |
01:28:12 |
and you think the whole fucking world |
01:28:16 |
You're a dilettante, Lucy. |
01:28:18 |
You never worked for anything! |
01:28:24 |
Girls, you wanna come |
01:28:26 |
No, go on, Joan. |
01:28:32 |
Enjoy your fight. |
01:28:34 |
I'll be right here |
01:28:43 |
I didn't mean to say that. |
01:28:46 |
I really didn't. |
01:28:51 |
I wanted to be |
01:29:04 |
I love you. |
01:29:09 |
I didn't mean to say those things. |
01:29:21 |
What am I supposed |
01:29:25 |
I don't know anymore. |
01:29:29 |
Just... be with me tonight. |
01:29:36 |
I'm here, G. I'm with you. |
01:29:43 |
I need you... |
01:29:46 |
at my level. |
01:29:52 |
[Sighs] |
01:29:57 |
It's not going to change anything. |
01:30:03 |
I know it won't. |
01:30:07 |
I just need to be |
01:30:19 |
Do you have anything? |
01:30:26 |
I don't know. |
01:30:32 |
Where? |
01:30:38 |
In there. |
01:30:47 |
Is this Arnie's? |
01:30:51 |
Yeah. |
01:31:13 |
I can't believe |
01:31:17 |
I told you |
01:31:20 |
I thought you were lying. |
01:31:39 |
Where'd you think |
01:31:44 |
With the teenager. |
01:33:23 |
Arnie? |
01:33:27 |
Open the door. |
01:33:31 |
Open the fuckin' door. |
01:33:37 |
Hey! |
01:33:43 |
Why are you in here? |
01:33:51 |
Hey. |
01:33:54 |
Arnie. |
01:33:58 |
Are you okay? |
01:34:07 |
Where's Lucy? |
01:34:14 |
Um, |
01:34:18 |
she died this morning. |
01:34:28 |
That is a... |
01:34:31 |
a really fucked-up thing |
01:34:37 |
You don't know shit |
01:34:40 |
and I don't know what Greta has been |
01:34:44 |
Just stop it, okay? |
01:34:46 |
No! You don't understand. |
01:35:42 |
Oh, hey. |
01:37:27 |
Great work, Syd. |
01:37:40 |
Great work, Syd. |
01:38:19 |
#Every setting sun # |
01:38:25 |
#And every mother's daughter # |
01:38:30 |
#Is wanted # |
01:38:32 |
# Though I know we be # |
01:38:37 |
#But dust # |
01:38:39 |
#No, I never lost her # |
01:38:43 |
# To one # |
01:38:45 |
# Though I never cared # |
01:38:51 |
# Ooh, what good |
01:38:58 |
# 'Cause no one |
01:39:05 |
# You'll find a letter |
01:39:10 |
#Right here # |
01:39:12 |
#Any medicine # |
01:39:18 |
#For curin'hungry lovers # |
01:39:25 |
# Though she'd never weep # |
01:39:30 |
#My wife # |
01:39:32 |
#No one ever taught her # |
01:39:39 |
# Though I never cared # |
01:39:45 |
# Ooh, what good |
01:39:52 |
# Who never wants |
01:39:59 |
#And don't find the letters |
01:40:03 |
#Right here # |
01:40:35 |
# Oh, you leave me here # |
01:40:41 |
# What good |
01:40:48 |
# When lights tend to fall # |
01:40:56 |
#She might be waking up # |
01:40:59 |
#Right ## |