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High Fidelity en
00:00:14	Oh, yeah
00:00:17	Oh
00:00:21	You're gonna wake up one mornin'
00:00:24	As the sun greets the dawn
00:00:28	You're gonna wake up one mornin'
00:00:30	As the sun greets the dawn
00:00:33	You didn't realize
00:00:36	You didn't realize
00:00:39	You didn't realize
00:00:42	You didn't realize
00:00:45	You didn't realize
00:00:49	Oh, you're gonna miss me, baby
00:00:52	Oh, you're gonna miss me, baby
00:00:55	- Oh, you're gonna miss me, baby
00:00:58	The music or the misery?
00:01:01	People worry about kids playing with
00:01:04	that some sort of culture of violence
00:01:07	Nobody worries about kids
00:01:09	literally, thousands of songs
00:01:14	pain, misery and loss.
00:01:18	Did I listen to pop music
00:01:21	or was I miserable
00:01:25	You're gonna wake up wonderin'
00:01:28	Find yourself on the floor
00:01:36	You don't have to go this second.
00:01:41	No. We've done the hard part now.
00:01:44	Why don't you stay for tonight then?
00:01:49	Laura.
00:01:54	You're just gonna--
00:02:11	My desert island, all-time top five
00:02:17	in chronological order...
00:02:19	are as follows:
00:02:21	Alison Ashmore, Penny Hardwick...
00:02:25	Jackie Alden, Charlie Nicholson
00:02:29	Those were the ones
00:02:32	Can you see your name
00:02:36	Maybe you'd sneak into the top ten.
00:02:39	But there's just no room for you
00:02:42	Those places are reserved for the kind
00:02:45	you're just not capable of delivering.
00:02:47	I'm not coming home
00:02:51	If you really wanted to mess me up,
00:02:56	Oh, yeah
00:03:03	Oh
00:03:09	Which brings us to number one
00:03:14	Alison Ashmore.
00:03:16	Candy on the beach
00:03:19	One moment they weren't there. Not in
00:03:23	And then the next,
00:03:26	They were everywhere,
00:03:32	- And we wanted--
00:03:35	Actually, we didn't even know
00:03:37	- I want candy
00:03:39	- Disturbing, even.
00:03:43	- My relationship with Alison Ashmore
00:03:47	the two hours after school,
00:03:51	for three days in a row.
00:03:54	But on the fourth afternoon--
00:03:58	Kevin Bannister.
00:04:03	Slut.
00:04:05	It would be nice to think that
00:04:09	relationships have become
00:04:12	females less cruel...
00:04:14	skins thicker,
00:04:19	But there seems to be an element
00:04:23	All my romantic stories are
00:04:29	Number two on the top five, all-time
00:04:34	Penny was great-looking...
00:04:36	and her top-five recording artists
00:04:39	James Taylor, Cat Stevens
00:04:43	I remember when rock was young
00:04:47	- Me and Susie had so much fun
00:04:50	Holdin'hands and skimmin'stones
00:04:53	- Had an old gold Chevy
00:04:56	Nice manners, nice grades, nice looking.
00:04:59	She was so nice, in fact,
00:05:02	underneath or even
00:05:03	- Now, when she comes walkin'over
00:05:08	It was as if breasts were little pieces
00:05:13	They were rightfully ours,
00:05:16	Crimson and clover
00:05:18	Sometimes I got so bored of trying
00:05:21	I was like trying to borrow a dollar,
00:05:27	I wasn't interested in Penny's
00:05:30	and therefore she was no good to me.
00:05:33	What's the point?
00:05:41	Rob?
00:05:44	I started dating a girl who everyone
00:05:47	and Penny went with this asshole
00:05:51	after something like three dates.
00:05:57	I own this store
00:06:00	It's located in a neighbourhood
00:06:06	I get by because the people
00:06:09	Mostly young men...
00:06:11	who spend all their time looking
00:06:14	and original-- not re-released,
00:06:28	Fetish properties
00:06:32	I'd feel guilty taking their money
00:06:36	well, kinda one of'em.
00:06:42	- Morning, Dick.
00:06:46	- Have a good weekend?
00:06:49	Um, I found the first Liquorice Comfits
00:06:53	the one on Testament of Youth.
00:06:55	Never released here.
00:06:58	Great. Great.
00:07:01	- I'll tape it for you.
00:07:05	'Cause you liked their second one,
00:07:08	That's the one
00:07:14	Oh, you never saw the cover, though.
00:07:18	Yeah, I haven't really
00:07:22	Well...
00:07:24	- I'll just make it for you.
00:07:27	Seymour Stein
00:07:32	I've been lonely
00:07:35	- Dick. What's this?
00:07:39	Do you like it?
00:07:48	Holy Shiite.
00:07:51	-What the fuck is that?
00:07:54	It's a record we've been listening to
00:07:57	Well, that's unfortunate,
00:08:02	Yours, I assume.
00:08:12	Mmm, yeah
00:08:16	I used to think
00:08:19	Now, baby, I'm sure
00:08:23	Turn it off, Barry!
00:08:24	-And I just can't wait
00:08:28	- On my door
00:08:33	Now every time I go for the mailbox
00:08:41	'Cause I just can't wait
00:08:47	Okay, buddy, uh,
00:08:50	So, go ahead. Put on some old
00:08:54	I don't wanna hear old sad
00:08:58	Here's the thing:
00:09:02	My special Monday morning tape
00:09:04	Well, it's fucking Monday afternoon!
00:09:06	Come on, dude. Play it.
00:09:09	Don't you wanna hear what's next?
00:09:12	- What's next?
00:09:14	Say it.
00:09:16	"Little Latin Loopy-Loo."
00:09:19	- Mitch Ryder and the Detroit Wheels?
00:09:23	- The Righteous Brothers.
00:09:25	No, not never mind.
00:09:28	- Nothing.
00:09:31	How can it be bullshit
00:09:34	- Since when did this store
00:09:37	Oh, man, that's great. That's the fun
00:09:41	You get to play crappy pap
00:09:43	I just-- I thought this tape
00:09:47	conversation stimulator, man.
00:09:49	I was gonna ask you for your top five
00:09:52	and you just had to
00:09:54	- We'll do it next Monday.
00:09:57	I can't fire them. I hired these guys
00:10:02	That was four years ago.
00:10:08	Number three on the top five
00:10:11	Charlie Nicholson.
00:10:15	Whoo!
00:10:17	As soon as I saw her I realized she was
00:10:20	ever since I was old enough
00:10:23	I mean, she was different.
00:10:25	She was dramatic
00:10:28	- The guy with the make-up
00:10:29	And she talked a lot,
00:10:33	about music, books, film and politics.
00:10:36	- Yeah, Chairman Mao.
00:10:40	- No.
00:10:42	And you won't will you,
00:10:45	Kiss my neck. Yeah.
00:10:49	And she liked me.
00:10:51	She liked me.
00:10:54	At least I think she did.
00:10:57	- Do you like that one?
00:11:00	It's okay.
00:11:02	We went out for two years, and...
00:11:05	I never got comfortable.
00:11:08	Why would a girl-- No, a woman
00:11:17	I felt like a fraud. I felt like one
00:11:23	I was sure I'd be discovered
00:11:29	And I worried about
00:11:41	And I was intimidated by other men
00:11:44	and became convinced she was
00:11:52	Then she left me for one of them.
00:11:57	Charlie, you fucking bitch!
00:12:02	Just open the fucking door!
00:12:06	Look, let's talk it-- Char--
00:12:25	And then I lost it.
00:12:29	Kinda lost it all, you know?
00:12:31	Faith, dignity, about 1 5 pounds.
00:12:42	When I came to a few months later...
00:12:44	I found, to my surprise,
00:12:49	I started working in a record shop.
00:12:52	Some people never got over 'Nam or
00:12:56	I guess I never really
00:12:59	But the thing I learned
00:13:04	See, Charlie, she's out of my class.
00:13:07	She's too pretty, too smart,
00:13:11	I mean, what am I?
00:13:13	Hey, I'm not
00:13:17	I mean, I've read books like
00:13:20	and Love in the Time of Cholera and,
00:13:25	I mean, they're about girls, right?
00:13:28	But I have to say...
00:13:31	my all-time favourite book is
00:13:36	- Championship.
00:13:47	Hi.
00:13:49	Um, I was thinking...
00:13:52	I could come by the house
00:13:56	While I'm at work.
00:13:59	- Oh, boy, oh, boy.
00:14:02	I mean, bravo.
00:14:05	- Laura, this is just so dumb.
00:14:07	I gotta go.
00:14:11	Um, I'm looking for a record
00:14:14	"I Just Called to Say I Love You."
00:14:18	- Yeah.
00:14:22	- Can I have it then?
00:14:25	- Why not?
00:14:28	Do we look like the kind of store that
00:14:30	Go to the mall.
00:14:32	- What's your problem?
00:14:35	There's no way she likes that song.
00:14:38	Oh, okay, buddy. I didn't know it was
00:14:42	My apologies.
00:14:44	Bye-bye.
00:14:49	Fuck you.
00:14:53	Nice, Barry. Really, really nice.
00:14:56	Rob. Top Five Musical Crimes
00:15:01	Sub-question: Is it, in fact, unfair
00:15:07	Is it better to burn out
00:15:09	-Barry, I'm fucking broke, man!
00:15:14	-That's not the point.
00:15:17	It wasn't even his terrible taste.
00:15:19	Are you defending that ass-muncher?
00:15:22	You're going soft in your old age.
00:15:24	Now all of a sudden
00:15:27	I'm gonna tell you something
00:15:29	That's the worst fuckin' sweater
00:15:32	A Cosby sweater!
00:15:34	Did Laura let you leave the house
00:15:38	- Hey--
00:15:40	- What are you do--
00:15:41	- Uh...
00:15:44	I swear to God, if you tore this thing,
00:15:48	You'll pay big.
00:16:01	Are you all right?
00:16:05	Yeah. Look, Dick, Laura and I
00:16:08	So if you ever see Barry again,
00:16:11	Of course I will, Rob.
00:16:15	No problem at all.
00:16:18	I'll tell him next time I see him.
00:16:24	I've, uh, got some other stuff
00:16:29	I'll just tell him,
00:16:33	um, when I tell him...
00:16:37	the other stuff.
00:16:43	Do you want to talk about it,
00:16:47	No. Thank you, though, Dick.
00:16:51	Thank you.
00:17:13	Look at these. I used to dream I'd be
00:17:18	Now I know they just save their best
00:17:33	Hello, Laura, this is your mother. Your
00:17:37	I thought he might like to talk to you.
00:17:39	I love you two. Bye-bye.
00:17:41	Anyway, me and Charlie,
00:17:44	Marco and Charlie matched.
00:17:47	Me and Sarah, number four
00:17:50	She'd just been dumped
00:17:53	I mean, Michael
00:17:56	I'd just been run over by Charlie.
00:17:58	I know exactly what you mean.
00:18:02	I mean, it's just
00:18:05	I'm just gonna be by myself
00:18:08	Me too. Me too.
00:18:17	It made sense to pool our collective
00:18:19	And while we were at it we could share
00:18:23	We were frightened of being left alone
00:18:27	Only people of a certain disposition
00:18:31	We were of that disposition.
00:18:34	- So when she told me--
00:18:40	Who?
00:18:42	Just someone else.
00:18:44	It was contrary to the whole spirit
00:18:48	I don't have to take this shit.
00:18:53	So how come I got dumped?
00:18:55	What?
00:19:02	- Hey, Dick. Come on in. What is it?
00:19:05	and, um, I was just wondering
00:19:10	Whoa.
00:19:12	Um, Marie De Salle's playing.
00:19:14	You remember I told you
00:19:17	She's kind of Sheryl Crow-ish, crossed
00:19:24	- But, you know, um, black.
00:19:27	So, um, I just wanted to know
00:19:31	Barry thought so too, really,
00:19:36	- reorganizing your records.
00:19:38	Um, what is this, uh, chronological?
00:19:41	No.
00:19:44	- Not alphabetical.
00:19:47	What?
00:19:50	Autobiographical.
00:19:52	- No fucking way.
00:19:54	I can tell you how I got from Deep
00:19:59	- Oh, my God.
00:20:03	I have to remember that I bought it
00:20:09	but didn't give it to them
00:20:12	- That sounds--
00:20:14	- Yes.
00:20:18	- Hello?
00:20:20	I can stick around, you know, man,
00:20:24	But you really shouldn't,
00:20:28	- Hold on.
00:20:30	- Okay.
00:20:34	- Hi, Mom.
00:20:37	You know something?
00:20:41	Because if it wasn't for her, I don't
00:20:45	She left. She's gone.
00:20:47	What? What do you mean?
00:20:51	- Where did she go?
00:20:53	She's gone. Girlfriend leave.
00:20:58	- Well, call her mother.
00:21:01	She doesn't even know. Probably
00:21:12	- I'm all right,
00:21:15	- Well, it fuckin' should be,
00:21:18	- What are you gonna do, Rob?
00:21:21	- Then I'm gonna go to work.
00:21:23	I'm gonna meet a nice girl
00:21:25	I promise the next time we talk,
00:21:28	- I knew-- I knew it was
00:21:30	- Do you know why she left?
00:21:33	-So you say!
00:21:36	Laura didn't even want to get married.
00:21:40	- That's not what happens now. Okay?
00:21:44	Apart from you meet someone,
00:21:47	You meet someone,
00:21:50	Shut up, Mom! Goddam!
00:21:52	That's some cold shit.
00:21:58	John Dillinger was shot dead behind
00:22:02	You know who tipped 'em off?
00:22:06	He just wanted to go to the movies.
00:22:18	Is that Peter fucking Frampton?
00:22:20	I wish I could buy words
00:22:24	Out of season
00:22:28	So don't
00:22:31	Don't hesitate
00:22:35	'Cause our love
00:22:38	Just won't wait
00:22:44	Ooh, baby, I love your way
00:22:50	- Rob.
00:22:52	- Yeah. Hey.
00:22:54	- I always hated that song.
00:22:57	- Now I kinda like it.
00:23:00	Yeah.
00:23:04	'Cause I
00:23:07	She should've done it on
00:23:10	Wasn't her record called
00:23:14	- That's what I said.
00:23:16	There's no "The" at the front
00:23:18	It's a reference to
00:23:21	uh, so I think that there is "The,"
00:23:25	- You can be, and are, wrong.
00:23:32	I wanna be with you
00:23:36	I wanna date a musician.
00:23:39	- 'Cause I
00:23:41	- Feel that you
00:23:44	and maybe even include one of our
00:23:48	Maybe a little picture of me
00:23:52	Just in the background somewhere.
00:23:54	- Don't hesitate
00:24:07	- So, um, do you live in Chicago now?
00:24:09	Do you love it?
00:24:12	- Championship Vinyl.
00:24:14	- We sell a little bit
00:24:16	- Rock, soul, trip-hop, salsa.
00:24:20	- Will you come?
00:24:21	- Championship Vinyl.
00:24:23	Thank you.
00:24:26	- Barry, why'd you tell her
00:24:29	I didn't know
00:24:31	I mean, I know we don't have
00:24:34	not, like, a business strategy.
00:24:51	Rob? It's Liz.
00:24:53	Just calling to see if,
00:24:58	Look, I'm your friend too,
00:25:03	- Shadows grow so long before my eyes
00:25:36	- Hi.
00:25:39	- Took the morning off.
00:25:42	Do you still love me?
00:25:46	Well, it's not really the issue,
00:25:49	Why? I mean, what else is there?
00:25:52	I don't know. It doesn't change
00:25:58	In fact, I hope we're not
00:26:00	- It would give me a better
00:26:03	What, did I beat you?
00:26:08	- What should I have done
00:26:11	Oh, I see.
00:26:13	Because you're the same person
00:26:19	and I'm not.
00:26:22	- And all I've done is change jobs.
00:26:26	- Attitudes and friends.
00:26:29	- You're harder.
00:26:33	- Oh, come on, Laura.
00:26:36	Now you don't even do that.
00:26:38	- Look, I'm all right.
00:26:42	I like my job.
00:26:45	All I'm saying is, you have to allow
00:26:48	most of all to yourself.
00:26:50	And you don't, Rob.
00:26:53	So what's the use?
00:27:05	Rob, it's your turn.
00:27:08	Okay, I'm feeling kinda basic today.
00:27:10	Top Five Side Ones, Track Ones.
00:27:14	"Janie Jones," The Clash,
00:27:16	"Let's Get It On," Marvin Gaye,
00:27:20	Nirvana, "Smells Like Teen Spirit,"
00:27:22	Oh, no, Rob, that's not obvious enough.
00:27:24	How about, uh, "Point of No Return"
00:27:26	- Louis, you couldn't get up--
00:27:29	- "White Light/White Heat,"
00:27:32	- Though not on mine.
00:27:35	- The song is
00:27:38	- Kind of a new record. Very--
00:27:43	A sly declaration of new classic status
00:27:47	Very pussy.
00:27:49	- Excuse me, I was in here last--
00:27:51	Couldn't you be any more obvious
00:27:55	How about fucking-- fucking Beethoven?
00:28:00	How can someone who has no interest
00:28:03	Do you still have that, uh, Beefheart
00:28:06	Um, let's see.
00:28:14	Ah, yes, here it is.
00:28:20	Yes.
00:28:23	- How much you want for it?
00:28:28	Yes-- Oh, no.
00:28:30	- I don't think I'm selling it
00:28:34	Did I? Yeah, well,
00:28:39	Nicely played.
00:28:41	You know, I don't have that record.
00:28:43	- Rob?
00:28:46	- Now, why would you sell it to me
00:28:50	- You guys are snobs.
00:28:53	You feel like the unappreciated
00:28:58	- No.
00:29:01	It's just sad, that's all.
00:29:07	I'm sick of the sight of this place.
00:29:10	Some days I'm afraid
00:29:12	throw the country "A" through "K" rack
00:29:14	and go work at a Virgin Megastore
00:29:21	- Hello.
00:29:24	You know, I just wanted to call
00:29:28	It really made me feel
00:29:31	Oh. Well, how are you holding up?
00:29:36	Good. Good. I mean, look, maybe we're
00:29:40	- I mean, or maybe we are.
00:29:42	Time will tell at this point,
00:29:46	I don't know. I--
00:29:50	And I like you with Laura.
00:29:54	And I don't think much
00:29:59	Rob, Marie De Salle
00:30:04	I gotta go, Liz.
00:30:10	- We should maybe turn off her music.
00:30:13	Hey. I like the music.
00:30:16	Oh, yeah. Yeah. I mean,
00:30:18	You might be sick of it.
00:30:20	- You should turn it up.
00:30:23	Okay, let me go do that after I go
00:30:27	- All righty. Hmm.
00:30:42	What fucking Ian guy?
00:30:47	Laura doesn't know anybody called Ian.
00:30:50	There's no Ian in her office.
00:30:54	I'm almost certain she has never met
00:30:58	She lives in an...
00:31:01	"Ian-less" universe.
00:31:11	"I. Raymond."
00:31:14	Ray. "I."
00:31:17	Ian.
00:31:20	Mr I. Raymond. Ray to his friends,
00:31:25	The guy who, until about six weeks ago,
00:31:28	I start to remember things
00:31:30	His horrible clothes and hair.
00:31:32	His music: Latin, Bulgarian, whatever
00:31:36	He had rings on his fingers.
00:31:40	I never liked him much then,
00:31:53	We used to listen to him
00:32:09	Jeez, he goes on long enough.
00:32:12	Mm-hmm.
00:32:30	It feels so good
00:32:32	You are as abandoned and noisy
00:32:35	You are Ian's plaything,
00:32:39	No woman in the history of the world
00:32:44	in my head.
00:32:46	Oh, baby, give it up
00:32:50	Ain't no use
00:33:02	Number five:Jackie Alden.
00:33:06	Jackie Alden's breakup had no effect
00:33:10	It was a casual thing,
00:33:12	I just slotted her in
00:33:16	But now, congratulations, Laura.
00:33:20	You made it to the top five.
00:33:22	Number five with a bullet.
00:33:27	Won't somebody please
00:33:31	Help me with my misery
00:33:37	- Can't somebody see
00:33:40	Do you have soul?
00:33:42	What this one love's done to me
00:33:45	That all depends.
00:33:48	- Now I know, I know
00:33:52	Championship Vinyl.
00:33:57	Yeah. Yeah, I'm interested.
00:33:59	What's your address?
00:34:03	- Hey, Liz.
00:34:06	You fucking asshole!
00:34:12	Hi, Barry.
00:34:15	Soarin'and borin'
00:34:19	I feel I'm ignorin'
00:34:23	My time in the world
00:34:28	For a couple of years
00:34:31	I was good at it, I think...
00:34:33	and while I was doing it
00:34:36	And that's where I met Laura.
00:34:41	She was already a lawyer,
00:34:44	hence the leather jacket
00:34:46	Oh, I liked her right away.
00:34:48	- Hey!
00:34:50	- That's a kick-ass record.
00:34:54	- That's a kick-ass record.
00:35:01	- Um, what's your name?
00:35:07	Hey. I was gonna say, come back
00:35:11	- All right. Thank you.
00:35:14	- Rob.
00:35:18	To be honest, I hadn't met
00:35:22	and meeting promising women
00:35:28	And anyway, we--
00:35:32	She lost her lease on her apartment
00:35:38	And it stayed that way for years.
00:35:41	She didn't make me miserable,
00:35:45	or ill-at-ease.
00:35:47	And you know, it sounds boring,
00:35:52	It wasn't spectacular, either.
00:35:57	good.
00:36:01	But really good.
00:36:04	So, how come
00:36:14	I get the feeling
00:36:18	and Liz stuck up for me...
00:36:21	and Laura told her a few things.
00:36:24	I don't know what precisely
00:36:28	maybe even all four
00:36:35	One: that I slept with someone else...
00:36:38	- He slept with somebody else.
00:36:41	while she, Laura, was pregnant.
00:36:44	- While I was pregnant.
00:36:48	Two:
00:36:50	that my affair
00:36:53	Pretty much directly to me
00:36:56	- No.
00:36:59	that after the abortion, I borrowed
00:37:03	- Four grand or so.
00:37:06	The bastard!
00:37:08	Four:
00:37:10	that shortly before she left me...
00:37:14	I told her that I was kind of
00:37:18	and maybe sort of looking around
00:37:22	He was "sort of, maybe"
00:37:25	- Did I do and say those things?
00:37:28	- No!
00:37:32	I am a fuckin' asshole.
00:37:36	- That's it.
00:37:38	Sit down.
00:37:42	That's shocking.
00:37:44	That is shocking.
00:37:51	First of all, the money.
00:37:54	Laura had it and I didn't.
00:37:56	And she wanted to give it to me.
00:37:59	I've never been able to pay her back
00:38:04	Just because she moved in
00:38:06	it doesn't make me
00:38:08	And number two, this stuff about me
00:38:12	She tricked me into saying it.
00:38:14	We were having this State-of-the-Union
00:38:16	and she said, quite matter of factly,
00:38:19	And did I agree?
00:38:21	And she asked me whether I ever
00:38:26	So then I asked her if she ever
00:38:29	She says, "Of course." So I admit
00:38:33	Now I can see what we were really
00:38:37	and she suckered me
00:38:39	It was a sneaky lawyer's trick
00:38:43	because she's much smarter
00:38:50	All right, then the pregnancy.
00:38:53	I didn't know she was pregnant.
00:38:58	I didn't know
00:39:01	She hadn't told me because
00:39:06	So I didn't find out she was pregnant
00:39:11	We were going through this good period
00:39:14	- What?
00:39:16	And I said, "Well, what is it,"
00:39:18	And I made her tell me,
00:39:21	and I went into
00:39:24	What right do you have? My child too--
00:39:32	That pretty much
00:39:36	Who needs a drink?
00:39:42	Who loves the sun
00:39:46	Who cares that it makes
00:39:51	What's wrong with me?
00:39:54	What happened?
00:39:57	Why am I doomed to be left?
00:40:01	Doomed to be rejected?
00:40:03	I need answers.
00:40:08	Number one.
00:40:14	- Hello?
00:40:16	-Hi.
00:40:19	- What did you say your name was?
00:40:22	Um, I was actually her-- her first
00:40:27	and I was just wondering
00:40:30	I hate to quibble with you, Rob,
00:40:34	Kevin Bannister.
00:40:38	- You gotta be kidding me.
00:40:41	She is Mrs Kevin Bannister.
00:40:44	- We went out together
00:40:48	Well, technically,
00:40:51	I met her a few days before Kevin did.
00:40:54	- I don't know what you mean
00:40:57	I'm number one. Me. Technically.
00:40:59	I see.
00:41:02	I've got to go now, Bob.
00:41:08	Who loves the sun
00:41:12	Alison married Kevin!
00:41:16	I am fine now!
00:41:20	Married her junior high school
00:41:22	Kissed me on the bench. Kissed Kevin
00:41:26	This is great!
00:41:29	This is fate.
00:41:32	It is beyond my control,
00:41:39	I want more. I want to see the others
00:41:43	I wanna see Penny and Charlie and Sarah,
00:41:46	Just see 'em and talk to 'em,
00:41:51	You call, you ask 'em how they are,
00:41:54	Yeah, and then--
00:41:58	And they'd feel good.
00:42:00	No, they'd feel good maybe,
00:42:05	I'd feel clean and calm.
00:42:08	That's what you're looking for.
00:42:13	Great, even.
00:42:16	You'd give that big final "good luck
00:42:23	Good luck. Goodbye.
00:42:28	Thanks, Boss.
00:42:31	Penny is as beautiful as she was in high
00:42:35	She reviews movies for a living,
00:42:38	even if she does make these little notes
00:42:42	We have a good time,
00:42:47	She tells me about her life.
00:42:49	We both get it.
00:42:52	And then, with no real explanation,
00:42:56	I tell her about how Laura
00:42:59	Charlie wanted to sleep with Marco
00:43:01	Alison Ashmore wanted Kevin Bannister
00:43:04	And you, you wanted to-- you wanted
00:43:07	and not me.
00:43:09	And I was helping--
00:43:12	why, you know, I'm doomed to be left,
00:43:16	Do you understand?
00:43:18	Well, Rob, uh, I was crazy about you.
00:43:23	I wanted to sleep with you one day,
00:43:27	You know, when you broke up with me--
00:43:30	you broke up with me
00:43:33	to use your charming expression,
00:43:35	I cried and I cried and I hated you...
00:43:37	and when that little shit bag
00:43:41	it wasn't rape, because I said okay,
00:43:44	You know I couldn't have sex until after
00:43:48	That's when you're supposed
00:43:52	And now you want to have
00:43:55	Well, fuck you, Rob.
00:44:02	God, she's right.
00:44:04	I broke up with her.
00:44:08	That's another one I don't have to worry
00:44:11	Ma'am, could I get the cheque, please?
00:44:15	Next up, Charlie.
00:44:19	But I'm not quite ready for that...
00:44:22	so I go directly to number four
00:44:25	Sarah, my partner in rejection
00:44:30	- Hi, Rob.
00:44:33	Nice to see you.
00:44:36	- Hi. Okay, yeah.
00:44:39	- Yeah.
00:44:40	- You wanna--
00:44:43	I can't believe I left you for him.
00:44:46	- Probably seemed like a good idea
00:44:53	- Are you seeing anybody?
00:44:57	- No?
00:44:59	I-I-I am. I'm in between things.
00:45:01	- Me? I'm not good.
00:45:05	Oh, it's so hard.
00:45:09	So we're trying something else,
00:45:13	But I'm making money. That's good,
00:45:15	- So it's been, like, hand-to-mouth--
00:45:19	There are no hard feelings here,
00:45:22	I'm late for work, and I--
00:45:24	- Okay.
00:45:30	I could've wound up
00:45:33	And what better way to exorcise
00:45:38	But you wouldn't be sleeping
00:45:40	You'd be sleeping with a whole,
00:45:42	It'd be like sleeping with Talia Shire
00:45:46	I feel guilty enough as it is.
00:45:49	There's only Charlie left now.
00:45:54	She's in the fuckin' phone book.
00:45:57	She should be living on Neptune.
00:46:01	A ghost, a myth,
00:46:10	- Hi, this is Charlie.
00:46:12	- Leave me a message--
00:46:17	Oh, the Killing Moon EP, it's almost
00:46:20	Yet another cruel trick
00:46:24	- But every other
00:46:27	Oh, you do? Well, how about
00:46:29	- Ah, they always seemed--
00:46:31	They always seemed really great
00:46:33	They picked up where your precious Echo
00:46:37	I can't believe you don't own
00:46:40	Jesus!
00:46:42	- Can I get two receipts with that?
00:46:45	is that so much of their music is,
00:46:48	directly influenced by,
00:46:53	- The Clash--
00:46:54	Uh, correct, uh, the Clash.
00:46:56	Uh, but also by this band called,
00:47:03	Um, I think you would really
00:47:19	Uh, it sounds great.
00:47:23	- My name's Anaugh.
00:47:26	Um, my name's Dick.
00:47:28	Is this the new Green Day?
00:47:33	You don't have it?
00:47:37	Don't tell anybody
00:47:42	It's gonna be okay.
00:47:48	I will now sell five copies
00:47:52	Do it.
00:48:01	If there's something inside
00:48:05	Say it loud
00:48:07	I will be all right
00:48:10	I will be all right
00:48:13	If there's something inside
00:48:17	- You can say it loud, it'll be okay
00:48:19	- It's the Beta Band.
00:48:22	I know.
00:48:33	- Barry! The door!
00:48:34	- Go! Go! Go!
00:48:39	- Gotta go back!
00:48:42	Okay, fuckos, how much is this deck
00:48:47	- Barry, call the cops.
00:48:54	Ryuichi Sakamoto, Sigue Sigue Sputnik,
00:49:00	- What, are you guys
00:49:03	-You guys slamming to Joni Mitchell now?
00:49:05	- You look at us and think you know
00:49:09	Okay.
00:49:29	Hi.
00:49:32	- What do you want?
00:49:38	- Are you coming home?
00:49:42	Well, I'd like to come over
00:49:48	My house.
00:49:58	How'd it go today?
00:50:01	All right.
00:50:03	- Do you want to go?
00:50:18	So, have you tackled
00:50:22	You bet. You can take this
00:50:27	Look at this place.
00:50:31	What are you making now?
00:50:33	And you were living
00:50:35	Bet you can't even remember
00:50:38	I was here because
00:50:41	It had nothing
00:50:44	So, uh, where are you staying now?
00:50:48	I think you know that.
00:50:50	- I had to work that out
00:50:53	I know I haven't been very fair.
00:50:56	That's why I came
00:50:59	It took me a while
00:51:02	- You scared now?
00:51:05	I feel terrible, Rob.
00:51:08	Good.
00:51:10	So how is everything
00:51:15	Is it working out okay?
00:51:18	- You're living with the guy.
00:51:20	I'm just asking you how it's going.
00:51:22	Look, I'm not living
00:51:24	I'm just staying with him for a few days
00:51:28	I left because we weren't
00:51:33	I'm getting to a point where
00:51:35	and I can't really see that
00:51:39	And, yes, I sort of got
00:51:42	And that went further
00:51:47	But I have no idea what will happen
00:51:53	Probably nothing.
00:52:00	So, what?
00:52:03	You definitely haven't
00:52:07	There's still a chance
00:52:10	- I don't know.
00:52:16	there's a chance, right?
00:52:21	I mean, it would be like
00:52:25	and the doctor said,
00:52:28	That doesn't mean that the patient's
00:52:32	- Even if it's a remote possibility.
00:52:34	- So we have a chance of not--
00:52:36	-I just want to know where I stand here.
00:52:38	- I don't know what chance we have.
00:52:43	All right, we have a nine percent chance
00:52:46	- Nine?
00:52:48	- Great.
00:52:50	but could you take off for a while
00:52:53	No problem.
00:52:54	- You want me to leave my own house?
00:53:01	Laura, can I ask you one question?
00:53:06	Yes. One.
00:53:10	- You're not gonna like it.
00:53:16	- Is it better?
00:53:20	Well, sex, I guess. Is it better?
00:53:26	- Is that really what's bothering you?
00:53:31	Do you really think
00:53:33	- I don't know.
00:53:37	We haven't done it yet.
00:00:06	Not even before,
00:00:07	No. I was living
00:00:12	We've slept together,
00:00:17	Not yet.
00:00:20	- I'll tell you one thing.
00:00:24	Sleeping together is better.
00:00:28	Sleeping together is better?
00:00:30	But not the sex, because
00:00:34	- Will you please just go?
00:00:37	We are the champions
00:00:40	- My friends
00:00:44	-And we'll keep on fighting
00:00:48	- Till the end
00:00:51	- We are the champions
00:00:55	- I feel so much better, in fact...
00:00:57	- that I go straight out
00:01:02	'Cause we are the champions
00:01:09	"How could this have happened?"
00:01:13	"How does he--
00:01:18	How does a regular guy like me
00:01:22	He's grumpy. He's broke. He hangs out
00:01:27	and yet he gets to go to bed
00:01:31	Hey. Marie.
00:01:35	- Everything go all right?
00:01:37	She just wanted to pick up some stuff,
00:01:40	I hate that time,
00:01:44	- You know that song I play,
00:01:48	I wrote that about me and my ex
00:01:51	It's a great, great song.
00:01:54	- A while back,
00:01:56	that what really matters
00:01:59	not what you are like.
00:02:02	Books, records, films--
00:02:04	Call me shallow.
00:02:07	And by this measure, I was having
00:02:10	- You love that show?
00:02:12	Starring, um-- Starring, um--
00:02:14	- McGoohan.
00:02:17	And then we talk about our exes.
00:02:21	She's dry and self-deprecating.
00:02:24	Great sense of humour about it,
00:02:28	- I guess she's happy with him.
00:02:32	But it feels, even to me,
00:02:35	I express regret.
00:02:38	and I hint at a deep ocean of melancholy
00:02:43	which is all bullshit really.
00:02:46	I've just invented a sketch
00:02:49	because I'm in the position
00:02:52	And I guess all that charming,
00:02:56	because we get
00:03:00	Throw my suitcase out there too
00:03:02	it just happens.
00:03:07	- Throw my covers out the door
00:03:10	- I don't need them any more
00:03:14	You know, the
00:03:16	You know that song
00:03:19	It's one of my favourite songs.
00:03:21	- I can say we had a good time.
00:03:25	Marie's a terrific woman.
00:03:28	But it was more than I could do
00:03:31	And then in the morning--
00:03:34	You didn't have me fooled...
00:03:37	acting all cool
00:03:42	- Laura.
00:03:48	- What was yours called again?
00:03:53	-James.
00:03:55	Do you miss him?
00:03:59	Yeah. That's how it works, right?
00:04:04	I think it's okay if you feel horny
00:04:09	I mean, why should we be denied
00:04:11	just 'cause we messed up
00:04:14	You think sex
00:04:16	Hell, yeah! Yeah.
00:04:20	I'm not gonna let that asshole
00:04:27	- Which way are you going?
00:04:31	- That way.
00:04:38	- Talk to ya.
00:04:43	Right.
00:04:48	What did Laura mean last night when she
00:04:52	Yet! What does "yet" mean anyway?
00:04:55	It means you're gonna do it,
00:04:58	Just come on. What would it mean
00:05:01	"I haven't seen Evil Dead II yet"?
00:05:04	Well, to me it would mean that
00:05:07	Once with Laura-- oops--
00:05:10	We had that conversation about
00:05:13	Right. All right, but let's
00:05:16	and I said to you, "I haven't seen Evil
00:05:19	I'd think that you're a cinematic idiot,
00:05:22	All right. But from that one sentence,
00:05:28	I'm sorry, Rob.
00:05:30	You're asking me
00:05:32	you hadn't seen a film
00:05:35	- What am I supposed to say?
00:05:37	"I haven't seen Evil Dead II yet," yes.
00:05:40	Would you get the impression
00:05:42	Oh, uh, well...
00:05:45	you couldn't have been desperate to see
00:05:48	Right. I'm not gonna see that movie.
00:05:54	But the word "yet."
00:05:58	I get the impression
00:06:00	otherwise you'd have said
00:06:04	But in your opinion,
00:06:06	How the fuck am I supposed
00:06:08	- Why?
00:06:11	It's so funny and violent,
00:06:17	I never thought I'd say this,
00:06:20	Look, Laura, if you don't
00:06:23	Oh, I forgot. You can't.
00:06:25	I'm not gonna get off this phone
00:06:29	I mean, I'm sorry, but I don't just see
00:06:31	- all the time.
00:06:33	- I mean, really.
00:06:36	That'd-- That'd be great if you're
00:06:40	see you.
00:06:54	So how are you?
00:06:56	Have you slept with him yet?
00:07:01	- Is that why you wanted to see me?
00:07:07	What do you want me to say?
00:07:09	I want you to say you haven't,
00:07:16	I can't do that.
00:07:42	Say a word forJimmy Brown
00:07:47	He ain't got nothin'at all
00:07:55	You must have known it would happen.
00:07:59	Like you said, I've been living
00:08:05	Rob, are you there?
00:08:12	We can meet for another drink
00:08:14	So I can explain it better.
00:08:17	I don't have your number.
00:08:19	You know, I don't want this to be
00:08:22	You do, huh?
00:08:30	I need a second opinion.
00:08:37	Hi, this is Tim.
00:08:39	Uh, Chicago. A residence.
00:08:43	- Please hold for that number.
00:08:45	- Certainly.
00:09:20	- Rob?
00:09:23	I think you're running.
00:09:27	that anybody hits in any relationship,
00:09:30	But it's gonna be with this guy
00:09:34	All right? With a guy
00:09:36	You know what I'm saying?
00:09:40	And he doesn't understand you,
00:09:43	And I will even more so
00:09:52	I mean, if you want
00:09:53	I'm not experimenting.
00:09:56	- Laura, are you okay?
00:09:59	- Is that him?
00:10:07	- You look upset.
00:10:10	but I'm fine.
00:10:12	- Maybe I should talk to him.
00:10:15	- Conflict resolution is my job.
00:10:18	But-- But, Ian, there's really
00:10:26	You have got to stop calling her.
00:10:30	- Like I care about him.
00:10:33	- Why?
00:10:37	Before you started all this
00:10:40	There was just
00:10:42	But now they've got
00:10:45	And you don't want
00:10:47	How could it get any worse
00:10:49	- Come on, Liz.
00:10:53	Can I ask you a question? And you can
00:10:56	Just what is it?
00:10:59	Why do you want Laura back
00:11:06	Rob, phone.
00:11:08	I was walking on the water
00:11:11	Barry, that fucking pricer's busted,
00:11:15	- Hello.
00:11:20	Who is this?
00:11:24	Is this Ch-- Is this Charlie?
00:11:29	Hi. I just got back into town.
00:11:32	Wow! Rob Gordon. The Rob Gordon.
00:11:36	So how are you doing? Huh?
00:11:40	Yeah, yeah.
00:11:43	So, uh-- God, Charlie Nicholson.
00:11:47	I mean, do you have kids
00:11:50	No. No, I'm too young,
00:11:54	Kids are too time-consuming, I guess,
00:11:58	I'm not making this up. This is how
00:12:00	a conversation about having kids
00:12:03	She's incredible.
00:12:04	So, anyway,
00:12:08	- I'm sorry?
00:12:10	I just find these long-lost
00:12:13	- There's been a rash of them recently.
00:12:16	Yeah. Oh, remember Marco?
00:12:21	- Kind of.
00:12:24	Well, he called
00:12:26	I think he was
00:12:29	He wanted to see me
00:12:32	God. Was I up for that? No. No.
00:12:37	- Do all men go through that?
00:12:41	I'm sorry, Charlie, but what
00:12:44	Well, it means,
00:12:47	Because if we are,
00:12:49	But if we're not,
00:12:53	You know what I mean?
00:12:56	Oh, yeah, yeah.
00:12:59	- So, are you in or out, Rob?
00:13:02	Oh, yeah? Great. Do you want to come
00:13:09	Have you ever watched a moonbeam
00:13:14	Can I help you?
00:13:16	-As it slid across your windowpane
00:13:20	Remember me? Ray. Ian.
00:13:26	I thought maybe we should talk.
00:13:29	- What needs sorting out?
00:13:32	Hanging around outside my house.
00:13:35	- I've stopped all of that now.
00:13:42	Obviously, I know how special
00:13:48	much pain you must be
00:13:52	I would hate it if I lost her.
00:13:54	Oh. Guess who?
00:13:58	But I'd like to believe
00:14:01	that she didn't want
00:14:03	I would respect those wishes.
00:14:06	You know what I'm saying, G?
00:14:09	- Yeah.
00:14:11	So shall we leave it
00:14:13	I've already left it,
00:14:17	Now, get your patchouli stink
00:14:21	Move it, lard-ass!
00:14:24	Dumb motherfucker.
00:14:27	So, um, shall we
00:14:29	- Tsk. No.
00:14:33	- He's not worth it!
00:14:35	Leave the country!
00:14:37	'Cause you'll look back at ten
00:14:42	Get ready, motherfucker!
00:14:44	So shall we leave it
00:14:51	Get him!
00:15:02	- Come on! Get him!
00:15:06	- Have you ever watched a moonbeam
00:15:10	Okay?
00:15:13	As it slid across
00:15:34	Hey, jelly bean.
00:15:37	Charles.
00:15:40	- How are you?
00:15:44	Actually, it's hilarious.
00:15:46	Hey, everybody!
00:15:50	Rob, this is everybody.
00:15:52	- Hi.
00:15:54	- Come on in. Make yourself at home.
00:15:56	- Oh, it's a little warm.
00:15:59	- you've got to raise it yourself.
00:16:01	- You got to deal with a dog
00:16:05	- You gotta take care of it,
00:16:08	- Do you want a drink?
00:16:10	I can see now
00:16:13	a long, slow suffocating death,
00:16:18	Of course there's envy.
00:16:21	Sure, I want their money and
00:16:25	And I'd like to have advice
00:16:28	I mean, they're not bad people,
00:16:31	- I never did. I never did.
00:16:35	- It came down to me
00:16:38	What was the truth?
00:16:40	- She doesn't listen to anyone.
00:16:43	- and she apparently has
00:16:45	and talks shit all night long.
00:16:48	- Come here, you. Oh, I love you.
00:16:51	- Bye, sweetheart.
00:16:53	- Call me tomorrow, okay?
00:16:55	Call me.
00:17:03	How did I manage
00:17:05	How had I made this girl
00:17:10	- Hey, Charlie.
00:17:18	So, Charlie, why'd you
00:17:21	Fuck! I knew it! I knew it!
00:17:24	I knew it! Fuck! Fuck! Fuck!
00:17:28	- What?
00:17:30	one of those
00:17:33	- I can't believe you, Rob.
00:17:38	- Oh, God.
00:17:42	Oh, come on, Charlie.
00:17:45	You can say whatever you like.
00:17:47	Why'd you dump me for Marco?
00:17:50	Marco just seemed to be
00:17:55	You know?
00:18:00	Less hard work.
00:18:03	A little sunnier.
00:18:07	Sparkier.
00:18:11	Through the park
00:18:14	- In Mendocino
00:18:17	- Yeah.
00:18:20	Nothin'.
00:18:24	The kind of stuff you mentioned.
00:18:26	But we want to be
00:18:28	We want to retain
00:18:33	- That sounds great.
00:18:35	We just got together.
00:18:39	- We'll just, you know...
00:18:43	-jam.
00:18:45	All right.
00:18:49	Later.
00:18:58	- What?
00:19:00	You've had that poster
00:19:02	And then some guy comes in off the
00:19:06	It's just a garage band.
00:19:08	- Barry, you don't
00:19:10	What, you think I'm gonna stick
00:19:13	Hey, it's half past
00:19:17	Oh, I can't, um, meet you guys
00:19:19	- That's the way it is in Mendocino
00:19:23	- Who are you going to see?
00:19:25	- Rob! Lookie, lookie!
00:19:31	Un-fucking-believable!
00:19:33	Dick's got a hot date!
00:19:35	What rational explanation can there
00:19:39	- Anaugh.
00:19:42	- Anaugh Moss.
00:19:45	Is she all green
00:19:48	And you met this bruiser
00:19:50	The home for the mentally challenged
00:19:53	Um, here. She asked me about
00:19:56	- and then I told her--
00:20:00	That's great, Dick!
00:20:03	Listen, Rob, I can't
00:20:05	I gotta get some lyrics
00:20:08	Oh, yeah, me too.
00:20:12	But, um, uh--
00:20:59	- Hi, Laura.
00:21:02	- Hey, that's private.
00:21:03	"journalist for Rolling Stone
00:21:08	"Get to meet the Clash, Chrissie Hynde,
00:21:12	"Get tons of free records.
00:21:15	"producer, Atlantic Records,
00:21:19	Get to meet Aretha,
00:21:22	- More free records.
00:21:24	- Yeah.
00:21:27	Besides classical or rap.
00:21:28	- "Settle for being one
00:21:31	- "I'm not asking to be Jagger
00:21:35	- "Number four: film director."
00:21:39	And number five,
00:21:42	- Yeah.
00:21:45	- I'm not sure I even
00:21:48	of five things you'd do
00:21:50	and time and history
00:21:53	- Yeah.
00:21:55	Well, I did put it
00:21:57	Wouldn't you rather own your
00:22:00	- Yeah, I suppose.
00:22:02	1 6th-century explorer
00:22:05	- God, no.
00:22:07	Dream job number five:
00:22:19	I find it interesting that you
00:22:23	Well, this is the last of it.
00:22:26	Those bags look heavy.
00:22:29	Or Ray or--
00:22:33	- What do you call him? Ian or Ray?
00:22:36	- I hate Ian.
00:22:39	Yeah, I'm sure.
00:22:43	See ya.
00:22:46	Goodbye.
00:22:58	Top five things
00:23:00	One: sense of humour. Very dry,
00:23:04	And she's got one
00:23:07	She laughs with her entire body.
00:23:10	Two: She's got character.
00:23:13	Or at least she had character
00:23:16	She's loyal and honest and...
00:23:18	she doesn't even take it out on people
00:23:21	That's character.
00:23:23	Three:
00:23:28	I miss her smell...
00:23:31	and the way she tastes.
00:23:34	It's a mystery of human chemistry,
00:23:36	Some people, as far as your senses
00:23:47	I really dig
00:23:49	It's like she doesn't care how
00:23:52	And it's not that she doesn't care,
00:23:57	And that gives her grace.
00:23:59	And five: She does this thing in bed
00:24:02	She kind of half-moans and then rubs her
00:24:05	It just kills me.
00:24:09	Believe me, I mean,
00:24:12	but it's just your garden variety
00:24:15	and that's the kind of thinking
00:24:23	- Look out!
00:24:26	Whoa, whoa! Toss it, man!
00:24:28	- You're pretty when you're angry.
00:24:35	- Hey, Rob, Laura called.
00:24:38	What you gonna do
00:24:42	The man's gone out to get you
00:24:46	How you gonna know
00:24:49	- What is this?
00:24:52	- Who's Vince and Justin?
00:24:55	- No way.
00:24:58	It's really--
00:25:02	It's really fuckin' good.
00:25:09	Hey, do you guys know Vince and Justin,
00:25:11	- Yeah, they're right over there, man.
00:25:14	- Quit smoking. I'm telling you should--
00:25:18	- It's good.
00:25:21	I mean, it's rough, but,
00:25:25	I'll put out your record.
00:25:28	Any profits we split down the middle
00:25:30	Recoup expenses?
00:25:35	- We're not there yet,Justin.
00:25:37	Whatever.
00:25:40	- Uh, the Kinky Wizards.
00:25:42	What's the name of your label?
00:25:44	Top Five Records.
00:25:46	What was that? You just told them
00:25:49	Yeah. So what?
00:25:52	Well, it just seems
00:25:56	by putting out a record
00:25:59	than with someone you know
00:26:02	Yeah, what do your songs sound like?
00:26:05	You know what? You wouldn't be familiar
00:26:08	- Try me.
00:26:12	Hey. You called?
00:26:17	Fuckin' asshole.
00:26:21	- Laura, are you all right?
00:26:25	My dad died.
00:26:36	- What's up?
00:26:39	Oh, drag.
00:26:43	I'm sorry, Rob.
00:26:47	Hey, top five songs about death.
00:26:51	A Laura's dad tribute list.
00:26:54	Okay? Okay.
00:26:57	"Leader Of The Pack."
00:27:00	The guy fuckin' beefs it
00:27:03	"Dead Man's Curve."
00:27:05	Do you know that right after
00:27:09	- It was Dean, you fuckin' idiot.
00:27:11	- It was a long time after the song--
00:27:13	"Tell Laura I Love Her."
00:27:16	Laura's mom could sing it.
00:27:19	- You know what I'd want?
00:27:21	"One Step Beyond" by Madness.
00:27:23	No, no, no, no, no.
00:27:26	In a minute,
00:27:29	And, uh, "You Can't
00:27:32	No, immediate disqualification because
00:27:35	Oh, God, you're right.
00:27:37	Um, Mom wants you
00:27:40	- Oh. Me?
00:27:45	Mom never told him we'd split,
00:27:48	"Wreck Of The Edmund Fitzgerald. "
00:27:50	Bastard. That's so good.
00:27:52	Do you, uh--
00:27:55	I don't care, as long as you don't
00:27:58	- Is Ray going?
00:28:03	The night Laura's daddy died
00:28:06	Sha-na-na, na-na-na
00:28:09	Brother, what a night
00:28:11	Mother, what a night it really--
00:28:14	Glory be
00:28:16	Brother, what a night
00:28:18	Brother, what a night
00:28:21	Our Father, who art in heaven,
00:28:26	Thy kingdom come,
00:28:29	- on Earth as it is in heaven.
00:28:32	- Bless this day--
00:28:34	"Angel" by Aretha Franklin...
00:28:36	and I've always had
00:28:40	"You're The Best Thing That Ever
00:28:44	- But who would that woman be?
00:29:19	- Hey,Jo.
00:29:21	- How are you doing?
00:29:24	Mom's not too bad.
00:29:28	Yeah, well, she's had a rough time
00:29:32	It's just so hard
00:29:36	and it doesn't work out.
00:29:40	Don't mind me. Really. It's no problem.
00:29:43	Well, in fact, we are talking about
00:29:49	- Oh.
00:29:51	Don't fuckin' say "oh"
00:29:54	I'm really sorry,Jo. Look,
00:29:57	or I can believe everything you say
00:29:59	But that's not
00:30:01	- I mean--
00:30:05	Just because it's never the time, Liz?
00:30:08	I think just the once would do!
00:30:16	- I'm very sorry, Laura.
00:30:19	I'm so sorry, Laura.
00:30:22	Thank you. I appreciate that.
00:30:25	Laura, I'm sorry.
00:30:46	Most of the time
00:30:50	I'm clear-focused all around
00:30:53	Most of the time
00:30:56	I can keep both feet on the ground
00:31:00	I can follow the path
00:31:03	I can read the sign
00:31:07	Stay right with it
00:31:12	I can handle whatever
00:31:15	I stumble upon
00:31:18	I don't even notice she's gone
00:31:23	- I can see now I never
00:31:26	I always had one foot
00:31:29	and that prevented me
00:31:32	like thinking
00:31:35	- I guess it made more sense
00:31:39	- Keep my options open.
00:31:43	- And that's suicide.
00:31:47	- By tiny, tiny increments.
00:31:50	I can make it all match up
00:31:54	I can hold my own
00:31:57	I can deal with the situation
00:32:00	Right down to the bone
00:32:02	I can survive
00:32:08	Hell, I don't even think
00:32:12	About her
00:32:15	Most of the time
00:32:19	Are you gonna lie
00:32:27	No.
00:32:28	- You're soaking.
00:32:31	You're also an idiot.
00:32:36	- Look, Laura, I'm really sorry.
00:32:41	Why don't you just get back, and
00:32:44	No, I don't want to be there.
00:32:51	- Is there anything I can do?
00:32:54	- Where?
00:32:58	Right.
00:33:12	Dad used to bring us here
00:33:18	Listen, Rob, would you
00:33:24	'Cause I want to feel
00:33:28	It's either that, or I go home
00:33:33	Unless you want to stub
00:33:37	No. I only have a few left.
00:33:42	Right. It'll have to be sex then.
00:33:46	Right. Right.
00:33:50	I knew there was a reason
00:33:53	-Just stay there.
00:34:11	- Hi.
00:34:14	It doesn't seem so long ago
00:34:53	Hey, go be with your mom.
00:34:57	I'm too tired.
00:34:59	I'm too tired
00:35:08	Well, so if you had a bit more energy,
00:35:11	But things being as they are,
00:35:15	- Is that it?
00:35:23	What about Ian?
00:35:26	Well, Ray's a disaster.
00:35:30	Look...
00:35:32	I, I know it's not
00:35:35	But there will be romance again
00:35:39	- I just--
00:35:42	Well, you've made it clear
00:35:46	Look, um, we can talk about it
00:35:49	Right now, I-- I just--
00:35:55	Right now, I just
00:36:00	Okay.
00:36:01	So, yeah.
00:36:18	And so we got back together,
00:36:22	She moved all her stuff back in,
00:36:24	- So when exactly did you decide
00:36:28	- See, that's not-- not a nice way
00:36:33	- We went out to dinner every night.
00:36:36	What else?
00:36:37	- When you turn on your smile
00:36:41	- I feel my heart go wild
00:36:44	- Important stuff. Issues.
00:36:47	-A brand new toy
00:36:50	That's like saying you support
00:36:52	No, it's not like saying
00:36:55	Marvin Gaye and Art Garfunkel
00:36:57	Made. Made. Marvin Gaye's dead.
00:37:00	You could say it was everything
00:37:05	- Marvin Gaye!
00:37:06	"Let's Get It On."
00:37:08	Marvin Gaye is responsible
00:37:10	Oh, is that so?
00:37:12	It was everything
00:37:16	except for some
00:37:21	this--
00:37:30	Excuse me.
00:37:33	Yeah. Yeah, it is.
00:37:36	I haven't heard this one.
00:37:38	Yeah, I know.
00:37:41	- Are you Bob?
00:37:44	Oh, right. Yeah, Rob.
00:37:47	I used to go to the Doubledoor
00:37:50	You were unbelievable.
00:37:53	- Really?
00:37:56	Hi.
00:37:58	- What do you do?
00:38:01	You're Caroline Fortis?
00:38:05	- It's great. You really know
00:38:07	- Rob, phone.
00:38:09	It's your girlfriend.
00:38:14	Excuse me.
00:38:22	Hey.
00:38:36	Hey, what the fuck is this?
00:38:39	- Talk to your woman.
00:38:42	Crumbs busted
00:38:45	Laura!
00:38:48	"Dance music for old people"?
00:38:49	It's an idea I had
00:38:53	and I thought it was such
00:38:57	- It may be why I came back.
00:38:59	What if I was doing something
00:39:01	- Rob, what are you ever doing
00:39:04	- The single cannot be done in time.
00:39:07	Oh, guess what.
00:39:10	Barry is playing at this thing?
00:39:14	Fucking, what are you--
00:39:19	- Barry, I'll give-- I'll give you ten
00:39:21	Rob, we're getting that anyway.
00:39:23	- Twenty. Twenty percent.
00:39:27	A hundred and ten percent.
00:39:32	- Rob, we're called Sonic Death Monkey.
00:39:35	Yeah. And if Laura and
00:39:38	Let 'em riot.
00:39:42	Let me get this straight.
00:39:45	Now your friends and
00:39:50	and you're asking us
00:39:53	Exactly.
00:39:55	I don't know, dude.
00:39:59	It's just the whole thing
00:40:03	It's just a three-song CD.
00:40:06	It's just--
00:40:10	It's just that
00:40:13	You, the critic,
00:40:16	put something new into the world...
00:40:18	and the second
00:40:22	Congratulations, Rob.
00:40:28	You know, I guess I think I've
00:40:31	you know, or some sort of
00:40:35	And I just wanted to,
00:40:37	put something new
00:40:39	you know, kind of really
00:40:41	Yeah. Wow. I would-- You know,
00:40:44	- Why don't I send it over to you
00:40:48	- I will look forward to that.
00:40:51	- You know, we should
00:40:54	Okay. What are your all-time
00:41:01	In a club or at home?
00:41:03	Listen. I'll tell you what.
00:41:11	Now, the making of a good compilation
00:41:15	Many do's and don'ts.
00:41:17	First of all, you're using someone
00:41:20	This is a delicate thing.
00:41:23	So, for this one, I'm thinking--
00:41:27	I'm thinking--
00:41:31	When is this gonna stop?
00:41:33	When's what gonna stop?
00:41:35	Uh, nothin'.
00:41:40	Who's the tape for?
00:41:45	Just some girl who interviewed me
00:41:57	So what am I gonna do now?
00:42:00	for the rest of my life
00:42:03	Should I bolt every time
00:42:06	I've been thinking with my gut
00:42:10	and, frankly speaking,
00:42:21	Hi. A drinking lunch
00:42:25	That's a nice surprise.
00:42:33	- Are you nervous about tomorrow night?
00:42:39	Well, um, are you gonna talk to me,
00:42:42	- No, no, I'm gonna talk to you.
00:42:46	Um, I'm gonna talk to you
00:42:52	you want to get married to me.
00:42:57	- I'm serious.
00:42:59	Well, thanks a fucking bunch.
00:43:02	I'm sorry, but two days ago
00:43:04	- for that girl from The Reader.
00:43:07	Well, forgive me if I don't think
00:43:10	Would you marry me if I was?
00:43:12	- What brought all this on?
00:43:15	- I'm just sick of thinking
00:43:18	This stuff. Love and settling down
00:43:23	I want to think
00:43:26	I changed my mind.
00:43:28	That's the most romantic thing
00:43:31	- I do. I will.
00:43:33	I'm trying to explain, okay?
00:43:36	That other girl,
00:43:38	I mean, I was thinking
00:43:44	You know? And they always
00:43:47	because there's
00:43:50	And if there are,
00:43:53	you know, we bought each other
00:43:55	or she wants to go see a movie
00:43:58	And then I come home, and
00:44:00	and you don't even want to see
00:44:04	- There's no lingerie and--
00:44:06	Yes, you do.
00:44:09	that's been washed a thousand times,
00:44:14	A-And they have it too.
00:44:17	Do you understand?
00:44:20	I'm tired of the fantasy...
00:44:22	because it doesn't
00:44:25	And there are never really
00:44:29	- Delivers?
00:44:31	Right. And I'm tired of it.
00:44:37	And I'm tired of everything else,
00:44:41	But I don't ever seem
00:44:44	So--
00:44:46	I think I know what you mean.
00:44:49	But were you really
00:44:54	I don't know.
00:44:59	I thought asking
00:45:04	Well, you've asked. Thank you.
00:45:27	-All right!
00:45:30	That was just a little bit
00:45:34	the title track
00:45:36	the record we're having
00:45:39	The two burgeoning criminals behind
00:45:42	They're underage, and
00:45:51	But we'll get to them in a moment.
00:45:53	First, I have to introduce a band,
00:45:56	until after they finish
00:46:00	Right now, it's my
00:46:04	to introduce Sonic Death Monkey.
00:46:15	I'm an idiot. I should've
00:46:17	- These people are gonna
00:46:19	It's gonna be fine.
00:46:23	- It's gonna be fine. Watch.
00:46:26	You're too kind. Rob, thank you
00:46:29	but we're no longer
00:46:31	Uh, we're on the verge of being
00:46:36	However, this evening
00:46:38	and the Uptown Five.
00:46:45	I been really tryin', baby
00:46:49	To hold on to this feeling
00:46:53	For so long
00:46:55	And if you feel
00:46:58	Like I feel, sugar, come on
00:47:01	Ohhh, come on, oooh
00:47:05	Let's get it on
00:47:10	Let's get it on
00:47:13	Let's love, sugar
00:47:16	Let's get it on
00:47:19	Sugar
00:47:22	Let's get it on
00:47:25	Whoo-ooh-ooh
00:47:29	We are all sensitive people
00:47:33	With so much to give
00:47:36	Understanding, sugar
00:47:41	Since we got to be
00:47:45	Let's live
00:47:48	I love you
00:47:51	There's nothin' wrong
00:47:55	With me loving you
00:48:01	And giving yourself to me
00:48:04	Could never be wrong
00:48:06	If the love is true, oh, baby
00:48:15	Don't you know
00:48:19	- Life can be
00:48:22	like breaking up, is hard to do and
00:48:26	You gotta kick it off with
00:48:28	Then you gotta take it up a notch,
00:48:32	So then you gotta cool it off a notch.
00:48:37	Anyway, I've started
00:48:39	- Here's the songs that meet our ears
00:48:42	-And sights our eyes behold
00:48:44	Full of stuff that'd make her happy.
00:48:46	We'll open up our merging hearts
00:48:49	- For the first time,
00:48:56	I believe when I fall in love with you
00:49:00	It will be forever
00:49:04	I believe when I fall in love
00:49:07	This time it will be forever
00:49:11	Without despair
00:49:15	We will share
00:49:17	And thejoys of caring
00:49:20	Will not be replaced
00:49:26	What has been
00:49:29	Must never end
00:49:32	And with the strength we have
00:49:36	Won't be erased
00:49:40	When the truth of love
00:49:44	They won't be hard to find
00:49:48	And the words of love I speak to you
00:49:52	Will echo in my mind
00:49:58	I believe when I fall in love with you
00:50:02	It will be forever
00:50:06	I believe when I fall in love this time
00:50:09	It will be forever, ever
00:50:13	Ever, ever, ever, ever
00:50:19	I believe when I fall in love with you
00:50:23	It will be forever
00:50:27	I believe when I fall in love with you
00:50:30	It will be forever, ever, ever
00:50:34	I believe when I fall in love with you
00:50:38	It will be forever, ever
00:50:41	I believe when I fall in love with you
00:50:45	It will be forever
00:50:49	I believe when I fall in love with you
00:50:52	It will be forever
00:50:56	- God answered
00:50:59	- My prayer
00:51:03	- God answered my prayer
00:51:08	- It will be forever
00:51:25	Well, I just got out my little red book
00:51:27	The minute that you said goodbye
00:51:32	I thumbed right through
00:51:34	I wasn't gonna sit and cry
00:51:36	And I went from A to Z
00:51:39	I took out every pretty girl in town
00:51:43	They danced with me and as I held them
00:51:48	All I did was talk about you
00:51:50	Hear your name and I'd start to cry
00:51:52	There's just no getting over you
00:51:56	Oh, no
00:51:59	There ain't no girl
00:52:01	Who could ever replace your charms
00:52:06	And each girl in my little red book
00:52:08	Knows you're the one I'm thinking of
00:52:11	Oh, won't you please come back
00:52:14	Without your precious love I can't go on
00:52:18	Where can love be, I need you so much
00:52:22	All I did was talk, talk about you
00:52:24	Hear your name and I'd start to cry
00:52:27	There's just no getting over you
00:52:30	Oh, no
00:52:38	Oh, won't you please come back
00:52:42	Without your precious love I can't go on
00:52:46	It's haunting me, I need you so much
00:52:49	All I did was talk, talk about you
00:52:52	Hear your name and I'd start to cry
00:52:54	There's just no getting over you
00:52:58	All I did was talk, talk about you
00:53:01	Hear your name and, oh, I'd start to cry
00:53:03	There's just no getting over you
00:53:07	Oh, no

High Fidelity