Hills Run Red The

en
00:02:34 You have one message.
00:02:37 Tyler, what's up?
00:02:39 So I found ALexa Concannon
00:02:42 She works at the Crimson Kitty
00:02:45 Call me
00:02:56 ANNOUNCER ON COMPUTER:
00:02:59 They thought
00:03:01 They thought the woods were safe.
00:03:04 Their only warning
00:03:06 What was that?
00:03:07 ANNOUNCER: From the master
00:03:11 Witness the birth of a madman.
00:03:21 His name is Babyface.
00:03:25 When night falls,
00:03:32 If You hear his rattle,
00:03:40 Hey, sweetie.
00:03:42 Do you know what time it is?
00:03:45 It's late. What're you doing up?
00:03:47 - Mm, where's Lalo?
00:03:54 I'm naked under this.
00:03:57 Are you gonna spend the rest
00:04:02 Just a little bit longer.
00:04:06 I promise.
00:04:08 Not again.
00:04:12 I guess
00:04:18 In the beginning, the Lord said,
00:04:22 And there was light
00:04:24 And then, man said,
00:04:26 Celluloid made film
00:04:30 what it doesn't wanna see.
00:04:37 So I had to ask myself...
00:04:41 I mean' is it just one
00:04:45 What did people see in it
00:04:48 That's what I wanna find out.
00:04:50 Soon as he's finished jerking off
00:04:53 - Goddamn it.
00:04:55 - Get your giant nose out of my shot.
00:04:59 - I was in the moment.
00:05:00 - Back away.
00:05:03 Know what you're gonna
00:05:05 Uh, yeah'
00:05:07 The Hills Run Red is
00:05:10 Actual title, River of Dollars.
00:05:13 - See? I love that you know that.
00:05:16 But why this movie, Tyler?
00:05:20 Think of the mystery
00:05:22 I mean, no movie just vanishes
00:05:24 No prints.
00:05:27 That's pure, uncensored,
00:05:30 that only a handful of people
00:05:33 - Hi.
00:05:35 Nobody gave a shit.
00:05:37 - Two popcorns' please.
00:05:40 - Tyler, nobody gives a shit now.
00:05:43 Something that scared people enough
00:05:48 Hey, look, who's to say
00:05:54 - Fuck off.
00:05:56 Film speaks a language
00:05:59 that is incomprehensible to the
00:06:04 - Heh. You got it bad, don't you?
00:06:07 Oh, God' he's terminal folks.
00:06:10 No, no, the... Splices.
00:06:11 A single cut in the wrong place
00:06:14 - Dude, what does that even mean?
00:06:18 I think the worLd is crazy.
00:06:21 I think it takes a certain amount of
00:06:27 Otherwise,
00:06:32 This thing is only famous
00:06:35 See, now you understand. It's time
00:06:39 I'm gonna find it, rediscover it and
00:06:43 Right, right, right.
00:06:45 The guy disappeared, what,
00:06:48 Not completely.
00:06:51 The little girl from the movie.
00:06:53 That's Concannon's daughter.
00:06:58 - How'd you find her?
00:07:01 She's only 20 minutes
00:07:03 - Ugh. Astor?
00:07:05 And, what? She's just gonna hand you
00:07:09 - It might take a little convincing.
00:07:12 Lalo, haven't you ever felt
00:07:17 You know, it's that feeling that
00:07:21 You, my friend, are out to prove
00:07:25 That's what I said.
00:07:26 - And you want me to help you.
00:07:28 Between us, we've got the gear.
00:07:31 - Plus a credit card for the car-rental.
00:07:35 We have to go to all
00:07:37 Did you ask Serina?
00:07:40 - She'll do it.
00:07:44 Give me one good reason...
00:07:46 why we should hook up with you
00:07:49 Because she loves me,
00:07:52 And deep down, I know you wanna
00:07:56 Oh, man.
00:07:59 Does this involve getting laid
00:08:47 Excuse me.
00:08:50 Alexa Concannon?
00:09:08 Do you remember the fun we had
00:09:11 Lalo, just tell me
00:09:13 Serina, I... I don't know
00:09:16 You know better than
00:09:18 He's a man on a mission.
00:09:19 Yeah, and he expects us
00:09:21 head out to the middle of nowhere,
00:09:26 That's the plan.
00:09:29 Look... uh, if we don't do this...
00:09:35 MAN ON TV:
00:09:39 Sorry.
00:09:41 It's okay.
00:09:42 Darling, the only ghoul
00:09:52 Hello?
00:09:53 Well, hello.
00:09:58 I saw you looking for me.
00:10:01 Poor little lost lamb.
00:10:12 Whoa... uh, wait a minute.
00:10:19 This isn't why I'm here.
00:10:36 You're her, right?
00:10:42 Shh.
00:11:51 Uh... you don't
00:11:54 You have to.
00:12:00 They're watching.
00:12:03 All the time.
00:12:06 At least act
00:12:12 I just wanna talk.
00:12:15 That's not
00:12:18 Look, you don't belong here.
00:12:21 Why?
00:12:23 Because you're Alexa Concannon.
00:12:31 Meet me outside, little lamb.
00:13:00 Well? Drive.
00:13:19 You live here?
00:13:21 Yeah, I'm in between mansions.
00:13:47 So am I everything
00:13:54 Uh... I don't really know
00:14:01 Disapproval is not allowed.
00:14:11 I wanna talk to you
00:14:13 Mm. Save it.
00:14:17 Most of you assholes come here
00:14:21 or some memorabilia or something.
00:14:23 - Am I right?
00:14:28 Listen.
00:14:30 I need to find your father's film.
00:14:37 My father said you don't...
00:14:41 Sacrifice everything for it.
00:14:56 If I did have the movie,
00:15:00 Scatter the ashes.
00:15:09 It's nice having fans, I guess.
00:15:12 It's not like that.
00:15:16 Oh, I see. You're serious.
00:15:21 You're not like those other guys.
00:15:24 - No. I'm not.
00:15:27 I know what you're really
00:15:40 You'd better mount up
00:15:43 Would you stop it with that?
00:15:47 You know you wanna fuck me.
00:15:49 Don't tell me you haven't thought
00:15:53 It's like you said...
00:15:56 I'm serious.
00:15:58 How serious? How badly do you want
00:16:08 Do you even know
00:16:25 - Yeah?
00:16:27 Got who?
00:16:29 You know who.
00:16:32 Be ready in a few days.
00:16:33 All right. Ahem. Copy.
00:16:39 We're supposed to,
00:16:43 Where is he?
00:16:45 Uh... chasing
00:16:50 I guess that lets us
00:17:14 What the hell do you think
00:17:19 Oh, you want serious?
00:17:21 I'm gonna help you
00:18:07 It's time.
00:18:13 I know you want me to tell you
00:18:16 but it's a little fuzzy.
00:18:19 I wasn't in much of it.
00:18:21 Did you ever see
00:18:24 Not all of it, no.
00:18:26 Your father
00:18:30 He said it wasn't for kids.
00:18:41 All right, cool.
00:18:43 - That's enough for now.
00:18:50 Let's roll.
00:18:55 All that stuff you said,
00:18:59 You owe me a fight.
00:19:03 Serina' it was my only chance.
00:19:06 She was strung out and fucked up
00:19:09 - Did you fuck her far from home?
00:19:12 You disappear for days,
00:19:15 and I'm supposed to be okay
00:19:18 Look, if I didn't give a damn
00:19:22 - No one's forcing you.
00:19:26 Lalo and I talked about it.
00:19:28 Yo, let's eat some road,
00:19:34 Guess I missed that meeting.
00:19:56 Shit, man. This place is like
00:20:00 It's like 100 miles across,
00:20:01 and there isn't any town
00:20:05 - It's not on the map.
00:20:08 It's sorta deep in.
00:20:12 Don't leave the city.
00:20:15 - Thank you, voice of doom.
00:20:17 Seriously, the problem with all
00:20:20 is they ignore a basic fact
00:20:24 The characters always head out
00:20:27 Suddenly their cars' their cell phones,
00:20:31 and nobody ever brings
00:20:33 - Ha-ha-ha.
00:20:35 Then suddenly these ass-loving
00:20:38 - and fuck them all to death.
00:20:40 No, everything would've been okay if
00:20:54 I think daddy burned her
00:20:58 The daddy whose brilliant
00:21:01 - No, he's dead.
00:21:03 Tyler
00:21:06 - She said he died like 10 years ago.
00:21:09 To his final resting place.
00:21:14 Houses have attics.
00:21:16 And garages and cellars.
00:21:18 - Maybe a film vault.
00:22:30 What is it?
00:22:39 Let's get you back to the car,
00:22:44 What happened?
00:22:47 What did you see?
00:22:54 He knows. Right?
00:23:00 I mean' how could he not know?
00:23:04 Are you kidding?
00:23:09 Yeah.
00:23:13 Lalo, it was a one-time thing.
00:23:17 - That's the way it's gotta be.
00:23:21 - That's what I thought it was.
00:23:33 ANNOUNCER: So drop us a line
00:23:36 and we'll get it on,
00:23:38 Did your dad keep the film
00:23:40 Daddy kept all his movie stuff
00:23:44 Really?
00:24:20 - Hey, does this place
00:24:24 Fuck me sideways.
00:24:28 - Let's see
00:24:32 That fella, that director'
00:24:38 Used real blood too,
00:24:41 Actually went to
00:24:46 I mean, that's real blood
00:24:58 Hey, I remember you.
00:25:02 Such a little sweet pea, riding
00:25:08 What car?
00:25:12 A Ford, I think.
00:25:15 Daddy used to take
00:25:18 It was on big reels.
00:25:25 Hey. Sonny, you saw that movie,
00:25:31 - So you actually saw
00:25:35 Yup.
00:25:37 I saw that movie at the drive-in.
00:25:42 Uh...
00:25:44 - You have to say more, Sonny.
00:25:49 Well, that movie was way fucked up.
00:25:53 - Yeah, go crazy.
00:25:56 Yeah, well, when I first seen
00:25:59 uh... you know, because them scary movies
00:26:04 I had this chopped Charger, see?
00:26:06 It was mostly gray primer
00:26:08 Cut, cut, cut.
00:26:10 Yeah, they shut that drive-in
00:26:13 because some guy got murdered.
00:26:15 - Okay. Hold on. Reset, all right?
00:26:19 - Go ahead.
00:26:21 Okay. I had this chopped Charger.
00:26:24 It was mostly gray primer
00:26:27 but the headers were
00:26:39 Projects like this,
00:26:42 I've got the girl.
00:26:44 And part of the mystery
00:26:47 You gotta just, like, go.
00:26:58 - Do you remember
00:27:01 Tyler, give her a break.
00:27:04 It was some guy from the hills.
00:27:06 He had trouble remembering
00:27:09 Like... uh, retarded?
00:27:12 Slow. You'd say slow.
00:27:15 DaddY said if You pretend well enough,
00:27:21 So I knew it was pretend.
00:27:26 So you don't blame the movie
00:27:30 Screwed up?
00:27:32 Everybody's all screwed up,
00:27:34 I'm not some traumatized waif.
00:27:38 Wow. That's Nietzschean.
00:27:42 - Yeah.
00:27:44 What does not destroy me,
00:27:49 - No? No takers? All right.
00:27:53 ALEXA:
00:28:20 Somewhere,
00:28:22 is the house where
00:28:25 his now legendary independent film,
00:28:31 There's nothing but...
00:28:34 Welcome to the middle of nowhere.
00:28:37 - Ooh.
00:28:39 All right,
00:28:48 - Ahem. You don't have to, I've got it.
00:28:54 Okay. You got the tripod, then.
00:29:01 - Think the car's gonna be okay?
00:29:05 There's nobody here.
00:29:08 Well, anything weird happens,
00:29:12 Shit.
00:29:14 Two in the chest,
00:29:16 Dude, put that away. I didn't think
00:29:20 Look where we are.
00:29:22 All right,
00:29:25 Flares. For when the flashlights
00:29:29 Like the cell phones, Mr. paranoid?
00:29:34 Ha. Five bars, going strong.
00:30:14 So, Tyler, he's your guy?
00:30:17 It's kind of complicated.
00:30:20 Complicated because of Lalo?
00:30:24 Complicated-
00:30:27 Well, when Tyler found me,
00:30:33 You're lucky.
00:30:37 Yeah, I am. He is a good guy.
00:30:42 Hey, guys.
00:30:44 It's that way.
00:30:47 - All right, let's go.
00:30:56 What'd you think
00:30:59 - Us. Heh, heh.
00:31:05 - Tyler.
00:31:09 - What is it?
00:31:15 Is that...
00:31:16 - is that a rib cage?
00:31:21 - Fuck.
00:31:24 - Gross.
00:31:30 Lalo, look at the trees.
00:31:33 So?
00:31:36 It's the tree scene.
00:32:45 LALO:
00:32:48 You wanna shoot it?
00:32:59 - Maybe we should stop. Let's go back.
00:33:02 Hey, come on.
00:33:07 It's just these woods.
00:33:10 This place.
00:33:15 We should keep going.
00:33:51 So, what's the story
00:33:55 - Was he deformed?
00:33:59 His mother was raped by this
00:34:04 So his father cut off his face
00:34:08 so that he wasn't reminded of it.
00:34:11 The boy tried to sew
00:34:15 But he couldn't do it.
00:34:16 Oh, great. What, what?
00:34:19 who magically becomes an
00:34:23 - Come on.
00:34:27 He had this baby-doll toy'
00:34:31 So he used it as a mask.
00:34:36 But it didn't work.
00:34:39 But he wasn't invulnerable'
00:34:41 I read somewhere that the killer
00:34:46 Mummified them, cured them.
00:34:52 Cured? What' like bacon?
00:34:56 Doesn't mean anything to me, sorry.
00:34:58 Yeah, yeah, that's... uh,
00:35:01 No, there's a shot of
00:35:03 - Yeah, it could have been the outhouse.
00:35:08 I'll definitely take a shit in it
00:35:10 Ignore these idiots.
00:35:13 So, what are we, about halfway?
00:35:17 It's better
00:35:20 Yeah, that's what airlines
00:35:24 Ooh. That makes me
00:35:32 There was some, uh, backpackers
00:35:35 Yeah, the three of them.
00:35:39 Everybody hears stories.
00:35:40 But you don't know,
00:36:22 God. Don't do that.
00:36:26 What's wrong?
00:36:28 Nothing's wrong.
00:36:34 It's not a surprise' really.
00:36:39 Here. Ahem.
00:36:41 Scoot back a litle bit.
00:36:43 - Are we still interviewing?
00:36:45 In the middle of the woods,
00:36:48 - Too weird for you?
00:36:50 In the middle of the woods
00:36:58 So, what do you remember
00:37:02 Not a lot really.
00:37:04 But on the way here, you said it was,
00:37:07 Let me interview you.
00:37:13 Why the movie? This place?
00:37:16 Why is it so important to you?
00:37:18 Because people said it's the
00:37:22 You know, the way he captured the...
00:37:25 That's such a bullshit
00:37:35 Uh...
00:37:37 Because, you know, if I find it...
00:37:40 it's something I did' you know?
00:37:46 Something that no one else
00:37:53 So by finding it,
00:37:58 That sounds like
00:38:00 But am I wrong?
00:38:13 Oh, wait. Stop.
00:38:16 - I didn't say cut.
00:39:01 Tyler. Tyler.
00:39:03 Good morning, campers.
00:39:16 Fucker.
00:39:21 - I'll fuck her, all right.
00:39:24 Please, we don't have anything.
00:39:26 Oh...
00:39:30 What you packing this for,
00:39:36 Do you intend to do harm to us?
00:39:39 - What do you want with us, Sonny?
00:39:42 We've been thinking. Well, hell...
00:39:48 That's right.
00:39:51 about some dumb blood-and-guts flick
00:39:55 Anybody who knows anything,
00:40:00 This one first. Come on.
00:40:03 - Alright, then. Let's get on with it.
00:40:06 Billion-dollar industry when you
00:40:10 - overseas sales...
00:40:13 I bet you thought we were just
00:40:19 We turned out to be smarter
00:40:23 Hell, I want you to think about
00:40:32 What the fuck, man?
00:40:54 What the fuck?
00:41:02 Oh, my God.
00:41:06 Alexa, get the knife.
00:41:15 You can't be. You're dead.
00:41:26 Hush, little baby,
00:41:31 Mama's gonna buy you
00:41:35 If that mockingbird
00:41:39 Mama's gonna buy you
00:41:52 No.
00:41:56 No.
00:41:57 Stop it. They're my friends.
00:42:02 - Just leave them alone, please.
00:42:07 Run!
00:42:35 Jesus. I think
00:42:38 - Tyler, lean over this way, man.
00:42:41 - Come on.
00:42:44 Tyler' will you shut the hell up
00:42:50 LALO:
00:42:55 Fuck.
00:43:02 Go back to the car.
00:43:05 - Tyler, wait a minute.
00:43:08 I'm not gonna leave her now.
00:43:13 - Shit.
00:43:15 This is so fucked up.
00:43:18 We can't just leave them, right?
00:43:20 We're doing what Tyler says,
00:43:22 Look, he's just a guy, okay?
00:43:24 I don't know. He's wearing fucking...
00:43:27 - There's 3 of us. We can take him.
00:43:56 911, what is your emergency?
00:43:59 We're in the woods' this guy
00:44:01 - He's after us. We need help.
00:44:06 We're near the camping grounds
00:44:09 There are over fifteen
00:44:11 You've got to be more specific.
00:44:13 - Oh, please.
00:44:16 - What?
00:44:17 - Blanks. Not real.
00:44:19 Those assholes are all the way dead.
00:44:26 Alexa?
00:45:05 Are there buildings
00:45:07 that might help me
00:45:09 Landmarks?
00:45:12 I...
00:45:13 - I don't know...
00:45:19 Run. Run.
00:45:34 Come on.
00:45:37 Lalo. I'm stuck.
00:45:39 - Fuck.
00:45:42 Help me.
00:46:05 Okay, run, Serina, run!
00:46:15 Hey, come on, fucker.
00:48:33 I can't answer
00:48:36 But leave me a message
00:49:21 What the fuck?
00:49:28 Somebody!
00:49:30 Help me! Help me!
00:49:58 Oh, my God. Alexa, hold on.
00:50:07 - Are you okay?
00:50:09 What the hell?
00:50:12 Did he do this to you?
00:50:14 - We have to get out of here.
00:50:19 I know why he didn't finish
00:50:22 Yeah, he's still shooting it.
00:50:34 BABYFACE:
00:50:36 Come on. Let's go.
00:50:41 Help!
00:50:43 Help me, please!
00:50:47 You gotta help me, please.
00:50:51 Serina?
00:50:52 Tyler.
00:50:56 It's Babyface. He got Lalo.
00:51:00 - Where?
00:51:02 - We have to go.
00:51:18 Fuck this.
00:51:28 Fetch.
00:54:47 Hey, I remember you.
00:54:52 - How long since you've been there?
00:54:55 That's what airlines call...
00:54:59 You better mount up.
00:55:01 My father said you don't make films.
00:55:06 Sacrifice everything.
00:55:09 They're watching.
00:55:11 All the time.
00:55:22 Am I'm everything
00:56:05 So you're the one that
00:56:10 Where are my friends?
00:56:12 Well, you didn't really come all
00:56:20 Hmm?
00:56:22 She said you were dead.
00:56:25 That's acting, kid.
00:56:28 She's good at it, ain't she?
00:56:52 - Are you him?
00:56:54 Babyface?
00:56:58 Not at first.
00:57:01 The original
00:57:04 Watch this.
00:57:07 CONCANNON
00:57:09 Give it to me. Give it to me.
00:57:12 Son of a bitch. Cut! Cut!
00:57:16 That didn't look real at all.
00:57:20 You be me, all right?
00:57:24 ALL right.
00:57:28 Right here.
00:57:31 And action.
00:57:39 Tyler:
00:57:41 CONCANNON:
00:57:46 See now, everybody is expendable
00:57:51 Everybody.
00:57:54 I know. I know. You're thinking...
00:57:59 I had to be some kinda around-the-bend
00:58:04 The truth is
00:58:08 And you didn't suspect shit,
00:58:13 We were helping you.
00:58:16 You don't have to do this.
00:58:18 You don't have to do it.
00:58:20 Mm. I'm sorry, lover girl.
00:58:26 But who are we kidding?
00:58:27 You don't have a chance in hell
00:58:32 So we may as well
00:58:36 Fuck you.
00:58:39 Afraid not.
00:58:41 That's his job.
00:58:46 No' please! No' no' no!
00:58:49 - Help me! No! Fucking help me!
00:58:54 - Help me!
00:58:56 Serina. Serina.
00:59:00 I couldn't be in front of the camera
00:59:04 So I had to get a new performer.
00:59:06 Alexa's kid.
00:59:08 What?
00:59:10 Grew up with The Hills Run Red.
00:59:13 You know that part about...
00:59:15 the cutting off the face
00:59:18 We made that up for the movie.
00:59:21 He actually did it.
00:59:33 That is hardcore.
00:59:42 No, please! please!
00:59:45 No, please! No!
00:59:49 Please, no.
00:59:51 No, please.
01:00:04 That boy was born
01:00:07 Oh, I know she was young,
01:00:09 She's only...
01:00:13 She's older than she looks.
01:00:18 She was almost 13.
01:00:23 Oh, come on now, don't be that way.
01:00:28 Don't tell me you haven't wanted
01:00:32 Check this shit out.
01:00:38 Ooh.
01:00:40 Tyler:
01:00:43 That's a hell of a performance,
01:00:46 Ha! And that girl
01:01:01 It's not real
01:01:11 Okay' we're rolling.
01:01:32 Hush little baby
01:01:37 Don't say a word.
01:01:41 Mama's gonna buy you
01:01:46 If that mockingbird
01:01:53 Mama's gonna buy you
01:01:58 And if that diamond ring don't...
01:02:07 I don't remember the words.
01:02:13 You can keep singing,
01:02:21 I came here to ask you...
01:02:23 You came here to ask me what?
01:02:25 - To find out...
01:02:28 Bullshit!
01:02:29 You and I both know you didn't come
01:02:34 You came here to see my film.
01:02:36 And I'm wondering just what you
01:02:46 True cinema is recursitve.
01:02:49 It folds back on itself.
01:02:52 See, you gotta suck
01:02:55 You gotta make them
01:02:58 You gotta make them believe
01:03:01 You gotta dream for them.
01:03:04 You gotta create
01:03:07 You see, otherwise, it's just
01:03:10 It's not real.
01:03:12 - Reality is what scares people.
01:03:27 Now' the first thing...
01:03:34 My God.
01:03:37 - Daddy.
01:03:40 - What the hell you think you're doing?
01:03:46 This looks like
01:03:48 You know' the only thing
01:03:50 is actors that think
01:03:53 - You don't mean that.
01:03:56 What is this? What is this?
01:04:00 This is a torture show.
01:04:06 - Please let me go.
01:04:08 Yeah, you see that?
01:04:10 - Please, let me go.
01:04:16 SERINA:
01:04:17 Boy! Get out here!
01:04:31 Now I will show you
01:04:58 Action, Babyface.
01:05:03 Now get in there. Get in there.
01:05:09 Tyler, fucking do something, man!
01:05:13 - Don't break the 4th wall, Lalo.
01:05:20 Name some of the greatest directors
01:05:23 Ford, Welles, Hitchcock.
01:05:27 Wilson Wyler Concannon
01:05:33 There's a whole world of people
01:05:36 I can change that.
01:05:38 I... I can make you famous.
01:05:43 I can make you the legend
01:05:50 You know what?
01:05:53 I bet that slick film-school shit
01:05:57 It ain't gonna work on me.
01:05:59 Tyler.
01:06:01 I don't need you, kid.
01:06:06 I don't need anybody!
01:06:12 I set this up.
01:06:14 It's my turn to be the director.
01:06:17 Yeah, that's it,
01:06:19 Let's go, a litle angrier.
01:06:21 You've gotta give them more
01:06:23 - Yeah?
01:06:25 - That's good.
01:06:31 - More shocking.
01:06:36 - No.
01:06:37 You raise the bar.
01:06:45 You lower the tone.
01:06:47 - An atrocity?
01:06:49 - An atrocity?
01:06:56 Look at what you've done!
01:07:00 CONCANNON:
01:07:02 daughter to mother,
01:07:05 Haven't you learned anything
01:07:11 A real, auteur can grab the hot
01:07:14 and turn it into something.
01:07:26 Nobody cares about that
01:07:33 Maybe you're right.
01:07:53 I'm the only director
01:08:12 My baby.
01:08:20 Hey, I didn't say cut.
01:08:32 Oh, that's beautiful.
01:08:36 Good and tight.
01:08:37 Now to finish this.
01:08:43 Attaboy. Attaboy.
01:08:47 Here we go, let's finish it.
01:08:59 Not me.
01:09:02 Stop! I'm your father.
01:09:07 Hey, wait.
01:09:09 Do it. Action!
01:09:11 Kill him. Come on.
01:09:16 Come on.
01:09:54 See you in the last reel.
01:10:00 ALEXA:
01:10:12 It's the world's worst transition.
01:10:16 You blackout, a time cut...
01:10:24 I fell in love in this room.
01:10:28 It's speciaI.
01:10:31 Can you feel it?
01:10:38 You should know better
01:11:05 These were always my favorite.
01:11:09 Now, this is a rough cut,
01:11:18 Daddy was wrong. I did it all.
01:11:22 Cameras, acting, makeup,
01:11:29 Now, you tell me.
01:11:34 I'm glad you found me, Tyler.
01:11:38 You helped me see my potential.
01:11:42 To see that I was more than
01:11:45 You're different, Tyler.
01:11:48 You're special.
01:11:51 I mean, what other person...
01:11:53 would go through all this pain
01:12:00 This is what you wanted.
01:12:03 This is what you came here for.
01:12:08 Are you ready?
01:12:12 You're the first
01:12:18 Enjoy the show.
01:14:42 - You're living for the art, right?
01:14:45 I can't believe you said that.
01:14:48 If you're not willing to take a risk,
01:14:51 Gotta go and stick your neck
01:14:54 to get something great
01:14:56 Serina included.
01:14:59 It's nice to be around Tyler...
01:15:01 because he knows exactly
01:15:31 Good morning.
01:15:38 How are we today?
01:15:41 Please.
01:15:49 No, no, no. Don't fight.
01:15:52 Save your strength.
01:15:57 I have something for you.
01:16:07 You think he'll like it?
01:16:21 Hush, little baby,
01:16:26 Mama's gonna buy you
01:16:32 If that mockingbird
01:16:37 Mama's gonna buy you
01:16:43 If that diamond ring