|
His Name Was Jason 30 Years Of Friday The 13th
|
| 00:00:01 |
- (eerie music playing) |
| 00:00:21 |
(screams) |
| 00:00:28 |
Following the sign |
| 00:00:30 |
can only mean one thing... |
| 00:00:33 |
For her, not for us. |
| 00:00:35 |
You see in 1980 when |
| 00:00:39 |
released a little film |
| 00:00:43 |
not even he could have |
| 00:00:45 |
or the fame or the carnage |
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With 12 movies to date, |
| 00:00:50 |
an endless body count |
| 00:00:52 |
and over a half billion |
| 00:00:55 |
"Friday the 13th" gave birth |
| 00:00:57 |
to one of the greatest |
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She doesn't know what she's in for. |
| 00:01:02 |
So lock up your cabin doors, |
| 00:01:04 |
and make sure that |
| 00:01:07 |
because tonight |
| 00:01:11 |
So you wondering |
| 00:01:13 |
His name was Jason. |
| 00:01:16 |
(blood splattering) |
| 00:02:20 |
(screaming) |
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For some of us, |
| 00:02:28 |
the problems we have as adults |
| 00:02:31 |
In the case of Jason, |
| 00:02:33 |
truer words |
| 00:02:35 |
(man softly) |
| 00:02:37 |
In the late '70s, |
| 00:02:40 |
of children's movies |
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and neither one of them |
| 00:02:44 |
And we had to do something |
| 00:02:47 |
And so we came up with this notion |
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We had a title and a need |
| 00:02:54 |
- to make some money. |
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The thing about the story |
| 00:03:00 |
The longest part of the process |
| 00:03:04 |
was figuring out the venue, |
| 00:03:06 |
so I had to find some territory |
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so that these kids would be |
| 00:03:11 |
and we could pick them off |
| 00:03:13 |
My character was sort of like |
| 00:03:15 |
the Janet Leigh in "Psycho." |
| 00:03:17 |
I'm the setup character |
| 00:03:19 |
but I didn't last too long. |
| 00:03:21 |
We ran into the woods |
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Cunningham: |
| 00:03:26 |
would be out at a summer camp |
| 00:03:28 |
by some kind of serial killer. |
| 00:03:30 |
We would then be surprised |
| 00:03:33 |
who the serial killer was at the end. |
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Mrs. Voorhees, |
| 00:03:38 |
that her son Jason |
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drowned while |
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were off boning somewhere. |
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The counselors weren't |
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They were making love |
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The scariest moment |
| 00:03:54 |
is when Alice realizes |
| 00:03:58 |
that Pamela is the killer. |
| 00:04:01 |
Kill her, Mommy! |
| 00:04:03 |
Kill her! |
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And that's the beginning |
| 00:04:08 |
(screaming) |
| 00:04:12 |
And when we think all is quiet |
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and she survived |
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The boy, is he dead too? |
| 00:04:21 |
POLICEMAN: Who? |
| 00:04:22 |
The one who attacked me, the one |
| 00:04:26 |
Ma'am, we didn't find any boy. |
| 00:04:29 |
Then he's still there. |
| 00:04:31 |
And he certainly was. |
| 00:04:34 |
Lauren-Marie Taylor: |
| 00:04:36 |
they had us watch |
| 00:04:39 |
which almost scared me off |
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'cause it really freaked |
| 00:04:43 |
After the first one |
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Jason had been created, |
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so the notion of having a surprise |
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as to who it is or what it is |
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So what the stories became |
| 00:04:55 |
was sort of a ritualized telling |
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of a group of young people |
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- where they shouldn't go. |
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What are you kids |
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We come back to Crystal Lake |
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The ghost of the past, |
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Jason comes to haunt them. |
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Todd: |
| 00:05:16 |
Jason Voorhees kills us |
| 00:05:19 |
and continues to do |
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"Part 2" was basically |
| 00:05:24 |
of seeking revenge |
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And he's got her |
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on his mantelpiece. |
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He just keeps killing and killing. |
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And that's the journey |
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It's remarkable. |
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CUNNINGHAM: I really thought |
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and I'm delighted |
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"Friday the 13th Part III"... |
| 00:05:53 |
"Friday the 13th III" in 3D, |
| 00:05:56 |
where Jason will choose |
| 00:05:59 |
The day after the events |
| 00:06:01 |
so it's technically |
| 00:06:03 |
but don't tell anyone... |
| 00:06:07 |
all go up to the cabin |
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little knowing that Jason |
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is still out there killing everyone. |
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Ugh! |
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Through all the 3D movies |
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nobody talks about any of them. |
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All they ever wanna |
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"Friday the 13th" in 3D. |
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RYAN ROTTEN: Four is where things |
| 00:06:29 |
It starts to introduce |
| 00:06:33 |
who we'll start seeing |
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I was told that this was |
| 00:06:40 |
And this again would be |
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because Jason was going to die. |
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BARNEY COHEN: Jason had been hit |
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He had been carted off in an ambulance. |
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arriving dead at a hospital. |
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And then Jason breaks out |
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Leave me alone! |
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And then the kids |
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and bump into us. |
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- and all kinds of things. |
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and then we all got killed. |
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In very quick succession. |
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My character Rob |
| 00:07:15 |
who was a counselor |
| 00:07:17 |
This dude looks like |
| 00:07:21 |
The one time I saw the movie... |
| 00:07:25 |
on Hollywood Boulevard... |
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during the whole entire movie |
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it was like this cathartic |
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It's a thrill ride. |
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I remember that we're supposed |
| 00:07:37 |
gonna pick up the torch |
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"Part 5" was truly |
| 00:07:46 |
because they went |
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They decide they're gonna set it |
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for weird fucked-up kids. |
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And there's this dude |
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and he's using Jason's mask. |
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We don't see Jason in that movie, |
| 00:08:03 |
flashbacks... that's it. |
| 00:08:07 |
When the film opened |
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in 2,000 theaters |
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In 1984, that was a lot. |
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Frank Mancuso called me |
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2:00, 3:00 in the morning, |
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so excited, |
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are like the golden times. |
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Shavar Ross: |
| 00:08:26 |
I love the part where |
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Because you can just see the dummy |
| 00:08:34 |
just going right on the spike. |
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Another piece of advice, |
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don't allow the overweight |
| 00:08:40 |
of the local ambulance driver |
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Because chances are |
| 00:08:46 |
into a Jason clone |
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ADAM GREEN: They brought him back |
| 00:08:50 |
at the beginning, |
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And he was kind of like |
| 00:08:54 |
that came out of nowhere |
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and there was maggots on his face, |
| 00:08:58 |
I think it was extremely violent. |
| 00:09:01 |
I mean, you look at it and you go, |
| 00:09:02 |
"Wow, there's tongue-in-cheek |
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But Jason, in fact, |
| 00:09:08 |
twists their heads off, |
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I really didn't want it to be |
| 00:09:15 |
'cause that had been done. It's sort |
| 00:09:18 |
at the wrong time kind of thing, |
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and also try to have the characters |
| 00:09:23 |
When Nancy's killed |
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out of her hand, inevitably |
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that would go, |
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Kevin Spirtas: |
| 00:09:33 |
extraordinary telekinetic powers |
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resurrects him by throwing |
| 00:09:40 |
into the lake |
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from a previous movie. |
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She musters all of her |
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and thus begins the story. |
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That's what really made it different. |
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which he had not fought before, |
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the psychic stuff would have had |
| 00:10:02 |
because this monster |
| 00:10:04 |
He's a surreal monster. |
| 00:10:06 |
Jason, played by Kane Hodder, |
| 00:10:12 |
"VII" starts the Kane Hodder era. |
| 00:10:14 |
Everything about the way |
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makes him menacing |
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ELIZABETH KAITAN: I remember thinking, |
| 00:10:25 |
I grew up watching this, |
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(chokes) |
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Since I was doing it for the first |
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some differences that you |
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The kids love |
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ROB GALLUZZO: The coolest |
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was " Friday the 13th 8: |
| 00:10:45 |
You get this trailer |
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and then they reveal that |
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I live in New York. |
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"Oh my God. He's coming to New York. |
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When they first brought me in |
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the first question I asked them was |
| 00:10:59 |
Can I take Jason out |
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The general plot |
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is a young woman |
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of Crystal Lake High going |
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One by one, |
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The single most amazing thing |
| 00:11:18 |
as the character was shooting |
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in "Jason Takes Manhattan." |
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I felt like a rock star. |
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(raspy breathing) |
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"Part 9"...they went |
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to not having Jason. |
| 00:11:35 |
There was something about Jason |
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Joe Lynch: |
| 00:11:42 |
and to Crystal Lake |
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and becomes a bunch |
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and decides to possess |
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And then gets thwarted again by " 21 |
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Adam Green: |
| 00:11:54 |
It was kind of other people. Then if |
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And he could transport |
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But the best part was when |
| 00:12:01 |
and he went... |
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Is that who she was? He went |
| 00:12:07 |
They basically tried |
| 00:12:11 |
There are a lot of Jason fans |
| 00:12:14 |
are pissed off at me |
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for blowing up Jason. |
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JAMES ISAAK: "Jason X" takes place |
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And a group |
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kids go on a field trip. |
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These students go on. |
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They're digging things up, |
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Anyway, Jason wakes up |
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We set it up |
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This time he got killed, right? |
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Then the nanobots |
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and now he's part machine, |
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and so he's more unstoppable |
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To this day, still, |
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they're like, |
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All right, the story |
| 00:13:04 |
You're bringing these two |
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Tony Timpone: |
| 00:13:10 |
before they came up with a story |
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to support these two characters. |
| 00:13:15 |
The premise of this movie |
| 00:13:18 |
to get his powers back. |
| 00:13:20 |
There came a point where |
| 00:13:23 |
And I was a Jason guy, always. |
| 00:13:26 |
So for "Jason vs. Freddy," |
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but Jason kick Freddy's ass. |
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LYNCH: If it wasn't for Alice killing |
| 00:13:36 |
none of this would happen. |
| 00:13:38 |
I like Jason Voorhees. |
| 00:13:41 |
and he has a reason |
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What a messed up kid. |
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I think that just |
| 00:13:49 |
of trying to do it simple |
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was the thing that drove |
| 00:13:56 |
After all that, |
| 00:14:00 |
the bloodthirsty |
| 00:14:04 |
was at one time |
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just like the rest of us? |
| 00:14:08 |
Well, most of us. |
| 00:14:11 |
Jason not only witnessed |
| 00:14:14 |
But he was shot and stabbed |
| 00:14:17 |
and burned and sent to hell |
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and shot into outer space. |
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I think to really |
| 00:14:24 |
you gotta go back |
| 00:14:26 |
who he is, |
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why he can't resist |
| 00:14:36 |
(man softly) |
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Does Jason have a soul? |
| 00:14:41 |
He is not mindless. |
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that the fans would like |
| 00:14:46 |
what's going on in his head. |
| 00:14:48 |
Jason started |
| 00:14:50 |
That's as simple |
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He's just a little boy |
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by his camp counselors |
| 00:14:57 |
and drowned. And no matter |
| 00:15:01 |
he's still a victim. |
| 00:15:03 |
For any good villain, |
| 00:15:05 |
and that thing where you can |
| 00:15:08 |
He didn't do anything wrong. |
| 00:15:12 |
Jason was the outcast. Jason was |
| 00:15:15 |
And now Jason's the one |
| 00:15:18 |
or the last slash. |
| 00:15:20 |
Who did it start with? |
| 00:15:21 |
I'm Mrs. Voorhees, |
| 00:15:25 |
The fact that she's a loon, |
| 00:15:28 |
and also channeling her son |
| 00:15:30 |
Kill her, Mommy. |
| 00:15:33 |
The idea for the character |
| 00:15:36 |
of my own past. |
| 00:15:38 |
Mrs. Voorhees |
| 00:15:41 |
She is the mother |
| 00:15:44 |
to avenge her son's death. |
| 00:15:46 |
if you're gonna have |
| 00:15:48 |
she might as well be crazy. |
| 00:15:50 |
Palmer: |
| 00:15:53 |
And I've said to people, |
| 00:15:57 |
as much as you do |
| 00:15:59 |
to be this dreadful human being?" |
| 00:16:02 |
And they say because |
| 00:16:06 |
Mrs. Voorhees was |
| 00:16:10 |
All she was trying to do was |
| 00:16:13 |
from being drowned. |
| 00:16:17 |
One of the things that |
| 00:16:19 |
is that you do have this kind |
| 00:16:22 |
going from Mrs. Voorhees |
| 00:16:26 |
Basically, he is fueled |
| 00:16:28 |
for the death of his mother. |
| 00:16:30 |
See, it's this seeking |
| 00:16:33 |
that defines |
| 00:16:36 |
and also separates |
| 00:16:39 |
from all the other horror icons. |
| 00:16:42 |
(screams) |
| 00:16:44 |
King: |
| 00:16:46 |
What happens is |
| 00:16:48 |
when he watches |
| 00:16:51 |
I believe Alice unleashes |
| 00:16:55 |
You feel bad for anybody |
| 00:16:57 |
their mom get their head cut off |
| 00:16:59 |
Barton: |
| 00:17:02 |
throws it over his head, |
| 00:17:04 |
and does his thing. He starts |
| 00:17:07 |
that he learned |
| 00:17:10 |
(screams) |
| 00:17:11 |
I think he observed the camp |
| 00:17:13 |
kids coming and going. |
| 00:17:15 |
I think at one point that's |
| 00:17:19 |
I think what he's doing |
| 00:17:22 |
And anybody that walks |
| 00:17:28 |
Honestly, I don't think he's angry. |
| 00:17:31 |
Poor Jason was brought |
| 00:17:33 |
and he really had a tough start. |
| 00:17:36 |
Kaitan: |
| 00:17:38 |
you would be a very tragic child, |
| 00:17:41 |
It's like kind of a Ted Bundy |
| 00:17:44 |
Here was this tortured soul |
| 00:17:47 |
who lived for years |
| 00:17:48 |
just on probably the revenge. |
| 00:17:51 |
I think Ginny kind of understood |
| 00:17:53 |
there's more to it than just |
| 00:17:57 |
Jason, Mother is talking to you. |
| 00:18:01 |
By putting on his mother's sweater |
| 00:18:05 |
it almost confused him |
| 00:18:07 |
KING: You see him questioning, |
| 00:18:09 |
He wanted to believe |
| 00:18:13 |
I guess Jason was |
| 00:18:14 |
He wasn't just somebody |
| 00:18:16 |
who put on a facemask. |
| 00:18:20 |
He was a whole creature. |
| 00:18:22 |
LYNCH: It's almost like Jason |
| 00:18:25 |
of the dark side of all of us. |
| 00:18:27 |
I find in this character |
| 00:18:30 |
And there are monstrous elements |
| 00:18:32 |
that are bent on self-destruction |
| 00:18:35 |
And there are parts of myself |
| 00:18:37 |
and I'm unjustly treated |
| 00:18:39 |
He just hated everything |
| 00:18:43 |
His reason for killing |
| 00:18:46 |
Don't reason with him. |
| 00:18:49 |
It's all in his own head. |
| 00:18:52 |
He just does it. |
| 00:18:53 |
He's definitely |
| 00:18:55 |
but the truth is you can't go |
| 00:18:57 |
that you've been tortured |
| 00:19:00 |
At some point, |
| 00:19:04 |
The main aspect |
| 00:19:06 |
that enhances |
| 00:19:08 |
of Jason is that |
| 00:19:12 |
like death... the death mask. |
| 00:19:14 |
It's plenty scary, |
| 00:19:16 |
What is behind that |
| 00:19:19 |
In "Friday the 13th Part III," |
| 00:19:21 |
Jason wears, for the very first time, |
| 00:19:25 |
which he has taken from Shelly |
| 00:19:28 |
when Shelly made the bad mistake |
| 00:19:32 |
carrying the hockey mask. |
| 00:19:33 |
And the moment when he puts |
| 00:19:35 |
and realizes it, |
| 00:19:38 |
'cause it's like, |
| 00:19:42 |
I should have been wearing |
| 00:19:45 |
This dock behind me, |
| 00:19:46 |
this is where the legend |
| 00:19:50 |
This is the first time |
| 00:19:53 |
in the hockey mask. |
| 00:19:55 |
The birth of Jason. |
| 00:19:57 |
There's something |
| 00:20:00 |
putting a mask on |
| 00:20:02 |
and doing things |
| 00:20:06 |
with that mask off. |
| 00:20:09 |
Katz: |
| 00:20:11 |
That's the one where he runs. |
| 00:20:14 |
in "III" still. |
| 00:20:17 |
After that he becomes |
| 00:20:19 |
TODD FARMER: If he sees you, |
| 00:20:22 |
It's like a beacon. |
| 00:20:26 |
he's gonna stay there |
| 00:20:28 |
And it doesn't matter |
| 00:20:30 |
He's terribly creative. |
| 00:20:33 |
He really had a thing |
| 00:20:36 |
and he really had a thing |
| 00:20:38 |
He likes to puncture |
| 00:20:41 |
He really likes spears. |
| 00:20:42 |
...sawing off heads, |
| 00:20:45 |
Taylor: |
| 00:20:47 |
that would splash blood. |
| 00:20:51 |
...punching heads off, |
| 00:20:54 |
I mean, he's a showman. |
| 00:20:55 |
It was really about |
| 00:20:58 |
He was the protagonist |
| 00:21:00 |
He has become |
| 00:21:04 |
So we just gotta come up |
| 00:21:06 |
for the Big J. |
| 00:21:08 |
If we can just get him |
| 00:21:11 |
you know? |
| 00:21:13 |
Jason's always been |
| 00:21:15 |
and everybody roots |
| 00:21:17 |
Roday: |
| 00:21:19 |
and them come back |
| 00:21:21 |
and start taking out |
| 00:21:24 |
that pick on nerds. |
| 00:21:26 |
- Why do you do these stupid things? |
| 00:21:30 |
CAREY MORE: I think he's a little bit |
| 00:21:32 |
Well, he seems |
| 00:21:34 |
because he seems |
| 00:21:36 |
and take almighty blows |
| 00:21:40 |
Jason is a kid |
| 00:21:43 |
to know that he's dead. |
| 00:21:44 |
I think it's always |
| 00:21:46 |
how we would bring Jason back. |
| 00:21:49 |
It was almost like the cliffhangers |
| 00:21:53 |
How does he live |
| 00:21:58 |
Something's gotta bring him back. |
| 00:22:00 |
We can blow him up. |
| 00:22:02 |
We can shoot him up. We can dice him up, |
| 00:22:05 |
It's great that as times change, |
| 00:22:08 |
The creature, the monster, the villain, I |
| 00:22:12 |
Jason is the 21st-century killer. |
| 00:22:15 |
He's good old blood and guts. |
| 00:22:17 |
Shepherd: |
| 00:22:20 |
and a victim. |
| 00:22:22 |
that survived this many episodes |
| 00:22:25 |
because he's larger than life. |
| 00:22:28 |
He's still that little troubled |
| 00:22:30 |
mentally-ill boy |
| 00:22:32 |
trapped in the large body |
| 00:22:34 |
He's become iconic in our lives. |
| 00:22:38 |
Jason has no expiration date. |
| 00:22:46 |
(whimpering) |
| 00:22:53 |
(screams) |
| 00:22:58 |
12 movies in three decades? |
| 00:23:01 |
That's enough sequels |
| 00:23:04 |
like James Bond or Godzilla. |
| 00:23:06 |
"Friday the 13th" defined |
| 00:23:08 |
what is considered |
| 00:23:11 |
Looking at this guy, |
| 00:23:13 |
But you know what? |
| 00:23:16 |
to make a "Friday the 13th" movie. |
| 00:23:22 |
The formula is pretty specific |
| 00:23:26 |
The first thing you need |
| 00:23:28 |
is nubile young flesh. |
| 00:23:30 |
You have a bunch of teenagers |
| 00:23:34 |
by adult power authorities. |
| 00:23:36 |
They can't come in |
| 00:23:37 |
You have to have a reason |
| 00:23:40 |
It's the " Let's run out |
| 00:23:43 |
and, " Ooh! |
| 00:23:45 |
- The crazy old bastard. |
| 00:23:48 |
I'm the messenger of God. |
| 00:23:51 |
You're doomed if you stay here. |
| 00:23:54 |
These movies are made |
| 00:23:57 |
And so the point of view is |
| 00:24:01 |
or in a position of authority |
| 00:24:04 |
because that's |
| 00:24:05 |
Steel: |
| 00:24:07 |
of each type of personality. |
| 00:24:10 |
So that no matter |
| 00:24:13 |
looking at the movie, you can |
| 00:24:16 |
CUNNINGHAM: We want to have |
| 00:24:18 |
but which include all the stereotypes. |
| 00:24:20 |
You know, the fat guy |
| 00:24:24 |
and the pretty cheerleader |
| 00:24:26 |
and then the girl |
| 00:24:28 |
who is sort of soulful. |
| 00:24:30 |
The obnoxious teenager |
| 00:24:34 |
and when he dies, you all cheer. |
| 00:24:36 |
(laughs) |
| 00:24:37 |
(gasps) |
| 00:24:39 |
I think every "Friday the 13th" |
| 00:24:43 |
who is caught doing |
| 00:24:46 |
and she pays. |
| 00:24:47 |
She's usually the first one to go. |
| 00:24:50 |
And then they are picked off |
| 00:24:53 |
and you have to figure out |
| 00:24:55 |
of making the teenagers dumb |
| 00:24:58 |
without being really stupid. |
| 00:25:01 |
Because the great thing about |
| 00:25:04 |
is it gives a lot of people |
| 00:25:07 |
to be way smarter |
| 00:25:09 |
There has to be teenagers |
| 00:25:12 |
and getting killed |
| 00:25:15 |
Barton: |
| 00:25:17 |
when you're that much aroused. |
| 00:25:19 |
It's like he takes |
| 00:25:22 |
then he fucks you |
| 00:25:24 |
For the most part, |
| 00:25:27 |
the higher chance |
| 00:25:29 |
Also has to be in the film: |
| 00:25:31 |
every 15 minutes. |
| 00:25:33 |
It's show time. |
| 00:25:35 |
We were kind of short |
| 00:25:38 |
I can only count about three. |
| 00:25:41 |
Three breasts? |
| 00:25:44 |
I needed the T&A for me. |
| 00:25:47 |
And then of course, |
| 00:25:49 |
- is Jason. |
| 00:25:53 |
Jason is an unstoppable force |
| 00:25:57 |
It's interesting how |
| 00:25:59 |
and nobody could ever |
| 00:26:01 |
It also kind of seems like |
| 00:26:05 |
He notices everybody |
| 00:26:07 |
when they're just gonna |
| 00:26:10 |
(imitates blade cutting) |
| 00:26:11 |
And if you go back |
| 00:26:13 |
that caused Jason's drowning, |
| 00:26:15 |
it was teenagers canoodling |
| 00:26:17 |
If you're screwing, |
| 00:26:20 |
We weren't doing anything. |
| 00:26:23 |
You have sex, die. |
| 00:26:25 |
That's the underlying theme |
| 00:26:27 |
going through |
| 00:26:30 |
I didn't have sex until I was 30 |
| 00:26:32 |
That motherfucker was the best |
| 00:26:36 |
Slasher movies particularly |
| 00:26:39 |
You can't go too long |
| 00:26:42 |
You can't go more than |
| 00:26:45 |
Kids went to see these movies |
| 00:26:48 |
The kills have to be |
| 00:26:51 |
And even the cast, |
| 00:26:53 |
the kids would come up to us, |
| 00:26:56 |
I think that's what |
| 00:26:58 |
How is the next guy |
| 00:27:00 |
(screaming) |
| 00:27:03 |
Help, somebody help me! |
| 00:27:05 |
CHARLES: It's pure fantasy |
| 00:27:08 |
These films are better |
| 00:27:09 |
than the gory |
| 00:27:12 |
modern killing films |
| 00:27:15 |
that are made |
| 00:27:18 |
Usually at the end |
| 00:27:21 |
a jump scare. |
| 00:27:23 |
The famous ending scene |
| 00:27:27 |
They really didn't have |
| 00:27:29 |
"Why don't we have Jason |
| 00:27:31 |
and attack her?" |
| 00:27:33 |
Lehman: |
| 00:27:35 |
and she's just trailing |
| 00:27:38 |
And at the moment |
| 00:27:41 |
(shrieking) |
| 00:27:44 |
(screams) |
| 00:27:46 |
Bam! |
| 00:27:49 |
The reason I think this has |
| 00:27:51 |
a lot of different ages. |
| 00:27:53 |
And the music is important |
| 00:27:56 |
because you're sort of heightened |
| 00:27:58 |
just with the music |
| 00:28:01 |
Music and score |
| 00:28:03 |
It's every bit as important |
| 00:28:06 |
Harry Manfredini |
| 00:28:09 |
and it works |
| 00:28:11 |
Music in a horror movie |
| 00:28:13 |
It can make or break a film, |
| 00:28:17 |
was just untouchable. |
| 00:28:19 |
(softly) |
| 00:28:21 |
(imitating soundtrack) |
| 00:28:23 |
(nonsense noises) |
| 00:28:27 |
- No no, that doesn't sound right. |
| 00:28:30 |
And if you go to the end of the film, |
| 00:28:34 |
of Betsy Palmer's |
| 00:28:36 |
Mrs. Voorhees' mouth, |
| 00:28:38 |
where she's saying |
| 00:28:40 |
to herself, " Kill her, Mommy. |
| 00:28:44 |
And it goes back and forth |
| 00:28:46 |
and supposedly Jason's voice. |
| 00:28:50 |
And I said, "Bingo, that's it." |
| 00:28:51 |
So then I just went |
| 00:28:54 |
and I took the consonant sound |
| 00:28:56 |
of the K, "ki" from killer |
| 00:28:58 |
and "ma" from mommy. |
| 00:29:01 |
I went up |
| 00:29:03 |
"ki... ma." |
| 00:29:05 |
And we ran it through |
| 00:29:08 |
and it ended up coming... |
| 00:29:12 |
When you hear that... |
| 00:29:14 |
you know you've got |
| 00:29:16 |
It created all the conventions |
| 00:29:20 |
pretty much using the template |
| 00:29:22 |
on that first film in 1980. |
| 00:29:27 |
Obviously, |
| 00:29:31 |
worldwide icon. |
| 00:29:33 |
One could say that he's |
| 00:29:36 |
or Madonna, |
| 00:29:39 |
if there ever was one. |
| 00:29:42 |
would be complete |
| 00:29:44 |
Does Jason have one, you ask? |
| 00:29:47 |
Let's ask this guy. |
| 00:29:50 |
- (bones crack) |
| 00:29:53 |
What are you doing, |
| 00:29:55 |
So Jason will kill with anything |
| 00:29:59 |
LYNCH: It was another one |
| 00:30:01 |
and watch it with a crowd |
| 00:30:04 |
(gasps) |
| 00:30:06 |
The obvious most memorable moment |
| 00:30:09 |
He's like on his knees |
| 00:30:11 |
Me and my buddy Taso |
| 00:30:13 |
and I'm pushing |
| 00:30:16 |
and Taso was |
| 00:30:18 |
but an accident occurred. |
| 00:30:21 |
from Taso's pump, |
| 00:30:24 |
That's what made |
| 00:30:28 |
My favorite kill of all: |
| 00:30:32 |
It doesn't get better than that. |
| 00:30:34 |
- The ultimate kill by Alice. |
| 00:30:37 |
(mimics knife thrust) |
| 00:30:38 |
We actually made a cast |
| 00:30:41 |
I attached it with toothpicks. |
| 00:30:43 |
So the toothpicks |
| 00:30:45 |
knowing that when I whacked it |
| 00:30:47 |
it would go through |
| 00:30:49 |
But if you watch the movie |
| 00:30:52 |
her hands come up into frame |
| 00:30:56 |
They're Taso's hands |
| 00:30:59 |
I don't have hair |
| 00:31:03 |
I thought that was |
| 00:31:07 |
One of the things that turned out |
| 00:31:09 |
was the back-cracking |
| 00:31:11 |
- (screaming) |
| 00:31:12 |
They dug a hole |
| 00:31:14 |
and those weren't my legs. |
| 00:31:17 |
in the hole with his legs |
| 00:31:19 |
But just that whole idea |
| 00:31:22 |
and hearing all this... |
| 00:31:26 |
drove them crazy. |
| 00:31:27 |
A little sound design, a little |
| 00:31:30 |
Wheelchair death in "Part 2," |
| 00:31:32 |
that was just fucked up. |
| 00:31:33 |
He already gets your sympathy |
| 00:31:35 |
'cause you're like, |
| 00:31:37 |
But then he's gonna get laid. |
| 00:31:39 |
And then Jason just goes, |
| 00:31:43 |
And not only does he get hit |
| 00:31:45 |
but he gets pushed backwards |
| 00:31:47 |
and the camera does this |
| 00:31:54 |
- (screams, gagging) |
| 00:32:00 |
Bonnie Hellman: |
| 00:32:03 |
with a flexible steel blade |
| 00:32:06 |
and then a false neck over it, |
| 00:32:09 |
Of course, |
| 00:32:12 |
at the time, so they had my mouth |
| 00:32:14 |
It was such a messy little death. |
| 00:32:19 |
Now cut that out right now. |
| 00:32:27 |
There was a cable |
| 00:32:29 |
that ran across to where |
| 00:32:32 |
The gun was rigged in such a way |
| 00:32:35 |
onto the cable and shot it |
| 00:32:37 |
so it went straight |
| 00:32:39 |
And in 3D with the glasses, |
| 00:32:42 |
We had to do it in one take |
| 00:32:44 |
because the minute I hit the water, |
| 00:32:46 |
the little prosthetic |
| 00:32:49 |
and just kind of slide off. |
| 00:32:51 |
The hedge clippers to the eyes... |
| 00:32:53 |
that girl had the best rack, |
| 00:32:55 |
and her last name |
| 00:32:58 |
That was a pretty horrific |
| 00:33:04 |
That shish-kebab scene |
| 00:33:06 |
is so original. |
| 00:33:08 |
(gasps, grunts) |
| 00:33:13 |
They attached this back to me |
| 00:33:14 |
and then put the spear |
| 00:33:17 |
and had the blood |
| 00:33:20 |
And they had a bed |
| 00:33:22 |
which had a hole in it |
| 00:33:24 |
and then she just |
| 00:33:26 |
and then put her head back. |
| 00:33:28 |
It looked like I was lying |
| 00:33:30 |
Before it got butchered |
| 00:33:33 |
there was this amazing shot |
| 00:33:37 |
doing the last moment |
| 00:33:39 |
trying to push |
| 00:33:41 |
It was such an effective |
| 00:33:45 |
You imagine Jason down there |
| 00:33:47 |
What about the dude who goes |
| 00:33:49 |
and gets the axe |
| 00:33:53 |
(gasps) |
| 00:33:56 |
(screams) |
| 00:34:01 |
(muffled scream) |
| 00:34:02 |
He took my head by force |
| 00:34:04 |
and slammed it through |
| 00:34:07 |
And how they actually did that |
| 00:34:11 |
They shot it in slo-mo, |
| 00:34:12 |
pushing through |
| 00:34:14 |
You start asking yourself |
| 00:34:17 |
when you're spending your day |
| 00:34:20 |
- but I got over it. |
| 00:34:23 |
And it missed me |
| 00:34:24 |
(screams) |
| 00:34:26 |
(water gurgling) |
| 00:34:30 |
- I like it when he crushes heads. |
| 00:34:33 |
We had a string |
| 00:34:36 |
so we could just pull the string |
| 00:34:38 |
and the eye would pop out |
| 00:34:39 |
come straight |
| 00:34:41 |
That is horrifically gory, |
| 00:34:45 |
but it's classic Jason. |
| 00:34:47 |
Ryder: |
| 00:34:50 |
is where he dunks |
| 00:34:53 |
We spent a lot of time on that... |
| 00:34:56 |
And we not only |
| 00:34:58 |
but we had to have a false sink |
| 00:35:01 |
and a glass for the water |
| 00:35:04 |
the face come toward |
| 00:35:07 |
- And then... |
| 00:35:11 |
(shatters) |
| 00:35:14 |
That was technically |
| 00:35:17 |
I think his favorite thing |
| 00:35:20 |
My favorite Jason kill |
| 00:35:21 |
is the sleeping bag. |
| 00:35:23 |
He bashed her against the tree, |
| 00:35:26 |
but we minimized it |
| 00:35:29 |
And that was |
| 00:35:33 |
SAVINI: I cut his brain in half |
| 00:35:36 |
Thank you for letting me |
| 00:35:39 |
- And this is... |
| 00:35:41 |
- The... |
| 00:35:43 |
- Final Chapter." |
| 00:35:47 |
And we're at the house |
| 00:35:50 |
This is really the site |
| 00:35:52 |
Right there. |
| 00:35:54 |
ZITO: We have a big |
| 00:35:56 |
And they're all around. |
| 00:35:58 |
They're all around |
| 00:36:00 |
and moving the tongue |
| 00:36:02 |
and working all |
| 00:36:05 |
The mask hits the ground, |
| 00:36:09 |
and Tommy ends up |
| 00:36:12 |
and killing Jason |
| 00:36:16 |
GIRL: Tommy! |
| 00:36:25 |
You maybe were expecting |
| 00:36:27 |
Tommy hits him in the head |
| 00:36:30 |
No, he slides down the blade. |
| 00:36:33 |
(gagging, screaming) |
| 00:36:50 |
(screaming) |
| 00:36:56 |
Not too shabby. |
| 00:36:58 |
But creating Jason's handiwork |
| 00:37:01 |
Neither was creating |
| 00:37:04 |
I should know. |
| 00:37:05 |
So what does it take to create |
| 00:37:13 |
I came up with the idea |
| 00:37:16 |
'cause originally it was |
| 00:37:18 |
but the more I worked |
| 00:37:21 |
the whole subject of that got, |
| 00:37:22 |
I stuck with the "J" |
| 00:37:25 |
Tommy Savini, |
| 00:37:27 |
did all those |
| 00:37:29 |
gave me some Polaroids |
| 00:37:32 |
And he said, |
| 00:37:35 |
Jason. |
| 00:37:38 |
I said, "He's what?" |
| 00:37:40 |
His features were really a guy I used |
| 00:37:43 |
a homeless drunk guy, |
| 00:37:47 |
He was almost |
| 00:37:51 |
Lehman: |
| 00:37:53 |
a cast of your head. |
| 00:37:55 |
There was fake teeth. |
| 00:37:59 |
One thing people often ask is, |
| 00:38:00 |
"Was it specially made |
| 00:38:03 |
and stuff like that. |
| 00:38:05 |
No, it was just... |
| 00:38:06 |
it was a latex prosthetic. |
| 00:38:09 |
Daskawisz: |
| 00:38:12 |
and I ran in the woods, |
| 00:38:15 |
'cause the bag flopped |
| 00:38:17 |
And he came up with this idea... |
| 00:38:20 |
and here, and we'll hold it |
| 00:38:24 |
This way you'll see where |
| 00:38:26 |
But from taking the tape |
| 00:38:28 |
I had started to develop burns |
| 00:38:32 |
Gillette: |
| 00:38:35 |
and then they started to build |
| 00:38:37 |
they would glue on. |
| 00:38:40 |
that created dental plates |
| 00:38:43 |
that were sort of |
| 00:38:45 |
anyone could ever have. |
| 00:38:47 |
And they built the beard |
| 00:38:49 |
and they taped off the eye. |
| 00:38:51 |
It's sort of painful |
| 00:38:54 |
The scene of "Friday the 13th: 2" |
| 00:38:58 |
comes careening |
| 00:39:00 |
they built a platform |
| 00:39:04 |
The platform was probably |
| 00:39:07 |
So we coordinated |
| 00:39:10 |
So one, two, three... aggh! |
| 00:39:13 |
(screaming) |
| 00:39:18 |
At the time when this was created, |
| 00:39:21 |
running around in Texas. |
| 00:39:23 |
And he was killing people |
| 00:39:25 |
with a potato sack on his head. |
| 00:39:27 |
This could have been |
| 00:39:29 |
which I believe the potato sack |
| 00:39:33 |
than the hockey mask, |
| 00:39:34 |
which of course |
| 00:39:36 |
BROOKER: I didn't get any direction |
| 00:39:39 |
He actually came to me and said, |
| 00:39:42 |
You're like |
| 00:39:46 |
I used to have to go in |
| 00:39:48 |
sometimes seven hours |
| 00:39:50 |
And it was 11 different appliances |
| 00:39:53 |
that they glued to my face. |
| 00:39:55 |
The bad part about it was |
| 00:39:57 |
it was usually lunchtime |
| 00:40:00 |
So they used to give me |
| 00:40:04 |
JUDIE ARONSON: Jason in our film |
| 00:40:07 |
And his way |
| 00:40:10 |
was kind of separating himself |
| 00:40:13 |
I don't remember really him having |
| 00:40:16 |
I actually turned it down |
| 00:40:18 |
and later on I did accept it. |
| 00:40:20 |
After I accepted it, I did go down |
| 00:40:24 |
and I watched Jason itself, |
| 00:40:26 |
how he moved and so forth. |
| 00:40:28 |
And I felt I'd like to play him |
| 00:40:31 |
I'd like for him |
| 00:40:34 |
Another way of doing it |
| 00:40:36 |
to move faster, |
| 00:40:38 |
That's what I wanted to do |
| 00:40:41 |
Even when I was in full costume, |
| 00:40:44 |
I stayed away |
| 00:40:46 |
I'd sit by myself on the set. |
| 00:40:48 |
I just stayed away |
| 00:40:50 |
And I tried to keep in character |
| 00:40:53 |
I liked the mystique |
| 00:40:55 |
of being by myself, |
| 00:40:57 |
not being close to anybody. |
| 00:40:59 |
The scene upstairs where |
| 00:41:01 |
with a television set, |
| 00:41:04 |
little did I know that that |
| 00:41:07 |
I had no idea where I was. |
| 00:41:10 |
It was just a hand feeling |
| 00:41:13 |
You know, I was offered |
| 00:41:16 |
I could have done either one of them |
| 00:41:19 |
I'm sorry now |
| 00:41:21 |
MORGA: In "5," I actually |
| 00:41:25 |
and I did have a couple moments |
| 00:41:28 |
play the apparition |
| 00:41:30 |
of Jason himself, |
| 00:41:32 |
where those were supposedly |
| 00:41:36 |
I just played Jason |
| 00:41:39 |
In the film, obviously, |
| 00:41:42 |
so they used the blue |
| 00:41:45 |
for the impostor Jason, |
| 00:41:49 |
I was wearing the real mask |
| 00:41:51 |
with the red marks on it. |
| 00:41:53 |
The makeup with this particular |
| 00:41:56 |
The Jason character, though, |
| 00:41:59 |
was a pullover mask |
| 00:42:02 |
All they had to do |
| 00:42:04 |
and then put the hockey mask |
| 00:42:06 |
We never talked about this. |
| 00:42:08 |
Any motivation... |
| 00:42:11 |
So I felt Roy was a little disturbed |
| 00:42:15 |
The first time I put on |
| 00:42:18 |
and the boots |
| 00:42:20 |
and I zipped them up, |
| 00:42:24 |
and I thought, "Is this me?" |
| 00:42:26 |
Bartalos: |
| 00:42:29 |
was the creation of Jason's mask. |
| 00:42:32 |
So we took a hockey mask |
| 00:42:34 |
and kind of customized it. |
| 00:42:36 |
We basically redesigned |
| 00:42:39 |
some of the ventilation holes. |
| 00:42:40 |
We created basically |
| 00:42:44 |
From the positive, we made |
| 00:42:46 |
and from that, |
| 00:42:48 |
a heavy-duty cement wedge that |
| 00:42:51 |
on the top |
| 00:42:54 |
of the hockey mask |
| 00:42:56 |
At that point, |
| 00:42:59 |
we did what's called |
| 00:43:01 |
The vacuforming draws apart |
| 00:43:02 |
and we pull it out and bang, |
| 00:43:05 |
we get Jason's mask. |
| 00:43:07 |
C.J. GRAHAM: When we portrayed it, |
| 00:43:11 |
Every opportunity |
| 00:43:14 |
enhanced his knowledge |
| 00:43:18 |
Every time he was shot and put down, |
| 00:43:25 |
You know, Tom was very adamant. |
| 00:43:28 |
When you were on set, |
| 00:43:30 |
there was some human contact |
| 00:43:32 |
and people could relate to it. |
| 00:43:34 |
Jason just is indestructible. |
| 00:43:37 |
you really project it, and the |
| 00:43:40 |
100% through the body. |
| 00:43:44 |
would create fear. |
| 00:43:46 |
As soon as the mask |
| 00:43:48 |
it's very simple |
| 00:43:50 |
Nice thing about it |
| 00:43:52 |
you don't go to prison. |
| 00:43:58 |
Buechler: |
| 00:44:01 |
that Jason ever had was |
| 00:44:02 |
in the Jason |
| 00:44:06 |
As far as playing the character, |
| 00:44:10 |
My goal was |
| 00:44:13 |
to the character, |
| 00:44:16 |
People ask me, " Why does |
| 00:44:19 |
from movie to movie? The hockey mask |
| 00:44:23 |
Basically, it's because it's |
| 00:44:26 |
who designs it. |
| 00:44:28 |
The first movie I did, |
| 00:44:30 |
the makeup was real extensive, |
| 00:44:32 |
It took about three |
| 00:44:36 |
It was hard to work in, |
| 00:44:40 |
Über Jason... |
| 00:44:42 |
one-piece suit |
| 00:44:45 |
that did have a zipper |
| 00:44:48 |
On the suit, |
| 00:44:51 |
with the arm and the leg |
| 00:44:54 |
that had the metallic pieces. |
| 00:44:55 |
I still love the design |
| 00:44:59 |
He brought a lot to the role. |
| 00:45:01 |
No matter who directed him, |
| 00:45:05 |
you could tell Kane's Jason |
| 00:45:09 |
Having Kane Hodder |
| 00:45:12 |
really established him |
| 00:45:15 |
I think stepping into it, |
| 00:45:19 |
because a lot of the feedback |
| 00:45:22 |
was negative, I think, |
| 00:45:24 |
But then when the movie |
| 00:45:26 |
it became very very positive. |
| 00:45:28 |
They were big shoes, |
| 00:45:31 |
I remember the first day |
| 00:45:33 |
the first night we shot him, |
| 00:45:36 |
and there he was in full glory. |
| 00:45:38 |
I mean, his boots were |
| 00:45:40 |
and then you put on |
| 00:45:43 |
and he was 6'8 ". |
| 00:45:45 |
I'm not kidding you, |
| 00:45:48 |
My portrayal of Jason |
| 00:45:50 |
showed another side |
| 00:45:53 |
In "Freddy vs. Jason," |
| 00:45:56 |
with his mother, |
| 00:46:00 |
I just went back |
| 00:46:02 |
and I think I thought |
| 00:46:04 |
not really alive, |
| 00:46:07 |
Even if you look at the movements, |
| 00:46:10 |
I think I used a little bit |
| 00:46:12 |
Even though people think |
| 00:46:16 |
and lumbers along |
| 00:46:17 |
you have to feel |
| 00:46:20 |
that could actually be as evil |
| 00:46:28 |
Ew! Sorry, buddy. |
| 00:46:31 |
I hope it was over quickly. |
| 00:46:33 |
The truth is, |
| 00:46:35 |
most people don't survive |
| 00:46:37 |
with our murderous mongoloid. |
| 00:46:39 |
Still, there have been a few |
| 00:46:42 |
You know, the people that insist |
| 00:46:46 |
It's a small group, |
| 00:46:47 |
but they certainly gave Jason |
| 00:46:51 |
Or his machete. |
| 00:46:53 |
So whether it's Alice or it's Ginny |
| 00:46:56 |
who make it to the end, they usually |
| 00:46:59 |
The most important |
| 00:47:02 |
their purity. |
| 00:47:03 |
They're generally not there |
| 00:47:06 |
And as a result, |
| 00:47:09 |
by being able |
| 00:47:11 |
It was usually the outcast. |
| 00:47:13 |
the one who didn't smoke pot, |
| 00:47:16 |
She was always the one |
| 00:47:18 |
And I think that goes back |
| 00:47:21 |
of just good versus evil. |
| 00:47:22 |
The archetypes for them are |
| 00:47:26 |
I never felt like a victim. |
| 00:47:27 |
As a matter of fact, |
| 00:47:30 |
The women were stronger |
| 00:47:33 |
She's a typical, regular gal. |
| 00:47:37 |
She's like any teenager |
| 00:47:39 |
or young adult trying |
| 00:47:42 |
to figure out what they |
| 00:47:44 |
She didn't run with the pack |
| 00:47:47 |
and she was different. |
| 00:47:50 |
But that didn't mean |
| 00:47:52 |
It just meant she thought things |
| 00:47:57 |
I would love the opportunity |
| 00:48:00 |
It's so much more satisfying |
| 00:48:02 |
to watch a woman |
| 00:48:04 |
destroy this tremendous evil. |
| 00:48:07 |
Amy Steel, she was just so adorable. |
| 00:48:11 |
She would probably be |
| 00:48:15 |
To know that I did one |
| 00:48:17 |
where they get all these women in |
| 00:48:20 |
and to be the one that |
| 00:48:23 |
and intelligent is just... |
| 00:48:25 |
Ginny was written |
| 00:48:27 |
in a more multidimensional |
| 00:48:29 |
And there was something a little bit |
| 00:48:33 |
She didn't need a group |
| 00:48:36 |
She was strong enough |
| 00:48:39 |
She wanted to figure it out. |
| 00:48:41 |
Well, what would it be like today? |
| 00:48:43 |
Some kind of |
| 00:48:46 |
A frightened retard? |
| 00:48:48 |
A child trapped |
| 00:48:50 |
I think my favorite personally |
| 00:48:54 |
Just the ability |
| 00:48:56 |
and to manipulate Jason like she did... |
| 00:49:00 |
RODAY: The genius convention |
| 00:49:03 |
with telekinesis |
| 00:49:05 |
to give Jason |
| 00:49:08 |
in the final battle |
| 00:49:14 |
One thing that I didn't want |
| 00:49:17 |
to play a psychic, or someone |
| 00:49:21 |
like they were someone |
| 00:49:24 |
and doing some |
| 00:49:27 |
of what |
| 00:49:30 |
Lar Park-Lincoln as Tina, |
| 00:49:32 |
It was a different take |
| 00:49:35 |
That character gave it |
| 00:49:38 |
PARK-LINCOLN: She didn't back down. |
| 00:49:41 |
She chased him. |
| 00:49:44 |
where she goes right up |
| 00:49:46 |
coming around his legs |
| 00:49:48 |
and taking him down |
| 00:49:51 |
The most worthy opponents |
| 00:49:53 |
from the movies that I did... |
| 00:49:57 |
because she created |
| 00:50:00 |
to Jason and survived. |
| 00:50:02 |
They also started a trend where like |
| 00:50:05 |
started making it through |
| 00:50:07 |
I'm honored that I was a survivor. |
| 00:50:12 |
If Jason wanted |
| 00:50:13 |
I'd come back. |
| 00:50:15 |
I would love |
| 00:50:17 |
Although I think I would do it |
| 00:50:20 |
So my hair |
| 00:50:23 |
as it was throughout |
| 00:50:25 |
I think of the whole series, |
| 00:50:28 |
of Jason's biggest adversaries. |
| 00:50:29 |
Jason, don't you remember? |
| 00:50:33 |
Remember, Jason? |
| 00:50:38 |
Zito: |
| 00:50:40 |
Tommy's a kid |
| 00:50:42 |
So there is a relationship |
| 00:50:44 |
when Tommy takes on |
| 00:50:47 |
as a weapon to undo him. |
| 00:50:52 |
I would love to have gone up |
| 00:50:55 |
just 'cause I'd like |
| 00:50:59 |
Tommy had a very unique |
| 00:51:01 |
because at least at the end |
| 00:51:03 |
looks like he will become |
| 00:51:06 |
In "Part 4," which Corey Feldman |
| 00:51:08 |
he ends up |
| 00:51:11 |
Is he monster or victim? |
| 00:51:16 |
He just wants to kill everybody. |
| 00:51:18 |
He didn't get me though. |
| 00:51:21 |
one of the very few brothers |
| 00:51:24 |
the "Friday the 13th" series, |
| 00:51:26 |
They wanted |
| 00:51:27 |
but we said, |
| 00:51:30 |
(screams) |
| 00:51:32 |
John LeMay's character... |
| 00:51:35 |
because we had |
| 00:51:37 |
I did put up |
| 00:51:39 |
The electricity's going off |
| 00:51:41 |
and I'm just breathing heavy |
| 00:51:44 |
and smacking the hell out |
| 00:51:46 |
but surviving Jason is an honor. |
| 00:51:50 |
In my obituary, |
| 00:51:53 |
but could not survive life." |
| 00:51:55 |
DAGGETT: Rennie had |
| 00:51:58 |
because I think her evil uncle |
| 00:52:02 |
was trying to teach her how |
| 00:52:05 |
Peter Mark Richman: |
| 00:52:07 |
which was a not-very-nice thing |
| 00:52:11 |
And she had |
| 00:52:14 |
of drowning. |
| 00:52:16 |
And she saw Jason |
| 00:52:20 |
(screaming) |
| 00:52:23 |
I felt very empowered |
| 00:52:26 |
when I was the only one surviving |
| 00:52:30 |
And I felt like, |
| 00:52:32 |
"All right, |
| 00:52:35 |
accurate portrayal |
| 00:52:38 |
You didn't get me in the lake, |
| 00:52:39 |
and you're not |
| 00:52:44 |
I would probably go back |
| 00:52:47 |
If nothing else, |
| 00:52:51 |
Women in "Friday the 13th" movies |
| 00:52:53 |
are always strong. |
| 00:52:56 |
And we wanted |
| 00:52:58 |
So Todd and I came up |
| 00:53:01 |
and making the robot female. |
| 00:53:04 |
One of the most delightful things |
| 00:53:07 |
is like just unstoppable, |
| 00:53:09 |
I feel very privileged in that |
| 00:53:12 |
Even though he knocked |
| 00:53:15 |
I was a talking head |
| 00:53:17 |
for, I think, the last third |
| 00:53:20 |
I feel like one |
| 00:53:24 |
I think most of the people |
| 00:53:26 |
have been women |
| 00:53:29 |
have a tremendous |
| 00:53:31 |
for what we've done |
| 00:53:33 |
in the movies. |
| 00:53:35 |
I do think that the heroines |
| 00:53:38 |
but a real vulnerability |
| 00:53:40 |
that attracts people. |
| 00:53:42 |
People wanna love you |
| 00:53:46 |
Steel: |
| 00:53:48 |
to do sort of |
| 00:53:52 |
gonna take on Jason... |
| 00:53:55 |
Hell yeah! |
| 00:53:57 |
Wouldn't it be great |
| 00:53:58 |
if the strong women |
| 00:54:02 |
and took him on? |
| 00:54:04 |
It would be great... so maybe |
| 00:54:08 |
I think that it would be very |
| 00:54:11 |
of the girls, |
| 00:54:14 |
an extremely strong one |
| 00:54:17 |
It would be a dream movie for the fans. |
| 00:54:21 |
We still have a couple |
| 00:54:23 |
Jason? Where's Jason?! |
| 00:54:26 |
We took care of him. |
| 00:54:28 |
(siren wails) |
| 00:54:32 |
(whimpers) |
| 00:54:34 |
Please please |
| 00:54:38 |
(girl screaming) |
| 00:54:49 |
Yeah, bad luck |
| 00:54:53 |
It's not just the victims |
| 00:54:56 |
Over the past 30 years |
| 00:55:00 |
for the "Friday the 13th" |
| 00:55:03 |
Many had nothing |
| 00:55:05 |
with our hockey-masked friend. |
| 00:55:08 |
Paul? |
| 00:55:14 |
Shooting my death scene |
| 00:55:18 |
That's where |
| 00:55:20 |
into the filming with me. |
| 00:55:23 |
From here down, |
| 00:55:27 |
There were points |
| 00:55:29 |
like I couldn't go on anymore. |
| 00:55:31 |
It was either 22 or 23º. |
| 00:55:35 |
and she had a bikini on |
| 00:55:38 |
She was so cold |
| 00:55:40 |
and this girl |
| 00:55:42 |
Aronson: |
| 00:55:44 |
and demanded that we |
| 00:55:46 |
get the shot now or else. |
| 00:55:49 |
And it turns out that I had |
| 00:55:52 |
and I was quite sick |
| 00:55:54 |
for several days after that. |
| 00:55:57 |
LEMAY: A whole day spent |
| 00:56:01 |
where Jason's getting |
| 00:56:03 |
and trying to drag me down |
| 00:56:05 |
On the soundstage, they'd pretty |
| 00:56:09 |
with a hole in it, |
| 00:56:11 |
grab me by the leg |
| 00:56:14 |
And for some reason |
| 00:56:18 |
with me screaming |
| 00:56:20 |
and just wearing my body out. |
| 00:56:21 |
I thought every shot was gonna |
| 00:56:24 |
I thought it was it. |
| 00:56:26 |
I don't think I've ever |
| 00:56:30 |
MAN: Now, dirt demons, |
| 00:56:33 |
Al Magliochetti: |
| 00:56:36 |
all these demons came up |
| 00:56:39 |
and started grabbing Jason |
| 00:56:43 |
And KNB had a very elaborate |
| 00:56:46 |
with all kinds of puppets. |
| 00:56:49 |
which wound up not being used |
| 00:56:52 |
that actually grabbed Jason |
| 00:56:54 |
and started dragging him under. |
| 00:56:57 |
Isn't that cool? |
| 00:56:59 |
On the final day of production |
| 00:57:02 |
I got my action figure... |
| 00:57:05 |
made by the hair |
| 00:57:08 |
So this is my one-of-a-kind |
| 00:57:10 |
We shot the ending twice. |
| 00:57:12 |
We actually did |
| 00:57:15 |
which most people |
| 00:57:18 |
in which Dana Kimmell |
| 00:57:20 |
of the house in a dream, |
| 00:57:22 |
and Jason comes |
| 00:57:24 |
and decapitates her. |
| 00:57:25 |
This is the actual mask that |
| 00:57:28 |
It's a little... |
| 00:57:31 |
oh, here's a worm. |
| 00:57:34 |
It's a little crumbly, |
| 00:57:36 |
because as it was on my face |
| 00:57:39 |
I had a bald cap on... |
| 00:57:40 |
they did the whole thing |
| 00:57:43 |
And so to get me out of it, |
| 00:57:46 |
So it used to be something |
| 00:57:52 |
Monoson: |
| 00:57:56 |
I had to be stoned. |
| 00:57:58 |
And so I thought, |
| 00:58:01 |
to actually be stoned |
| 00:58:03 |
So I go to my trailer |
| 00:58:06 |
I'm a very paranoid |
| 00:58:08 |
So it was the worst worst idea |
| 00:58:12 |
And they knocked on my door |
| 00:58:14 |
I'm like, "What?!" |
| 00:58:17 |
and I'm like, "Okay." |
| 00:58:20 |
So they take me |
| 00:58:22 |
and, actors, |
| 00:58:25 |
It's absolutely the worst thing. |
| 00:58:27 |
I was out of my mind. |
| 00:58:29 |
Richman: |
| 00:58:31 |
in my bedroom |
| 00:58:35 |
and I was getting |
| 00:58:37 |
turned on. |
| 00:58:39 |
In the editing |
| 00:58:41 |
And I was pissed off. |
| 00:58:43 |
I was really... |
| 00:58:45 |
having it affect me. |
| 00:58:47 |
The MPAA really went after |
| 00:58:51 |
'cause they were asleep |
| 00:58:53 |
They kind of let it pass. |
| 00:58:56 |
and after all the criticism, |
| 00:59:00 |
Probably the most heavily edited |
| 00:59:04 |
The MPAA was just vicious |
| 00:59:07 |
Ratings board raped my movie. |
| 00:59:10 |
I equate horror |
| 00:59:12 |
to telling a joke. |
| 00:59:14 |
Everything's in the setup |
| 00:59:16 |
has gotta be, |
| 00:59:19 |
We were telling the joke |
| 00:59:21 |
to give them the punchline. |
| 00:59:23 |
So what you see |
| 00:59:25 |
in the final cut of "Friday VII," |
| 00:59:27 |
which is not really my cut, |
| 00:59:30 |
of what we hoped it would be. |
| 00:59:33 |
Rotten: |
| 00:59:35 |
to a lot of parent advocate groups |
| 00:59:39 |
I mean, you had parents picketing |
| 00:59:42 |
for certain films sometimes. |
| 00:59:44 |
I think the MPAA gets crazy |
| 00:59:48 |
at the same time, so I think that's |
| 00:59:51 |
All the sequels |
| 00:59:53 |
to secure R ratings. |
| 00:59:56 |
Steinmann: |
| 00:59:58 |
after a lot heavy-duty fights, |
| 01:00:04 |
insisted that we omit |
| 01:00:08 |
Almost every kill |
| 01:00:10 |
was either off-screen |
| 01:00:13 |
or minimized. |
| 01:00:14 |
ROSS: Tiffany Helm, there was a scene |
| 01:00:16 |
where she had her death scene. |
| 01:00:19 |
because it would have |
| 01:00:23 |
Jason was gonna |
| 01:00:26 |
Tiffany was gonna have |
| 01:00:28 |
and he was just gonna go like... |
| 01:00:31 |
Couldn't show that back then. |
| 01:00:35 |
X. Shoot it. |
| 01:00:39 |
KING: "Friday the 13th" was |
| 01:00:43 |
and then slowly I realized |
| 01:00:45 |
I had a stalker. |
| 01:00:47 |
I had an ordeal with him |
| 01:00:51 |
which in itself |
| 01:00:55 |
It's all okay now. |
| 01:00:59 |
And having |
| 01:01:01 |
of fans from |
| 01:01:05 |
to wherever I am |
| 01:01:08 |
that really talk to me |
| 01:01:11 |
it affected them |
| 01:01:13 |
it's just a gift. |
| 01:01:15 |
It's a beautiful thing and I don't |
| 01:01:19 |
I thank them. |
| 01:01:23 |
Steel: |
| 01:01:26 |
was in Jason's lair |
| 01:01:28 |
when I put the sweater on |
| 01:01:31 |
and I talked to him |
| 01:01:33 |
And he's supposed |
| 01:01:35 |
to bring up this pickaxe. |
| 01:01:37 |
So I got really anxious |
| 01:01:39 |
and I brought the machete down. |
| 01:01:42 |
She missed the pickaxe, |
| 01:01:44 |
and she came down |
| 01:01:47 |
Steel: |
| 01:01:49 |
I think he had the machete |
| 01:01:52 |
and walks into |
| 01:01:54 |
and they're like, "Oh my God!" |
| 01:01:56 |
Then he said, " No no, |
| 01:01:59 |
And I have 13 stitches |
| 01:02:02 |
It's right here. |
| 01:02:05 |
And then he came back |
| 01:02:07 |
and we started all over again. |
| 01:02:09 |
We stayed at the camp. At one |
| 01:02:13 |
I think it was John Furey |
| 01:02:16 |
and Russell Todd... |
| 01:02:17 |
knew where I was staying. |
| 01:02:20 |
And they went |
| 01:02:22 |
when it was really dark out |
| 01:02:23 |
and they started scratching |
| 01:02:27 |
I fainted. |
| 01:02:30 |
flat on the floor |
| 01:02:32 |
'cause I just went... (gasps) |
| 01:02:38 |
(rock music playing) |
| 01:02:42 |
Though the counselors |
| 01:02:44 |
worked very hard to keep |
| 01:02:47 |
the same can't be said |
| 01:02:50 |
which have had more |
| 01:02:53 |
and inconsistencies, |
| 01:02:55 |
leaving the fans longing |
| 01:03:00 |
Oh, no way, Becca. |
| 01:03:02 |
- You so owe me a Wonderbra. |
| 01:03:05 |
Well, okay. |
| 01:03:07 |
Strip Monopoly's |
| 01:03:10 |
Oooh! |
| 01:03:15 |
Camp Crystal Lake rocks. |
| 01:03:17 |
One of the things |
| 01:03:19 |
never really took pride in |
| 01:03:22 |
How could it be Friday the 13th |
| 01:03:25 |
are within three or four days? |
| 01:03:26 |
I don't think Monday the 16th |
| 01:03:28 |
has quite the same ring to it. |
| 01:03:30 |
Cohen: |
| 01:03:32 |
and show me categorically |
| 01:03:36 |
and where the writer of "VI" was wrong, |
| 01:03:38 |
And you know what, so what? |
| 01:03:42 |
King: |
| 01:03:44 |
at convention after convention |
| 01:03:47 |
that they felt "ripped off" |
| 01:03:49 |
about the way Alice died |
| 01:03:52 |
She didn't even see him. |
| 01:03:55 |
As far as I'm concerned, |
| 01:03:57 |
If Jason is who I believe he is |
| 01:04:01 |
and who I think the fans |
| 01:04:03 |
it's not like he can look |
| 01:04:06 |
It's not like she would be listed |
| 01:04:09 |
She got away. |
| 01:04:10 |
he comes to her apartment |
| 01:04:12 |
Now what I want to know is |
| 01:04:15 |
There was a "Friday the 13th" |
| 01:04:18 |
LeMay: |
| 01:04:21 |
and the movies |
| 01:04:22 |
had in common |
| 01:04:24 |
It turns out it was about |
| 01:04:27 |
to retrieve cursed artifacts |
| 01:04:29 |
from a pawnshop. |
| 01:04:31 |
I think a lot of people who were |
| 01:04:34 |
didn't like the fact |
| 01:04:36 |
and tried to sneak a fast one |
| 01:04:40 |
So beginning with "Part III," |
| 01:04:42 |
when Jason finds the mask |
| 01:04:45 |
that everyone identifies |
| 01:04:47 |
there's been some debate |
| 01:04:49 |
how that happened. |
| 01:04:51 |
And the one thing that |
| 01:04:54 |
is who put the hockey mask |
| 01:04:57 |
One day we were doing |
| 01:05:00 |
on "Friday the 13th Part III." |
| 01:05:02 |
So just for the 3D concept, |
| 01:05:04 |
I must admit, in modesty, |
| 01:05:07 |
that I put the hockey mask |
| 01:05:09 |
I don't care |
| 01:05:11 |
They weren't gonna use that bag again |
| 01:05:14 |
to me with the burns. |
| 01:05:16 |
That's why they came up |
| 01:05:19 |
I believe it was Peter Schindler |
| 01:05:22 |
and Marty Becker were |
| 01:05:26 |
And it was their idea |
| 01:05:29 |
to cover the face up. |
| 01:05:30 |
Every time |
| 01:05:33 |
wearing |
| 01:05:34 |
I figure, " Wow, this is |
| 01:05:38 |
They're all still bickering |
| 01:05:41 |
mine. |
| 01:05:43 |
KATZ: The end of |
| 01:05:46 |
one of the most confusing endings |
| 01:05:49 |
Probably easily the most, |
| 01:05:51 |
version of teenaged Jason. |
| 01:05:53 |
Paul! Where's Paul? |
| 01:05:56 |
For me, it wasn't a dream. |
| 01:05:59 |
Maybe that's one |
| 01:06:02 |
is that you get to decide that |
| 01:06:04 |
On "Freddy vs. Jason," |
| 01:06:07 |
with casting Jason |
| 01:06:11 |
and didn't cast Kane Hodder. |
| 01:06:13 |
And I was really surprised. |
| 01:06:16 |
I really wanted to use Kane |
| 01:06:20 |
that he really kind of |
| 01:06:23 |
And he was directing |
| 01:06:26 |
It was a shame at some level |
| 01:06:29 |
About our clothes, I mean... |
| 01:06:33 |
that's slightly the weirdest thing |
| 01:06:35 |
which were supposed |
| 01:06:37 |
and we're dressed |
| 01:06:39 |
Camilla More: |
| 01:06:41 |
Our hair put up in sort |
| 01:06:44 |
I mean, hello. |
| 01:06:45 |
And the pink puffy shirts |
| 01:06:49 |
LYNCH: It's kind of like |
| 01:06:52 |
It's like, where is Crystal Lake? |
| 01:06:55 |
where is this Crystal Lake, |
| 01:06:58 |
I can definitively answer |
| 01:07:02 |
Crystal Lake is in |
| 01:07:06 |
And the reason we know that |
| 01:07:08 |
Shelly and Vera go |
| 01:07:11 |
and in the store, |
| 01:07:13 |
it says " Welcome to Green Valley, |
| 01:07:17 |
KATZ: "Jason Takes Manhattan"... |
| 01:07:20 |
teaser posters of all time, |
| 01:07:23 |
ultimately, the "I Heart New York," |
| 01:07:25 |
that's actually something |
| 01:07:27 |
by probably, I'm guessing, |
| 01:07:30 |
and that's actually a very valuable |
| 01:07:35 |
Crystal Lake has changed sizes. |
| 01:07:38 |
from this tiny little lake |
| 01:07:41 |
to New York. |
| 01:07:43 |
The cruise ship wasn't really |
| 01:07:45 |
The cruise ship was on the ocean. |
| 01:07:48 |
because I've seen places where |
| 01:07:51 |
And we ultimately just said, |
| 01:07:53 |
People may get mad at us for that, |
| 01:07:56 |
Body switching |
| 01:07:57 |
I think that was a terrible |
| 01:08:00 |
Roday: |
| 01:08:03 |
in "Part 9"...unacceptable. |
| 01:08:07 |
Gordon. |
| 01:08:12 |
The most rational character |
| 01:08:14 |
"Friday the 13th" series |
| 01:08:16 |
You don't know whether Jason grabbed |
| 01:08:19 |
The dog sees Jason |
| 01:08:21 |
apparently jumping |
| 01:08:23 |
There was a big fight over |
| 01:08:26 |
I think he jumped, |
| 01:08:28 |
some people will |
| 01:08:30 |
Maybe Tina from "VII" telekinetically |
| 01:08:41 |
Well, he was bound |
| 01:08:44 |
If there's one thing |
| 01:08:46 |
it's escaping Jason |
| 01:08:49 |
Over the last three decades, |
| 01:08:51 |
has gone beyond |
| 01:08:54 |
In fact, it's clear that Jason |
| 01:08:56 |
has done more |
| 01:08:58 |
In fact, I'd say |
| 01:09:04 |
(gears grind) |
| 01:09:06 |
Oh! That had to hurt. |
| 01:09:09 |
Interestingly enough, |
| 01:09:10 |
Jason did manage |
| 01:09:14 |
in a big big way. |
| 01:09:18 |
with "Part III" in 3D. |
| 01:09:21 |
I have the home-theater glass set, |
| 01:09:24 |
so you can see it and watch it |
| 01:09:27 |
and I have them on, |
| 01:09:29 |
I'm watching |
| 01:09:31 |
GRAHAM: From a merchandising |
| 01:09:34 |
I cannot believe |
| 01:09:36 |
He is no less marketable |
| 01:09:39 |
or Mickey Mouse at this point. |
| 01:09:40 |
Jason is making money. |
| 01:09:43 |
I mean, does he get |
| 01:09:46 |
I'm very curious. |
| 01:09:47 |
Jason Voorhees has been |
| 01:09:50 |
starting with this Nintendo game |
| 01:09:52 |
Adam Green: |
| 01:09:54 |
All you did is run around the cabins. And |
| 01:09:57 |
Jason's in here! I'm dead. |
| 01:09:58 |
My name's James Rolfe. |
| 01:10:01 |
"The Angry Video Game Nerd." |
| 01:10:03 |
The "Friday the 13th" episode |
| 01:10:05 |
on Friday the 13th, |
| 01:10:09 |
Uh-oh, he's coming. Whoa! |
| 01:10:12 |
Well, he scared the shit out |
| 01:10:15 |
like in " Mike Tyson's |
| 01:10:17 |
They've created a hero image |
| 01:10:19 |
of an individual that's unstoppable. |
| 01:10:22 |
He's this super slasher hero. |
| 01:10:24 |
There's no rhyme or reason, |
| 01:10:26 |
He's been on lunchboxes |
| 01:10:28 |
and I think he was |
| 01:10:30 |
- (screams) |
| 01:10:32 |
Those I believe were banned |
| 01:10:35 |
There's been countless TV shows |
| 01:10:37 |
- from "MADtv." |
| 01:10:41 |
Yeah, we've done a bunch |
| 01:10:43 |
The first thing we did was |
| 01:10:47 |
(chainsaw whirring) |
| 01:10:49 |
We did a Scooby gang |
| 01:10:51 |
- of Camp Crystal Lake. |
| 01:10:53 |
When it gets referenced |
| 01:10:55 |
or "South Park," that's like |
| 01:10:57 |
(screams) |
| 01:10:58 |
I love the fact that "The Simpsons" |
| 01:11:02 |
- They should be here by now. |
| 01:11:05 |
- (switches channel) |
| 01:11:07 |
it was absolutely invigorating |
| 01:11:10 |
and also it was like, " Where have |
| 01:11:14 |
We're giving a Lifetime |
| 01:11:16 |
to a masked predator. |
| 01:11:19 |
Shortly after we did |
| 01:11:21 |
I was asked to do |
| 01:11:24 |
in costume as a guest. |
| 01:11:26 |
He pulled the whole interview off |
| 01:11:29 |
How are you? |
| 01:11:35 |
- That's good. |
| 01:11:37 |
in full costume |
| 01:11:40 |
Miska: |
| 01:11:41 |
there's dolls, |
| 01:11:43 |
there's even a haunted house |
| 01:11:47 |
and in Hollywood. |
| 01:11:49 |
One of the greatest thrills |
| 01:11:53 |
was going to the Universal |
| 01:11:56 |
Jason Voorhees is running after you. |
| 01:11:59 |
in the whole costume. |
| 01:12:03 |
Hi, I'm John Murdy, |
| 01:12:06 |
Hollywood's Halloween Horror Nights |
| 01:12:08 |
in front of the Crystal Lake cabin |
| 01:12:12 |
When you're designing |
| 01:12:15 |
there's basically three things |
| 01:12:17 |
One is that the property has legs. |
| 01:12:19 |
Second is that |
| 01:12:22 |
that you can achieve with actors, |
| 01:12:25 |
are strong and easily recognizable. |
| 01:12:28 |
So we were very lucky |
| 01:12:31 |
we were able to get |
| 01:12:33 |
and basically turn our theme park |
| 01:12:36 |
In this case, he's got |
| 01:12:40 |
His head's in the vise. Jason |
| 01:12:43 |
We have a triggered audio effect |
| 01:12:45 |
in his skull are crushing, |
| 01:12:47 |
and we tied this |
| 01:12:50 |
so that the guests think "eye goo" |
| 01:12:53 |
is shooting out |
| 01:12:56 |
This is for the wheelchair victim |
| 01:12:58 |
Again, there's a secret door |
| 01:13:01 |
so he can make |
| 01:13:03 |
and this poor guy |
| 01:13:06 |
When you're designing an attraction like |
| 01:13:09 |
for us, what we really want |
| 01:13:12 |
to the fans |
| 01:13:14 |
from the "Friday the 13th" series. |
| 01:13:16 |
So this is a kill |
| 01:13:18 |
This is the guy who gets |
| 01:13:20 |
There's a performer that's laying here |
| 01:13:24 |
Jason comes storming |
| 01:13:26 |
He grabs hold of the bed, and he gives |
| 01:13:34 |
With Jason, |
| 01:13:36 |
Every year |
| 01:13:39 |
The McFarlane stuff |
| 01:13:41 |
they all look great. |
| 01:13:43 |
articulated, awesome looking. |
| 01:13:46 |
Who would have thought |
| 01:13:50 |
There was a great book |
| 01:13:53 |
"Crystal Lake Memories" |
| 01:13:57 |
Peter Bracke did a great job. |
| 01:13:59 |
He interviewed a lot of us |
| 01:14:02 |
from producers, directors |
| 01:14:06 |
And it covers the series |
| 01:14:08 |
It was so fun to have come |
| 01:14:12 |
and to see all the people |
| 01:14:14 |
that are now a part of |
| 01:14:16 |
this whole "Friday the 13th" |
| 01:14:19 |
It was a party for the launch |
| 01:14:21 |
of the "Crystal Lake Memories" book, |
| 01:14:24 |
and we signed all |
| 01:14:26 |
And then of course |
| 01:14:28 |
and cut the cake |
| 01:14:30 |
and that was awfully fun. |
| 01:14:32 |
An iconic brand |
| 01:14:34 |
Everybody knows Jason. |
| 01:14:37 |
Everybody, all ages. |
| 01:14:38 |
It's all over the world. |
| 01:14:40 |
At Halloween, |
| 01:14:43 |
down the hall |
| 01:14:45 |
There's at least one kid |
| 01:14:47 |
who is Jason Voorhees, |
| 01:14:49 |
and the funny thing is |
| 01:14:52 |
in the sense |
| 01:14:53 |
Jason is a big icon. |
| 01:14:55 |
I had a trick-or-treater |
| 01:14:57 |
a little kid dressed as Jason. |
| 01:14:59 |
And I went, |
| 01:15:01 |
And the kid kind of looked at me |
| 01:15:04 |
And I asked my nephew, |
| 01:15:06 |
I said, "What is that?" |
| 01:15:08 |
And I said, " You know |
| 01:15:11 |
And he said, " Oh, I've never |
| 01:15:14 |
but I know all about Jason." |
| 01:15:16 |
In hindsight, it seems silly |
| 01:15:18 |
The critics were outraged. |
| 01:15:20 |
Gene Siskel launched a letter-writing |
| 01:15:22 |
"Friday the 13th: |
| 01:15:25 |
an immoral and reprehensible |
| 01:15:27 |
When Roger Ebert said |
| 01:15:30 |
"an immoral and reprehensible |
| 01:15:33 |
I thought, " Two thumbs up. |
| 01:15:37 |
Kratka: |
| 01:15:39 |
that gets labeled things |
| 01:15:42 |
or just unjustifiably. |
| 01:15:44 |
And I think "Friday the 13th" s |
| 01:15:46 |
they're scary movies. |
| 01:15:48 |
As film critics, |
| 01:15:51 |
the fact that they are |
| 01:15:54 |
for a very defined demographic. |
| 01:15:57 |
We have fun reading reviews. |
| 01:16:00 |
and especially if someone gets |
| 01:16:04 |
it's great. In a way it's sort of like |
| 01:16:07 |
if they're clever in the way |
| 01:16:10 |
What's more appealing |
| 01:16:12 |
That's the oldest story |
| 01:16:14 |
So when you say |
| 01:16:16 |
"You can't go see that movie, young man. |
| 01:16:20 |
I'm pretty confident that's the first |
| 01:16:24 |
As long as nobody's going out |
| 01:16:28 |
they never had to put |
| 01:16:31 |
on the screen... so it's all fun. |
| 01:16:33 |
It's not attracting psychos to it. |
| 01:16:35 |
It really does attract |
| 01:16:39 |
a very respectful |
| 01:16:43 |
Jason can survive anything, |
| 01:16:46 |
If you're taking these films |
| 01:16:49 |
you should probably |
| 01:16:52 |
or do something else. |
| 01:16:54 |
I started the Screamfest |
| 01:16:56 |
as a platform to give |
| 01:16:59 |
to further their careers and have |
| 01:17:03 |
I think some of the films |
| 01:17:05 |
definitely have been influenced |
| 01:17:08 |
Most recently I would say |
| 01:17:11 |
I think almost any slasher movie |
| 01:17:14 |
post-"Friday the 13th" |
| 01:17:16 |
kind of tipped their hat to it. |
| 01:17:18 |
It's a great independent film. |
| 01:17:21 |
and... what? |
| 01:17:24 |
to look back and see young filmmakers, |
| 01:17:27 |
to have a film that's reminiscent |
| 01:17:30 |
So it's kind of cool. |
| 01:17:31 |
I've been to a million conventions |
| 01:17:33 |
and I see people |
| 01:17:37 |
It's a lot of fun. |
| 01:17:44 |
Come on, it's beautiful. |
| 01:17:46 |
We bleed for this shit. |
| 01:17:48 |
The fans are open to creating |
| 01:17:51 |
about them too. |
| 01:17:53 |
MAN: He had just received |
| 01:17:56 |
inviting him to take part |
| 01:18:00 |
Jason doesn't have a star |
| 01:18:03 |
This is terrible. |
| 01:18:07 |
and he can't get a star? |
| 01:18:09 |
Jason is a star! |
| 01:18:13 |
(silent) |
| 01:18:17 |
Oh, sorry. |
| 01:18:19 |
was using this room. |
| 01:18:27 |
(girl screaming) |
| 01:18:29 |
Okay, I admit it. |
| 01:18:32 |
But as we've seen, |
| 01:18:35 |
I mean, after all a good killer |
| 01:18:38 |
Which is exactly why the original |
| 01:18:41 |
of Jason Voorhees |
| 01:18:44 |
and repackaged |
| 01:18:47 |
It's exciting to see Jason up |
| 01:18:51 |
(girl screaming) |
| 01:18:56 |
So now after all of this time, |
| 01:18:58 |
playing around with Jason |
| 01:19:01 |
for all these years, |
| 01:19:02 |
there comes a new look, |
| 01:19:06 |
in this new reimagining |
| 01:19:09 |
or reboot of the franchise. |
| 01:19:11 |
I hope the fans will enjoy it |
| 01:19:14 |
I enjoyed it from, which is |
| 01:19:16 |
to see Jason |
| 01:19:19 |
for the first time again. |
| 01:19:20 |
To be able to work |
| 01:19:22 |
and to see that mask... |
| 01:19:24 |
that he wore that mask on set, |
| 01:19:27 |
It was amazing, |
| 01:19:29 |
that here's this thing |
| 01:19:32 |
and it's right here |
| 01:19:34 |
because when we watched it as kids, |
| 01:19:37 |
It's made by people |
| 01:19:40 |
but who are going at it |
| 01:19:43 |
than we ever had |
| 01:19:45 |
This remake centers |
| 01:19:49 |
between the Whitney character |
| 01:19:52 |
which is played by Jared Padalecki. |
| 01:19:56 |
There's enough characters in there |
| 01:20:00 |
so there's gonna be |
| 01:20:03 |
They've already said |
| 01:20:05 |
They've already said that, |
| 01:20:08 |
but along with the deaths, you might have |
| 01:20:10 |
and it's gonna be a good contrast. |
| 01:20:12 |
What I think makes |
| 01:20:14 |
is Jason being |
| 01:20:17 |
and not sort of that |
| 01:20:21 |
He's a person. |
| 01:20:23 |
where everyone |
| 01:20:25 |
and in touch with their feelings. |
| 01:20:28 |
and I feel like people can relate |
| 01:20:30 |
which almost makes the killings |
| 01:20:33 |
I think there's more heart involved. |
| 01:20:35 |
That I think is exciting, |
| 01:20:38 |
And you have to figure out |
| 01:20:41 |
and keep renewing |
| 01:20:44 |
And they've taken |
| 01:20:47 |
of the first four |
| 01:20:49 |
What the fans can expect to see |
| 01:20:52 |
is the best aspects |
| 01:20:54 |
taken out and mixed up |
| 01:20:56 |
and put into a brand-new film |
| 01:20:59 |
I think they're gonna see |
| 01:21:02 |
They're gonna see |
| 01:21:05 |
We really strived to give audiences |
| 01:21:09 |
or, and maybe better, |
| 01:21:11 |
kills they had seen |
| 01:21:14 |
And something else |
| 01:21:17 |
that really hasn't been |
| 01:21:19 |
our movie has a ton |
| 01:21:21 |
They're gonna see |
| 01:21:24 |
unique sex scenes. |
| 01:21:26 |
It's gonna be an entertaining |
| 01:21:28 |
wild roller-coaster of a ride. |
| 01:21:30 |
We've gone to great lengths |
| 01:21:32 |
to make the movie |
| 01:21:34 |
to be very respectful |
| 01:21:36 |
I think this film is gonna |
| 01:21:40 |
not just the hardcore |
| 01:21:43 |
It's not only remarkably scary, |
| 01:21:45 |
but very very funny. |
| 01:21:47 |
The mythology will stay intact. |
| 01:21:50 |
Jason is still Jason. |
| 01:21:51 |
Our hope is that |
| 01:21:54 |
love the film as much as people |
| 01:21:58 |
We're hopeful |
| 01:22:00 |
at authenticity |
| 01:22:03 |
and we suspect that they will, |
| 01:22:05 |
I think, regardless, |
| 01:22:08 |
and that's that. |
| 01:22:10 |
I'm excited to be a part of this... |
| 01:22:14 |
colossal franchise. |
| 01:22:16 |
To just be a part of the name |
| 01:22:19 |
a little exhilarating |
| 01:22:21 |
We all love Jason Voorhees. |
| 01:22:23 |
Reggie will kick his butt. Reggie |
| 01:22:27 |
I will put the red suit on, |
| 01:22:30 |
- I ain't playing. |
| 01:22:32 |
who loved "Friday the 13th" |
| 01:22:35 |
with this newer, slicker, |
| 01:22:38 |
of the story. |
| 01:22:41 |
I think that you're gonna have people |
| 01:22:44 |
as the first "Friday the 13th" |
| 01:22:47 |
And this will hopefully |
| 01:22:49 |
set a new level of quality |
| 01:22:52 |
so that the franchise |
| 01:22:57 |
- (insects chirping) |
| 01:22:59 |
Excuse me, miss, |
| 01:23:01 |
I think you dropped... |
| 01:23:03 |
she won't be needing this. |
| 01:23:05 |
Over the years, |
| 01:23:07 |
that's kept moviegoers flocking |
| 01:23:10 |
but it's not just the fans |
| 01:23:13 |
Jason's never-ending |
| 01:23:22 |
"Friday the 13th" has |
| 01:23:25 |
It's quite amazing. |
| 01:23:26 |
There are people |
| 01:23:30 |
The "Friday the 13th" films |
| 01:23:32 |
And I think people are constantly |
| 01:23:36 |
On the night of its opening, |
| 01:23:40 |
We went to six theaters that night, |
| 01:23:42 |
and we couldn't get in. |
| 01:23:44 |
We couldn't get in anywhere. |
| 01:23:46 |
"Holy cow, I think we really |
| 01:23:48 |
When I tell them |
| 01:23:51 |
it's so fun for me. |
| 01:23:52 |
Thanks to "Friday the 13th," |
| 01:23:54 |
my 15 minutes keeps going. |
| 01:23:57 |
Playing a character |
| 01:23:59 |
is an amazing feeling |
| 01:24:02 |
and something |
| 01:24:04 |
There's really no putting |
| 01:24:06 |
but there seems to be a loyalty |
| 01:24:08 |
and a fascination with it |
| 01:24:11 |
It's really the audience |
| 01:24:13 |
that brings Jason back |
| 01:24:15 |
The legend grows |
| 01:24:18 |
People like getting scared. |
| 01:24:21 |
They're just gonna wait... oh! |
| 01:24:23 |
It surprises me |
| 01:24:25 |
just about how |
| 01:24:26 |
the "Friday the 13th" |
| 01:24:29 |
and just go on and on. The |
| 01:24:32 |
When you do "The Final Chapter," |
| 01:24:35 |
to be the final chapter. |
| 01:24:37 |
This was the last one. |
| 01:24:40 |
"The Final Friday," |
| 01:24:43 |
and I remember people saying |
| 01:24:46 |
That was 1992. |
| 01:24:48 |
I get three, four, five |
| 01:24:52 |
for autographs and pictures |
| 01:24:55 |
People still contact me. |
| 01:24:58 |
from the film |
| 01:25:01 |
People send me things to sign... |
| 01:25:04 |
I'm like, |
| 01:25:05 |
"Friday the 13th" has given me |
| 01:25:08 |
is just bigger than life itself. |
| 01:25:10 |
I get the most beautiful stories |
| 01:25:12 |
about how Alice's strength |
| 01:25:15 |
so many people |
| 01:25:18 |
I was 27 years old |
| 01:25:21 |
Number-one-box-office movie |
| 01:25:24 |
This was the best |
| 01:25:26 |
Because when you have a knife |
| 01:25:29 |
you really learn how |
| 01:25:31 |
I hope the audience is |
| 01:25:33 |
- as we are making it. |
| 01:25:35 |
still is an honor |
| 01:25:38 |
And it's really |
| 01:25:40 |
so I think that's |
| 01:25:42 |
I think the audience |
| 01:25:44 |
the same way that |
| 01:25:46 |
The same way they want |
| 01:25:48 |
I've found that |
| 01:25:51 |
didn't give 2¢ for |
| 01:25:53 |
in the beginning |
| 01:25:55 |
into the world, |
| 01:25:57 |
who have viewed it |
| 01:26:00 |
Did you know that |
| 01:26:02 |
The counselors weren't |
| 01:26:05 |
His name was Jason. |
| 01:26:08 |
Well, there you have it... |
| 01:26:12 |
a movie that was made |
| 01:26:14 |
but made America |
| 01:26:17 |
And one that singlehandedly |
| 01:26:20 |
to modern slasher cinema, |
| 01:26:22 |
generating box office success |
| 01:26:26 |
You know, |
| 01:26:28 |
and influence |
| 01:26:31 |
who try to capture |
| 01:26:34 |
And on top of that, |
| 01:26:36 |
that Jason Voorhees |
| 01:26:40 |
recognized the world over. |
| 01:26:43 |
So here we are. |
| 01:26:45 |
and "Friday the 13th" lives on. |
| 01:26:47 |
And it's because of you |
| 01:26:50 |
keeps coming back |
| 01:26:52 |
So let me return the favor. |
| 01:26:55 |
If somebody invites you |
| 01:26:57 |
just don't go. (grunts) |
| 01:27:00 |
(gasps) |
| 01:27:02 |
(sighs) |
| 01:27:10 |
My bad. Sorry. |
| 01:27:11 |
(imitating soundtrack) |
| 01:27:17 |
It's supposed to be... |
| 01:27:18 |
- Not everybody knows that. |
| 01:27:21 |
I showed them how I can fart |
| 01:27:24 |
but the camera |
| 01:27:26 |
so yeah. |
| 01:27:28 |
(rock music playing) |
| 01:27:37 |
- I think if Vera had... |
| 01:27:42 |
(screaming) |
| 01:27:47 |
(screams) |
| 01:27:49 |
I thought it was Jason. |
| 01:27:51 |
Kill her, Mommy! |
| 01:27:53 |
And he's still there. |
| 01:27:55 |
There's somebody |
| 01:27:59 |
Why do you do |
| 01:28:01 |
I just want you to like me. |
| 01:28:02 |
I got a date |
| 01:28:05 |
Ted, Ted, |
| 01:28:08 |
Come on, Sara, |
| 01:28:11 |
Bad news crews. |
| 01:28:13 |
It's okay, guys. |
| 01:28:16 |
Axel, you are the Super Bowl |
| 01:28:20 |
This feels good! |
| 01:28:23 |
Nobody's gonna touch that |
| 01:28:26 |
I have seen enough |
| 01:28:28 |
any weirdo wearing a mask |
| 01:28:31 |
That's what's known |
| 01:28:33 |
Ben, are you coming back or not? |
| 01:28:37 |
You didn't get me in the lake, Jason, |
| 01:28:43 |
My earring. |
| 01:28:45 |
You could use a little |
| 01:28:49 |
MAN: And cut. |
| 01:28:51 |
Melissa's a bitch. |
| 01:28:54 |
I can't even do it. |
| 01:28:56 |
It's a real pain in the ass. |
| 01:28:57 |
And you're gonna use that |
| 01:28:59 |
I said, "It's a real pain in the ass." |
| 01:29:01 |
Finally he gets hacked to death |
| 01:29:05 |
Yo, Feld-dawg, |
| 01:29:07 |
(smacks) |
| 01:29:09 |
I'm getting Haim |
| 01:29:11 |
- (growls) |
| 01:29:15 |
I found it. |
| 01:29:17 |
I didn't have a clue |
| 01:29:19 |
in "Jason Goes to Hell." |
| 01:29:21 |
A lot of shaving. |
| 01:29:23 |
It's creepy. |
| 01:29:26 |
Homoerotic... shaven. |
| 01:29:29 |
(speaks gibberish) |
| 01:29:32 |
Never show your breasts... |
| 01:29:37 |
Here comes first Jason! |
| 01:29:39 |
We're gonna go up to Crystal Lake |
| 01:29:41 |
that there's horrible things... |
| 01:29:43 |
There's bananas everywhere. |
| 01:29:45 |
It is a lot easier |
| 01:29:49 |
than it is to watch Dick Cheney. |
| 01:29:51 |
You give up? |
| 01:29:53 |
MAN: Never! |
| 01:29:56 |
I don't know |
| 01:29:58 |
There's only one thing |
| 01:30:00 |
that Jason knows, |
| 01:30:05 |
(man softly) |
| 01:30:07 |
Subtitles by LeapinLar |
