Histoires extraordinaires Spirits of the Dead

en
00:00:30 SPIRITS 0F THE DEAD
00:01:07 Hughes!
00:01:10 Hughes!
00:01:13 Are the horses ready?
00:01:14 Whenever you wish, Madam.
00:01:15 Get them, now!
00:01:17 Your guests are still in bed,
00:01:19 I slept badly last night!
00:01:21 Wake them! I need fresh air!
00:01:24 I want to ride, to forget
00:01:28 Are you sure it was a dream?
00:01:31 Sometimes you need me...
00:01:33 to tell you what you did
00:01:38 Get out!
00:01:45 At the age of twenty-two,
00:01:48 Countess of Metzengerstein
00:01:53 Rarely had a noble of this land
00:01:57 She ruled over it capriciously:
00:02:00 Both night and day
00:02:03 That morning, haunted by her
00:02:07 she decided to take her guests
00:02:10 where she had spent
00:02:12 Marquis!
00:02:28 Blood!
00:02:30 Swine!
00:02:36 Milady!
00:02:37 What! Can't I enjoy myself?
00:02:40 Surely one can still laugh.
00:03:24 I love this place.
00:03:26 It's beautiful!
00:03:27 You have ten finer castles.
00:03:31 Finer than childhood?
00:03:44 Is that boy still annoying you?
00:03:49 Shall I throw him out?
00:03:51 And supposing he flies...
00:04:00 Shoot straight and true!
00:04:04 Shameful debaucheries,
00:04:09 unheard of cruelties soon taught
00:04:14 that nothing
00:04:17 against the remorseless fangs
00:04:27 Come!
00:04:30 Come on!
00:04:38 Give me the necklace, boy!
00:04:55 - Is this our room?
00:05:02 What is it?
00:05:07 There she is.
00:05:19 Don't be silly!
00:05:45 The other way!
00:08:06 All encouraged her in her whims,
00:08:12 but many others who feared
00:08:17 The sole exception to this rule,
00:08:21 of their related Berlifitzing
00:08:22 who were traditional enemies
00:08:24 and openly critical
00:08:28 These two families had been
00:08:32 and their deadly enmity
00:08:34 that none could remember
00:08:36 At this time the young
00:08:41 lived alone in his family's
00:08:44 Although he was her closest
00:08:46 he had never spoken to his
00:08:49 Frederique of Metzengerstein.
00:08:51 For her part, Frederique, if
00:08:55 of her cousin from afar,
00:08:58 would mock at him and openly
00:09:03 But Wilhelm seemed not to
00:09:07 His lively intelligence would have
00:09:12 but nothing interested this
00:09:14 who divided his life between
00:10:12 Help me!
00:10:15 Quickly!
00:10:34 If I find the idiot who
00:10:37 he'll be flogged for two hours
00:10:40 and I'll apply the vinegar
00:10:51 Hurry!
00:11:12 When a vixen gets caught,
00:11:16 0pen the trap, and she runs off,
00:11:19 even if she's injured.
00:11:21 Does it hurt?
00:11:40 Chance alone brought Frederique
00:11:44 The girl would have preferred
00:11:46 that she knew not, but instead
00:11:51 Something within her had changed.
00:12:08 Haunted by the memory of
00:12:11 she had but one desire- to see
00:13:29 Hunting the vixen,
00:14:20 Sultan!
00:14:22 Sultan!
00:14:26 He'll be back.
00:14:36 I'm cold!
00:14:39 A Metzengerstein offers
00:14:42 You don't, apparently!
00:14:50 You never speak, Cousin.
00:14:54 My ankle still hurts
00:15:03 Prince!
00:15:11 Do you only speak to animals?
00:15:13 Come this evening.
00:15:17 Most of my guests are boars,
00:15:20 It should amuse you.
00:15:22 I won't be part of
00:15:29 I'm not accustomed to being
00:15:32 - Do not keep bad habits.
00:15:38 A happy man.
00:15:50 Frederique!
00:16:10 Wilhelm!
00:16:15 Rejected and ridiculed when
00:16:21 Frederique angrily suppressed
00:16:24 that had drawn her towards
00:16:29 Hughes!
00:16:33 Her only thoughts were
00:20:21 Hughes!
00:20:22 Yes, Milady?
00:20:23 How did he come here?
00:20:25 He galloped here through
00:20:28 - Whose is he?
00:20:32 Not even the Baron Wilhelm's
00:20:37 No one knows this horse.
00:20:39 - No one can approach him!
00:21:15 Milady...
00:21:17 The Baron Wilhelm is dead!
00:21:20 What?
00:21:22 He tried to save the horse
00:21:25 Everything went up in flames.
00:22:08 Hughes!
00:22:11 Hughes!
00:22:13 Hughes!
00:22:16 Yes?
00:22:19 You will repair this...
00:22:22 as it was before.
00:22:23 But that's impossible, Madam!
00:22:27 You will, because I wish it!
00:22:32 Find the best tapestry-maker.
00:22:45 Frederique had ordered the stables
00:22:48 without imagining that
00:22:53 His death satisfied neither her
00:23:00 She felt a dark foreboding.
00:23:04 Terror took hold of her.
00:27:05 What are you thinking?
00:27:09 Nothing. Go on.
00:27:29 From that time forth, a marked
00:27:32 in the outward behavior
00:27:36 She no longer left her estate,
00:27:41 Qr could the wild, unearthly
00:27:46 have claimed some mysterious
00:27:50 Frederique remained faithful
00:27:54 In the glare of noon,
00:27:57 in sickness or in health,
00:28:01 Frederique seemed riveted to the
00:28:06 his audacities so well
00:28:14 0ld man, will it take long?
00:28:22 I don't know.
00:28:24 Some days, the threads sing.
00:28:28 0n others, they resist
00:28:33 I asked you how long.
00:28:36 Weeks... months perhaps.
00:29:25 This spell, which she accepted
00:29:29 reached even
00:29:32 She would spent hours before
00:29:35 that was slowly taking shape.
00:29:39 Fascinated, she watched
00:29:43 bringing back to life
00:29:46 His fingers, so deftly knotting
00:29:48 seemed to be weaving with
00:29:51 her own destiny.
00:35:53 Help me now, my hands.
00:35:56 You always served me well.
00:36:44 Have you worked it out?
00:36:47 - Is it blood?
00:37:18 Frederique had accepted
00:37:22 She rushed toward the flames.
00:37:24 Like Wilhelm, with Wilhelm,
00:37:29 she will die by fire.
00:40:59 - I want to confess!
00:41:02 - No! Right away!
00:41:05 - After Mass.
00:41:12 Proceed.
00:41:13 I don't know how.
00:41:17 I'm not a Catholic.
00:41:19 In that case, my son,
00:41:22 I want to confess,
00:41:25 Do not shout.
00:41:28 I don't care about God!
00:41:30 I need to understand.
00:41:34 I've killed a man.
00:41:36 Someone from this town?
00:41:37 I don't know...
00:41:40 - Ah, a stranger?
00:41:42 Well... no. I know him.
00:41:46 I have always known him.
00:41:49 You're drunk!
00:41:50 Listen to me!
00:41:57 Why did you kill him?
00:42:02 I'll tell you everything,
00:42:08 Franz von Lowenstein.
00:42:13 William Wilson!
00:42:18 It's from Italy.
00:42:20 It must be from your Mother.
00:42:41 Attention!
00:42:45 At ease.
00:43:59 Silence! Stop that!
00:44:10 Wilson did it!
00:44:17 Wilson!
00:44:44 Down.
00:44:55 Up.
00:45:03 Down.
00:45:08 Up.
00:45:19 Down!
00:45:25 Who's that?
00:45:26 He's the new boy.
00:45:35 - What is your name?
00:45:43 - What's your name again?
00:45:47 His name was Wilson?
00:45:49 Same name, precisely.
00:45:51 - A coincidence.
00:45:54 Power cannot be shared.
00:46:18 A rival, or rather a companion
00:46:22 but who watched me
00:46:27 He exasperated me
00:46:28 but I felt extremely curious
00:47:32 Good God!
00:47:37 Wilson!
00:47:39 We were both expelled.
00:47:44 It took me a long time to forget.
00:47:48 0bviously this childhood incident
00:47:52 - Before you leave...
00:47:56 Several years later
00:48:01 out of curiosity.
00:48:03 I remind you that a doctor
00:48:11 We shall seek life
00:48:15 And now I have the pleasure
00:48:19 a human body
00:48:23 which has always been
00:48:27 poets or philosophers.
00:48:30 To be precise, I shall open
00:48:36 If we were dealing with
00:48:39 we'd process in this fashion.
00:48:42 Going laterally from the sternum,
00:48:47 we'd find the apex of the heart.
00:48:50 But in the present case,
00:48:53 all the ribs of the sub-auxiliary
00:48:56 and the right
00:49:00 Then we will separate
00:49:04 and fold back the rib cage.
00:49:07 This will reveal the contents
00:49:11 The heart, gentlemen,
00:49:14 composed essentially of a firm
00:49:19 and a softer auricular mass.
00:49:25 This pump
00:49:29 which gives forth
00:49:33 has come to be seen
00:49:36 of courage and generosity.
00:49:50 Does Mr. Wilson have
00:49:53 No. In that case,
00:49:57 Thank you!
00:50:02 Even in dealing with a corpse,
00:50:07 always be sure of the
00:52:07 It is said, gentlemen,
00:52:08 that the heart is the seat of
00:52:12 Indeed.
00:52:13 But experience shows that it is
00:52:16 our sorrows.
00:52:23 Its only generosity lies
00:52:30 So, when we have cut the ribs,
00:52:35 and folded back what is
00:52:40 we can deliver our patient
00:52:45 The doctor is a benefactor.
00:52:48 We will thus bring her relief.
00:52:52 Along with the heart...
00:52:53 No!
00:52:56 We'll remove despair
00:53:04 Gentlemen, we shall restore her
00:53:08 the peace of paradise lost.
00:53:12 Even if it's a living person,
00:53:15 make sure your instruments
00:54:23 Here, put this on!
00:54:30 Cover yourself.
00:54:43 Did she die?
00:54:45 Forget about the girl!
00:54:52 I had to leave the University,
00:54:56 To fight.
00:54:59 The twin garrison is infamous.
00:55:02 Thanks to me.
00:55:05 People have told me all about
00:55:09 All was well...
00:55:12 until that night.
00:56:30 Don't. It's Wilson!
00:56:32 You recognize me?
00:56:37 I'm flattered.
00:56:41 There were many of us
00:56:45 It was dark,
00:57:16 Good evening, Mr Wilson.
00:57:48 - Is that Wilson?
00:57:52 This Wilson is surely not
00:57:56 He's made his reputation
00:57:59 not from us.
00:58:01 He loves parades, the theater,
00:58:06 He needs an audience.
00:58:09 But in private,
00:58:12 - Have you met him before?
00:58:17 I hate wasting my time.
00:58:21 - Are you referring to me?
00:58:24 You are not the only
00:58:28 Are you taunting me?
00:58:31 Are you threatening me?
00:58:33 I'm challenging you.
00:58:48 Ace.
00:58:49 She loved cards. But I could
00:58:53 I decided to teach her a lesson.
00:58:56 Court card!
00:59:12 Two hundred.
00:59:15 Double.
00:59:19 I'll see you.
00:59:23 Ace, Jack.
00:59:27 Wilson has lost.
00:59:31 Are you sure?
00:59:35 Ace, King.
00:59:38 I thought you were bluffing.
00:59:41 Bluff and window-dressing...
00:00:31 He gets tired.
00:00:47 Court card.
00:00:53 Ace.
00:01:09 Will you accept my watch?
00:01:17 I'll see you, my dear.
00:01:21 Ace, King.
00:01:32 The same.
00:01:37 The game continues.
00:01:53 Court card.
00:01:58 Court card.
00:02:07 Ace.
00:02:26 Pour me a drink
00:02:47 From then on, she lost
00:02:55 Ace.
00:03:08 All of it.
00:03:13 I want to see you.
00:03:14 Top card?
00:03:18 Top card.
00:03:34 Franz, count this up, please.
00:03:43 Thank you, sir.
00:03:54 Add a thousand.
00:03:56 Four thousand thalers,
00:03:59 - I can't pay you, Wilson!
00:04:05 I propose double or nothing.
00:04:08 It's your last chance.
00:04:12 And if I lose?
00:04:15 You'll still owe me nothing.
00:04:18 But you'll be mine.
00:04:21 How? 0n what conditions?
00:04:25 Whatever conditions I choose.
00:04:30 Decide. Quickly.
00:04:38 I accept.
00:04:56 Ace.
00:05:00 King.
00:05:02 Now we pick up from the deck.
00:05:10 Jack.
00:05:12 Your luck is returning.
00:05:20 No.
00:05:22 I was wrong!
00:05:25 You've lost, Giuseppina!
00:05:40 Where? When?
00:05:46 Here. Now.
00:05:49 We shall leave you both.
00:05:52 There's no need, in fact...
00:07:27 Your turn, Gino.
00:07:32 Well?
00:07:35 You would like something else?
00:07:41 He wants something else,
00:07:43 May he?
00:07:50 Madam,
00:07:54 He cheated.
00:07:57 Here is the proof.
00:08:04 All the cheat needs to do
00:08:09 Simply empty a glass...
00:08:12 light a cigar...
00:08:16 take out a watch.
00:08:25 You are not known to us, sir.
00:08:29 Wilson knows my name.
00:08:49 Your jacket. Your watch.
00:08:54 Wilson, I demand
00:08:57 You will leave town today.
00:08:59 We're not against pleasure, but
00:09:04 For us, you no longer exist.
00:09:25 Wilson!
00:09:27 Wilson!
00:09:49 This is the end of your
00:09:53 This is the end of your
00:09:56 This is the end of your
00:09:59 0ver!
00:10:56 Wilson!
00:11:45 Wilson...
00:11:48 You shouldn't have killed me.
00:11:51 Without me, you no longer exist.
00:11:56 Dead to the world.
00:11:58 Dead to hope.
00:12:02 If I die, you die as well.
00:12:32 My son...
00:12:34 I think it's a relief for you
00:12:40 Promise the Lord never to
00:12:43 Drunkenness makes man
00:12:46 You don't know
00:12:49 - You don't believe me?
00:12:54 Get some sleep.
00:12:57 You'll be ashamed
00:13:01 Give up your debauchery.
00:13:03 Seek the chaste love
00:13:06 and you'll no longer suffer
00:13:08 which stem from your pride,
00:13:16 You cretin!
00:13:18 You don't believe me.
00:15:30 The plane kept
00:15:33 seemingly unable
00:15:36 It was the first time
00:15:39 and I had the odd feeling
00:15:42 put off for so long
00:15:45 was to be very significant
00:15:48 For a moment, I even had
00:15:51 that the plane wouldn't land...
00:15:53 but would take me
00:15:56 It was not to be.
00:16:00 The airport's invisible nets
00:16:04 and were dragging it
00:16:09 Control tower, request authority
00:17:04 Mr. Edwards...
00:17:15 There he is! Toby Dammit!
00:17:22 No! Stop it!
00:17:27 Please!
00:17:35 Bastard! What a jerk!
00:17:48 I'm sorry. Forgive me.
00:17:51 All those lights.
00:17:54 I just can't stand them.
00:18:01 It's true.
00:18:05 I hate light. Yes, I hate it.
00:18:31 You swore you'd leave me alone.
00:18:52 I am Father Spagna.
00:18:55 Then you would be...
00:18:55 I represent the film production.
00:19:00 These are two directors,
00:19:05 Maurizio and Ernestino.
00:19:09 My secretary...
00:19:11 And this is Vicky Rosenthal
00:19:16 I trust you had a pleasant trip.
00:19:19 He is not bad at all.
00:19:22 Yes, just right for the role.
00:19:28 Please, step this way.
00:19:42 It's the first Catholic Western.
00:19:44 Christ's return to the
00:19:48 And is this not
00:19:52 A new incarnation of Christ.
00:19:55 0ur Savior appearing this time
00:20:00 Christ already lives in us,
00:20:03 but to show him in
00:20:09 It may seem a desperate
00:20:12 Blasphemy, almost, I agree.
00:20:15 But I know an artist such as you,
00:20:20 will understand
00:20:23 can recapture sublime poetry
00:20:28 that are spare,
00:20:32 syntagmatic, as my friend
00:20:35 Something between Dreyer
00:20:39 with just a hint of John Ford,
00:20:43 As long as it reflects
00:20:44 the death throes and decay
00:20:49 a Western can claim
00:20:53 That's what Lukacs says.
00:20:55 We'll create historical characters
00:21:00 Thus, our two outlaws represent
00:21:04 The busty girl is the illusory
00:21:08 The prairie is beyond history
00:21:10 and the bisons are
00:21:15 This film will be in color.
00:21:17 Harsh colors, rough costumes
00:21:19 to reconcile the holy landscape
00:21:24 Sort of Piero della Francesca
00:21:28 An interesting formula.
00:21:32 Just let your heart speak.
00:21:34 The producers promised me
00:21:37 latest model.
00:21:40 Where is it?
00:21:43 Yes, the Ferrari...
00:21:46 You'll get the Ferrari.
00:21:50 You'll get it
00:22:00 I can't hear you.
00:22:10 - Are you going to a funeral?
00:22:36 Go ahead, don't stay here.
00:22:49 Stop the car!
00:22:56 A thousand lire. Show me.
00:23:00 Here, read mine.
00:23:01 Curiosity, the need to know...
00:23:05 They're very human responses.
00:23:07 But to think that
00:23:12 I don't want to.
00:23:16 It scares me.
00:23:44 I had seen her once again.
00:23:47 She was waiting for me
00:23:49 With her big, silent ball.
00:23:53 I told her to go away
00:23:59 She seemed convinced that
00:24:07 You swore you'd leave me alone.
00:24:24 It's nothing. It will pass.
00:25:33 Tonight's guest
00:25:37 who needs no introduction.
00:25:38 His last film is still fresh
00:25:41 He's here now in Rome
00:25:46 the biblical story of redemption
00:25:50 Ladies and gentlemen,
00:25:59 What do you want?
00:26:11 I believe you've never been
00:26:13 No.
00:26:14 What made you decide
00:26:17 The Ferrari I was promised.
00:26:24 Do you use LSD or other drugs?
00:26:26 All kinds of drugs.
00:26:28 - Why?
00:26:30 What do you like most in life?
00:26:34 No idea.
00:26:35 - What do you despise most?
00:26:39 Some say you no longer have
00:26:48 How did critics like
00:26:51 0bviously the critics didn't
00:26:55 Was your childhood
00:26:57 No. My mother always laughed
00:27:02 Not her fault. She drank.
00:27:07 I've heard
00:27:09 and that you have
00:27:15 If you repeat that again, watch out
00:27:22 Will you marry me?
00:27:26 Do you think you're neurotic?
00:27:30 It's my one quality.
00:27:32 What is amiss in your life,
00:27:36 I'm happy
00:27:40 Is it true you've done
00:27:43 Yes... yes...
00:27:47 but... I've never been
00:27:55 Pity.
00:27:57 - Do you know Italian cinema?
00:28:00 Why do both
00:28:03 I'm feminine enough for women...
00:28:06 and masculine enough for men.
00:28:08 - Why hadn't you visited Italy?
00:28:11 - Do you think you're witty?
00:28:14 Do you believe in God?
00:28:20 No.
00:28:21 What about the devil?
00:28:24 Yes, in the devil, yes!
00:28:27 How interesting!
00:28:30 Yes, I have.
00:28:32 Describe him for us.
00:28:33 Is he a goat, a bat
00:28:37 0h, no.
00:28:40 I'm English... not Catholic.
00:28:44 For me the devil is friendly
00:28:55 He's a little girl.
00:29:52 He's a funny fellow.
00:29:56 If I had your cute looks,
00:30:00 He's certainly ugly...
00:30:16 Good evening,
00:30:19 Welcome to the Italian 0scar
00:30:23 Firstly, I thank the celebrities
00:30:27 politics and the arts
00:30:30 I also thank the Minister
00:30:35 Here's to my producer.
00:30:38 Allow me to shake your hand.
00:30:43 Mr. Dammit, I'm known
00:30:47 I do voice imitations.
00:30:50 I'm a poet...
00:30:54 Can't I even say hello
00:30:58 This is my daughter Elizabeth.
00:31:04 - Smile, Elizabeth.
00:31:08 Is she a virgin?
00:31:12 She's a child, Mr. Dammit,
00:31:21 Lombardi. Assistant producer.
00:31:23 They're about to present the
00:31:28 Right after the fashion parade.
00:31:32 It would be good if you could
00:31:36 say something, recite
00:31:39 A bit of Shakespeare, perhaps.
00:31:45 Make it snappy.
00:31:47 The boss is right.
00:31:48 Shakespeare's a winner
00:32:00 I'm proud to present now
00:32:05 "Queen of Sheba."
00:32:07 "Nicht Plus Ultra."
00:32:12 "Flux within Flux."
00:32:22 "Humiliation."
00:32:27 "Lady Hamilton."
00:32:31 It's your turn, Mr. Dammit.
00:32:34 Stay there. I'll be right back.
00:32:41 Robert, please go on
00:32:46 I'm your stand-in.
00:32:51 Don't mess this up.
00:32:53 Yes, a photo of us three!
00:32:58 I'm so glad to be
00:33:00 I did Thomas Millan too.
00:33:03 I'm a stunt man too.
00:33:08 Keep twenty for me.
00:33:10 So, is London great?
00:33:17 As far as manners go,
00:33:22 You wear a mini-skirt
00:33:27 You'll be more
00:33:31 Just a little glass.
00:33:32 No. Calm down.
00:33:35 Later on,
00:33:41 You shouldn't drink so much.
00:33:49 I am the painter Stagni.
00:33:51 I won the prize
00:33:54 For "Take Your Carcass Home."
00:33:59 I'm delighted to meet you.
00:34:14 Sit here, darling.
00:34:15 The poor fellow is almost blind.
00:34:21 Hello!
00:34:27 My magazine is putting together
00:34:33 It will be about
00:34:36 The editors have chosen you
00:34:39 to represent
00:34:43 Eight large photos.
00:34:46 Almost completely naked.
00:34:48 Can I look forward to it?
00:35:02 Bravo!
00:35:04 And now for tonight's
00:35:07 But first let me again thank
00:35:12 who have selected the winners
00:35:17 A Golden She-Wolf
00:35:19 Her first film revealed
00:35:23 and a superlative ease.
00:35:27 A Golden She-Wolf to that
00:35:30 the waltzing twins...
00:35:39 Come to the microphone, Miki
00:35:41 and share your feelings
00:35:44 Even if we expect it, it's always
00:35:49 I'm overcome with emotion.
00:35:51 All I can say is... thank you.
00:35:55 And you?
00:35:56 I'm overcome with emotion.
00:35:58 All I can say is... thank you.
00:36:02 I'm overcome with emotion.
00:36:03 All I can say is... thank you.
00:36:07 Bravo... young ladies!
00:36:11 Now let's hear it for the woman
00:36:15 the most warmly human
00:36:19 A Golden She-Wolf
00:36:26 Hello...
00:36:30 And now, please forgive me
00:36:33 if my voice trembles
00:36:36 but how can one not be moved
00:36:38 when one has the honor
00:36:42 Yes, you've guessed it.
00:36:44 An artist who for so many years
00:36:49 yes, for so many years
00:36:54 who has made us laugh
00:36:58 with the enthusiasm
00:37:24 You always look so young.
00:37:33 Will you say a few words or
00:37:38 Don't ask too much of me.
00:37:47 If I heard you correctly,
00:37:52 - And how is your sight?
00:37:56 Isn't science wonderful?
00:37:59 - But it's bad luck for me.
00:38:04 Because I only sleep
00:38:07 With the other one,
00:38:30 Don't be afraid anymore.
00:38:34 Yes, always. I understand you.
00:38:38 I know you.
00:38:42 You won't be alone any more
00:38:44 because I'll be with you always.
00:38:46 Whenever you put out your hand,
00:38:54 You are no longer shipwrecked,
00:38:58 No more loneliness.
00:39:04 We will share a life
00:39:09 The one you and I
00:39:13 You had no faith,
00:39:16 and found me.
00:39:18 I am the one you were
00:39:20 And I am here with you.
00:39:24 For ever.
00:40:01 And now we have another
00:40:05 0ne of cinema's 0lympian gods.
00:40:07 Ladies and gentlemen,
00:40:41 Bravo... bravo... bravissimo.
00:40:48 Come on up, Mr. Dammit.
00:40:50 Let me through.
00:41:06 Here he is, with us tonight,
00:41:09 the great English actor
00:41:11 who has contributed so much
00:41:15 and now honors
00:41:17 It gives me great pleasure
00:41:22 which is a symbol of our highest
00:41:26 incomparable exponent of
00:41:31 one of the giants
00:41:34 certainly the greatest
00:41:40 Congratulations.
00:41:58 May I?
00:42:41 It's not true.
00:42:45 I assure it's not true.
00:42:48 I could have been...
00:42:51 But I haven't worked
00:42:57 My last director...
00:43:01 my last director complained
00:43:05 he said I was drunk.
00:43:08 Why am I telling you this?
00:43:13 Why did you ask me here?
00:43:17 What do you want from me?
00:43:20 What do you want from me?
00:43:22 That woman...
00:43:28 She wanted to marry me.
00:43:30 It's funny.
00:43:33 I just sat there and cried.
00:43:39 especially...
00:43:42 when I've been drinking...
00:43:46 Wine makes me sad.
00:43:51 Too much light here.
00:43:54 But whisky...
00:43:56 whisky is different.
00:44:00 It's so strange.
00:44:09 A wonderful woman...
00:44:11 she took my hand...
00:44:15 She said "I'm here for you."
00:44:17 "I'm the woman of your dreams."
00:44:25 But I'm not waiting for you.
00:44:28 I'm not waiting for anyone,
00:44:33 You give me the shits.
00:45:03 Here are the keys.
00:45:33 Come back, Mr. Dammit!
00:49:28 Hey! How do I get out of here?
00:49:34 I want to go to Rome.
00:53:14 He's crazy.
00:53:24 The bridge is down.
00:53:33 Go back! Take the detour
00:53:36 The way is closed.
00:54:50 Wait! The car.