Hoax The
|
00:01:54 |
Dana? |
00:01:55 |
Dana, can you hear me? |
00:01:58 |
Just follow the instructions. |
00:02:01 |
No, no, "N"! |
00:02:08 |
Harold. |
00:02:10 |
It's very becoming. I like that. |
00:02:16 |
Guys, there's nothing |
00:02:18 |
The meeting's gonna be canceled. |
00:02:20 |
The building's being evacuated. |
00:02:22 |
Top four floors are closed off. |
00:02:25 |
It doesn't matter. |
00:02:28 |
Just follow the instructions. |
00:02:31 |
Clifford, it's 2:37 |
00:02:34 |
-Where the fuck is he? |
00:02:35 |
-He's coming? |
00:02:40 |
I think we got something. |
00:02:42 |
Oh, my God. Is that him? |
00:02:44 |
South side of the building. |
00:02:45 |
-That's him! He's here! |
00:02:48 |
He's landing! Clear the roof! |
00:02:50 |
Get your things. Go! Come on! |
00:03:02 |
He keeps his promises. |
00:03:11 |
Fake. |
00:03:14 |
-Fake. |
00:03:16 |
Malika, Clifford is the man |
00:03:19 |
An excellent book |
00:03:23 |
I'm blanking... Who was it? |
00:03:24 |
-Art forger. |
00:03:26 |
-Exactly. Elmyr de Hory was his name. |
00:03:28 |
He forged Picassos, Matisses, |
00:03:33 |
The whole theory of forgery as art. |
00:03:37 |
Very subversive kind of act. |
00:03:39 |
The book sold poorly. |
00:03:42 |
-Well, it could've done better. |
00:03:44 |
Regardless. The new one. Fiction. |
00:03:47 |
-Yes. |
00:03:52 |
I like it. You're right. |
00:03:55 |
-I like it. Malika liked it, too. |
00:03:56 |
Yes, I did. I loved it. It was stunning. |
00:03:58 |
It scared the hell out of me, actually, |
00:04:01 |
-It's an angry book. |
00:04:03 |
I mean, I read it, |
00:04:05 |
It wasn't angry to me. |
00:04:06 |
It was nice to me. It made me laugh. |
00:04:08 |
But anger's important. We need anger. |
00:04:10 |
Which I think will help us in Germany. |
00:04:13 |
Regardless, |
00:04:17 |
Brad Silber at Life is reading it |
00:04:21 |
Great. |
00:04:22 |
Harold McGraw himself |
00:04:24 |
-You're kidding. |
00:04:26 |
You have waited, Cliff. |
00:04:28 |
You've watched as less talented writers |
00:04:32 |
But now, justice at last. |
00:04:35 |
They're going to push this one hard. |
00:04:39 |
-Is that a promise? |
00:04:41 |
Andrea, I don't have a watch. |
00:04:43 |
Then buy one. |
00:04:54 |
Calls unreturned, they don't read you |
00:04:56 |
for six months, they're indifferent. |
00:04:58 |
Then overnight... God. |
00:05:02 |
Dick! Here, try these. They're bigger. |
00:05:06 |
No, they're fine. |
00:05:07 |
We're doing a vacation, |
00:05:11 |
You got harpoons? |
00:05:13 |
-Yeah, most of them shoot. |
00:05:16 |
He looks like a sausage. |
00:05:19 |
Set me up as a regular account. |
00:05:21 |
You're a prick, Robert, you are such |
00:05:25 |
Whitewalls, leather... |
00:05:28 |
Now, when my accountant comes by |
00:05:30 |
should he talk to you directly? |
00:05:33 |
He should speak to me directly, yeah, |
00:05:39 |
Call the police, there's a |
00:05:48 |
What's the matter, pear? |
00:05:50 |
You haven't seen |
00:05:52 |
-Oh, Cliff. |
00:05:55 |
You didn't think I was going to do it, |
00:05:57 |
Stop, Cliff, stop. |
00:06:02 |
Oh, I love that sofa. |
00:06:04 |
Hey, guys. How are you doing? |
00:06:05 |
Hey, guys. How are you doing? |
00:06:07 |
Ah, fuck the sofa. |
00:06:08 |
-Close your eyes. Close, close. |
00:06:13 |
-Okay. |
00:06:16 |
Cliff! |
00:06:18 |
There, perfect. |
00:06:22 |
I am sure you would desert me. |
00:06:24 |
No, will desert you, |
00:06:27 |
Don't correct the grammar of it. |
00:06:34 |
Honey, it's finished. |
00:06:38 |
It's finished with her. |
00:06:41 |
-Good night. |
00:06:43 |
-Keys to my new car. |
00:06:46 |
Have fun. |
00:06:52 |
Andrea! |
00:06:54 |
Andrea! Hi, isn't this amazing? |
00:06:57 |
-Can I talk to you a second? |
00:07:00 |
No, just for a second. |
00:07:02 |
Look, 30,000 copies is not gonna do it. |
00:07:04 |
A short run like that, |
00:07:06 |
and it's not a good one. |
00:07:07 |
-We're not publishing the book. |
00:07:10 |
With 30,000 copies, it's like |
00:07:13 |
Brad Silber at Life magazine hated it. |
00:07:16 |
"A third-rate Philip Roth knock-off. " |
00:07:21 |
It just rolled like a snowball. |
00:07:24 |
I wanted to tell you on Monday. |
00:07:29 |
Fine, we'll do The New Yorker. |
00:07:31 |
You're not listening to me, Cliff. |
00:07:32 |
McGraw-Hill is not publishing |
00:07:35 |
Book, gone. The bomb has dropped. |
00:07:37 |
It's over. |
00:07:42 |
Andrea, you said |
00:07:44 |
Well, apparently, I was mistaken. |
00:07:47 |
Look, if you have other ideas, |
00:08:20 |
The enemy, very deceitfully, |
00:08:24 |
has taken advantage of the troops... |
00:08:26 |
They are potatoes, all of them. |
00:08:31 |
And you are a brilliant, strong man |
00:08:37 |
All of them. |
00:08:51 |
You know what I'm getting |
00:08:54 |
It sounds good. Sounds enticing. |
00:08:57 |
Oh, come on, Cliff. Forget it, forget it. |
00:09:01 |
All right. Enough, enough. |
00:09:03 |
I want to talk about my friend. |
00:09:05 |
Tell me about the children's book |
00:09:07 |
Oh, Richard the Lionhearted. |
00:09:11 |
I should be done |
00:09:13 |
You know, it's a great subject. |
00:09:15 |
I mean, the war part's great. |
00:09:18 |
But what do you do with the sodomy? |
00:09:20 |
You see, I want it to be |
00:09:23 |
And you will make it so |
00:09:28 |
and a fine writer. |
00:09:31 |
Thank you. |
00:09:36 |
Bumped by this adolescent coffee boy. |
00:09:40 |
My lit professor at Cornell |
00:09:44 |
The middle of my life is at hand. |
00:09:48 |
Think about this. |
00:09:49 |
Henry Miller was 38 years old, |
00:09:51 |
His wife left him for a lesbian. |
00:09:56 |
You're kind to tell me that, Dick. |
00:09:58 |
You're a very good man. |
00:10:00 |
-Need a loan? |
00:10:03 |
-No, no. I was kidding, Cliff. |
00:10:06 |
I was kidding. |
00:10:08 |
-I'm post-dating it. |
00:10:12 |
-Go to bed. |
00:10:16 |
-I got it. |
00:10:18 |
-Go to bed. |
00:10:31 |
Everyone's being relocated |
00:10:34 |
Please stay calm and follow me. |
00:10:37 |
-Excuse me. Can you... |
00:10:39 |
Somebody told me |
00:10:41 |
moving into this hotel. |
00:10:44 |
What is this? What's going on? |
00:10:46 |
It's an executive decision |
00:10:49 |
-You're being relocated. |
00:10:53 |
Howard Hughes |
00:10:54 |
so he's kicking everyone out |
00:10:56 |
I don't know about that, sir. |
00:11:02 |
That's power. |
00:11:25 |
It's a friendship |
00:11:32 |
Revolution, Mexican revolution. |
00:11:36 |
Men were men. |
00:11:38 |
-Friendship and... |
00:11:40 |
Andrea's running late, so she said |
00:11:44 |
and start the meeting without her. |
00:11:47 |
"Mr. Clifford"? Wait a minute. |
00:11:52 |
I'm meeting with you? |
00:12:06 |
Oh, no. Excuse me. |
00:12:11 |
Mr. Clifford... |
00:12:14 |
Excuse me! |
00:12:16 |
I'm sorry. I did tell him, but... |
00:12:18 |
Cliff, I'm in the middle |
00:12:20 |
Cliff, I'm in the middle |
00:12:21 |
Andrea, our personal history demands |
00:12:25 |
Bring what? |
00:12:28 |
I'm working on the most important book |
00:12:32 |
It's unprecedented. |
00:12:35 |
I'm gonna present the details |
00:12:37 |
-Okay. |
00:12:41 |
-Thank you. |
00:12:44 |
-Did I ever take you there before? |
00:12:46 |
Okay, yeah, I'm going, I'm going. |
00:12:50 |
You'd better be sure, Andrea, |
00:12:53 |
'cause Simon and Schuster is coming. |
00:12:56 |
"Of the century"? Couldn't you |
00:13:00 |
All right, all right. |
00:13:01 |
-And why a bowling alley? |
00:13:04 |
Just open your mind. |
00:13:06 |
-Potato famine. |
00:13:08 |
-A history of agriculture. |
00:13:11 |
-Shedding new light on World War I. |
00:13:13 |
Write about Picasso. |
00:13:17 |
I don't. |
00:13:19 |
Too French. |
00:13:22 |
I'm dying. |
00:13:25 |
-I'm being self-destructive. |
00:13:28 |
I'm burning bridges, Edith. |
00:13:31 |
They never appreciated you there. |
00:13:35 |
I need lunch. |
00:13:37 |
I'm having a breakdown. |
00:13:39 |
-My gallery show's in three weeks. |
00:13:42 |
I don't have time |
00:13:49 |
Shit. |
00:14:09 |
Dick! |
00:14:12 |
Size 7. |
00:14:15 |
How? |
00:14:16 |
No one knows where he is. |
00:14:19 |
I've seen the snowman. |
00:14:20 |
I send him my de Hory book. |
00:14:23 |
He reads it. |
00:14:24 |
It's a positive portrayal |
00:14:27 |
Oh, my God, I get a response. |
00:14:28 |
Correspondence. Sparks fly. |
00:14:31 |
We become best of friends. |
00:14:35 |
-What is it? What's the book? |
00:14:55 |
Where's Simon and Schuster, Tolstoy? |
00:15:07 |
This is the key to it. |
00:15:09 |
Have a strong, continuous line, |
00:15:12 |
Just like that. |
00:15:30 |
All these articles say the same thing. |
00:15:32 |
Hughes runs |
00:15:34 |
but he only communicates |
00:15:37 |
He doesn't even talk to his top guys. |
00:15:40 |
That's why it's gonna work. |
00:15:41 |
Fine. Tell me my dick grew |
00:15:44 |
I'll still use a ruler. |
00:15:50 |
Howard Hughes? |
00:15:53 |
His exclusive, |
00:15:57 |
He wants Cliff to write it with him. |
00:15:59 |
And they want us to publish it. |
00:16:02 |
Handwriting analysis? Right away. |
00:16:05 |
"It would not suit me to die without |
00:16:10 |
"My life. " |
00:16:12 |
"I therefore authorize Clifford Irving |
00:16:17 |
"as to any arrangements regarding |
00:16:21 |
"It would not suit me to die |
00:16:23 |
"without having |
00:16:27 |
"and without having stated |
00:16:33 |
So, |
00:16:35 |
taking you at your word... |
00:16:38 |
Yeah. |
00:16:40 |
How does Mr. Hughes propose |
00:16:44 |
I... |
00:16:48 |
Look, this is all very strange. |
00:16:49 |
I'm just getting |
00:16:52 |
But what... |
00:16:54 |
What I can gather so far |
00:16:59 |
He will only initiate, |
00:17:03 |
Those two particular rumors |
00:17:06 |
But he did say that he would provide |
00:17:08 |
handwritten contracts |
00:17:11 |
And... Whatever questions you... |
00:17:15 |
You know, you give them to me, |
00:17:16 |
I'll pass them on |
00:17:17 |
But beyond that, |
00:17:22 |
Why you, Cliff? |
00:17:24 |
He could have any writer in the world |
00:17:26 |
Albert, I have absolutely no idea. |
00:17:29 |
This is the strangest thing |
00:17:32 |
Best guess, he likes me. |
00:17:36 |
So, the matching against the reprinted |
00:17:41 |
Osborn Associates' preliminary opinion |
00:17:44 |
is that the handwriting samples |
00:17:50 |
-Okay, well, all right... |
00:17:53 |
Yeah, sure. |
00:17:54 |
Yeah? |
00:18:04 |
Clifford? |
00:18:06 |
Did you and Howard discuss |
00:18:11 |
Because we would like |
00:18:20 |
We did. We did. We... |
00:18:24 |
We did discuss it. |
00:18:36 |
Can I weigh in here? |
00:18:38 |
A man walks in, he says something |
00:18:42 |
and for that exact reason, |
00:18:44 |
No, it's an Aquarian phenomenon. |
00:18:47 |
-Very, very spiritual. |
00:18:51 |
Presumably, this is gonna make news. |
00:18:53 |
Howard Hughes hasn't spoken |
00:18:55 |
What are you so nervous about? |
00:18:57 |
-You can't think, Dick. No thinking. |
00:19:01 |
what's gonna stop this guy |
00:19:03 |
Three words. TWA shareholder lawsuit. |
00:19:08 |
Howard has a judgment of |
00:19:12 |
if he walks into any courtroom. |
00:19:14 |
So the book comes out, |
00:19:16 |
He can still say it's a fake. |
00:19:17 |
He doesn't say anything |
00:19:20 |
He uses ripped-up Kleenex boxes |
00:19:24 |
-He's psychotic. |
00:19:27 |
He has his own private CIA. |
00:19:30 |
His advisors don't know anything |
00:19:32 |
because he's too paranoid to tell them. |
00:19:34 |
And he'll never come out of hiding |
00:19:38 |
because he's a lunatic hermit. |
00:19:41 |
And I am the spokesperson |
00:19:44 |
So the more outrageous I sound, |
00:19:47 |
Do you believe this, the perfection? |
00:19:51 |
-They offered half a million. |
00:19:54 |
Four-hundred grand for Howard |
00:19:57 |
Oh, I thought you meant |
00:19:59 |
Schmuck, it's all for us. |
00:20:03 |
-Dick, are you paying attention to me? |
00:20:06 |
The problem is this. |
00:20:07 |
It's an oral agreement. |
00:20:08 |
Their lawyers are gonna |
00:20:10 |
which is why |
00:20:12 |
We gotta become experts |
00:20:15 |
And if we find dirt and it rings true, |
00:20:19 |
right down the lawyers' throats. |
00:20:22 |
Cliff, |
00:20:24 |
no visits with special friends, right? |
00:20:30 |
I'm not going to do anything |
00:20:35 |
You just said to warn you |
00:20:38 |
-You seem excited. |
00:20:46 |
I love you. |
00:20:50 |
I love you. |
00:21:22 |
Cliff, Howard Hughes' testimony |
00:21:25 |
at the Senate committee hearings |
00:21:28 |
It's got his speech patterns, |
00:21:36 |
Take a picture. |
00:21:39 |
You can't photograph |
00:21:41 |
You gonna memorize it? |
00:21:43 |
I'm a researcher, Cliff. |
00:21:45 |
You own 25 percent of this book. |
00:21:47 |
You want it to be good? |
00:21:57 |
You know, I've always had |
00:21:59 |
Barbara has often remarked on it. |
00:22:01 |
But to take down the Library |
00:22:05 |
You took a nice picture |
00:22:08 |
-Or is that your ankle? I can't tell. |
00:22:10 |
Right there. |
00:22:12 |
-It's my ankle. |
00:22:16 |
-Jesus. |
00:22:18 |
-Yeah. |
00:22:20 |
Oh, fuck. |
00:22:33 |
Harold, this book will sell more copies |
00:22:36 |
And our competitors will kill to get it, |
00:22:39 |
they will do anything they can |
00:22:42 |
I say we sign this contract immediately, |
00:22:47 |
Total. Not even wives can know. |
00:22:52 |
Within reason. |
00:22:53 |
From now on, |
00:22:58 |
The book is called "Project Octavio. " |
00:23:01 |
Get Ralph Graves on the phone. |
00:23:02 |
That's the code name. |
00:23:03 |
I want our journalist friends |
00:23:05 |
before I sign |
00:23:12 |
Look at all this security personnel. |
00:23:15 |
This is a secure facility. |
00:23:16 |
We need the information |
00:23:21 |
Just look comfortable, be buoyant. |
00:23:24 |
Hell, they can let anybody in here. |
00:23:26 |
-What if I'm a Russian? |
00:23:29 |
Records? What for? |
00:23:32 |
You don't know what the hell's going on |
00:23:37 |
Well, to be honest with you, Sergeant, |
00:23:40 |
Mr. Hughes doesn't like |
00:23:42 |
It's very frustrating for us. |
00:23:44 |
You want frustration? |
00:23:46 |
You want frustration? |
00:23:46 |
Call Hughes Aircraft and try to find out |
00:23:50 |
I've seen decorated individuals |
00:23:53 |
after dealing with you people. |
00:23:55 |
Could my associate |
00:23:58 |
Could he? |
00:24:03 |
-Thank you for that. |
00:24:05 |
I'll level with you. |
00:24:07 |
Everyone has told us stories |
00:24:08 |
Well, I can't get anybody on the phone, |
00:24:10 |
-I had no idea it was this serious. |
00:24:12 |
-Frustrating. |
00:24:14 |
Well, the only details I can tell you |
00:24:16 |
is that I've been on the phone |
00:24:18 |
who doesn't know |
00:24:20 |
can't tell me when |
00:24:21 |
Which office were you talking to? |
00:24:24 |
-Sure. |
00:24:26 |
-No, acquisitions. |
00:24:27 |
Acquisitions, as far as I know. |
00:24:30 |
My people been dealing with her, |
00:24:33 |
for the last three months, |
00:24:35 |
This is an outrage. |
00:24:37 |
An outrage, |
00:24:42 |
No. No. I'm not doing it. |
00:24:51 |
Hi. |
00:25:04 |
Thank you. |
00:25:13 |
-Hey, Dick. You all right? |
00:25:14 |
Okay. Keep moving, keep moving. |
00:25:16 |
-Just fine, just fine. |
00:25:18 |
It's okay. A little bit more, |
00:25:21 |
Sit down here. That's good. |
00:25:24 |
You all right? |
00:25:26 |
You're fine. You're fine. |
00:25:27 |
Fight or flight. It's an animal thing. |
00:25:29 |
It's like you're being chased |
00:25:31 |
Okay, okay. I'll be fine. |
00:25:39 |
-You okay? |
00:25:41 |
Look, Noah Dietrich, on the right. |
00:25:44 |
Howard Hughes' right-hand man |
00:25:46 |
Retired to Vegas. |
00:25:48 |
Vegas? |
00:25:51 |
You know, my guess is this guy, |
00:25:56 |
Information? |
00:26:05 |
Hello? |
00:26:06 |
-Yeah? |
00:26:09 |
My name is Clifford Irving |
00:26:12 |
about the history of aviation. |
00:26:14 |
I'd be really grateful if you'd share |
00:26:17 |
Oh, great. Come on over. |
00:26:23 |
You like geranium tea? |
00:26:27 |
It helps your bowels. Follow me. |
00:26:30 |
Watch your step. |
00:26:32 |
-Hey, you're a writer. |
00:26:36 |
I should show you something. |
00:26:38 |
This is an account |
00:26:41 |
You know Tool Co.? |
00:26:49 |
Has anyone seen this? |
00:26:52 |
Nobody's seen it. It's sensitive. |
00:26:55 |
Listen, I'll come right to the point. |
00:26:57 |
I'll give you $500 |
00:27:00 |
'cause I'm bad with spelling. |
00:27:01 |
Yeah, well, I'd have to read it first. |
00:27:06 |
No, no, no, |
00:27:09 |
Why don't you read it right now, |
00:27:13 |
-Now? |
00:27:16 |
Right here? Okay. |
00:27:21 |
Take your time. See you later. |
00:27:27 |
You know what this is? |
00:27:31 |
-This is exactly... It's gold. |
00:27:34 |
We have to find a way |
00:27:37 |
Copy, we need a copy. |
00:27:39 |
Okay, get up. Stand in front of me. |
00:27:42 |
It's great in the water! |
00:27:44 |
-Oh, yeah. |
00:27:46 |
Grab it. |
00:27:48 |
Tell your friend to come in. |
00:27:51 |
Copy that and get back here, |
00:28:19 |
Thank you! |
00:28:29 |
Sit down, sit down. Thank you. |
00:28:32 |
All right? Are you ready? |
00:28:35 |
All right. I'm done. |
00:28:38 |
Sir, honesty is my policy. |
00:28:40 |
This is atrocious. It's not publishable. |
00:28:42 |
It's run-on sentences, |
00:28:45 |
I'm very sorry. |
00:28:53 |
This is badly spelled gossip |
00:28:56 |
This is perfect. Perfect! Oh, my... |
00:29:00 |
You know what we should |
00:29:16 |
This is amazing. |
00:29:19 |
They call him cheap, everything else. |
00:29:22 |
But, you know, they're in his thrall. |
00:29:25 |
He's Howard Hughes. |
00:29:26 |
Listen. "He rarely took vacations. |
00:29:29 |
"But when he did, |
00:29:30 |
"But when he did, |
00:29:32 |
"in the Juchitán mountains |
00:29:36 |
-Remote. R-E-M-O-A-T. Vacation... |
00:29:39 |
-I'll be back in a little bit. |
00:29:43 |
What is it? |
00:29:48 |
Look, you told me |
00:29:52 |
-I say a lot of stupid things, you know? |
00:29:57 |
It was funny seeing you the other night. |
00:30:01 |
I would have given anything |
00:30:08 |
-It's too late. I... |
00:30:11 |
-You ran out of time. Sorry. |
00:30:13 |
Bye. |
00:30:31 |
Cliff, listen to this. |
00:30:35 |
There's a full transcription here of a |
00:30:38 |
and Frank McCullough |
00:30:40 |
They mention Intertel, the Mormon guy, |
00:30:45 |
-It's fantastic. |
00:30:48 |
-Nina called from New York last night. |
00:30:52 |
Dick, it took me a year |
00:30:56 |
-Keep an eye on me, will you? |
00:30:58 |
It's my second profession. |
00:31:04 |
-Here you are. |
00:31:09 |
Cliff... |
00:31:12 |
I've been talking to Barbara, |
00:31:14 |
and she's found some kind of |
00:31:18 |
And I was wondering |
00:31:21 |
you know, some kind of credit deal, |
00:31:24 |
or just some more money for me. |
00:31:28 |
You're not happy |
00:31:30 |
-No, no, no, it's not that. |
00:31:32 |
Well, it's just like... |
00:31:35 |
Don't answer that! Don't... |
00:31:37 |
Hello, darling. It's Ms. Tate calling. |
00:31:39 |
-Andrea thinks it's just me... |
00:31:44 |
-Who is this? |
00:31:46 |
-This is Dick. |
00:31:48 |
Dick Suskind. |
00:31:50 |
Dick, how do you know my name? |
00:31:52 |
-Don't tell her! |
00:31:55 |
What are you doing out there |
00:31:59 |
-I am the... |
00:32:05 |
-I'm the coauthor of Project Octavio. |
00:32:10 |
-Is Cliff there? |
00:32:13 |
-Put him on the phone, please. |
00:32:16 |
-I heard you talking... |
00:32:18 |
-I know what you're doing. |
00:32:20 |
I know what you're doing. |
00:32:22 |
Hi, Andrea. |
00:32:23 |
Who the hell was that, Clifford? |
00:32:24 |
That is my associate. |
00:32:27 |
I was intending |
00:32:29 |
He's working with me on this. |
00:32:31 |
All right. You need to be in New York |
00:32:34 |
You're meeting with Ralph Graves. |
00:32:36 |
He's the editor-in-chief |
00:32:40 |
Yeah, I know who he is. |
00:32:41 |
You need to go over all your contacts |
00:32:45 |
Life knows a lot about him, so get |
00:32:49 |
I don't want to lose the deal |
00:32:52 |
What do you... Wait, wait, wait. |
00:32:55 |
What suspicions? |
00:32:57 |
Just tell them the truth. |
00:33:12 |
He gave me a prune. |
00:33:17 |
Visualize the Mediterranean |
00:33:19 |
You're sweating like an animal. |
00:33:21 |
You know, it's pretty nervy |
00:33:23 |
to put us through this inquisition. |
00:33:24 |
Well, you can't sit it out now. |
00:33:31 |
History. |
00:33:33 |
Quite a responsibility. |
00:33:36 |
The second handwriting analysis |
00:33:38 |
your letters from Mr. Hughes |
00:33:42 |
100 percent. |
00:33:45 |
Experts want to provide their employers |
00:33:49 |
He gave me a prune. |
00:33:53 |
What? |
00:34:01 |
Right... In a bag. |
00:34:04 |
He gave me a prune. Howard Hughes. |
00:34:07 |
Dick is jumping forward a little bit. |
00:34:11 |
-Anyway, Ralph, how can we help? |
00:34:15 |
I really don't think anyone's |
00:34:18 |
Are we going to stand around all day |
00:34:19 |
We came here to talk about |
00:34:21 |
He gave me a prune. |
00:34:23 |
Howard Hughes gave me a prune |
00:34:26 |
I thought you met Hughes |
00:34:33 |
Ralph, what happened was this. |
00:34:36 |
Really, out of the blue. |
00:34:38 |
From a man |
00:34:41 |
Longtime associate of Howard Hughes. |
00:34:44 |
He says he wants us |
00:34:47 |
wait for a call, |
00:34:50 |
We fly down there, |
00:34:54 |
Eighteen hours we wait, |
00:34:56 |
sand crabs in the bathtub, |
00:34:59 |
when we spot an envelope, |
00:35:02 |
shoved under the door. |
00:35:04 |
He rarely went on vacation, |
00:35:05 |
he usually booked into a remote hotel |
00:35:06 |
-in the mountains of Juchitán. |
00:35:08 |
-in the mountains of Juchitán. |
00:35:09 |
"There's a pilot waiting |
00:35:14 |
So it's 6:00 a. m. , |
00:35:19 |
and I'm nervous. |
00:35:20 |
But he's got a touch, this bush pilot. |
00:35:22 |
He brings it right down |
00:35:25 |
Just as it comes down, |
00:35:27 |
there's a jeep that's coming down |
00:35:30 |
Mexican military? |
00:35:33 |
No. |
00:35:35 |
It's Holmes. |
00:35:36 |
-Mr. Irving? |
00:35:40 |
-Who is this? |
00:35:42 |
So, he's a little surprised to see Dick, |
00:35:44 |
but I explained that Dick |
00:35:46 |
and that's why he was there |
00:35:49 |
We get in the jeep, |
00:35:50 |
and he takes us on this endless ride, |
00:35:54 |
We circled around the top of this hill |
00:35:57 |
which was called |
00:36:00 |
Salina Cruz. |
00:36:04 |
Holmes motions for us to follow. |
00:36:08 |
It's quiet. |
00:36:14 |
There's a room |
00:36:19 |
Doesn't even have |
00:36:25 |
We can barely see. |
00:36:28 |
There's a little slip of a man on a bed, |
00:36:38 |
Howard Hughes. |
00:36:44 |
Howard Hughes. |
00:36:46 |
Howard Hughes is sitting right there. |
00:36:51 |
My heart... |
00:36:55 |
And then he was reaching out |
00:37:01 |
and he offered Dick a... |
00:37:05 |
A prune. |
00:37:06 |
A prune. |
00:37:10 |
Dick takes the prune, |
00:37:22 |
eats the prune... |
00:37:25 |
Not bad. |
00:37:28 |
And he started talking about |
00:37:32 |
organic farming, organic food, |
00:37:34 |
The two of them started jabbering |
00:37:36 |
We ended up talking a little bit about |
00:37:43 |
-I'm a little hungry. |
00:37:46 |
Ralph, will you pick |
00:37:49 |
The Latour please, '61 . |
00:37:51 |
-That'll get us started. Thank you. |
00:37:54 |
And some beluga, |
00:37:56 |
Sounds good. |
00:37:59 |
You know, Howard Hughes |
00:38:01 |
Really? |
00:38:02 |
Really. In fact, he made a special point |
00:38:06 |
I remember that. I... |
00:38:07 |
It was such a non sequitur. |
00:38:09 |
It was just after Clifford |
00:38:14 |
-The crash. |
00:38:16 |
The one in Beverly Hills. |
00:38:18 |
parked it right on top of the house, hurt |
00:38:21 |
And he said that people |
00:38:24 |
and he doesn't like it |
00:38:30 |
Okay, then let's make it |
00:38:35 |
-Three maybe. |
00:38:39 |
-Andrea, yeah? |
00:38:43 |
Did you get any sense |
00:38:47 |
Go ahead. |
00:38:48 |
It's interesting. He said that... |
00:38:51 |
Very interesting. He said that people |
00:38:55 |
which of course it is, but also... |
00:38:59 |
You know, business is pleasure. |
00:39:01 |
Business has pleasure. |
00:39:05 |
I didn't really understand it, |
00:39:07 |
and I realized, you know, |
00:39:22 |
This is your check for writing services. |
00:39:24 |
The second check for Mr. Hughes, |
00:39:28 |
It's gonna take |
00:39:31 |
I understand you're authorized |
00:39:34 |
Yeah, I am, I am, thank you. |
00:39:37 |
Life magazine is prepared |
00:39:40 |
for worldwide exclusive rights |
00:39:47 |
That's a record, Harold. |
00:39:51 |
I'm wondering if it's enough of a record, |
00:39:58 |
Oh, jeez. |
00:40:01 |
You can still back out, |
00:40:04 |
-Back out? |
00:40:05 |
Fuck, no! |
00:40:07 |
Good. That's good. |
00:40:10 |
Better we keep it for later, |
00:40:12 |
Absolutely. |
00:40:13 |
In other news, |
00:40:14 |
the TWA shareholders' case against |
00:40:19 |
A loss could cost Hughes |
00:40:23 |
and devastate his financial empire. |
00:40:25 |
The Nixon Justice Department |
00:40:27 |
We gotta reach big. |
00:40:28 |
We'll go for texture, gritty details, |
00:40:31 |
we need real juicy, |
00:40:34 |
You want to critique a sitting president |
00:40:37 |
-No, no, no. |
00:40:38 |
You can impact culture |
00:40:40 |
"Impact culture. " I want to make |
00:40:42 |
You know, |
00:40:44 |
Dick, I handed them |
00:40:46 |
They gave me $500,000. |
00:40:49 |
I don't think so. |
00:40:55 |
-You want to get a drink? |
00:40:56 |
I'm gonna change my shirt. |
00:40:59 |
-I'm heading home. |
00:41:04 |
-See you, Tom. |
00:41:25 |
-Tommy, can I use your phone? |
00:41:32 |
I saw Elmyr a few months ago in Ibiza. |
00:41:34 |
So, how is our old friend Elmyr? |
00:41:37 |
Well, I was having dinner with friends, |
00:41:39 |
and he was at the bar, |
00:41:42 |
He came up to me and he said, |
00:41:43 |
"I have always found your affair with |
00:41:47 |
And he stormed out. |
00:41:50 |
You're lying. Elmyr didn't say that. |
00:41:53 |
Oh, I'm the liar? |
00:41:53 |
Oh, I'm the liar? |
00:41:55 |
And who's writing a fake book about |
00:42:01 |
Gotta get back. |
00:42:03 |
No! No, the clock is broken. You stay. |
00:42:09 |
Just to confirm, |
00:42:11 |
he's still rich |
00:42:14 |
Oh, I want to, Cliff, I want to. |
00:42:17 |
But, no, I'm not going to. |
00:42:24 |
I'm shallow, Cliff. |
00:42:28 |
My greatest desire |
00:42:32 |
-How shallow is that? |
00:42:35 |
And besides, why does it bother you |
00:42:38 |
Brecht, Hemingway, |
00:42:41 |
The lying gives me a headache, |
00:42:45 |
Oh, I forgot. You're a devoted husband. |
00:42:47 |
I think I forgot |
00:42:53 |
Sorry. |
00:42:56 |
Sorry. |
00:42:59 |
I'm not gonna go through |
00:43:02 |
I can't do it to her. I can't. |
00:43:07 |
I'll see you next time? |
00:43:14 |
Oh, Dick, Nina! |
00:43:17 |
-She weakens me. |
00:43:20 |
Edith is stability, Dick. She's my rock. |
00:43:22 |
Give me a break, will you, please? |
00:43:25 |
Did you tell Nina about the book? |
00:43:28 |
Are you out of your fucking mind? |
00:43:30 |
I've got the "I'm an asshole" part |
00:43:32 |
It's the "What do I do now?" part |
00:43:35 |
Please? Be my friend? |
00:43:37 |
-Are you my friend? |
00:43:39 |
I don't know what I'm gonna do |
00:43:43 |
Come clean. |
00:43:45 |
She'll leave me, for good. |
00:43:48 |
It's the best I got. |
00:43:52 |
You wanna hear this? |
00:43:55 |
Yeah. |
00:43:56 |
All right, |
00:43:59 |
I'm not even sure |
00:44:02 |
but the fact remains |
00:44:06 |
I made it selling oil well tools |
00:44:10 |
Grand Prize beer, |
00:44:13 |
"Beer down in Texas. " |
00:44:16 |
And I don't think the public |
00:44:20 |
"Led to believe. " |
00:44:21 |
...on war contracts while I did not. |
00:44:25 |
"Now, furthermore... " |
00:44:26 |
-"Furthermore, Senator... " |
00:44:29 |
...a little money somewhere. |
00:44:32 |
A little pocket change |
00:44:33 |
worth five million dollars in my pocket. |
00:44:39 |
Mr. Hughes, where would you |
00:44:43 |
-Family, friends, father... |
00:44:45 |
My father. We'll do father. |
00:44:52 |
People called my father Big Howard. |
00:44:58 |
Big Howard... |
00:45:00 |
Big Howard made his money |
00:45:07 |
He said to me... He said, "Sonny... " |
00:45:12 |
"Sonny, these drill bits |
00:45:15 |
"Don't ever let 'em go. " |
00:45:19 |
Big Howard died when I was 1 8. |
00:45:26 |
His bunch of Texas roughneck friends |
00:45:34 |
Pushed me out of the picture. |
00:45:39 |
Now, when two parties negotiate, |
00:45:48 |
One party, through bluster or leverage, |
00:45:53 |
claims control of |
00:45:58 |
At 1 8, |
00:46:00 |
I sued these men |
00:46:03 |
I sued them, I attacked them, |
00:46:05 |
I pushed every which way I could! |
00:46:11 |
I learned to be a lion. |
00:46:27 |
Jesus, Cliff. |
00:46:37 |
-Read the women's rags lately? |
00:46:40 |
Excerpts from |
00:46:43 |
in Ladies Home Journal |
00:46:49 |
Life's lawyers are gnawing |
00:46:52 |
Would you like to tell me, Clifford, |
00:46:54 |
Would you like to tell me, Clifford, |
00:46:55 |
I don't know anything about this. |
00:46:56 |
This goddamn Eaton |
00:46:58 |
the same handwritten memos |
00:47:01 |
Either you're selling this twice and |
00:47:04 |
I won't even dignify that |
00:47:07 |
Or, more likely, your demigod |
00:47:12 |
You get it? |
00:47:13 |
All the sharks at my company |
00:47:15 |
which means they will sue your skinny |
00:47:20 |
plus damages, |
00:47:22 |
No, I made no false representations! |
00:47:24 |
...about an exclusive book |
00:47:27 |
So she said that they said |
00:47:29 |
-Yeah. |
00:47:30 |
-I mean, she mentioned me by name? |
00:47:32 |
Can you believe this son of a bitch |
00:47:35 |
But I spent the money. |
00:47:37 |
I told you we might have to give it back! |
00:47:40 |
Well, it wasn't exactly |
00:47:42 |
Look, just pay the money. |
00:47:44 |
Tell them that Hughes |
00:47:47 |
-And I'll owe you the difference. |
00:47:50 |
Yeah, well, borrow it. |
00:47:54 |
If they go to the press with this, |
00:47:55 |
we're gonna have |
00:47:58 |
And Intertel. |
00:47:59 |
Remember, they'll stab us |
00:48:02 |
They'll kill us or tie us up or something. |
00:48:06 |
Howard won't be coming after us. |
00:48:10 |
-Oh, really? |
00:48:11 |
-What, he tell you that over breakfast? |
00:48:12 |
And what about this other book? |
00:48:14 |
You thought about that? |
00:48:16 |
All right, the question is, |
00:48:18 |
what would Howard do |
00:48:20 |
I don't know. Buy a fucking airline. |
00:48:24 |
Diversion, end run, surprise. |
00:48:29 |
Who are you now? General Patton? |
00:48:32 |
Viruses and bacteria |
00:48:40 |
Luce. |
00:48:42 |
...the human body has got. |
00:48:45 |
Henry Luce. |
00:48:50 |
Dick, I think you should |
00:48:53 |
You got everything? |
00:48:54 |
-You got the letter? Okay, great. |
00:48:56 |
You're gonna be fine. Bye. |
00:49:30 |
-Hello, this is Andrea. |
00:49:32 |
Yeah, one more thing, Shelton Fisher |
00:49:34 |
Do you know who he is? |
00:49:36 |
Chairman of McGraw-Hill, yes. |
00:49:37 |
-Has to be at the meeting. |
00:49:40 |
It's not me. It's him. |
00:49:54 |
Mr. Irving, it would appear |
00:49:58 |
or your illustrious sponsor |
00:50:02 |
Let me assure you that chain |
00:50:07 |
So, why don't you begin by telling us |
00:50:11 |
and why he's selling the book |
00:50:17 |
Shelton, have you received |
00:50:22 |
Excuse me? |
00:50:24 |
Ralph, I was talking to Shelton. |
00:50:26 |
As a side comment, |
00:50:28 |
I've been up for two nights negotiating |
00:50:32 |
and my quota for verbal abuse |
00:50:38 |
Could you get the mail, please? |
00:50:40 |
Life magazine has been known |
00:50:43 |
to have a slight impact |
00:50:46 |
And we... |
00:00:13 |
Is that it? |
00:00:16 |
All right, Shelton, |
00:00:17 |
assuming that Howard wrote |
00:00:20 |
I will give a summary to the group here. |
00:00:22 |
Howard doesn't know who Eaton is. |
00:00:27 |
But that doesn't really matter now |
00:00:29 |
because when he found out |
00:00:31 |
the serialization rights to Life magazine |
00:00:36 |
he became... |
00:00:42 |
You got a problem, Ralph. |
00:00:44 |
Your magazine is owned |
00:00:48 |
What's the matter with Henry Luce? |
00:00:50 |
According to Howard? |
00:00:52 |
Well, Luce is in bed with Juan Trippe |
00:00:54 |
He's a goddamn socialist |
00:00:58 |
It's just... It's a rant. |
00:01:00 |
It's basically a three-page rant |
00:01:04 |
That's Howard's words, it's not mine. |
00:01:07 |
And the postmark is Nassau. |
00:01:11 |
That is completely irrelevant. |
00:01:14 |
And we are talking about |
00:01:17 |
that will hold up in a court of law. |
00:01:19 |
We had a business agreement. |
00:01:25 |
I pleaded with him to reconsider, |
00:01:32 |
Per Howard's instructions, |
00:01:39 |
his $ 1 00,000 advance check to you. |
00:01:45 |
Now, if you want to, |
00:01:48 |
Meanwhile, we're gonna look |
00:01:49 |
Wait, no, Clifford. |
00:01:51 |
Wait, no, Clifford. |
00:01:52 |
Mr. Irving, we have a contract with you, |
00:01:55 |
which means that our company |
00:01:58 |
Wrong. |
00:02:00 |
Through all of my pleading, hours of it, |
00:02:04 |
It could. You could make a public |
00:02:08 |
You know, and he's all right, actually, |
00:02:09 |
with Ralph still being involved |
00:02:11 |
provided you increase his advance |
00:02:15 |
to one million dollars, |
00:02:19 |
What? A million dollars? |
00:02:22 |
A million dollars? |
00:02:23 |
Wait, I think we should try |
00:02:27 |
of goodwill and trust here. |
00:02:28 |
Trust? |
00:02:29 |
The man's a Texan copperhead. |
00:02:33 |
Thank you. |
00:02:34 |
Where are you going? |
00:02:37 |
Let me tell you something. |
00:02:41 |
And I'm not paying any goddamn |
00:02:44 |
You understand that? |
00:02:45 |
You listen to me, |
00:02:47 |
-You go and tell... |
00:02:49 |
I'm Howard Hughes! |
00:02:53 |
One million dollars, or we walk |
00:02:55 |
It's your choice. |
00:03:00 |
All right. |
00:03:04 |
You know, Shelton, |
00:03:06 |
You know, one of Howard's |
00:03:07 |
he said, "Why don't I just buy |
00:03:13 |
What was it he said? |
00:03:14 |
"I'll just keep the printing presses |
00:03:18 |
That's an exact quote. |
00:03:21 |
Bye. |
00:03:40 |
-That's it. Thank you. |
00:03:54 |
Why are the boys so glum? |
00:03:56 |
In the midst of our brilliant scheme, |
00:03:59 |
how to cash a check |
00:04:05 |
Open up a Swiss account in his name |
00:04:08 |
We were going to do that. |
00:04:09 |
And then we found out |
00:04:12 |
And it's traceable, even in Switzerland. |
00:04:14 |
Trust me, we've gone over everything. |
00:04:18 |
What if a woman deposits the check? |
00:04:21 |
No, no. The same person |
00:04:23 |
has to be the same person |
00:04:25 |
Howard Hughes. It has to be a man. |
00:04:28 |
Tell his publishers |
00:04:34 |
He wants the checks written |
00:04:39 |
Then, a fake passport, a fake name, |
00:04:45 |
Helga Rhinoceros Hughes, |
00:04:49 |
and I can cash the check. |
00:04:51 |
-No, you're not going to Switzerland. |
00:04:54 |
Cliff, that's gonna work. |
00:04:56 |
-She's my wife, Dick. |
00:04:58 |
I've reminded you of that fact |
00:05:03 |
You know, when he doesn't call, |
00:05:09 |
We've talked about it already. |
00:05:10 |
No, I'm... |
00:05:11 |
-It's just about anonymity, that's all it is. |
00:05:14 |
-Great. Which one's mine? |
00:05:17 |
So you're gonna destroy this? |
00:05:18 |
-Okay, very good, thanks. |
00:05:21 |
It's gonna take at least a week |
00:05:24 |
so you're gonna have plenty of time |
00:05:28 |
The McGraw-Hill |
00:05:30 |
announced the publication |
00:05:33 |
...that he interviewed |
00:05:35 |
...autobiography, urging |
00:05:38 |
for what may prove to be the most |
00:05:42 |
I have phone calls, I have telegrams, |
00:05:47 |
Miss Tate, am I going to pay this man |
00:05:50 |
for a book that he is going to sue me |
00:05:54 |
My back is broken. |
00:05:59 |
If you were concerned, |
00:06:02 |
to stop the more adamant denials. |
00:06:06 |
Yeah, yeah. I gotta run. |
00:06:12 |
Let me see if I can do |
00:06:22 |
That's it, we're liars. |
00:06:25 |
We knew this would |
00:06:26 |
My name's in the goddamn newspaper! |
00:06:30 |
Barbara's very concerned about this. |
00:06:31 |
A month ago, you wanted more credit. |
00:06:33 |
Yeah, well, you know, Hughes' people, |
00:06:35 |
Did you know that? |
00:06:38 |
Good, good. I hope they drop-kick |
00:06:42 |
-Shit. What is that about? |
00:06:45 |
-Over with her? |
00:06:48 |
Edith, she did this |
00:06:51 |
because I cut off |
00:06:53 |
She wants this to separate us. |
00:06:55 |
Did you see her? No, don't, don't... |
00:07:01 |
I don't want to know. |
00:07:04 |
I don't want you to go to Switzerland. |
00:07:07 |
It might be dangerous. |
00:07:09 |
Bullshit. |
00:07:12 |
Oh, and being a famous man. |
00:07:15 |
Anyway, fuck you. It is my money, too. |
00:07:20 |
Fuck you! |
00:08:13 |
Oh, my God. |
00:08:15 |
We got him. |
00:08:21 |
We got him. |
00:08:22 |
-Dick! Dick! |
00:08:24 |
-Dick, we got it. We got it. |
00:08:26 |
You won't believe this. |
00:08:28 |
Okay, listen. Rebozo... |
00:08:32 |
"Rebozo accepted $ 1 00,000 in cash |
00:08:36 |
"The acceptance was understood |
00:08:39 |
"and the Airwest matter |
00:08:43 |
And also, in 1 956, Hughes gave |
00:08:48 |
to secure Pentagon contracts. |
00:08:50 |
This is money-laundering. It's bribery. |
00:08:52 |
It's the end. This is... |
00:08:55 |
We publish this, |
00:08:57 |
Nixon... Nixon, the president, |
00:09:03 |
Do you understand |
00:09:16 |
Cliff, I'm not sure |
00:09:18 |
Yeah, well, I do. |
00:09:20 |
Cliff, you publish this, you will have |
00:09:25 |
And there are people now, |
00:09:28 |
Nixon's political enemies, Hughes' |
00:09:32 |
Yes. |
00:09:34 |
-I say you forget you ever saw this. |
00:09:36 |
This is like a Torah |
00:09:41 |
to make us part of history, |
00:09:44 |
Come here. |
00:09:45 |
It's postmarked from Nevada. |
00:09:48 |
What are you saying? |
00:09:50 |
He wants us to help him bust Nixon. |
00:10:05 |
How did you know the Dillon Read |
00:10:06 |
hydraulic systems were faulty? |
00:10:08 |
You're not listening, |
00:10:09 |
Clifford, goddamn it. |
00:10:11 |
I made sure they were faulty |
00:10:15 |
So, why didn't you just go to |
00:10:17 |
and get the contract? |
00:10:18 |
Well, |
00:10:20 |
I couldn't have |
00:10:23 |
So instead of tattling on them, |
00:10:27 |
I intertwined our technologies. |
00:10:30 |
I ate that company from within, |
00:10:33 |
and they let me |
00:10:36 |
That's the way, Clifford. |
00:10:38 |
When your rival is powerful, |
00:10:41 |
Create a crisis for him. |
00:10:44 |
But instead of taking |
00:10:47 |
save the day for him. |
00:10:50 |
Nothing confuses a man more |
00:10:55 |
Nothing renders him more vulnerable. |
00:11:01 |
It's Edith. Turn it off, turn it off. |
00:11:10 |
I made sure they were faulty |
00:11:12 |
It was Andrea. We got a problem. |
00:11:21 |
Keep it down, guys, |
00:11:25 |
Clifford, I don't believe |
00:11:27 |
-No. Hi, Frank. |
00:11:29 |
Dick Suskind. Dick? |
00:11:32 |
Hello. |
00:11:34 |
I got a phone call yesterday |
00:11:37 |
-who's Hughes' personal attorney. |
00:11:41 |
Apparently at 1:00 p. m. , our time, |
00:11:46 |
to speak to an intermediary |
00:11:49 |
And as the last journalist |
00:11:53 |
we mutually agreed |
00:11:54 |
that Mr. McCullough |
00:11:57 |
because of his ability |
00:12:00 |
Mr. McCullough has also assured us, |
00:12:03 |
that all of this will remain off the record. |
00:12:06 |
And Mr. Davis also insisted |
00:12:10 |
and in the room |
00:12:12 |
which I have to say, Cliff, |
00:12:14 |
given Hughes' representations of Life |
00:12:17 |
in your alleged communications |
00:12:24 |
If you'll excuse me, |
00:12:34 |
Shelton, this... |
00:12:35 |
What am I supposed to say? |
00:12:37 |
You know exactly what the guy is |
00:12:40 |
But that's why Mr. McCullough is here, |
00:12:42 |
to identify the voice |
00:12:46 |
I'm neutral here, Mr. Irving. |
00:12:51 |
So, now we wait. |
00:13:09 |
Can't watch this charade. |
00:13:15 |
Stay close, Clifford. |
00:13:17 |
Hello? |
00:13:41 |
It says exit, there's no exit. |
00:13:44 |
Shit! |
00:13:46 |
We can't get out. |
00:13:50 |
We have no reason |
00:13:53 |
McCullough hasn't heard from him. |
00:13:57 |
Breathe. Listen, Dick. |
00:13:58 |
There's an angry billionaire. |
00:13:59 |
-He's chasing me, he's hating me. |
00:14:01 |
-Go on. |
00:14:02 |
Walk. We're going up here. |
00:14:10 |
Keep moving, come on. Come on. |
00:14:13 |
Cliff, I can't... I gotta take a piss. |
00:14:17 |
I'll confess, I'll do anything they want. |
00:14:21 |
-Okay, right here, right here. |
00:14:22 |
Look, hide in there. |
00:14:24 |
Watch your head. |
00:14:25 |
Hide there. |
00:14:27 |
-You just go ahead and you stay there. |
00:14:43 |
What happened? |
00:14:45 |
We don't know yet. |
00:14:46 |
McCullough asked us |
00:14:54 |
The man I just spoke to |
00:14:56 |
His speech patterns and inflections |
00:15:01 |
And he told me |
00:15:05 |
and that your book is a fraud. |
00:15:08 |
A hoax. |
00:15:10 |
Mr. Irving? |
00:15:13 |
I'm listening. |
00:15:15 |
Now, knowing Howard, |
00:15:18 |
I mean, he is a very strange man. |
00:15:22 |
But considering the scarcity of proof |
00:15:25 |
my best guess at this moment |
00:15:30 |
If there is even a whiff |
00:15:33 |
if you have exaggerated |
00:15:37 |
I will prosecute you |
00:15:39 |
for grand larceny and mail fraud, |
00:15:41 |
unless you tell me right now |
00:15:48 |
I have... |
00:15:54 |
I have betrayed your trust. |
00:15:59 |
The book, the entire story, is false. |
00:16:05 |
I have lied to the entire world. |
00:16:09 |
And no matter what happens now, |
00:16:19 |
I have off-the-record material |
00:16:24 |
puts him in fucking jail. |
00:16:27 |
I'm going to tell Howard, |
00:16:32 |
or I release it! |
00:16:36 |
I've had it! |
00:16:40 |
You have three days to produce |
00:16:44 |
Grand larceny, Cliff? Mail fraud? |
00:16:47 |
Jesus... No way. |
00:16:50 |
We've got a move, there is |
00:16:52 |
Stop the car. Pull over. Stop the car. |
00:16:55 |
-I've gotta make a phone call. |
00:16:57 |
What am I doing? I'm calling Barbara. |
00:17:04 |
Yeah, it's me. |
00:17:12 |
What? |
00:17:15 |
It's over, Cliff. I can't go to jail. |
00:17:19 |
Now, with you or without you, |
00:17:21 |
I'm gonna tell them tomorrow |
00:17:24 |
and he pulled out of the deal. |
00:17:28 |
I talked to Barbara. |
00:17:29 |
She had very strong feelings |
00:17:31 |
I'm sure she did. |
00:17:36 |
You're an honorable man, Dick. |
00:17:40 |
Aren't you? |
00:17:42 |
Did you make |
00:17:45 |
Did you say you were in this |
00:17:46 |
-Yeah. |
00:17:49 |
Reaching a worldwide audience, |
00:17:52 |
That's the end! Not this! |
00:17:56 |
-It's finished, Cliff. It's finished. |
00:17:59 |
-I'm sorry I disappointed you. |
00:18:50 |
Do you read? Yeah. |
00:18:52 |
I encourage people to read, because I... |
00:18:53 |
-Right. |
00:18:56 |
and I sell books |
00:18:58 |
That is why I love it when people say, |
00:19:00 |
I say, "Good for you, and good for me. " |
00:19:03 |
-I bet you are a good... |
00:19:05 |
-No, no, I don't wanna go. |
00:19:07 |
We gotta go. |
00:19:08 |
I've just been having a very interesting |
00:19:11 |
-Come sit, have a drink, have a drink. |
00:19:14 |
No, you can't jazz anything up. |
00:19:18 |
I need to find a great book. |
00:19:21 |
-Tommy, two. Two more doubles. |
00:19:25 |
His two main preoccupations... |
00:19:28 |
Were war and sodomy. |
00:19:33 |
Now, this is my problem. |
00:19:36 |
-Yes, this is what I hear. |
00:19:41 |
It's what you hear. |
00:19:43 |
That's the way. |
00:19:44 |
When your rival is powerful, |
00:19:48 |
Create a crisis for him. |
00:19:51 |
But instead of taking |
00:19:56 |
save the day for him. |
00:20:07 |
Hi. |
00:20:18 |
Cliff? |
00:20:39 |
What happened last night? |
00:20:42 |
I smell... |
00:20:49 |
I smell... |
00:20:54 |
Oh, no. |
00:21:00 |
Oh, God. No, I didn't... |
00:21:04 |
Oh, I didn't. |
00:21:09 |
I did, didn't I? |
00:21:19 |
It's all right. |
00:21:22 |
Dick, listen to me. |
00:21:26 |
It was a mistake. |
00:21:27 |
It was a mistake. |
00:21:30 |
She's wanted security for a long time, |
00:21:32 |
-Yes. |
00:21:37 |
Well, you can give her that now. |
00:21:44 |
I will make this work. I promise. |
00:21:52 |
I intertwined our technologies. |
00:21:55 |
I ate that company |
00:22:08 |
from within. |
00:22:10 |
And they let me |
00:22:26 |
The Mayor of New York planned this |
00:22:29 |
...and Owen Brewster was |
00:22:32 |
If you've got a jackal after you... |
00:22:33 |
I flew around the world in 1 938, |
00:22:36 |
for the only decent reason |
00:22:38 |
Because he feels like it. |
00:22:54 |
They set a meeting for Mr. Octavio |
00:22:58 |
This is perhaps the most bizarre |
00:23:03 |
And I need your help |
00:23:07 |
At 1:00 p. m. tomorrow, |
00:23:10 |
are to be evacuated. |
00:23:11 |
All the carpeting on the 1 4th floor |
00:23:16 |
Floors are to be washed and waxed. |
00:23:18 |
All the windows are to be covered |
00:23:21 |
a kind which does not accumulate dust. |
00:23:24 |
Does that apply to my windows also, |
00:23:27 |
Yeah. I'd go ahead |
00:23:29 |
I think it's the best thing. Play it safe. |
00:23:32 |
This is sensitive material. |
00:23:34 |
I'm still deciding whether or not |
00:23:38 |
I think you should put it |
00:23:40 |
-Of course, Cliff. |
00:23:42 |
All right, then... |
00:23:46 |
Here's our manuscript. |
00:23:53 |
Hope you like it. |
00:23:55 |
Hope to God I do, too. |
00:23:57 |
All right, I'll bring down Howard |
00:24:02 |
All right. |
00:24:07 |
All right, check the western... |
00:24:10 |
Make sure that the diameter |
00:24:11 |
It's okay? |
00:24:13 |
-Yeah, don't worry about me. |
00:24:16 |
Yes, on the spot. Correct. |
00:24:22 |
He doesn't like fumes. |
00:24:25 |
We might not wanna |
00:24:27 |
-What do you think? |
00:24:29 |
-Did you copy this, by hand? |
00:24:31 |
-From the original. |
00:24:32 |
-No photocopy, right? |
00:24:33 |
I kept... |
00:24:35 |
-All right? |
00:24:36 |
-I did it by hand. |
00:24:38 |
Why do I always want to strangle Brad? |
00:24:44 |
Is that him? |
00:24:45 |
Do you see it? |
00:24:47 |
-That's him! He's here! |
00:24:50 |
He's landing! Clear the roof! |
00:24:52 |
Get your things. Go! Come on! |
00:25:29 |
Where's he going? |
00:25:31 |
Oh, no. This is not happening. |
00:25:37 |
Can we head back? |
00:25:43 |
He was 50 feet |
00:25:46 |
All right? My diagram is fine. |
00:25:49 |
-Andrea, do you have the original? |
00:25:50 |
It's not outside the scope |
00:25:52 |
-a simple copy of what he wrote. |
00:25:55 |
-I can do that. |
00:25:57 |
Why did you do... Look! |
00:25:58 |
No, I wrote |
00:26:00 |
No, you didn't. |
00:26:02 |
He likes things the way he wants them. |
00:26:05 |
A three-year-old wouldn't have |
00:26:07 |
-Doesn't know east from west. |
00:26:11 |
I swear to Christ, |
00:26:13 |
Right the same. Exactly the same. |
00:26:26 |
Your book is genuine. |
00:26:28 |
There's no way your material |
00:26:29 |
could have come from anyone |
00:26:33 |
The colloquialisms, |
00:26:37 |
Heck, you have got |
00:26:39 |
of a conversation I had with Howard |
00:26:41 |
that I didn't tell |
00:26:42 |
-Really? |
00:26:44 |
-You write it, then deny it. |
00:26:49 |
He really put you on one hell of a limb, |
00:26:50 |
It wasn't easy. No, it wasn't. |
00:26:54 |
-It's a masterpiece, Cliff. |
00:26:56 |
A masterpiece. |
00:26:57 |
-You liked it? |
00:26:59 |
Oh, yes! Yes! |
00:27:24 |
Davis is threatening |
00:27:27 |
Why is he fighting so hard |
00:27:34 |
I wouldn't be surprised |
00:27:36 |
all over my home, right now, |
00:27:38 |
The controversy over the |
00:27:41 |
is apparently of little concern to those |
00:27:43 |
who stand to profit |
00:27:46 |
If you ask my advice, |
00:27:50 |
as United States Senator |
00:27:53 |
I know it will be good for America. |
00:27:55 |
But in any event, he pulled out a bag, |
00:27:58 |
reached in and he pulled out a prune, |
00:28:02 |
and he looked at Dick and offered it |
00:28:06 |
And Dick took the prune, |
00:28:09 |
"That's an organic prune. " |
00:28:11 |
When this book comes out, |
00:28:13 |
all the naysayers will be amazed |
00:28:16 |
the depth, the quality, of the material |
00:28:19 |
You are so royally full of shit. |
00:28:21 |
I mean, I feel very humble |
00:28:25 |
for this kind of revelation |
00:28:30 |
but about our age |
00:28:36 |
-Hello? |
00:28:39 |
I am safe now. |
00:28:40 |
-Edith, where are you? |
00:28:43 |
But they're watching. |
00:28:45 |
and following me and... |
00:28:48 |
Edith? Edith! |
00:29:51 |
Where's Howard? |
00:29:53 |
You know, Clifford, I have worked |
00:29:56 |
for 1 9 years now, |
00:29:58 |
and never once have I referred to him |
00:30:03 |
You don't seem to abide |
00:30:05 |
He and I wrote a book together. |
00:30:07 |
Assume for a moment |
00:30:09 |
and that it's not |
00:30:12 |
What is? |
00:30:14 |
The world Mr. Hughes has created |
00:30:17 |
It covers many industries |
00:30:20 |
There are fiefdoms and factions, |
00:30:24 |
traitors and minor rebellions. |
00:30:27 |
You see, Clifford, the men Mr. Hughes |
00:30:31 |
are often themselves |
00:30:36 |
You mean Nixon? |
00:30:38 |
Mr. Hughes wants to know |
00:30:41 |
sent to you in the galleys of your book. |
00:30:46 |
Howard wants to bury Nixon, |
00:30:49 |
Because his dog |
00:30:51 |
on TWA, on the Airwest merger, |
00:30:55 |
I'm not arrogant enough to speculate |
00:30:58 |
We just want an answer |
00:31:01 |
I'll just say this. |
00:31:04 |
Nothing stops this book |
00:31:07 |
exactly the way I wrote it. |
00:31:11 |
He wants my help? |
00:31:13 |
He has to speak to me directly. |
00:31:15 |
Are you dictating terms |
00:31:18 |
I'm the messenger for Howard Hughes. |
00:31:20 |
Why such a burning commitment |
00:31:22 |
But I do know him. |
00:31:26 |
And I deserve to see him. |
00:31:31 |
Presidents have said the same thing |
00:31:35 |
I will tell you what I told them. |
00:31:39 |
It's not a matter of |
00:31:42 |
There is no door to get through. |
00:31:46 |
If, though, Clifford, if there were a door, |
00:31:51 |
you would now be hearing |
00:32:21 |
Mr. Hughes wants that information |
00:32:25 |
I knew it. |
00:32:28 |
So, I put the dirt in, Howard will |
00:32:33 |
That's the deal. |
00:32:37 |
Do I have any assurances? |
00:32:41 |
Take it on faith, Clifford. |
00:33:14 |
There is a perfect logic to it, |
00:33:17 |
It makes sense |
00:33:19 |
and not someone like Mailer |
00:33:23 |
-Thank you. |
00:33:26 |
There are claims from some corners |
00:33:28 |
that Mr. Irving has concocted this book |
00:33:32 |
Well, for those of us who have read it, |
00:33:34 |
we know that only a Shakespeare |
00:33:38 |
and while Mr. Irving is a fine man, |
00:33:45 |
Ladies and gentlemen, |
00:33:59 |
Thank you, thank you. |
00:34:11 |
We could change the world |
00:34:12 |
I want this chapter in the book. |
00:34:14 |
Cliff, we will be sued for libel |
00:34:18 |
-You'll win. You will win. I promise you. |
00:34:21 |
To put this out unsubstantiated |
00:34:25 |
and at worst unethical. |
00:34:26 |
Wait, wait. |
00:34:27 |
Could you give me |
00:34:30 |
-Yeah, sure. |
00:34:34 |
Ralph, if the President took |
00:34:38 |
Harold, I'm sorry to interrupt, |
00:34:39 |
but the Zurich District Attorney's office |
00:34:42 |
Hang on, Ralph. I'll take it. |
00:34:44 |
Something to do with |
00:34:47 |
Who told you that? |
00:34:57 |
This latest puzzle in the |
00:35:00 |
where the checks were cashed |
00:35:03 |
That H.R. Hughes was |
00:35:06 |
named Helga R. Hughes. |
00:35:07 |
The police are looking for her, |
00:35:09 |
and the normally silent Swiss bankers |
00:35:12 |
Mr. Irving, who cashed the checks, sir? |
00:35:14 |
Who opened up |
00:35:18 |
The account holder in Switzerland |
00:35:21 |
They suspect |
00:35:24 |
This has become sleazy |
00:35:26 |
-I'm a publisher, Shelton. |
00:35:30 |
I don't care what your name is. |
00:35:32 |
We paid for a book |
00:35:35 |
Just roll the goddamn presses. |
00:35:41 |
Why are you calling us about this? |
00:35:43 |
I'm doing this, sir, because I felt |
00:35:48 |
-Anybody else have this information? |
00:35:51 |
-Absolutely nobody? |
00:35:54 |
Where's the book now? |
00:35:56 |
You should receive it by messenger |
00:36:14 |
Thank God. |
00:36:18 |
-Let me help you with this... |
00:36:48 |
What's in the book? |
00:36:51 |
Hughes' loans to the President. |
00:36:55 |
The shit about Bebe in Florida. |
00:36:57 |
And you're saying |
00:36:59 |
-How else could they know? |
00:37:03 |
He's gotta kill the book. |
00:37:04 |
Hughes is just using it |
00:37:06 |
In fact, the President hit the roof |
00:37:08 |
He's terrified the book's been leaked |
00:37:11 |
Shit. |
00:37:12 |
He thinks they're sipping tea at the |
00:37:16 |
All right, I'll call Hunt |
00:37:19 |
to see if the DNC has a copy yet. |
00:37:21 |
And prepare something |
00:37:24 |
if he has to address the nation. |
00:37:26 |
To say what? |
00:37:27 |
Checkers had puppies. |
00:37:32 |
I was on the plane |
00:37:36 |
I was thinking about all of your lies |
00:37:40 |
I guess, maybe, I am not beautiful |
00:37:44 |
-or very sexual enough for you... |
00:37:48 |
You have made me feel that. |
00:37:50 |
So, I'm leaving. |
00:37:54 |
And I'm giving back all of the money, |
00:38:00 |
Look, you've worked so hard on us, |
00:38:05 |
Punish me, but don't punish yourself. |
00:38:07 |
You're always so careful when you talk, |
00:38:13 |
soft like a cushion for what you want. |
00:38:18 |
But I am leaving. |
00:38:22 |
But before I go, I give you something. |
00:38:25 |
You are exhausted from your lies. |
00:38:32 |
So tell the truth. |
00:38:36 |
Tell me the truth about |
00:38:43 |
It is your moment to be clean. |
00:38:58 |
I saw her. |
00:39:02 |
When? |
00:39:04 |
Last month. |
00:39:09 |
It was in town, down in the Village. |
00:39:18 |
We were talking about the past, and I... |
00:39:25 |
I was tempted. |
00:39:28 |
I was tempted enough that I... |
00:39:32 |
I went with her, |
00:39:35 |
back to her apartment, |
00:39:41 |
and I kissed her. |
00:39:44 |
And... |
00:39:59 |
And something happened. I... |
00:40:05 |
Something physically... |
00:40:13 |
I couldn't go through with it. |
00:40:16 |
I just left her standing there |
00:40:24 |
I know you're making |
00:40:26 |
I know. I understand that. |
00:40:28 |
I... |
00:40:31 |
I just want you to know, that's the truth. |
00:40:51 |
I hate you. |
00:40:55 |
And I love you. |
00:40:58 |
I hate you. |
00:41:01 |
I think I'm coming down |
00:41:25 |
Human relationships are impossible. |
00:41:29 |
Especially with females, Clifford. |
00:41:32 |
We try, of course, to police ourselves, |
00:41:38 |
believing that their happiness |
00:41:44 |
We're intertwined now, son, |
00:41:48 |
It's for the best. |
00:42:11 |
Hi. |
00:42:15 |
You're broke? |
00:42:19 |
Why don't you ask your friend |
00:42:29 |
2,400 of our boys... |
00:42:30 |
Twelve years. |
00:42:32 |
Twelve years I have been doing |
00:42:36 |
I cover up all your sleazy affairs. Why? |
00:42:38 |
Because I thought |
00:42:39 |
I thought there was someone in there. |
00:42:44 |
You paid her. You paid that hooker. |
00:42:49 |
I could lose my wife, Cliff. |
00:42:52 |
Always the Cassandra, |
00:42:55 |
Cliff, I'm not like you. I confessed. |
00:42:58 |
-You need your freedom, Dick. |
00:43:02 |
You ruin my life |
00:43:04 |
I wanted this for you more than for me. |
00:43:07 |
And we did it, Dick. |
00:43:16 |
And look at that. |
00:43:19 |
-I don't care about that. |
00:43:20 |
-I don't care about that. |
00:43:23 |
-I don't care about that. |
00:43:25 |
What's going on here? |
00:43:39 |
Intertel. |
00:43:43 |
Intertel, sons of bitches. |
00:43:45 |
Motherfuck. They came in. |
00:43:48 |
They were here. They abducted me. |
00:43:50 |
They took me in a car, |
00:43:52 |
And there, they threatened me. |
00:43:54 |
They beat me up |
00:43:56 |
I said, "No, this book goes... |
00:44:00 |
"Nothing is gonna stop it. " |
00:44:03 |
"This Howard Hughes will not |
00:44:06 |
-This Howard Hughes? |
00:44:08 |
Cliff, Clifford Irving. |
00:44:10 |
Intertel kidnapped you |
00:44:13 |
Yes! CIA, ex-CIA henchmen! |
00:44:18 |
I was here last night, Cliff. |
00:44:19 |
I came here for lessons on |
00:44:21 |
you being an expert in that field. |
00:44:23 |
Jesus Christ, I was outside |
00:44:26 |
I saw you in here. |
00:44:27 |
You were sitting on the floor, |
00:44:31 |
You don't believe me. |
00:44:35 |
You, of all people. |
00:44:45 |
Take your fucking money. |
00:44:46 |
-Take your money! |
00:44:48 |
Take your fucking money, |
00:44:50 |
Fuck you! |
00:44:52 |
-Fuck you! |
00:44:54 |
Take your fucking money |
00:44:55 |
Don't throw money at me. |
00:44:58 |
You stay away from me, |
00:45:12 |
No one flew you to Nassau, Cliff. |
00:45:17 |
You're not that important. |
00:45:26 |
One moment, please. |
00:45:31 |
-Sir? |
00:45:32 |
Chester Davis, |
00:45:37 |
Okay. You're sure? |
00:45:42 |
What time will it be on? |
00:45:46 |
I can't thank you enough, Chester. |
00:45:48 |
The President owes you one. |
00:45:50 |
Of course, I have massive files |
00:45:53 |
of photographs |
00:45:58 |
tracing my life from an early age. |
00:46:00 |
I have volumes and volumes |
00:46:04 |
Mr. Hughes, did you cooperate, |
00:46:12 |
Congratulations, again. |
00:46:14 |
-Wonderful evening. |
00:46:22 |
I want to know why the hell |
00:46:27 |
Why weren't we warned? Clara! |
00:46:34 |
I have volumes and volumes |
00:46:37 |
Mr. Hughes, did you cooperate, |
00:46:42 |
a man named Irving, |
00:46:44 |
who claims to have taped |
00:46:48 |
Well, this must go down in history. |
00:46:51 |
I only wish I were still |
00:46:53 |
because I don't remember |
00:46:57 |
or as stretching of the imagination |
00:47:01 |
I take it, sir, you do not know a man |
00:47:04 |
No, I never saw him. |
00:47:07 |
until a matter of days ago when |
00:47:11 |
It is so fantastic |
00:47:13 |
and so utterly beyond the bounds |
00:47:19 |
I mean, it seems to me |
00:47:22 |
But McGraw-Hill and Time Life |
00:47:28 |
They surely have a business that |
00:47:33 |
There's gotta be a bank record |
00:47:37 |
So, I just don't have any idea. |
00:47:41 |
There have been reports |
00:47:44 |
He just lied. |
00:47:45 |
...President Nixon's friend |
00:47:48 |
and also dealings with |
00:47:51 |
Do you care to comment |
00:47:55 |
A warrant was issued today |
00:47:57 |
for the arrest of |
00:47:59 |
She is charged with fraud and forgery. |
00:48:02 |
She deposited in a Swiss bank |
00:48:06 |
whose autobiography |
00:48:08 |
No, no, no, no! |
00:48:12 |
Edith? |
00:48:18 |
Martin Ackerman, |
00:48:20 |
who claims that he compiled the book, |
00:48:21 |
reaffirms his conviction |
00:48:24 |
Ackerman issued that statement |
00:48:26 |
after a story |
00:48:28 |
a story reportedly saying |
00:48:31 |
Edith? |
00:48:34 |
Edith? |
00:48:36 |
-Edith? |
00:48:41 |
Is it safe to say |
00:48:44 |
Yes, the relationship was physical. |
00:48:47 |
And you can confirm that Mr. Irving, |
00:48:51 |
on the date in question? |
00:48:53 |
He could not have met |
00:48:56 |
because he was with me |
00:48:58 |
Well, did he confide in you |
00:49:01 |
No. I knew nothing about it. |
00:49:03 |
I'm completely flabbergasted |
00:49:08 |
What exactly do you do, |
00:49:11 |
I'm an actress, |
00:49:14 |
and a singer. |
00:49:18 |
Nina. |
00:49:21 |
Always the details that undo us. |
00:49:22 |
Always the details that undo us. |
00:49:27 |
Can I run something by you, George? |
00:49:30 |
Certainly, Clifford. |
00:49:31 |
This was a really bad year for Howard, |
00:49:34 |
The TWA thing, |
00:49:40 |
He lost control of Nixon, |
00:49:45 |
He needed something. |
00:49:49 |
to keep him back in line. |
00:49:51 |
A loss could cost Hughes |
00:49:55 |
So one day he opens his |
00:49:59 |
and there we are, |
00:50:00 |
us, with our little book. |
00:50:02 |
When your rival is powerful, |
00:50:04 |
find an opportunity. |
00:50:06 |
Create a crisis for him. |
00:50:09 |
Hardly had to do anything. |
00:50:14 |
Then he fed us some dirt. |
00:50:17 |
The shit about Bebe and... |
00:50:18 |
Just to get Nixon's |
00:50:20 |
The President thinks this is authentic? |
00:50:22 |
How else could they know? |
00:50:23 |
Nixon gets hysterical. |
00:50:26 |
But instead of taking |
00:50:30 |
save the day for him. |
00:50:33 |
And then Howard makes it good |
00:50:36 |
cashes in his chip, |
00:50:38 |
and we get buried. |
00:50:40 |
I take it, sir, you do not know a man |
00:50:43 |
No, I never saw him. |
00:50:47 |
I'm not angry, George. |
00:50:50 |
I'm disappointed. |
00:50:52 |
You know, I thought that maybe... |
00:50:56 |
I thought we were partners, |
00:51:00 |
Well, you mustn't |
00:51:03 |
Just as the trees |
00:51:06 |
when a forest is razed for lumber. |
00:51:09 |
They're part of a grand design. |
00:51:14 |
I played it good for a while, |
00:51:15 |
You were tremendous, Clifford. |
00:51:19 |
Really? |
00:51:22 |
Would I lie to you? |
00:51:25 |
Howard Hughes has spoken publicly. |
00:51:28 |
And he has told us |
00:51:31 |
All right, thank you. Thank you. |
00:51:32 |
Good night, from NBC News. |
00:51:50 |
Sir, do you have any comment? |
00:52:36 |
I'll cooperate |
00:52:40 |
and especially for Edith. |
00:52:45 |
Mr. Irving received a sentence of |
00:52:48 |
Mr. Suskind, six months' imprisonment. |
00:52:50 |
In addition, they will pay |
00:52:52 |
and the Internal Revenue Service, |
00:52:56 |
Mrs. Irving received |
00:52:58 |
but we have no control over what |
00:53:01 |
Are you happy with the outcome, |
00:53:02 |
I'm not sure you're ever ecstatic |
00:53:05 |
In a surprise reversal, |
00:53:08 |
approved the acquisition of Airwest |
00:53:12 |
This on the heels of |
00:53:15 |
to dismiss the TWA |
00:53:17 |
rescuing Mr. Hughes |
00:53:21 |
made it a very good week |
00:53:25 |
In other news today, |
00:53:27 |
breaking into the Democratic National |
00:53:30 |
located in the Watergate Hotel. |
00:55:00 |
Yeah, that's them. |