|
Hollywoodland
|
| 00:01:00 |
(MAN CHATTERING |
| 00:01:10 |
LEONORE: |
| 00:01:12 |
KORBY: You said |
| 00:01:13 |
LEONORE: I didn't say |
| 00:01:14 |
I mean, you don't look |
| 00:01:18 |
LEONORE: Will you excuse me? |
| 00:01:19 |
That's the fiancee |
| 00:01:24 |
PATTERSON: The one on the end |
| 00:01:27 |
The other two are friends, |
| 00:01:31 |
Bliss found the body. |
| 00:01:32 |
What time the party start? |
| 00:01:33 |
Just after midnight. |
| 00:01:35 |
He woke up, came downstairs, |
| 00:01:39 |
said good night |
| 00:01:41 |
The coroner's ruling it |
| 00:01:48 |
DETECTIVE: Patterson. |
| 00:01:50 |
(CAMERA CLICKING) |
| 00:01:51 |
Yeah. |
| 00:01:56 |
(CAMERA CLICKS) |
| 00:02:05 |
The fiancee said |
| 00:02:09 |
Also predicted |
| 00:02:12 |
He went upstairs, she told |
| 00:02:17 |
So, why didn't she |
| 00:02:20 |
Maybe she believed |
| 00:02:23 |
On TV? |
| 00:02:30 |
What, him? |
| 00:02:31 |
Faster than |
| 00:02:35 |
JOHNSON: Hmm. |
| 00:03:08 |
(DOG BARKING) |
| 00:03:23 |
( 1950s POP MUSIC |
| 00:03:25 |
(WOMAN MOANING) |
| 00:03:28 |
(KNOCKING) |
| 00:03:32 |
(MAN COUGHING) |
| 00:03:45 |
Oh, hi. |
| 00:03:49 |
I have new information. |
| 00:03:56 |
(CLEARS THROAT) |
| 00:04:00 |
I went to the office |
| 00:04:02 |
The office is occupied |
| 00:04:07 |
You can imagine |
| 00:04:10 |
We're setting up |
| 00:04:13 |
It's right off Wilshire, |
| 00:04:17 |
But delays, phone lines. |
| 00:04:21 |
We have reason to believe |
| 00:04:26 |
carnal relations. |
| 00:04:30 |
I'm gonna |
| 00:04:32 |
Good. |
| 00:04:38 |
Mr. Sinclair. |
| 00:04:41 |
We did check into that |
| 00:04:45 |
Yes, well, in that regard, |
| 00:04:49 |
(CLEARS THROAT) |
| 00:04:50 |
How's that? |
| 00:04:54 |
My wife became aware of |
| 00:04:58 |
and curtailed her activities |
| 00:05:04 |
(CLEARS THROAT) |
| 00:05:05 |
She still at |
| 00:05:07 |
I drop her off there |
| 00:05:09 |
What transpires |
| 00:05:11 |
All right, the fee is... |
| 00:05:13 |
Three-day minimum, |
| 00:05:22 |
We'll do everything we can. |
| 00:05:25 |
(DOOR OPENS) |
| 00:05:36 |
It's not right, |
| 00:05:39 |
His money. |
| 00:05:41 |
KIT: He's nuts. |
| 00:05:50 |
Don't give me grief, okay? |
| 00:05:55 |
You're the one |
| 00:06:01 |
What did I say? |
| 00:06:10 |
Disneyland. |
| 00:06:12 |
He like it? |
| 00:06:14 |
Russ took him on a canoe, |
| 00:06:17 |
Seemed to go all right. |
| 00:06:19 |
Russ... Russell. |
| 00:06:23 |
Rusty... |
| 00:06:26 |
Am I supposed to |
| 00:06:28 |
I just want to make sure |
| 00:06:33 |
Keeping busy? |
| 00:06:34 |
Yeah. May be |
| 00:06:38 |
You don't believe me? |
| 00:06:40 |
Oh, I always believed you. |
| 00:06:43 |
Every time. |
| 00:06:46 |
Where's Evan? |
| 00:06:58 |
What's going on? |
| 00:06:59 |
That actor who shot himself, |
| 00:07:04 |
What about him? |
| 00:07:05 |
It's made him |
| 00:07:09 |
He told you that? |
| 00:07:11 |
LAURIE: Every kid on the block |
| 00:07:17 |
Scout. Come on. |
| 00:07:24 |
What's on your mind, |
| 00:07:26 |
Nothing. |
| 00:07:30 |
Nothing? |
| 00:07:32 |
Nothing. |
| 00:07:36 |
You know, |
| 00:07:38 |
you know, someone's |
| 00:07:43 |
it's just pretend, right? |
| 00:07:45 |
I know. |
| 00:07:46 |
You remember |
| 00:07:48 |
I remember. |
| 00:07:50 |
Okay. |
| 00:07:54 |
Hey, what's this? |
| 00:07:56 |
I don't know. |
| 00:07:57 |
Well, why don't you |
| 00:08:05 |
Do you like that? |
| 00:08:07 |
Kind of. |
| 00:08:09 |
All right, come on, |
| 00:08:54 |
(WHISTLES) |
| 00:09:10 |
...2:00 in the morning, |
| 00:09:15 |
but if I catch |
| 00:09:17 |
sneaking into a house |
| 00:09:21 |
Davis is |
| 00:09:24 |
What'd Rick do? |
| 00:09:26 |
What's the matter, Ace? |
| 00:09:30 |
Not with you moonlighting, |
| 00:09:34 |
Study this gentleman. |
| 00:09:37 |
The haircut, the getup. |
| 00:09:38 |
Nobody told him the world |
| 00:09:42 |
Listen to him, kid. |
| 00:09:43 |
And don't start smoking, |
| 00:09:47 |
This isn't |
| 00:09:49 |
It's just a job. |
| 00:09:53 |
Let's get out of here. |
| 00:09:55 |
I'm still eating, |
| 00:09:58 |
Come on. |
| 00:10:06 |
MAN: Sweetheart, check please. |
| 00:10:08 |
( 1950s POP MUSIC |
| 00:10:12 |
Hey, Del. |
| 00:10:15 |
Rick working you hard? |
| 00:10:18 |
Payroll scam at Warners. |
| 00:10:20 |
Well, that's |
| 00:10:22 |
I'm a real detective. |
| 00:10:27 |
Anything you guys |
| 00:10:29 |
Jesus, Lou... |
| 00:10:30 |
Look, I'm asking. |
| 00:10:31 |
The shit you won't touch, |
| 00:10:33 |
You will? |
| 00:10:35 |
If it puts me in |
| 00:10:38 |
He drives a Lincoln. |
| 00:10:40 |
Come on, Del, |
| 00:10:41 |
Why should I? |
| 00:10:42 |
'Cause you owe me, partner. |
| 00:10:54 |
What? |
| 00:10:58 |
What, the guy who |
| 00:11:01 |
Someone thinks |
| 00:11:04 |
Oh, yeah? Who? |
| 00:11:07 |
His mother. |
| 00:11:08 |
His mother. |
| 00:11:11 |
How do you know |
| 00:11:12 |
She tried to hire us |
| 00:11:16 |
What does she have |
| 00:11:17 |
Look, you like a headline, |
| 00:11:26 |
What did Rick say? |
| 00:11:27 |
Maybe you forgot, |
| 00:11:36 |
Helen Bessolo. |
| 00:11:39 |
At the Ambassador. |
| 00:11:42 |
What? |
| 00:11:45 |
you're not an associate, |
| 00:11:48 |
Who said I'm pitching her? |
| 00:11:50 |
I'm done eating. |
| 00:11:55 |
Oh, I forgot. |
| 00:11:57 |
Have one. |
| 00:12:00 |
Guess who's a daddy? |
| 00:12:02 |
It's a boy. |
| 00:12:17 |
(KNOCKING) |
| 00:12:22 |
Mrs. Bessolo? |
| 00:12:25 |
I called. |
| 00:12:38 |
Our children, yes. |
| 00:12:41 |
They'll always be our babies. |
| 00:12:43 |
You work for Mr. Harris? |
| 00:12:47 |
I was an operative |
| 00:12:53 |
May I? |
| 00:12:55 |
Now, there are |
| 00:12:58 |
the agency |
| 00:13:03 |
They come to me. |
| 00:13:07 |
A house full of strangers. |
| 00:13:09 |
How's that? |
| 00:13:10 |
The ones there, |
| 00:13:13 |
Van Ronkel, Bliss. |
| 00:13:17 |
This is Lenore? |
| 00:13:20 |
Leonore. |
| 00:13:22 |
How could you trust |
| 00:13:28 |
Did he give |
| 00:13:33 |
About what? |
| 00:13:35 |
Being, you know, despondent? |
| 00:13:40 |
Why would he be? |
| 00:13:47 |
When was, if I may, |
| 00:13:58 |
Do you know |
| 00:14:02 |
No. |
| 00:14:03 |
He's also |
| 00:14:08 |
He says I have a case. |
| 00:14:10 |
Mrs. Bessolo, |
| 00:14:14 |
LAPD, Los Angeles |
| 00:14:20 |
Okay, they've already |
| 00:14:22 |
It's a suicide. End of story. |
| 00:14:24 |
You want that door open again? |
| 00:14:25 |
You want to make the cops |
| 00:14:30 |
You need a headline this big, |
| 00:14:35 |
So that everybody knows. |
| 00:14:39 |
Did Herbert Spirakis |
| 00:14:44 |
I have to pay by check. |
| 00:14:48 |
ORDERLY: Five minutes. |
| 00:14:55 |
Hey. The 20? |
| 00:14:58 |
Right. |
| 00:15:01 |
Sorry. |
| 00:15:13 |
Say, you know who people |
| 00:15:18 |
Stompanato. |
| 00:15:19 |
No kidding. |
| 00:15:22 |
I tell you, |
| 00:15:24 |
the knife was |
| 00:15:27 |
Think about how hard... |
| 00:15:30 |
ORDERLY: Huh? |
| 00:15:32 |
These marks? |
| 00:15:35 |
What'd he do, |
| 00:15:38 |
I don't know. |
| 00:15:47 |
Don't do that. Hey. |
| 00:15:49 |
ORDERLY: I didn't say |
| 00:15:52 |
Don't worry about it. |
| 00:15:53 |
Put it down, |
| 00:15:55 |
You hear? |
| 00:16:03 |
So, pal, who's T.M.? |
| 00:16:09 |
Come on, what do you say? |
| 00:16:14 |
VACIO: George. George. |
| 00:16:17 |
Yes? |
| 00:16:18 |
Don't order any more drinks, |
| 00:16:20 |
We couldn't afford |
| 00:16:23 |
Billy Wilder. |
| 00:16:26 |
We're two steps from |
| 00:16:30 |
You do look fetching tonight. |
| 00:16:31 |
(PIANO PLAYING) |
| 00:16:33 |
Okay. I'm leaving. |
| 00:16:34 |
You're gonna stay right here |
| 00:16:39 |
You and I are going to |
| 00:16:41 |
without looking like |
| 00:16:46 |
Who? |
| 00:16:49 |
He hires people. |
| 00:16:50 |
George, no one's going |
| 00:16:53 |
(CHAIN SAW BUZZING) |
| 00:16:55 |
(ALL CHATTERING) |
| 00:16:58 |
That's Rita Hayworth. |
| 00:17:02 |
VACIO: George. |
| 00:17:06 |
That's Rita Hayworth. |
| 00:17:09 |
You look |
| 00:17:16 |
Miss Hayworth! |
| 00:17:19 |
Thank you. |
| 00:17:22 |
Just made it. |
| 00:17:24 |
I beg your pardon? |
| 00:17:25 |
Into the picture. |
| 00:17:26 |
Was someone taking a picture? |
| 00:17:33 |
You're awfully well trained. |
| 00:17:35 |
George Reeves. |
| 00:17:38 |
Was it the line |
| 00:17:40 |
I laugh when I'm happy. |
| 00:17:43 |
Who is it that |
| 00:17:45 |
I'm Toni. |
| 00:17:47 |
Just a poor girl |
| 00:17:51 |
I had no idea |
| 00:17:53 |
Well, who knows |
| 00:17:57 |
Your turn. |
| 00:17:58 |
I'm afraid you got me. |
| 00:18:00 |
This way, please. |
| 00:18:02 |
Thank you. |
| 00:18:07 |
For you, sir. |
| 00:18:12 |
Oh, George, George, George... |
| 00:18:14 |
(BIG BAND MUSIC PLAYING) |
| 00:18:16 |
TONl: That was |
| 00:18:18 |
That was my |
| 00:18:21 |
Your very first paid |
| 00:18:24 |
the biggest picture ever? |
| 00:18:25 |
And yet, |
| 00:18:27 |
You don't? |
| 00:18:30 |
"We want all your waltzes, |
| 00:18:32 |
You were Tarleton! |
| 00:18:34 |
Your hair was orange! |
| 00:18:35 |
Hardly. |
| 00:18:37 |
Ah, well. |
| 00:18:39 |
All right, then. |
| 00:18:41 |
What was your last? |
| 00:18:43 |
That I'm fairly certain |
| 00:18:45 |
Try me. |
| 00:18:47 |
The Adventures of Sir Galahad, |
| 00:18:50 |
Saturday morning serial, |
| 00:18:53 |
Well, I'm sure you did |
| 00:18:57 |
I don't know, |
| 00:19:00 |
A lot of wanting, |
| 00:19:05 |
How dare you. |
| 00:19:06 |
What? |
| 00:19:08 |
How dare you to permit me |
| 00:19:10 |
when I'm standing next to |
| 00:19:13 |
Well, |
| 00:19:15 |
(BOTH LAUGHING) |
| 00:19:17 |
And how about you? Hmm? |
| 00:19:23 |
I know some of them. |
| 00:19:25 |
Good people to know? |
| 00:19:27 |
Not if you know them. |
| 00:19:29 |
Really? |
| 00:19:32 |
Not at all. |
| 00:19:35 |
Mysterious |
| 00:19:37 |
Oh, that's good. |
| 00:19:41 |
Noble. |
| 00:19:43 |
Stoic. |
| 00:19:45 |
Heroic. |
| 00:19:47 |
Bad shellfish? |
| 00:19:50 |
Very good, exactly. |
| 00:19:53 |
Well, you don't seem sad. |
| 00:19:55 |
What if I were? |
| 00:19:58 |
I won't allow it. |
| 00:20:12 |
I'm much too old |
| 00:20:24 |
We don't give out |
| 00:20:26 |
Here's the thing, though. |
| 00:20:28 |
Mr... The person |
| 00:20:33 |
If I come back empty-handed, |
| 00:20:37 |
"Get me that watch |
| 00:20:40 |
George? |
| 00:20:41 |
George Reeves. |
| 00:20:42 |
Oh, Mr. Reeves. |
| 00:20:44 |
Yeah, they were very close. |
| 00:20:47 |
You know, they spoke |
| 00:20:53 |
Who do you work for? |
| 00:20:56 |
No, I can't, I can't. |
| 00:21:00 |
If the rest of the world |
| 00:21:05 |
Well, we got some stories, |
| 00:21:09 |
Hold on. |
| 00:21:17 |
A gold Chopard Quattro. |
| 00:21:22 |
Uh-oh. Well, |
| 00:21:28 |
No, these are |
| 00:21:32 |
She bought him |
| 00:21:34 |
Of course. |
| 00:21:38 |
Maybe there's |
| 00:21:40 |
I'd be grateful. |
| 00:21:52 |
No luck, huh? |
| 00:21:56 |
I'll go |
| 00:21:58 |
If I showed you |
| 00:22:00 |
No, I don't think |
| 00:22:03 |
Spencer Tracy. |
| 00:22:07 |
Now, how the heck did you... |
| 00:22:12 |
Oh, between you and me? |
| 00:22:57 |
(SIGHING) |
| 00:23:33 |
Good morning. |
| 00:23:36 |
Good morning... |
| 00:23:39 |
Mrs. Mannix. |
| 00:23:59 |
I don't have a problem |
| 00:24:03 |
but it is impolite |
| 00:24:15 |
Your husband is |
| 00:24:20 |
He gives the word, I'm stuck |
| 00:24:24 |
He would never do that. |
| 00:24:25 |
No? Why not? |
| 00:24:29 |
Because it would |
| 00:24:31 |
What about me? |
| 00:24:33 |
It would hurt both of us. |
| 00:24:38 |
Look, whatever I said |
| 00:24:40 |
It sounded true. |
| 00:24:43 |
Was it? |
| 00:24:49 |
It was true. |
| 00:24:53 |
Listen, |
| 00:24:57 |
Japanese girl, very sweet. |
| 00:25:00 |
An apartment in Brentwood, |
| 00:25:04 |
And what do you have? |
| 00:25:08 |
I have another seven |
| 00:25:14 |
Well, it seems all right now. |
| 00:25:16 |
Thank you for noticing. |
| 00:25:22 |
Tell me the truth. |
| 00:25:28 |
I thought that you were |
| 00:25:33 |
And yes, I did. |
| 00:25:37 |
Do you know |
| 00:25:39 |
Sir Galahad. |
| 00:25:42 |
(SCOFFS) |
| 00:25:46 |
George, nobody ever asked |
| 00:25:51 |
Tell me what you want. |
| 00:25:54 |
You can have it. |
| 00:26:04 |
Should I leave? |
| 00:26:06 |
No. You should stay. |
| 00:26:20 |
I got a fiancee, |
| 00:26:22 |
Well, former mistress. |
| 00:26:25 |
but I got bruises |
| 00:26:34 |
After you dropped her off, |
| 00:26:36 |
she never left the building, |
| 00:26:39 |
I can't swear that nothing |
| 00:26:42 |
There's an entrance |
| 00:26:45 |
Okay. |
| 00:26:46 |
And a loading dock. |
| 00:26:48 |
Neither would be visible |
| 00:26:55 |
Look, Mr. Sinclair, maybe, |
| 00:27:00 |
you sit down, you have |
| 00:27:03 |
This man. Here. |
| 00:27:05 |
He works there. |
| 00:27:09 |
Mr. Simo, I have utter faith |
| 00:27:12 |
but you might wish |
| 00:27:15 |
there is more going on |
| 00:27:20 |
"I, George Bessolo Reeves, |
| 00:27:22 |
"being of sound and disposing |
| 00:27:25 |
"do declare this |
| 00:27:27 |
"I hereby give, devise and |
| 00:27:31 |
"owned by me at the time of |
| 00:27:36 |
What? |
| 00:27:38 |
Maybe there's |
| 00:27:40 |
There goddamn |
| 00:27:42 |
Miss Lemmon, can I talk to you |
| 00:27:47 |
I've been retained by Helen, |
| 00:27:50 |
Bitch! |
| 00:27:52 |
...of your late fiance. |
| 00:27:54 |
if I could ask you |
| 00:27:57 |
Yes, I am, ma'am. |
| 00:28:00 |
You know what he is? |
| 00:28:02 |
Mmm-hmm. |
| 00:28:09 |
"A catfish"? |
| 00:28:15 |
(MEN CHATTERING) |
| 00:28:18 |
Excuse me. |
| 00:28:21 |
I'm the Times. |
| 00:28:23 |
You're the Times? |
| 00:28:25 |
What do you think about |
| 00:28:28 |
and cutting his beloved |
| 00:28:30 |
Leaving the green |
| 00:28:35 |
Hell hath no fury, huh? |
| 00:28:37 |
I mean, people get killed for |
| 00:28:39 |
You saying George Reeves |
| 00:28:41 |
That's a heck of a question. |
| 00:28:44 |
What's your name? |
| 00:28:45 |
Louis Simo. S-l-M-O. |
| 00:28:53 |
(SOFT INSTRUMENTAL MUSIC |
| 00:29:05 |
(CLEARING THROAT) |
| 00:29:08 |
Did you go to the doctor? |
| 00:29:09 |
I went. |
| 00:29:11 |
What did he say? |
| 00:29:12 |
Those guys, |
| 00:29:16 |
Not a very |
| 00:29:19 |
Well, something |
| 00:29:23 |
Oh, I guess so. |
| 00:29:25 |
You under contract? |
| 00:29:26 |
I was, at Warners. |
| 00:29:28 |
But now you're not. |
| 00:29:29 |
Now, no. |
| 00:29:32 |
Tough game. |
| 00:29:41 |
George was in |
| 00:29:43 |
That picture made money. |
| 00:29:50 |
So, what brought you |
| 00:29:53 |
Don't talk to her. |
| 00:29:56 |
She doesn't speak English. |
| 00:30:01 |
GEORGE: Oh, yes. |
| 00:30:08 |
Eddie, I found |
| 00:30:11 |
Uh-huh. |
| 00:30:17 |
Well, |
| 00:30:20 |
it's a good investment. |
| 00:30:22 |
Well, you know |
| 00:30:25 |
They ain't making more of it. |
| 00:30:28 |
What's not on the menu? |
| 00:30:30 |
We have some very nice |
| 00:30:32 |
How's the flank steak? |
| 00:30:35 |
Bring me that, Cobb salad, |
| 00:30:40 |
I'm sorry. |
| 00:30:44 |
My wife will take |
| 00:30:51 |
Well, what do you think? |
| 00:30:53 |
The most I ever got from |
| 00:30:56 |
Just how Toni |
| 00:30:57 |
You should be happy, George. |
| 00:30:59 |
Wouldn't mind a job. |
| 00:31:01 |
Well, maybe she can put in |
| 00:31:05 |
Hey, take it. |
| 00:31:08 |
What's this? |
| 00:31:10 |
I see, but why are you |
| 00:31:12 |
Because I got it, |
| 00:31:14 |
Go ahead, kid, |
| 00:31:16 |
Your talent is required. |
| 00:31:21 |
(MEN SINGING RANCHERA SONG |
| 00:32:03 |
ACTOR: "Lois and Jimmy, |
| 00:32:06 |
ASSISTANT: "They're safe |
| 00:32:08 |
"Just don't get any big ideas |
| 00:32:11 |
ACTOR: "All right. |
| 00:32:13 |
"But if something happens |
| 00:32:20 |
Whenever you're ready, |
| 00:32:23 |
All right. |
| 00:32:26 |
"They're safe for now, |
| 00:32:28 |
"Just don't get any big ideas |
| 00:32:32 |
Actually, George, |
| 00:32:36 |
Oh, uh, Superman. |
| 00:32:39 |
He's, you know, |
| 00:32:42 |
I suppose I've always felt |
| 00:32:45 |
We're looking for |
| 00:32:47 |
Someone the kids will buy, |
| 00:32:53 |
What's the worst |
| 00:33:00 |
Well, okay. |
| 00:33:02 |
(CLEARING THROAT) |
| 00:33:06 |
"All right, Mr. Prince, |
| 00:33:10 |
"It's not what I want, |
| 00:33:12 |
"Listen. I'm not in the mood |
| 00:33:15 |
"but I promise you this. |
| 00:33:23 |
An actor can't always act. |
| 00:33:28 |
You're talking to the man |
| 00:33:32 |
I enjoyed you in that. |
| 00:33:34 |
You were the oldest boy |
| 00:33:37 |
Look, it's a dirt-cheap |
| 00:33:41 |
Odds are no one's |
| 00:33:43 |
It's just sounding |
| 00:33:44 |
And you need the money. |
| 00:33:47 |
There's money. |
| 00:33:55 |
Oh, come on, George. |
| 00:33:58 |
What do you want from life? |
| 00:34:00 |
Oh, I don't know. |
| 00:34:04 |
Take the job, |
| 00:34:10 |
Can I tell you something, Art? |
| 00:34:13 |
Of course. |
| 00:34:14 |
You're beautiful |
| 00:34:19 |
So, does this mean |
| 00:34:23 |
TONl: Why is it so drab? |
| 00:34:27 |
Not on TV, |
| 00:34:30 |
But, maybe if the show flies, |
| 00:34:34 |
For when the color sets |
| 00:34:37 |
Then I'll get to wear |
| 00:34:49 |
I look like |
| 00:35:17 |
Nice car. |
| 00:35:18 |
That's my baby. Lou? |
| 00:35:22 |
Yeah. |
| 00:35:25 |
Goofy. |
| 00:35:27 |
I'm sorry? |
| 00:35:29 |
You went to Disneyland. |
| 00:35:30 |
Oh, yeah, that's right, |
| 00:35:35 |
She's a little upset. |
| 00:35:40 |
That's convenient. |
| 00:35:43 |
Hey, he's a good kid. |
| 00:35:46 |
I saw that right off. |
| 00:35:50 |
Well, you would know, |
| 00:36:02 |
The policy will cover it. |
| 00:36:07 |
He took charcoal fluid, |
| 00:36:11 |
Put what on the couch? |
| 00:36:16 |
(KNOCKING ON DOOR) |
| 00:36:22 |
What's the deal, Scout? |
| 00:36:34 |
(WHISPERING) |
| 00:36:44 |
What if you |
| 00:36:48 |
You wouldn't have |
| 00:36:52 |
Huh? Use your noggin. |
| 00:36:55 |
It was just to get rid of it. |
| 00:36:57 |
What, the costume? |
| 00:37:03 |
You wanted it so bad, |
| 00:37:06 |
Not any more. |
| 00:37:08 |
Why? |
| 00:37:10 |
He shot himself in the head |
| 00:37:14 |
That's a Nazi pistol. |
| 00:37:24 |
So, you know this man? |
| 00:37:29 |
And if he did shoot... |
| 00:37:32 |
You can still watch him on TV, |
| 00:37:37 |
Scout, I asked a question. |
| 00:37:41 |
(SIGHING) |
| 00:37:42 |
Evan, you hear |
| 00:37:44 |
Evan, you answer |
| 00:37:47 |
Evan! Put it down! |
| 00:37:50 |
Let's leave it. |
| 00:37:52 |
Evan. Put it down! |
| 00:37:54 |
Stop it, okay, |
| 00:37:59 |
(EVAN CRYING) |
| 00:38:01 |
This kid... |
| 00:38:05 |
Why do you even |
| 00:38:07 |
I don't know. |
| 00:38:09 |
that your son is having a... |
| 00:38:11 |
I do care. I care very much, |
| 00:38:14 |
Just 'cause I don't have |
| 00:38:16 |
No, you have |
| 00:38:18 |
Is that what this is? Huh? |
| 00:38:21 |
The actor. |
| 00:38:23 |
We noticed the item |
| 00:38:25 |
What? I was hired. |
| 00:38:27 |
what these endless |
| 00:38:31 |
Lou, that kind of language... |
| 00:38:33 |
that I send you. I'm sorry, |
| 00:38:35 |
I'm just trying to |
| 00:38:36 |
Russ, this is between |
| 00:38:39 |
Listen, Lou. |
| 00:38:41 |
He asked for you. |
| 00:38:45 |
He asked. |
| 00:38:53 |
Well, I'm sorry I couldn't be |
| 00:38:57 |
Jeepers, no, |
| 00:38:58 |
I suppose that would be |
| 00:39:02 |
I suppose it would, Lois. |
| 00:39:08 |
Sorry, that's me. |
| 00:39:10 |
Keep rolling. |
| 00:39:13 |
Where were we? |
| 00:39:17 |
Well, sure I would. |
| 00:39:19 |
All right then, |
| 00:39:21 |
(ALL LAUGHING) |
| 00:39:23 |
You're next, Jimmy! |
| 00:39:25 |
Great Caesar's ghost! |
| 00:39:27 |
More powerful than |
| 00:39:33 |
What did you think? |
| 00:39:37 |
The scripts are awful. |
| 00:39:39 |
And everything looks cheap. |
| 00:39:43 |
Well, that's all |
| 00:39:48 |
She's a lesbian, you know. |
| 00:39:51 |
The one playing Lois. |
| 00:39:53 |
(KNOCKING ON DOOR) |
| 00:39:54 |
PA: Mr. Reeves? |
| 00:39:56 |
Whenever you're ready. |
| 00:39:58 |
Phyllis? Is she really? |
| 00:40:00 |
No. She is now. |
| 00:40:06 |
Well. There it is. |
| 00:40:09 |
(HEROIC INSTRUMENTAL MUSIC |
| 00:40:11 |
Cue fans! |
| 00:40:15 |
DIRECTOR: Action, George! One! |
| 00:40:18 |
Two! |
| 00:40:21 |
Three! |
| 00:40:34 |
(GRUNTS) |
| 00:40:35 |
DIRECTOR: Cut it! Cut it! |
| 00:40:38 |
Unhook him! |
| 00:40:41 |
MAN 1: You all right, George? |
| 00:40:43 |
MAN 1: All right, let him go. |
| 00:40:47 |
(GROANING) |
| 00:40:48 |
I'd like to thank the Academy |
| 00:40:51 |
and all the good people |
| 00:40:54 |
for making me who I am today. |
| 00:40:57 |
(APPLAUSE) |
| 00:41:12 |
(BLUES MUSIC |
| 00:41:23 |
(KIT GIGGLING) |
| 00:41:25 |
KIT: Okay. |
| 00:41:30 |
LOUIS: Who was that |
| 00:41:33 |
Chad. He's in my acting class. |
| 00:41:37 |
Yeah? |
| 00:41:39 |
He any good? |
| 00:41:42 |
He's okay, I guess. |
| 00:41:44 |
You shouldn't hang around |
| 00:41:50 |
You've never seen me act. |
| 00:41:53 |
So? |
| 00:41:55 |
So, you don't know |
| 00:42:01 |
You don't know |
| 00:42:05 |
You don't know |
| 00:42:31 |
You ever going to tell me |
| 00:42:33 |
What? |
| 00:42:37 |
Something stupid. |
| 00:42:39 |
A fight? |
| 00:42:43 |
My pop, he was |
| 00:42:47 |
A guard? |
| 00:42:49 |
Yeah, he used to go to work |
| 00:42:52 |
You know, crease in the pants |
| 00:42:57 |
I used to think |
| 00:43:01 |
He... He did that? |
| 00:43:04 |
I was a month |
| 00:43:08 |
It was 1946, so no job. |
| 00:43:13 |
And there was a strike |
| 00:43:19 |
You know, |
| 00:43:25 |
You know, bats |
| 00:43:31 |
Little Teamster shit |
| 00:43:34 |
Two years in North Africa, |
| 00:43:37 |
Six days in Burbank, |
| 00:43:44 |
And my pop apologized. |
| 00:43:48 |
To you? |
| 00:43:52 |
To the studio. |
| 00:43:54 |
For his son screwing up. |
| 00:43:58 |
Like the chicken shit peasant |
| 00:44:08 |
What's that look? |
| 00:44:10 |
Just watching you. |
| 00:44:17 |
Mrs. Bessolo. |
| 00:44:19 |
I don't need this. |
| 00:44:21 |
I do. Sit down, |
| 00:44:23 |
PHOTOGRAPHER: Mrs. Bessolo. |
| 00:44:27 |
Right here. |
| 00:44:30 |
Mrs. Bessolo. |
| 00:44:31 |
I'm James Engelmann, |
| 00:44:34 |
The what? |
| 00:44:35 |
Superman was filmed |
| 00:44:36 |
And I'm here |
| 00:44:40 |
My son was not lost, |
| 00:44:45 |
One more, Mrs. Bessolo. |
| 00:44:50 |
What the hell did you |
| 00:44:52 |
Freedom of the press, |
| 00:45:08 |
Were these in the report? |
| 00:45:09 |
They weren't |
| 00:45:13 |
Hang on there, Mrs. Bessolo, |
| 00:45:18 |
Just let me sit for a minute. |
| 00:45:21 |
Come on, make yourself useful, |
| 00:45:22 |
Sure. |
| 00:45:25 |
There you go. |
| 00:45:28 |
There you go. |
| 00:45:32 |
Okay? There you go, |
| 00:45:37 |
Here. |
| 00:45:39 |
Okay? I'm gonna go |
| 00:45:44 |
Is she all right? |
| 00:45:45 |
That's her boy's blood. |
| 00:45:51 |
The deceased woke up, joined |
| 00:45:56 |
returned to bed, |
| 00:46:00 |
The Luger, found there |
| 00:46:05 |
He kept it in the night stand. |
| 00:46:12 |
And the casing, on the bed, |
| 00:46:15 |
You want to explain to me |
| 00:46:19 |
and end up |
| 00:46:20 |
Is this your strategy, |
| 00:46:23 |
There's no prints |
| 00:46:25 |
What, did he wipe it clean |
| 00:46:27 |
Prints aren't automatic. |
| 00:46:30 |
Did you question |
| 00:46:31 |
They all signed |
| 00:46:33 |
Forty-five minutes |
| 00:46:34 |
That's plenty of time |
| 00:46:37 |
But you got sworn statements. |
| 00:46:40 |
Was Reeves checked |
| 00:46:41 |
It's a suicide shot |
| 00:46:44 |
When a gun is discharged |
| 00:46:46 |
Listen, the coroner |
| 00:46:48 |
He didn't notice the bruises |
| 00:46:49 |
Which, by the way, aren't |
| 00:46:54 |
Like, maybe a fight with a guy |
| 00:46:59 |
Cause your expiration. |
| 00:47:16 |
He won't be buried |
| 00:47:18 |
Mrs. Bessolo, |
| 00:47:22 |
to help you pay for |
| 00:47:25 |
that you might deem |
| 00:47:34 |
Since when do suicides |
| 00:47:40 |
Is that normal? Just asking. |
| 00:47:43 |
That cost the studio 15 grand. |
| 00:47:48 |
You think you're worth that? |
| 00:47:50 |
We were just... |
| 00:47:51 |
This Farmer's Daughter |
| 00:47:55 |
HOWARD: The Mating Game. |
| 00:47:56 |
EDDIE: |
| 00:47:58 |
You think I'm going to let you |
| 00:48:01 |
You think you're |
| 00:48:02 |
HOWARD: Our concern here is... |
| 00:48:05 |
Faces change. |
| 00:48:06 |
What Mr. Mannix means... |
| 00:48:07 |
He knows what I mean. |
| 00:48:19 |
Set something up. |
| 00:48:21 |
Him and some starlet. |
| 00:48:26 |
Picnic, soda pop. |
| 00:48:30 |
Already arranged. |
| 00:48:31 |
They treat their |
| 00:48:36 |
Whatever the fuck they want. |
| 00:48:39 |
The business is changing. |
| 00:48:43 |
Fags and television. |
| 00:48:47 |
And what are we, huh? |
| 00:48:50 |
The Last of the Mohicans. |
| 00:48:54 |
That was a UA picture, Eddie. |
| 00:48:58 |
That spic, |
| 00:49:02 |
wop, prick detective. |
| 00:49:05 |
I sent |
| 00:49:07 |
He used to work for us. |
| 00:49:11 |
And? |
| 00:49:12 |
Louis Simo. |
| 00:49:14 |
Two years |
| 00:49:16 |
He shot his mouth off |
| 00:49:18 |
to Confidential for $5,000. |
| 00:49:21 |
Susan Humphries? |
| 00:49:23 |
Jennifer Jones type. |
| 00:49:24 |
Under contract at Fox. |
| 00:49:27 |
Drove off Topanga |
| 00:49:30 |
You have a good memory, |
| 00:49:32 |
What's the prick want? |
| 00:49:34 |
Money. Press. |
| 00:49:38 |
What's he got? |
| 00:49:41 |
Some questions. |
| 00:49:57 |
My wife |
| 00:50:01 |
It's been almost a week, |
| 00:50:04 |
I'll stop by and see her. |
| 00:50:06 |
Do that. Cheer her up. |
| 00:50:09 |
She always liked you. |
| 00:50:13 |
Eddie. |
| 00:50:16 |
You have anything |
| 00:50:18 |
About what? |
| 00:50:19 |
Anything I need to |
| 00:50:33 |
She's not here. |
| 00:50:34 |
Miss Lemmon? |
| 00:50:36 |
That's interesting. |
| 00:50:37 |
What is? |
| 00:50:39 |
That you thought |
| 00:50:50 |
Is that your father? |
| 00:50:53 |
My husband. |
| 00:50:54 |
Oh, sorry. |
| 00:50:58 |
He's a screenwriter. |
| 00:51:00 |
Well, no one could blame you |
| 00:51:04 |
What was his name again? |
| 00:51:08 |
I'm sure you're just friends. |
| 00:51:12 |
Around back. |
| 00:51:26 |
You really ought to |
| 00:51:29 |
My husband does the gardening. |
| 00:51:34 |
Well, what do you do, |
| 00:51:38 |
I don't go around trying |
| 00:51:40 |
You saw that, huh? |
| 00:51:42 |
What are you going to do |
| 00:51:47 |
There are two holes |
| 00:51:51 |
Leonore made them. |
| 00:51:53 |
Months ago. |
| 00:51:55 |
I asked her to. |
| 00:51:57 |
You asked her |
| 00:52:00 |
When you're drunk, |
| 00:52:04 |
He shoots himself, |
| 00:52:08 |
That's unusual. |
| 00:52:10 |
You ever been to a party |
| 00:52:13 |
No. |
| 00:52:14 |
Then how do you know |
| 00:52:19 |
So how do I find |
| 00:52:21 |
She's not the way |
| 00:52:23 |
Yeah? |
| 00:52:27 |
She was only |
| 00:52:32 |
I just want to remember |
| 00:52:40 |
That's nice, |
| 00:52:45 |
Hey, you're a detective, |
| 00:52:47 |
Yeah. |
| 00:52:48 |
So, men hire you to find out |
| 00:52:52 |
Yeah, they do that. |
| 00:52:54 |
Does the truth |
| 00:52:58 |
Hardly ever. |
| 00:53:03 |
You know, he wasn't |
| 00:53:07 |
Reeves? |
| 00:53:09 |
How do you know? |
| 00:53:10 |
Oh, she ran over here |
| 00:53:14 |
I heard every word. |
| 00:53:17 |
And how did |
| 00:53:22 |
Like a longshoreman |
| 00:53:44 |
(SINGING AQUELLOS OJOS VERDES |
| 00:54:02 |
(LOUD ROCKABILLY MUSIC PLAYING |
| 00:54:05 |
Christ! |
| 00:54:07 |
Nobody wants to hear |
| 00:54:09 |
This is my house. |
| 00:54:11 |
I am tired of you treating it |
| 00:54:14 |
Woe is fucking me. |
| 00:54:21 |
You goddamn miserable |
| 00:54:23 |
Christ! |
| 00:54:25 |
Shut up! |
| 00:54:26 |
I haul myself out |
| 00:54:29 |
and you have the balls |
| 00:54:31 |
God damn it. Listen, |
| 00:54:35 |
Put that... |
| 00:54:38 |
You're a fool! |
| 00:54:40 |
You has-been! |
| 00:54:49 |
Georgie? |
| 00:56:13 |
(TSKING) |
| 00:56:20 |
I had to take a leak. |
| 00:56:23 |
This is |
| 00:56:25 |
Then I guess we both deserve |
| 00:56:37 |
What's that? |
| 00:56:38 |
Last I looked, it was $4,000 |
| 00:56:43 |
Georgie put it aside |
| 00:56:46 |
That's off the plate now, |
| 00:56:48 |
Is that why you killed him? |
| 00:56:50 |
You think he was rich? |
| 00:56:54 |
Oh, yeah? Well, maybe you |
| 00:57:02 |
He was fun, |
| 00:57:08 |
Pretty good in the sack. |
| 00:57:12 |
Yeah? |
| 00:57:14 |
Lady, I can nail you |
| 00:57:17 |
D'Artagnan, you couldn't |
| 00:57:23 |
And you're not a cop. |
| 00:57:26 |
So what the hell are you doing |
| 00:57:31 |
"And then, Mr. Simo showed me |
| 00:57:37 |
"And I became frightened." |
| 00:57:42 |
You're in my way. |
| 00:57:47 |
I'm going to be on you, |
| 00:57:49 |
Not unless |
| 00:57:59 |
See how I got us in the paper? |
| 00:58:05 |
Guaranteed, |
| 00:58:08 |
Now, the more heat they feel, |
| 00:58:12 |
The police reopened the case? |
| 00:58:15 |
They will |
| 00:58:17 |
Which requires |
| 00:58:20 |
so I can go on hammering. |
| 00:58:26 |
I did get a copy |
| 00:58:29 |
And I'm not talking about |
| 00:58:31 |
Plus, something else. |
| 00:58:35 |
That's a new motive |
| 00:58:37 |
And I intend to go... |
| 00:58:41 |
Oh, yeah? You knew |
| 00:58:43 |
Do you think my own son |
| 00:58:47 |
And to a greedy slut |
| 00:58:54 |
All these people... |
| 00:59:00 |
What about them? |
| 00:59:01 |
They're sitting around |
| 00:59:05 |
I don't know who they are. |
| 00:59:09 |
George starred with Sinatra, |
| 00:59:14 |
He was |
| 00:59:26 |
Someone else |
| 00:59:27 |
Well, now, |
| 00:59:30 |
Ought to keep it clean. |
| 00:59:33 |
Does this offend |
| 00:59:35 |
Yes. |
| 00:59:37 |
But you're new on the job, |
| 00:59:43 |
Art got a call. |
| 00:59:48 |
They're what? |
| 00:59:50 |
Kellogg's. They bought it. |
| 00:59:52 |
After two years? |
| 00:59:55 |
I will be |
| 00:59:58 |
Wearing brown and gray |
| 01:00:01 |
Well? Hooray! |
| 01:00:04 |
Christ. |
| 01:00:07 |
Well, maybe it wasn't |
| 01:00:09 |
No, I'm quite sure |
| 01:00:11 |
But you did create a very |
| 01:00:16 |
Is that right? |
| 01:00:19 |
I'd fuck you |
| 01:00:22 |
Well, one thing |
| 01:00:24 |
No one with a lick of sense |
| 01:00:30 |
(SUPERMAN THEME MUSIC |
| 01:00:36 |
NARRATOR: Faster than |
| 01:00:39 |
More powerful |
| 01:00:43 |
Able to leap tall buildings |
| 01:00:46 |
MAN 1: Look! |
| 01:00:47 |
MAN 1: It's a bird! |
| 01:00:49 |
MAN 2: It's Superman! |
| 01:00:50 |
NARRATOR: Yes, it's Superman! |
| 01:00:51 |
Strange visitor from |
| 01:00:55 |
bend steel in his bare hands, |
| 01:00:58 |
and who, disguised |
| 01:01:02 |
for truth, justice, |
| 01:01:07 |
"Homes with children. |
| 01:01:11 |
"91 rating." |
| 01:01:14 |
What does that mean? |
| 01:01:16 |
No, they're watching |
| 01:01:20 |
Kellogg's has ordered 26 more. |
| 01:01:24 |
Well, I'll get to wear |
| 01:01:33 |
Maybe you ought to |
| 01:01:43 |
Superman doesn't smoke. |
| 01:01:53 |
Sir. |
| 01:02:10 |
Art, I'm coming right back. |
| 01:02:16 |
All right. |
| 01:02:37 |
George Reeves? |
| 01:02:48 |
Excuse me, Mr. Zinnemann. |
| 01:02:51 |
George Reeves will be reading |
| 01:02:55 |
Good morning, one and all. |
| 00:00:06 |
So he crashed his car |
| 00:00:09 |
Almost got killed. |
| 00:00:11 |
Drug! |
| 00:00:12 |
There wasn't any brake fluid. |
| 00:00:14 |
How do you know that? |
| 00:00:16 |
I went down |
| 00:00:19 |
I said I was from |
| 00:00:23 |
He was very friendly. |
| 00:00:25 |
Leak in the lining? |
| 00:00:27 |
Mr. Phelps couldn't find one. |
| 00:00:31 |
But they were still |
| 00:00:34 |
Well, wouldn't that |
| 00:00:37 |
Why Leonore drains |
| 00:00:39 |
Why Mrs. Mannix does. |
| 00:00:41 |
He leaves her, right? |
| 00:00:44 |
She can't bear it... |
| 00:00:45 |
And Toni wants him dead. |
| 00:00:48 |
Well, wouldn't that be better? |
| 00:00:51 |
(GUNS FIRING) |
| 00:00:53 |
Help! Help! They've robbed |
| 00:00:57 |
(MEN YIPPING) |
| 00:01:03 |
(CHILDREN BOOING) |
| 00:01:06 |
(SUPERMAN THEME MUSIC PLAYING |
| 00:01:15 |
MAN: Stop right there! |
| 00:01:17 |
What's that? |
| 00:01:31 |
You can't see my penis, |
| 00:01:33 |
(MEN LAUGHING) |
| 00:02:22 |
Hey, Superman! |
| 00:02:26 |
Well, hello there, young man, |
| 00:02:28 |
Kenneth Giles. |
| 00:02:43 |
Kenneth, why would you want |
| 00:02:47 |
So the bullet bounces off. |
| 00:02:52 |
Well, if you did shoot me |
| 00:02:58 |
it might accidentally |
| 00:03:01 |
We don't want that |
| 00:03:05 |
Why don't you just, |
| 00:03:10 |
Why don't you just give me |
| 00:03:14 |
One minute... |
| 00:03:16 |
(CAR HORN HONKING) |
| 00:03:17 |
You think I don't see |
| 00:03:21 |
Day after day, |
| 00:03:23 |
I'm just waiting |
| 00:03:25 |
He leaves those |
| 00:03:27 |
And then he pretends |
| 00:03:32 |
Miss Sinclair... |
| 00:03:35 |
That's confidential. |
| 00:03:36 |
He's been out of work |
| 00:03:38 |
I don't know what he does |
| 00:03:41 |
Now, why don't you |
| 00:03:46 |
Ma'am, I'm just trying to |
| 00:03:50 |
If there's a problem |
| 00:03:52 |
maybe you should talk to |
| 00:03:55 |
Hash it out. |
| 00:04:00 |
I can't fix your marriage, |
| 00:04:06 |
I don't know, I thought you |
| 00:04:08 |
What do you suggest |
| 00:04:09 |
He drops a hint to Zinnemann. |
| 00:04:11 |
That's how these things work, |
| 00:04:15 |
It's Harry Cohn's picture. |
| 00:04:18 |
Well, what ever happened |
| 00:04:21 |
Let's just save it |
| 00:04:23 |
Oh, I see. This isn't |
| 00:04:33 |
Here. |
| 00:04:35 |
Because you've had |
| 00:04:41 |
Well, who needs |
| 00:04:45 |
I just don't want |
| 00:04:48 |
I don't know that |
| 00:04:50 |
It would just make me feel |
| 00:04:52 |
What would make me feel safe |
| 00:04:55 |
in front of |
| 00:04:56 |
You'd be gone, |
| 00:05:00 |
And then |
| 00:05:11 |
Mrs. Mannix, please. |
| 00:05:12 |
Who shall I say |
| 00:05:14 |
Lawrence Farmer, from |
| 00:05:17 |
To thank her |
| 00:05:19 |
One moment, please. |
| 00:05:47 |
HOWARD: Mr. Simo. |
| 00:05:53 |
Do I know you? |
| 00:05:55 |
No. But I'm familiar |
| 00:05:58 |
Everybody reads |
| 00:06:02 |
I'm Howard Strickling. |
| 00:06:05 |
How do you do? |
| 00:06:06 |
And I'm wondering |
| 00:06:08 |
to approach Mrs. Mannix |
| 00:06:11 |
Are you speaking |
| 00:06:13 |
I'm speaking |
| 00:06:15 |
Can I see Mrs. Mannix? |
| 00:06:16 |
She's not well. |
| 00:06:18 |
And frankly, |
| 00:06:20 |
appreciate being dragged |
| 00:06:22 |
What business is that? |
| 00:06:23 |
Your business, |
| 00:06:30 |
You didn't have to |
| 00:06:32 |
You seem to have |
| 00:06:35 |
They're |
| 00:06:48 |
Could you pass along a message |
| 00:06:52 |
And what would that be? |
| 00:06:56 |
Hope to see her |
| 00:07:02 |
(UPBEAT JAZZ MUSIC PLAYING) |
| 00:07:14 |
Art! Where's the boy? |
| 00:07:19 |
He's over there. |
| 00:07:22 |
Zinnemann sure did keep us |
| 00:07:26 |
But I knew |
| 00:07:28 |
How did you know that? |
| 00:07:30 |
What choice did I have? |
| 00:07:33 |
And, Toni, thank you. |
| 00:07:37 |
For what? |
| 00:07:40 |
Whatever you did to help. |
| 00:07:50 |
WOMAN: Hi, George. |
| 00:07:52 |
Hello. |
| 00:08:00 |
(CHURCH BELLS TOLLING) |
| 00:08:02 |
Mr. Weissman? |
| 00:08:06 |
You knew George? |
| 00:08:10 |
I'm Louis Simo. |
| 00:08:12 |
I'm no speechmaker. |
| 00:08:14 |
Saying what you really feel, |
| 00:08:19 |
Thank you for coming. |
| 00:08:23 |
Mr. Weissman, |
| 00:08:29 |
Seeing me off |
| 00:08:31 |
Mrs. Mannix was unable |
| 00:08:36 |
You do a lot |
| 00:08:40 |
And you're just |
| 00:08:43 |
But I am concerned. |
| 00:08:44 |
Yeah? About what? |
| 00:08:46 |
Your history. |
| 00:08:47 |
People are rarely afforded |
| 00:08:51 |
Are you threatening me? |
| 00:08:52 |
I'm offering you |
| 00:08:54 |
There's a place for you |
| 00:08:58 |
I'd rather talk |
| 00:08:59 |
There's nothing there |
| 00:09:01 |
Yeah? Then why are you |
| 00:09:04 |
When it comes to publicity, |
| 00:09:08 |
If it hurts the studio, |
| 00:09:12 |
I have to fix it. |
| 00:09:17 |
The offer's sincere. |
| 00:09:18 |
Don't let pride stand |
| 00:09:25 |
Sad day, huh, boys? |
| 00:09:28 |
Calling it suicide when |
| 00:09:33 |
Sing us a new song, Simo. |
| 00:09:35 |
What, you don't love me |
| 00:09:37 |
Two months ago, somebody |
| 00:09:41 |
Almost bought it right then. |
| 00:09:45 |
I mean, LAPD don't make |
| 00:09:51 |
Who wanted him dead? |
| 00:09:53 |
You guys might be lazy, |
| 00:09:54 |
Give me that. |
| 00:09:57 |
You want me |
| 00:09:58 |
Hey, you got a story |
| 00:10:00 |
You want names? |
| 00:10:03 |
He's got the names. |
| 00:10:07 |
What's he doing here when |
| 00:10:10 |
Huh? Come on, |
| 00:10:12 |
Hey, Capa, lift |
| 00:10:17 |
There you go. |
| 00:10:30 |
Excuse me. |
| 00:10:32 |
Hi, Bobby. |
| 00:10:34 |
Hi, Bobby. |
| 00:10:35 |
Thank you so much. |
| 00:10:37 |
Good luck. |
| 00:10:45 |
(COLUMBIA THEME MUSIC |
| 00:10:46 |
(CROWD APPLAUDING) |
| 00:11:02 |
Well, buddy, |
| 00:11:08 |
MAN ON SCREEN: |
| 00:11:13 |
That's what I thought. |
| 00:11:17 |
Well, now, it looks like |
| 00:11:20 |
Hello, Stark. |
| 00:11:21 |
No, thanks, all tied up. |
| 00:11:23 |
Leva tells me you've been |
| 00:11:25 |
like a hound dog |
| 00:11:27 |
CROWD: (MURMURING) Superman. |
| 00:11:29 |
TOM: Took up with a lot of men |
| 00:11:31 |
STARK: Well, I wouldn't put |
| 00:11:33 |
TOM: This ain't no story. |
| 00:11:35 |
MAN: Look up on the screen! |
| 00:11:37 |
STARK: Not for long, though. |
| 00:11:39 |
MAN: More powerful |
| 00:11:42 |
(AUDIENCE SNICKERING) |
| 00:11:44 |
People can see you. |
| 00:11:46 |
MAN 2: Faster than |
| 00:11:49 |
MAN 3: Hey, where's Lois Lane? |
| 00:11:51 |
MAN ON SCREEN: Hello. |
| 00:11:53 |
WOMAN ON SCREEN: |
| 00:11:54 |
MAN ON SCREEN: |
| 00:12:15 |
I'll always take care |
| 00:12:33 |
(THE GREAT PRETENDER |
| 00:12:36 |
Nice shot, Louie. |
| 00:12:52 |
Kit? |
| 00:12:59 |
(LOUIS GROANING) |
| 00:13:02 |
You listening? |
| 00:13:04 |
Get the fuck out of my house! |
| 00:13:06 |
(LOUIS GRUNTING) |
| 00:13:07 |
Are you listening? |
| 00:13:19 |
Be smart. Let it go. |
| 00:13:23 |
What, your mother's snatch? |
| 00:13:26 |
Here's what I mean. |
| 00:13:28 |
(CHAIN CLINKING) |
| 00:13:40 |
KIT: Louis? Louis? |
| 00:13:44 |
Louis, can you hear me? Louis? |
| 00:13:50 |
(GROANS) |
| 00:13:52 |
I'm calling a doctor, |
| 00:13:54 |
I don't wanna go |
| 00:13:56 |
Well, at least some ice. |
| 00:13:59 |
There's no ice in the fridge. |
| 00:14:01 |
Stop being stubborn, |
| 00:14:04 |
There's no ice. |
| 00:14:09 |
There's no ice. |
| 00:14:14 |
(GROANS IN PAIN) |
| 00:14:16 |
Sit down. |
| 00:14:25 |
What's this about? |
| 00:14:33 |
This murder bullshit |
| 00:14:37 |
I think it might be true. |
| 00:14:40 |
I can help. Oh, come on, |
| 00:14:43 |
Kit, let's call it a day, |
| 00:14:45 |
What? |
| 00:14:48 |
This isn't some TV show |
| 00:14:51 |
This is just |
| 00:14:54 |
It makes you go around, and |
| 00:14:59 |
You don't really believe that. |
| 00:15:02 |
You know what I care about? |
| 00:15:05 |
That you're balling this |
| 00:15:15 |
Look, I was... |
| 00:15:16 |
Going to. Yeah. |
| 00:15:24 |
Do you want me here today? |
| 00:15:27 |
No, I don't think I do. |
| 00:15:38 |
(DOOR CLOSES) |
| 00:16:19 |
Let's go outside. |
| 00:16:25 |
You packing? |
| 00:16:29 |
Lou, I do what I'm told. |
| 00:16:32 |
You took the cash |
| 00:16:35 |
$4,500 for ratting on some |
| 00:16:39 |
'Cause I'm loyal! |
| 00:16:43 |
Rick. |
| 00:16:45 |
Didn't say. |
| 00:16:47 |
You tell me why! |
| 00:16:49 |
Look, when I helped you out |
| 00:16:53 |
I should've kept |
| 00:16:56 |
You would have done |
| 00:16:59 |
That's how |
| 00:17:57 |
(TELEPHONE RINGING) |
| 00:18:01 |
(GROANING) |
| 00:18:06 |
What? |
| 00:18:08 |
Mr. Simo. |
| 00:18:10 |
Mr. Sinclair? |
| 00:18:13 |
You have to stop, |
| 00:18:17 |
Things are... |
| 00:18:22 |
They're not what they seem. |
| 00:18:25 |
What are you saying? |
| 00:18:27 |
I've misjudged terribly. |
| 00:18:30 |
And... |
| 00:18:32 |
Can you meet with me, |
| 00:18:38 |
Please. |
| 00:18:40 |
Meet you where? |
| 00:18:48 |
(POLICE TALKING ON RADIO) |
| 00:19:51 |
What are you doing here? |
| 00:19:53 |
I... My client... |
| 00:19:56 |
She was your client? |
| 00:20:02 |
Shot her in the throat, |
| 00:20:05 |
the heart |
| 00:20:07 |
and in the vagina. |
| 00:20:09 |
SINCLAIR: Mr. Simo. |
| 00:20:12 |
Oh, Jesus Christ. |
| 00:20:14 |
I do wish you'd been prompt. |
| 00:20:17 |
for failing to see that |
| 00:20:20 |
but guarding the rampant |
| 00:20:25 |
I hope you've learned |
| 00:20:27 |
Come on. |
| 00:20:37 |
This one's easier |
| 00:20:41 |
than your other murder. |
| 00:20:59 |
So, what's the emergency? |
| 00:21:02 |
Better have |
| 00:21:04 |
It's 10:30 in the morning. |
| 00:21:08 |
It's pretty bad. |
| 00:21:10 |
What is? |
| 00:21:12 |
Enough, George. |
| 00:21:17 |
We're canceled. |
| 00:21:26 |
I just don't see the point. |
| 00:21:27 |
The point is |
| 00:21:30 |
If I don't sell myself, |
| 00:21:33 |
The business is here, |
| 00:21:34 |
Yes, but the money's |
| 00:21:36 |
I can get in the papers there. |
| 00:21:39 |
It's a lot of bother. |
| 00:21:40 |
I want to do this. I'm looking |
| 00:21:45 |
I see. |
| 00:21:46 |
No, you don't. |
| 00:21:48 |
You think I should just |
| 00:21:51 |
while the both of us... |
| 00:21:53 |
While the both of us |
| 00:21:55 |
My love, |
| 00:21:59 |
I can set up my own projects. |
| 00:22:03 |
We'll get some other sap |
| 00:22:07 |
Who knows, |
| 00:22:13 |
I'll be back |
| 00:22:17 |
Kiss me. |
| 00:22:19 |
Let me close this. |
| 00:22:26 |
Kiss me. |
| 00:22:29 |
I have to go. Toni... |
| 00:22:31 |
George, kiss me. |
| 00:22:35 |
All right. |
| 00:22:37 |
(TELEPHONE RINGING) |
| 00:22:57 |
Shit. |
| 00:22:58 |
LEONORE: That bitch who |
| 00:23:00 |
Who is this? |
| 00:23:02 |
He grew up |
| 00:23:03 |
When he's old enough, |
| 00:23:07 |
Miss Lemmon? |
| 00:23:09 |
Pistol in the mouth. |
| 00:23:12 |
Fifteen years later, he gets |
| 00:23:17 |
All he'd done was dump |
| 00:23:19 |
Left Georgie, too. |
| 00:23:21 |
So Mommy tells baby, |
| 00:23:25 |
She tells her own son. |
| 00:23:27 |
Georgie swore |
| 00:23:31 |
This lets you off the hook? |
| 00:23:33 |
I didn't screw his head |
| 00:23:37 |
LOUIS: |
| 00:23:42 |
I'm... |
| 00:23:44 |
I'm just a little blotto, |
| 00:23:48 |
Kind of horny. |
| 00:23:51 |
And pretty goddamn all alone. |
| 00:23:53 |
So... |
| 00:23:55 |
I don't know. |
| 00:23:57 |
And I thought maybe we had |
| 00:24:32 |
Mrs. Bessolo? |
| 00:24:44 |
Mrs. Bessolo. |
| 00:24:47 |
Mrs. Bessolo! |
| 00:24:52 |
I won't be needing |
| 00:24:56 |
And when were you |
| 00:24:58 |
I intend to mail you a check. |
| 00:25:00 |
A check? |
| 00:25:01 |
That's it? |
| 00:25:03 |
I don't owe you |
| 00:25:04 |
How about an explanation? |
| 00:25:06 |
How about telling me |
| 00:25:09 |
Don't you use |
| 00:25:13 |
Mr. Strickling |
| 00:25:16 |
A statue would be erected... |
| 00:25:18 |
A what? |
| 00:25:19 |
outside the Chinese Theater. |
| 00:25:23 |
You never gave a shit, |
| 00:25:26 |
You'll be paid. |
| 00:25:28 |
Keep your goddamn check. |
| 00:25:31 |
My son was a great star. |
| 00:25:34 |
He deserves a statue. |
| 00:25:45 |
(BAND PLAYING JAZZ MUSIC) |
| 00:25:47 |
Can I take your picture? |
| 00:25:49 |
Oh, wait. I blinked, |
| 00:25:51 |
Sorry, no retakes. |
| 00:25:53 |
My goddamn eyes |
| 00:25:58 |
You know |
| 00:26:00 |
Superman. |
| 00:26:03 |
Right. He's got to be loaded. |
| 00:26:06 |
You know, my little cousins |
| 00:26:14 |
Look at her ass. |
| 00:26:15 |
Len, look. |
| 00:26:22 |
What's really |
| 00:26:24 |
Earl Wilson. |
| 00:26:25 |
Look at you all dressed up. |
| 00:26:29 |
You punched a waiter |
| 00:26:32 |
I left a nice tip. |
| 00:26:36 |
Find something funny, junior? |
| 00:26:37 |
No, no, no. |
| 00:26:38 |
I know when I'm |
| 00:26:40 |
Don't sell yourself short. |
| 00:26:42 |
I got a big heart. |
| 00:26:43 |
I'll bet you've got |
| 00:26:48 |
That's very nice of you |
| 00:26:52 |
Leonore Lemmon. |
| 00:26:53 |
Miss Lemmon. |
| 00:26:55 |
So, how about an autograph |
| 00:27:00 |
Is he in an iron lung? |
| 00:27:01 |
He's in Yonkers. |
| 00:27:10 |
Superman wants to get laid. |
| 00:27:27 |
Goddamn! |
| 00:27:29 |
Make room for fucking Daddy! |
| 00:27:33 |
You know what, stallion? |
| 00:27:35 |
I think you're starting to |
| 00:27:41 |
Let's do it again. |
| 00:28:01 |
Hey, Scout. |
| 00:28:03 |
Mom's picking me up. |
| 00:28:04 |
I know that. |
| 00:28:08 |
I got you something. |
| 00:28:15 |
I left it in the car. |
| 00:28:17 |
I'll give it to you when we |
| 00:28:22 |
How come |
| 00:28:25 |
'Cause I don't sit |
| 00:28:29 |
Your pop's an investigator, |
| 00:28:33 |
Come on, let's go. |
| 00:28:35 |
I'm supposed to wait |
| 00:28:38 |
What? |
| 00:28:48 |
Your mom and me, we don't... |
| 00:28:55 |
Evan. |
| 00:28:58 |
Evan. |
| 00:29:02 |
Nobody has magic powers. |
| 00:29:04 |
You got to be tough. |
| 00:29:08 |
You got to show them |
| 00:29:11 |
My father |
| 00:29:17 |
Okay, here we go. Come on. |
| 00:29:25 |
Come on. |
| 00:29:32 |
(SLURRING) |
| 00:29:36 |
Tell him, Scout. |
| 00:29:38 |
Evan, tell him, please. |
| 00:29:41 |
Evan. Evan. |
| 00:29:47 |
Honey, |
| 00:29:50 |
Oh, Jesus. |
| 00:29:52 |
Could you take him... |
| 00:30:14 |
Whatever you want to say, |
| 00:30:18 |
Are you going to fight |
| 00:30:21 |
I thought you |
| 00:30:39 |
You're saying this why? |
| 00:30:41 |
I want to be honest with you. |
| 00:30:43 |
My, that's noble. |
| 00:30:45 |
What is that, from some script |
| 00:30:49 |
No. It's just me, |
| 00:30:52 |
I'm so grateful. |
| 00:30:54 |
Straight arrow George! |
| 00:30:55 |
You go to New York, |
| 00:30:58 |
She's not a whore. |
| 00:31:00 |
She's an actress. A singer? |
| 00:31:04 |
Does she blow smoke rings |
| 00:31:08 |
Is it a fling you want? |
| 00:31:10 |
It's not a fling. |
| 00:31:12 |
Oh, you're in love! |
| 00:31:14 |
Two weeks in a hotel room? |
| 00:31:16 |
She makes me feel young. |
| 00:31:20 |
Have you seen yourself, |
| 00:31:23 |
Your face is going. |
| 00:31:26 |
Here, your eyes, your hair, |
| 00:31:29 |
You think no one notices? |
| 00:31:31 |
But you've got your projects, |
| 00:31:34 |
You'll sit in your |
| 00:31:37 |
Thank God I'm rid of |
| 00:31:39 |
What was her name? |
| 00:31:41 |
The one who bought me |
| 00:31:43 |
You want publicity? |
| 00:31:47 |
And a faggot. A lush. |
| 00:31:50 |
You know what? |
| 00:31:53 |
You could've talked to Eddie. |
| 00:31:54 |
You could've gotten me |
| 00:31:56 |
Because you liked me where |
| 00:31:58 |
You liked that! |
| 00:32:01 |
God damn you! |
| 00:32:03 |
But, George, |
| 00:32:05 |
Ten-year-olds |
| 00:32:08 |
That was the best |
| 00:32:11 |
I knew that. Why didn't you? |
| 00:32:20 |
They rushed it and closed |
| 00:32:23 |
Why? |
| 00:32:28 |
There was pressure. |
| 00:32:30 |
Oh, yeah? From who? |
| 00:32:33 |
Look, I can't do |
| 00:32:36 |
I got a wife, kids, |
| 00:32:40 |
Look, I'm in for 20 |
| 00:32:42 |
But I got nothing to lose, |
| 00:32:44 |
Think it through. |
| 00:32:47 |
I'm not getting paid, pal. |
| 00:32:50 |
That's all |
| 00:32:55 |
I got that woman killed. |
| 00:32:59 |
Fifty bucks a day, |
| 00:33:02 |
'cause I can't see straight |
| 00:33:04 |
No. I'm done. |
| 00:33:07 |
Look, this is how they work |
| 00:33:09 |
Don't you want to know |
| 00:33:12 |
Why don't you get |
| 00:33:15 |
Where do you come off |
| 00:33:18 |
Well, I'm not the one |
| 00:35:06 |
(LOUD ROCKABILLY MUSIC PLAYING |
| 00:35:09 |
Who wants me to wrestle? |
| 00:35:11 |
Professional circuit. |
| 00:35:14 |
You might get |
| 00:35:17 |
What do you got, a party? |
| 00:35:18 |
No. Just a few friends |
| 00:35:22 |
So now when that old bitch |
| 00:35:25 |
So at least |
| 00:35:26 |
I got a delivery |
| 00:35:27 |
Hey, in there! |
| 00:35:30 |
Sorry. |
| 00:35:33 |
Put that on the table. |
| 00:35:36 |
Georgie, why don't you show |
| 00:35:39 |
All right. |
| 00:35:40 |
Why don't we take it easy |
| 00:35:46 |
All right, kid, here's 100. |
| 00:35:49 |
Georgie, you are directing |
| 00:35:52 |
Live a little, okay? |
| 00:35:54 |
Just don't ruin the party, |
| 00:35:56 |
Give me a kiss. |
| 00:35:59 |
GEORGE: All right, all right. |
| 00:36:01 |
LEONORE: I'll fix you a drink, |
| 00:36:03 |
(ROMANTIC BALLAD PLAYING |
| 00:36:29 |
(SOBBING) |
| 00:36:32 |
(SCREAMING) |
| 00:36:45 |
Yeah? |
| 00:36:47 |
EDDIE: That actor... |
| 00:36:49 |
Eddie, it's very late. |
| 00:36:53 |
What's he planning to do |
| 00:36:56 |
He has some spaceman script |
| 00:37:01 |
To direct. |
| 00:37:03 |
If you offered some kind of... |
| 00:37:04 |
Yeah, yeah. |
| 00:37:12 |
(SINGING AQUELLOS OJOS VERDES |
| 00:37:21 |
Well, all right. |
| 00:37:24 |
Very nice. |
| 00:37:27 |
Thank you. |
| 00:37:29 |
What did you think, |
| 00:37:33 |
I thought you sounded |
| 00:37:36 |
Well, and so good night. |
| 00:37:40 |
Buenas noches, Jorge. |
| 00:37:58 |
Hey! |
| 00:38:21 |
Universal is not the only |
| 00:38:25 |
I already tried. |
| 00:38:27 |
He's your only client. |
| 00:38:29 |
Leonore. |
| 00:38:31 |
dragging around like |
| 00:38:36 |
Art, we talked about this. |
| 00:38:40 |
This picture's important. |
| 00:38:44 |
These people don't want me. |
| 00:38:47 |
And we got to show it to them, |
| 00:38:50 |
We got to cook something up |
| 00:38:53 |
The wrestling offer. |
| 00:38:58 |
Does it pay? |
| 00:39:00 |
Their only concern, |
| 00:39:08 |
Well, we'll... |
| 00:39:10 |
You can film me, |
| 00:39:13 |
Why don't you just join |
| 00:39:59 |
How are you doing? |
| 00:40:32 |
Mrs. Mannix? |
| 00:40:35 |
MAID: I'll just put it |
| 00:41:01 |
(KNOCKING ON DOOR) |
| 00:41:03 |
Mrs. Mannix? |
| 00:41:09 |
(TONI CRYING) |
| 00:41:11 |
Mrs. Mannix, |
| 00:41:13 |
It's about George. |
| 00:41:20 |
George shot himself. |
| 00:41:24 |
He was shot. |
| 00:41:27 |
Someone shot him, |
| 00:41:29 |
Who did that? |
| 00:41:33 |
Mrs. Mannix. |
| 00:41:40 |
Will you please help me? |
| 00:41:42 |
Did you know George? |
| 00:41:46 |
Why don't you tell me |
| 00:41:49 |
He really was |
| 00:41:54 |
Mrs. Mannix, please, |
| 00:41:56 |
You're not invited, Simo. |
| 00:42:00 |
Were you? |
| 00:42:03 |
Come on. |
| 00:42:10 |
Why don't you lay off? |
| 00:42:15 |
Mr. Harris. |
| 00:42:18 |
You come up from Palos Verdes |
| 00:42:21 |
I came to celebrate |
| 00:42:25 |
You've met Mr. Mannix. |
| 00:42:26 |
No, but we got |
| 00:42:31 |
Ain't that right, Eddie? |
| 00:42:33 |
I've got nothing |
| 00:42:38 |
Bernice, the first missus. |
| 00:42:41 |
You like that |
| 00:42:44 |
Rick... |
| 00:42:47 |
She get all clingy? |
| 00:42:49 |
How'd it feel, |
| 00:42:52 |
Happy times, huh, Ed? |
| 00:42:53 |
Richard, please. |
| 00:42:54 |
George Reeves... |
| 00:42:56 |
Am I being indiscreet? |
| 00:43:00 |
Louis, your problems |
| 00:43:01 |
Ricky, you cover |
| 00:43:02 |
Whatever you're pursuing here. |
| 00:43:04 |
You had a bullet |
| 00:43:06 |
...you constructed will not |
| 00:43:07 |
He used the studio |
| 00:43:13 |
You're going to burn in hell, |
| 00:43:20 |
Come here. |
| 00:43:26 |
You don't know me. |
| 00:43:28 |
You don't know |
| 00:43:32 |
I don't let you. |
| 00:43:34 |
You're an old man, Eddie. |
| 00:43:36 |
Who's going to wipe the blood |
| 00:43:38 |
My hands? |
| 00:43:40 |
I'm in the picture business. |
| 00:43:42 |
No, you're a murderer. |
| 00:43:45 |
Prove it. |
| 00:43:47 |
You hear me? |
| 00:43:52 |
Prove one fucking thing. |
| 00:44:05 |
Oh, God. |
| 00:44:39 |
People are waiting. |
| 00:44:44 |
Help with the dress. |
| 00:44:55 |
Okay? |
| 00:44:59 |
I'm gonna let some light in. |
| 00:45:15 |
I want to tell you |
| 00:45:19 |
You know I'll always |
| 00:45:23 |
Whatever's happened... |
| 00:45:27 |
Whatever might have been done. |
| 00:45:31 |
Nobody's going to hurt you. |
| 00:45:35 |
Nobody gets to ask. |
| 00:45:41 |
You're safe with me. |
| 00:45:48 |
Let me see |
| 00:46:04 |
You're beautiful. |
| 00:46:10 |
You always will be. |
| 00:46:18 |
I see the pieces. |
| 00:46:21 |
How they should fit. |
| 00:46:24 |
How I want them to fit. |
| 00:46:29 |
But I can't. |
| 00:46:39 |
I looked in his face. |
| 00:46:42 |
I know he could do it. |
| 00:46:44 |
Wouldn't think about it twice. |
| 00:46:45 |
Eddie Mannix? |
| 00:46:46 |
Yeah. |
| 00:46:49 |
No, I would never say |
| 00:46:54 |
What about Mrs. Mannix? |
| 00:46:56 |
You had to like her. |
| 00:47:00 |
Could she have done |
| 00:47:05 |
I don't want to think that. |
| 00:47:08 |
And Leonore? |
| 00:47:09 |
We never got along. |
| 00:47:11 |
Leave it there. |
| 00:47:20 |
Mr. Reeves? |
| 00:47:22 |
A charming man. |
| 00:47:26 |
Funny. Handsome. |
| 00:47:30 |
Not like the ones today. |
| 00:47:34 |
A movie-star face. |
| 00:47:38 |
Why wasn't he one? |
| 00:47:43 |
Where he wound up, |
| 00:47:45 |
it should have been enough, |
| 00:47:48 |
Enough for a life. |
| 00:47:52 |
But George... |
| 00:47:58 |
Yeah? |
| 00:48:08 |
I never showed this. |
| 00:48:14 |
You watch it. |
| 00:48:19 |
Tell me what you see. |
| 00:49:39 |
(SINGING AQUELLOS OJOS VERDES |
| 00:51:03 |
Good night. |
| 00:52:54 |
(GUN FIRING) |
