Holy Man
|
00:00:26 |
This product really works. |
00:00:28 |
Not only does it clean |
00:00:31 |
it sets the hair as well by getting |
00:00:34 |
Each blade |
00:00:36 |
by an actual 13th-century |
00:00:40 |
We are talking |
00:00:43 |
l personally have cut myself |
00:00:46 |
Money is a living, |
00:00:49 |
lf you disrespect money, |
00:00:53 |
and it will leave you |
00:00:56 |
When you are down, |
00:00:59 |
And when you are strong, |
00:01:15 |
No fear. |
00:01:18 |
No panic. |
00:01:21 |
Just be myself. |
00:01:23 |
l'm ready. |
00:01:25 |
l'm prepared. |
00:01:27 |
The new guy's |
00:01:30 |
- 'cause l'm a skilled |
00:01:33 |
- Mr Rick, you-- |
00:01:35 |
Appreciate it. |
00:01:39 |
Good, better, best. Never let it rest |
00:01:42 |
and your better is best. |
00:02:11 |
And then, you know, |
00:02:13 |
people get left behind. |
00:02:15 |
We're the future. Listen. lt reminds |
00:02:18 |
ln the early '60s, my father |
00:02:20 |
And one day, |
00:02:24 |
and he says, |
00:02:27 |
The future is in Plexiglas.'' |
00:02:29 |
My father said, ''Plexiglas is crap, |
00:02:33 |
And he didn't, and you know what |
00:02:37 |
My uncle got into Plexi, |
00:02:39 |
My dad, he hurled himself out |
00:02:42 |
lf it'd been Plexiglas, |
00:02:45 |
Hi. Of course, l'm kidding. |
00:02:48 |
The point is: Don't be like him. |
00:02:51 |
Come on. |
00:02:53 |
ln 6 months, if you still don't |
00:02:55 |
Of course it makes sense. |
00:02:58 |
- Great. And your stockholders |
00:03:02 |
Fire! |
00:03:04 |
[ Screams ] |
00:03:07 |
Ricky, these eye massagers, |
00:03:10 |
What is that, the white mask of Zorro? |
00:03:13 |
- Ricky. Ricky. Great. |
00:03:15 |
- How've you been? |
00:03:17 |
- Look, l wanted to show you these mats. |
00:03:20 |
- These are different. They're doormats. |
00:03:22 |
- They're made to look like grass. |
00:03:24 |
Tim George has offered me |
00:03:27 |
Okay, lemme see, lemme see. |
00:03:30 |
- lt works for all four seasons. |
00:03:32 |
This one is summer. |
00:03:35 |
- Spring. |
00:03:37 |
- Winter. Huh? |
00:03:39 |
We call it the Four Seasons Pad. |
00:03:42 |
- Educational? That's not |
00:03:46 |
That gets me to buy 'em. |
00:03:48 |
That sounds like a sanitary napkin, |
00:03:51 |
And call me later, |
00:03:53 |
- Can we work out the deal now, |
00:03:56 |
- l know McBainbridge starts today. |
00:03:58 |
- No, no! l did not-- |
00:04:00 |
Leave some here, and we'll get |
00:04:02 |
- Eddie. Great. |
00:04:04 |
- Great. Thank you. Thank you. |
00:04:07 |
- Thank you. |
00:04:09 |
- Ladies! How many |
00:04:11 |
Hey! Fresca. Mm! |
00:04:14 |
- Great. |
00:04:17 |
- What are we selling? |
00:04:19 |
[ Gasps ] Gimme the shoe. Take the shoe. |
00:04:22 |
Oh! Oh! |
00:04:25 |
Look at the toes. |
00:04:29 |
So succulent. Excuse me. Hello. |
00:04:32 |
Maybe some other time. |
00:04:36 |
- [ Ladies ] Ooh! |
00:04:38 |
l don't know. Hang on. |
00:04:41 |
You can't jump to a conclusion like |
00:04:45 |
[ Clears Throat ] |
00:04:47 |
Your pulse is a little fast. |
00:04:50 |
You're feeling lost and like you could |
00:04:52 |
Oh, that's funny. l was going |
00:04:54 |
- What, l look lost? |
00:04:58 |
Well, like maybe |
00:05:00 |
l've never seen you here before. |
00:05:02 |
- You're definitely |
00:05:05 |
That's always nice to hear. |
00:05:06 |
- Oh, no, no. |
00:05:09 |
My name's Ricky, by the way. |
00:05:11 |
l didn't give it to you. |
00:05:16 |
Mmm! [ Chuckling ] |
00:05:19 |
- Tell me everything. |
00:05:21 |
Hi, everybody. |
00:05:25 |
- Welcome to GBSN. Welcome back. |
00:05:28 |
- Good to have you with us. |
00:05:30 |
- Now, you brought |
00:05:34 |
lt's like a personal |
00:05:36 |
Now, how does it work, |
00:05:39 |
Okay. lf you fall down, |
00:05:43 |
Help me! Help me! Good God! |
00:05:46 |
- Help me! Help me! Good God! |
00:05:49 |
ls it just me, but everything |
00:05:52 |
- Thank you very much. |
00:05:55 |
- Now, is this all we've sold? |
00:05:58 |
- Ricky? Ricky. |
00:06:00 |
- Jack Spencer on the phone for you. |
00:06:02 |
- He says it's important. |
00:06:06 |
[ Clarence ] Oh, yeah. |
00:06:08 |
- Here he comes. |
00:06:11 |
Jack, hi! What a nice surpri-- Huh? |
00:06:14 |
Well-- Yeah. |
00:06:17 |
Well, n-- Th-That is-- |
00:06:20 |
The bank said |
00:06:23 |
These bastard people |
00:06:25 |
l'm gonna call 'em right up and really |
00:06:29 |
Um, Barry. You need to move |
00:06:33 |
The car payment bounced. And don't tell |
00:06:36 |
[ Teeth Click ] |
00:06:38 |
[ Teeth Click ] |
00:06:44 |
[ Sighs ] |
00:06:47 |
Sell some stock. Wow. l'm gonna have |
00:06:50 |
he's gonna want to give me |
00:06:52 |
You think that's |
00:06:55 |
Thirty seconds to air! |
00:06:57 |
- You are the best! |
00:06:59 |
- Your stuff is the best! |
00:07:01 |
- Now go in there and ram it |
00:07:03 |
l'm 67 years old. |
00:07:06 |
l've made love twice today. |
00:07:09 |
Why? Because l'm wearing |
00:07:13 |
Clam is the mysterious |
00:07:17 |
Clam works. |
00:07:19 |
lt can be yours |
00:07:22 |
[ Woman ] |
00:07:24 |
Oh! [ Clears Throat ] |
00:07:28 |
Danny's been fastened |
00:07:31 |
using the patented |
00:07:34 |
l wouldn't trust any other glue gun |
00:07:37 |
- Should you? |
00:07:41 |
- # Money # |
00:07:43 |
l think you can see that it's pretty |
00:07:46 |
uh, kind of in order. |
00:07:48 |
Based on what you just said... |
00:07:50 |
l think it's pretty obvious |
00:07:53 |
Hayman, things are not |
00:07:57 |
Your sales have been flat |
00:07:59 |
N-No-- Well, l mean, that depends |
00:08:03 |
Stagnant, no growth, dead. |
00:08:05 |
Oh, flat. Fair enough, |
00:08:08 |
lt's not what you sell! |
00:08:12 |
lt's about making people |
00:08:15 |
when they don't |
00:08:18 |
Hayman, l'm giving you two weeks |
00:08:23 |
[ Sighs ] |
00:08:25 |
Wait a second. First of all, two weeks-- |
00:08:29 |
- Hold it! Hold it right there! |
00:08:31 |
Right there. |
00:08:34 |
Every day on my way to work... |
00:08:36 |
l pass a dozen guys |
00:08:40 |
''Homeless family.'' |
00:08:42 |
''Pathetic vet. God bless.'' |
00:08:44 |
There's nothing l can do |
00:08:48 |
So, fine, |
00:08:50 |
But here, in my office, |
00:08:54 |
l don't have to live with anybody |
00:08:57 |
You got it? |
00:09:01 |
Thanks for listening. |
00:09:03 |
My door is always open. |
00:09:08 |
Well, l told you... |
00:09:12 |
there was a meeting |
00:09:14 |
An hour late, there's a reason. |
00:09:17 |
contempt, |
00:09:19 |
l had to kill |
00:09:22 |
Took a little longer than l expected. |
00:09:25 |
Of course you are. |
00:09:28 |
- This is Ricky Hayman. |
00:09:30 |
l've been reading |
00:09:33 |
- Oh, yeah? |
00:09:35 |
Boy, that's some sort of record. |
00:09:38 |
Kate is a media analyst. |
00:09:42 |
learned all sorts |
00:09:45 |
l want her to work closely with you |
00:09:48 |
and see if you can get sales |
00:09:51 |
Eight... percent? Yeah. |
00:09:54 |
Sit down. |
00:09:58 |
Okay. There are two problems. |
00:10:00 |
One: The network has no identity. |
00:10:02 |
lf you put all of the shopping |
00:10:06 |
l know that if we can create |
00:10:10 |
along with |
00:10:11 |
we will quickly pull ahead |
00:10:14 |
ldentity and sales techniques. |
00:10:18 |
with Scott Hawkes from New Vision |
00:10:21 |
Well, good. |
00:10:23 |
Vision, uh, is certainly good. |
00:10:25 |
And New Vision-- |
00:10:43 |
- [ Phone Rings ] |
00:10:45 |
[ Barry ] Theresa called |
00:10:48 |
- Barry. Barry, any business calls? |
00:10:51 |
- But Tim George is sitting |
00:10:54 |
- Later. Later. |
00:10:57 |
- [ Tyre Squeals ] |
00:10:58 |
Hang on. Blowout? |
00:11:06 |
- This is just a great day for me... |
00:11:08 |
just a great, |
00:11:11 |
- When's the giant meteor |
00:11:15 |
- l-- l cannot-- |
00:11:19 |
We're in a dead spot. |
00:11:21 |
Uh, this l know. |
00:11:31 |
Hey, look at this. |
00:11:34 |
Here, pop the trunk, |
00:12:00 |
Whoo! Aah! |
00:12:02 |
- [ Car Horn Honks ] |
00:12:05 |
- Loser! [ Shouts, Whoops ] |
00:12:08 |
Thanks for not using a can! |
00:12:12 |
l love cherry. |
00:12:14 |
- [ Ricky ] Oh, don't do that, please. |
00:12:16 |
l got it right down to a-- |
00:12:19 |
Ricky, you're supposed to lower the tyre |
00:12:21 |
Katie, Katie, Katie, |
00:12:24 |
l've got it right to the level |
00:12:26 |
Okay, Mr Expert. |
00:12:30 |
l know-- |
00:12:33 |
What a gal. |
00:12:42 |
Ricky. |
00:12:46 |
- Ricky. |
00:12:48 |
- Somebody's coming. |
00:12:51 |
l don't think so. |
00:12:54 |
What? |
00:12:58 |
Uh-oh. He's waving. |
00:13:01 |
- l said, don't wave back. |
00:13:03 |
When somebody waves to you, |
00:13:04 |
Not if you don't wanna acknowledge |
00:13:07 |
What's he gonna do? |
00:13:09 |
- He could be dangerous. |
00:13:11 |
- He kisses the ground, for God's sake. |
00:13:14 |
- Nothing's interesting here. |
00:13:17 |
- Hi! What? |
00:13:19 |
- He's friendly? |
00:13:21 |
- Are you in trouble |
00:13:24 |
- Oh, yes, you are. |
00:13:27 |
- l'm coming over there. |
00:13:29 |
- Stay there! Stay there! |
00:13:31 |
- No, no, no, no, no. |
00:13:35 |
- Go back! |
00:13:39 |
See, l was right. |
00:13:41 |
- What do you think you're doing? |
00:13:43 |
- You're very kind, sir, really, |
00:13:45 |
- but everything's under control, |
00:13:48 |
- l'm Kate. Hi. And this is-- |
00:13:51 |
- Robert. Didn't l say that? |
00:13:53 |
Robert Ricky. |
00:13:56 |
- Nice to meet you. |
00:13:58 |
- Oh, it's such a-- |
00:14:01 |
Would you mind if l ask |
00:14:03 |
Just ''G'' with a period, that's it. |
00:14:06 |
- l like that. Okay. |
00:14:08 |
You have to excuse my appearance. |
00:14:10 |
When you walk down the road |
00:14:13 |
- You wouldn't happen to have |
00:14:17 |
l love a woman |
00:14:21 |
- Mm, Premium Moist Towelettes, |
00:14:25 |
You do? That's your need to be |
00:14:27 |
Probably drove |
00:14:29 |
What he didn't understand |
00:14:32 |
That's why you're |
00:14:36 |
My God. |
00:14:38 |
Because he sees all and knows all? |
00:14:42 |
That was a good one. So, thank you |
00:14:46 |
Sorry l couldn't be |
00:14:48 |
- Oh, no. |
00:14:51 |
- Oh, same here, Kate, wonderful. |
00:14:54 |
- Nice meeting you, too, Robert Ricky. |
00:14:56 |
- May we give you a lift? |
00:14:59 |
- You sure? |
00:15:03 |
- Very funny. |
00:15:04 |
- l really like you. Yes. |
00:15:07 |
- Kate. |
00:15:09 |
- lt was very special. |
00:15:12 |
- Bye-bye. |
00:15:14 |
- Now, watch out for the cars there. |
00:15:21 |
[ Clears Throat ] |
00:15:26 |
- Kate? |
00:15:28 |
- Are you insane? |
00:15:30 |
ls that what you do, offer guys |
00:15:33 |
- He offered us help. |
00:15:36 |
- [ Engine Starts ] |
00:15:40 |
- [ Squeals ] |
00:15:47 |
[ Kate ] |
00:15:51 |
- Ai-yi-yi. |
00:15:53 |
- Oh, my God. ls he all right? |
00:15:56 |
- He's not conscious. |
00:15:58 |
- Face down in the gravel? |
00:16:02 |
- Ricky, this is real. |
00:16:04 |
- l know it. l stopped. |
00:16:08 |
- Call 9-1-1. |
00:16:12 |
- [ Busy Signal ] |
00:16:14 |
Okay, okay, okay. Let's not panic. |
00:16:17 |
- Let's get him into the car. |
00:16:20 |
Unless-- Wait a minute. |
00:16:23 |
- And we just drive to a call box |
00:16:25 |
- Oh, God! No! |
00:16:27 |
That's not disgusting. l'm thinking |
00:16:30 |
This is exactly why you don't wave. |
00:16:33 |
- Oh, it's my fault now? |
00:16:35 |
[ Woman On P.A. ] |
00:16:38 |
How would you like |
00:16:42 |
Payment? We just brought him in. |
00:16:45 |
Well... neither do l. |
00:16:48 |
- Here. l'll take care of it. |
00:16:52 |
- l'm bucks up, l guess. |
00:16:55 |
- Hi. l'm Dr Simon. |
00:16:57 |
Oh, the doctor. |
00:16:59 |
G is suffering |
00:17:01 |
but, more seriously, |
00:17:04 |
an irregular heartbeat |
00:17:07 |
l think we should keep him |
00:17:10 |
- Overnight? |
00:17:12 |
- lt may be congenital, or due to... |
00:17:15 |
some traumatic event, |
00:17:17 |
We'd like to run |
00:17:20 |
Thank you so much. Appreciate it. |
00:17:22 |
- Thank you, doctor. |
00:17:25 |
Keep those to a minimum. |
00:17:27 |
What? No, l heard, yeah. |
00:17:30 |
l feel terrible, but l think |
00:17:33 |
Don't you feel good about this place? |
00:17:35 |
l think he's gonna be fine. |
00:17:38 |
Like what? |
00:17:40 |
- Well, l think this tragedy |
00:17:44 |
What? No. |
00:17:46 |
- This is gonna make |
00:17:49 |
And, of course, one's a girl. |
00:17:53 |
You know, Annie, l was |
00:17:56 |
and all of a sudden |
00:18:01 |
- Balls? |
00:18:03 |
And that is when l came up |
00:18:06 |
for the Laundry Solution |
00:18:09 |
That's ingenious-- |
00:18:12 |
Yes. And you know my Carl. |
00:18:16 |
- Miami's finest. |
00:18:19 |
And you can imagine the stains |
00:18:22 |
You see, you have your blood; |
00:18:25 |
- You have your sweat. |
00:18:28 |
Oh, yes, absolutely, |
00:18:30 |
- l don't see any lipstick there. |
00:18:33 |
These gals have something, |
00:18:35 |
You know, l don't see |
00:18:38 |
Who better than these |
00:18:43 |
- Hi. l was reviewing the sales |
00:18:47 |
- Tell me. |
00:18:50 |
- No. He's phoning it in. |
00:18:53 |
Control. |
00:18:55 |
Hey, what are you doing |
00:18:58 |
'Cause l'm having a bunch |
00:19:01 |
over for cocktails at my place, |
00:19:03 |
who's starting his new |
00:19:07 |
So it'd be so great |
00:19:09 |
- [ Barry ] Yeah. Hold on. |
00:19:11 |
- Ricky. Ricky! |
00:19:13 |
There's a consonant here |
00:19:16 |
- What? Shh-shh! |
00:19:18 |
A bit. Huh! |
00:19:21 |
Yeah. He doesn't know |
00:19:24 |
lt's just if you were there, you know, |
00:19:28 |
and l think that it'd win him over; |
00:19:31 |
Strictly business? |
00:19:35 |
Kate, this is me. |
00:19:38 |
[ Cleaning Ball Lady ] |
00:19:40 |
l'll try. |
00:19:43 |
You simply apply |
00:19:47 |
You toss it in the washer. |
00:19:51 |
- That simple? |
00:19:53 |
[ Man ] |
00:19:56 |
- Oh, Jesus! What-- What is this? |
00:20:00 |
- [ Crew Chattering ] |
00:20:02 |
Wait a minute. |
00:20:06 |
Get them on the floor |
00:20:08 |
- [ Woman ] Go to James Brown. |
00:20:12 |
Uh, the, uh-- |
00:20:16 |
- [ G ] Great. That's even better. |
00:20:19 |
Stay right here. |
00:20:22 |
- All right. H-Here we go. |
00:20:23 |
Wait, wait, wait, wait, wait! |
00:20:30 |
l see a face on this. Come look |
00:20:33 |
- Do you see that? |
00:20:35 |
Can l have your headset? |
00:20:38 |
- Look. Look. |
00:20:43 |
- No, that's not Jesus. |
00:20:46 |
- Look. Upside down. You see? |
00:20:48 |
Okay, listen up. Jim, camera three, |
00:20:52 |
Cut to camera three |
00:20:54 |
- See? Look. l'll make it look at you. |
00:20:58 |
- See? And he's looking at-- |
00:21:00 |
Sam, when l give the word, |
00:21:04 |
- Three, get ready. Ready? |
00:21:07 |
lt's amazing. One person's cherry stain |
00:21:10 |
- Now. |
00:21:12 |
lt's all around us. We just |
00:21:14 |
- Good. Good, good, good. |
00:21:16 |
- Come on. Get him out. |
00:21:19 |
Okay. We're off. Take him to my office. |
00:21:21 |
Robert Ricky. Look at this. |
00:21:24 |
- We're gonna have a talk. |
00:21:26 |
Sorry, ladies. |
00:21:29 |
And, you know, don't-- |
00:21:31 |
Don't say ''balls.'' |
00:21:34 |
That's what to say. You're way |
00:21:37 |
That's all l feel like l'm hearing, |
00:21:40 |
- Robert Ricky! |
00:21:42 |
[ Annie ] |
00:21:44 |
l thought it was Jesus. |
00:21:47 |
l thought it looked |
00:21:49 |
- Thanks, guys. |
00:21:51 |
- Thank you, Cedric. |
00:21:53 |
- Thank you for bringing me |
00:21:56 |
- What a wonderful place |
00:21:59 |
- l can feel your energy in this room. |
00:22:02 |
-Hey, hey, hey, hey! What are you doing? |
00:22:04 |
- lt's a bad idea? Look at this place. |
00:22:06 |
- Hey! What's happening? |
00:22:10 |
- G? What are you doing? What happened? |
00:22:12 |
l'd like to give you |
00:22:14 |
- You're obviously from out of |
00:22:17 |
- Oh, Kate! How are you? |
00:22:19 |
So good to see you. |
00:22:21 |
l don't know if it's you that makes this |
00:22:24 |
but either way |
00:22:26 |
Oh, thank you. |
00:22:27 |
- You can't just jump on TV like that. |
00:22:31 |
- Yeah. Did McB see that? |
00:22:33 |
Okay. Well, maybe he doesn't |
00:22:36 |
because, after all, if certain people |
00:22:38 |
as well-intentioned |
00:22:42 |
l think we see now that it |
00:22:45 |
Listen, we're right in the middle of |
00:22:47 |
Oh, yes, l did. l came |
00:22:49 |
- and they informed me |
00:22:52 |
and l just wanted to come down |
00:22:55 |
- Ricky. Just call me Ricky. |
00:22:57 |
Wait till you get to just ''R.'' |
00:23:00 |
Anyway, l just wanted to |
00:23:02 |
and if there's anything that l can do |
00:23:04 |
Ah, l gotcha! |
00:23:06 |
- You know what would |
00:23:09 |
Knowing that you were |
00:23:11 |
searching, healing, following |
00:23:15 |
And may God, or whatever it is you |
00:23:17 |
- There's a door right |
00:23:21 |
Well, the doctor told me l should stay |
00:23:23 |
and then l should come back |
00:23:26 |
and if everything panned out, |
00:23:28 |
- Where will you stay? |
00:23:32 |
- And at night, |
00:23:34 |
- That's good. |
00:23:36 |
That's not right. You wouldn't |
00:23:41 |
Okay. Okay. |
00:23:43 |
Here's, um... t-- |
00:23:48 |
Find yourself a motel room, |
00:23:50 |
Absolutely not. |
00:23:52 |
- l'm sorry, but thank you. |
00:23:54 |
- Why don't you come stay at my place? |
00:23:57 |
l mean it. l couldn't let you |
00:23:59 |
What if something happened to you? |
00:24:01 |
l don't know. |
00:24:03 |
He can't do that. lt's a religious |
00:24:07 |
No, believe me. lt would be |
00:24:10 |
lt's air-conditioned. |
00:24:13 |
- Really? |
00:24:16 |
Oh, man. Well, l know how to eat |
00:24:20 |
And if you spill anything, you'll know |
00:24:23 |
- Or the stain ball. |
00:24:26 |
- We could dance, wear our jammies. |
00:24:29 |
l wish l had my camera. |
00:24:32 |
But, Kate, l cannot in good conscience |
00:24:35 |
This is my... fault, |
00:24:38 |
lt's my responsibility. |
00:24:42 |
l'd like you to stay |
00:24:48 |
Do you have a pool? |
00:25:04 |
[ People Chattering, Shouting ] |
00:25:11 |
- Having fun there, huh? |
00:25:14 |
- How about you? |
00:25:18 |
- Definitely. |
00:25:20 |
Think l'll find it? |
00:25:32 |
Hey, this thing |
00:25:35 |
Look at that. |
00:25:38 |
Mm. Okay. |
00:25:40 |
- Very nice. |
00:25:44 |
That won't be necessary. |
00:25:47 |
You know, mattresses are inhabited |
00:25:49 |
that live off the dead skin that flakes |
00:25:52 |
l don't want to go through that. |
00:25:55 |
lt's nice and comfortable and firm. |
00:25:58 |
[ Chuckles ] |
00:26:00 |
l'll-- l'll stick with |
00:26:03 |
You want to be a buffet, |
00:26:07 |
l'm sure the mites will enjoy. |
00:26:09 |
They're having nervous Ricky flakes |
00:26:13 |
Abbondanza, mites! |
00:26:37 |
A very pleasant good morning |
00:26:40 |
Good morning. Look. |
00:26:42 |
l don't want to hear of |
00:26:45 |
- lt's too early. |
00:26:48 |
- Look at this beautiful place. |
00:26:51 |
'Cause it's all, uh... |
00:26:55 |
The whole Hayman empire. |
00:26:57 |
And l'm... that close |
00:27:01 |
l'm sorry. |
00:27:04 |
Great. |
00:27:07 |
[ Groans ] |
00:27:10 |
Oh, l threw the orange juice out. |
00:27:13 |
lt had a little smell to it. |
00:27:17 |
l made it fresh. |
00:27:21 |
Mmm. Very pleasant, |
00:27:29 |
Now, don't drink it too fast. |
00:27:32 |
- Take it in. |
00:27:36 |
Mmmm! |
00:27:39 |
- Yes. You like that? |
00:27:41 |
- No, it's delicious. |
00:27:43 |
- What do you taste in that? |
00:27:45 |
- Yes, peaches. |
00:27:47 |
- Yes, and what else? |
00:27:50 |
- l don't know. |
00:27:55 |
- Psych your mind. |
00:27:58 |
lt's not my urine. |
00:28:01 |
lt's herbal tea. |
00:28:03 |
l know you like jokes. l wanted |
00:28:07 |
Trust me, my urine doesn't have |
00:28:11 |
Let's go out here and look |
00:28:14 |
l don't want to stay |
00:28:17 |
You can see all the way |
00:28:19 |
- Let's see what you got here. |
00:28:22 |
Well. |
00:28:24 |
You were cum laude. |
00:28:29 |
[ Phone Ringing ] |
00:28:35 |
- Barry. Barry. |
00:28:38 |
Uh-- D-Don't tell me, |
00:28:42 |
No, no, no! Larry King doesn't interview |
00:28:46 |
- Did you take him the fax l sent |
00:28:49 |
- What you think? |
00:28:52 |
- [ Phone Ringing ] |
00:28:55 |
Uh, uh, amazing? |
00:28:58 |
- Erotic? |
00:29:00 |
[ Sighs ] He's gotta like 'em. |
00:29:02 |
- l was up all night. |
00:29:06 |
- Uh, car guy or mortgage guy? |
00:29:09 |
- Hi. Hi, Barry. |
00:29:11 |
- Miss Newell. |
00:29:13 |
- How's G? |
00:29:16 |
l cracked the window. |
00:29:19 |
No, he's at home. He's fine. |
00:29:21 |
Judging from McB's reaction |
00:29:25 |
Really? What do you mean? |
00:29:28 |
He liked it? Of course he liked it. |
00:29:31 |
'Cause l'm a born game-on-the-line, |
00:29:34 |
Pressure is my mistress. |
00:29:36 |
- He said they were hilarious. |
00:29:39 |
He was weeping in there this morning, |
00:29:42 |
Yeah. l know, l know. |
00:29:45 |
- He says he can't wait |
00:29:48 |
You know, it was really smart of you |
00:29:51 |
May make it easier for him to take |
00:29:54 |
Grass mats were a catastrophe. |
00:30:00 |
- You l will see later. |
00:30:03 |
See you later. |
00:30:13 |
Okay. Please, please |
00:30:16 |
You know, l don't know |
00:30:19 |
l seem to be doing |
00:30:22 |
Okay. Good, better, best. |
00:30:24 |
Never let it rest until your good |
00:30:28 |
[ People Chattering ] |
00:30:36 |
Oh. Hope l'm not |
00:30:39 |
- Say, could we have |
00:30:43 |
You may have noticed some |
00:30:46 |
Yes, l did notice all the flowers. |
00:30:48 |
Right. That's because l'm having |
00:30:51 |
- Wonderful. Oh. |
00:30:54 |
Now, uh... l'm not gonna |
00:30:58 |
'cause, well, frankly, |
00:31:01 |
But, um, as a favour to me... |
00:31:04 |
uh, the guy who paid your medical |
00:31:08 |
would you please... |
00:31:12 |
l'll be right here, Ricky. |
00:31:14 |
Great. Thank you. |
00:31:17 |
- That's quite an outfit |
00:31:20 |
Quite an outfit |
00:31:23 |
Thank you. |
00:31:29 |
Think it's too much? |
00:31:31 |
Personally, l would, um... |
00:31:34 |
l would lose |
00:31:37 |
Oh, the hanky? |
00:31:39 |
- The hanky? Yes. |
00:31:42 |
lt's just a traditional, uh-- |
00:31:44 |
[ Chuckling ] |
00:31:47 |
[ Chuckles ] |
00:31:49 |
Uh, so before we start, |
00:31:52 |
You know, there's frozen stuff-- |
00:31:55 |
And you've got a jar of that |
00:31:58 |
Oh. l'm fine. |
00:32:02 |
- Thank you. |
00:32:04 |
- Have fun. |
00:32:06 |
- ## [ Jazz ] |
00:32:10 |
[ Woman ] |
00:32:14 |
You know, our numbers are competitive |
00:32:17 |
but our demographics |
00:32:19 |
l saw ads on laundry balls. |
00:32:21 |
l should put my programme |
00:32:24 |
when l'm entirely working |
00:32:26 |
How can l be close to that kind of-- |
00:32:30 |
Absolutely. Can l introduce you |
00:32:33 |
l'll be right back. |
00:32:36 |
- Thank you so much. |
00:32:38 |
- You look just gorgeous. |
00:32:40 |
- [ Laughs ] Better. |
00:32:42 |
Ricky, this is Scott Hawkes. |
00:32:45 |
Trust me, this woman has |
00:32:48 |
That's fine, Scott. |
00:32:50 |
- Can l take you right over to see-- |
00:32:54 |
Oh, Scott Hawkes. |
00:32:56 |
Yes, he's a jerk; |
00:32:59 |
and, trust me, |
00:33:02 |
- When did he see your toes? |
00:33:08 |
Uh, Signore Nino Cerruti, |
00:33:11 |
- So nice to meet you. |
00:33:13 |
- How was your flight? |
00:33:16 |
-Great. Are you having a good time here? |
00:33:18 |
Wonderful. Well, hopefully |
00:33:21 |
Gee, l see a slight |
00:33:23 |
l'll be back in a flash. |
00:33:25 |
Nino, Kate, whatever your name is, |
00:33:28 |
Kate, take over, please. |
00:33:30 |
Oh, excuse me. Hello. |
00:33:33 |
Oh, G, G, what are you doing? |
00:33:36 |
- Oh, l had to go stinky. |
00:33:39 |
Aren't you like a guru, |
00:33:42 |
You control your bodily functions. |
00:33:44 |
Ricky, everything is so lovely, |
00:33:47 |
- Why don't you let the people |
00:33:49 |
- Wait a minute, G. |
00:33:53 |
Hello. How are you? |
00:33:56 |
will lighten |
00:33:58 |
- What did you push? G, please. |
00:34:00 |
- Don't do that. |
00:34:03 |
- Okay. Okay. Sorry. |
00:34:07 |
Liven the room up. |
00:34:09 |
- Hi, G. l'm terrific. |
00:34:11 |
lt's so wonderful to see you too. |
00:34:14 |
Every time l see you, l feel like |
00:34:16 |
- Aw! Thank you. |
00:34:18 |
- Who's your friend, Rich? |
00:34:20 |
- G, Scott Hawkes, |
00:34:22 |
This is, uh, G, |
00:34:26 |
You know, sometimes l find that |
00:34:30 |
opens up my whole-- |
00:34:32 |
- l meditate too. |
00:34:35 |
l am trying to overcome |
00:34:37 |
but for the moment |
00:34:39 |
Well, no-- Did you ever try |
00:34:43 |
l'm serious, just... boom, |
00:34:46 |
You know, l could cure |
00:34:50 |
Oh, but you don't have time, do you? |
00:34:53 |
What's the name of the-- |
00:34:55 |
Could you do something really? |
00:34:57 |
- Oh! No, no! |
00:35:01 |
The first thing is: |
00:35:05 |
and you start to feel fearful, you reach |
00:35:08 |
- [ Guests Laughing ] |
00:35:09 |
- And then you pop them together, |
00:35:13 |
There must be another method, |
00:35:16 |
[ Laughs ] |
00:35:20 |
and you'll never, ever |
00:35:23 |
Yeah. Maybe later. |
00:35:25 |
Nino, have you tried |
00:35:27 |
- [ Simultaneous Chatter ] |
00:35:31 |
No, no. Really, |
00:35:34 |
The man's curious. |
00:35:38 |
- Curiosity is |
00:35:42 |
Put your hands palm down on your knees |
00:35:45 |
- And l need a lighter. |
00:35:48 |
You do, Scott Hawkes? |
00:35:52 |
Everybody gather around. |
00:35:55 |
- [ Guests Together ] Hi, G. |
00:35:58 |
He's having a problem here |
00:36:00 |
We're going to try to get him over |
00:36:03 |
and try to help him out here; |
00:36:07 |
l want you to just relax |
00:36:11 |
Just watch the flame. |
00:36:13 |
Just relax, Nino. |
00:36:16 |
Your eyes are getting |
00:36:20 |
You're getting tired |
00:36:24 |
You're going to sleep. |
00:36:26 |
You're completely asleep |
00:36:29 |
Nino is asleep. |
00:36:31 |
- Shh! |
00:36:37 |
He's asleep now. |
00:36:39 |
Nino, your left hand |
00:36:44 |
lt's going to start |
00:36:47 |
lt's starting to float up. |
00:36:50 |
On its own it's floating up. |
00:36:53 |
You can let it hang there, |
00:36:58 |
You see? |
00:37:01 |
- Maybe l should get him to bark |
00:37:04 |
Get over there, |
00:37:08 |
Okay. Nino, |
00:37:12 |
Put it back, back down. |
00:37:15 |
The plane's taking off. |
00:37:18 |
You're a little nervous, like you |
00:37:21 |
This time when it takes off, |
00:37:25 |
You didn't even feel the plane |
00:37:28 |
You're up in the sky, |
00:37:32 |
Wow! This feels great. |
00:37:35 |
What's that up ahead? |
00:37:39 |
lt is a storm cloud. l can see |
00:37:44 |
He can't. |
00:37:47 |
Nino, we're in. We're right |
00:37:51 |
You start to feel turbulence. |
00:37:53 |
The plane is shaking. |
00:37:56 |
Oh, so much turbulence. |
00:37:58 |
How can this tiny metal object |
00:38:01 |
in this sky |
00:38:04 |
You're getting scared. The stewardess |
00:38:08 |
You felt the plane drop |
00:38:11 |
- You felt your stomach |
00:38:15 |
The captain's voice |
00:38:18 |
''Attention. |
00:38:22 |
God help us! |
00:38:27 |
Oh, my God!'' |
00:38:30 |
[ Rapid Breathing ] |
00:38:36 |
You're right there, Nino. |
00:38:39 |
The last moments of your life. |
00:38:42 |
Right now, you're right there. |
00:38:46 |
But you're not thinking |
00:38:49 |
- You're thinking about your loved ones. |
00:38:52 |
You're thinking about |
00:38:54 |
and all the special moments |
00:39:00 |
You're feeling blessed with |
00:39:04 |
That's what you're thinking about. |
00:39:06 |
You're not afraid right now |
00:39:09 |
You're at one with God. |
00:39:11 |
You've let go. |
00:39:15 |
Now, when l tell you to, |
00:39:19 |
When you open your eyes, you'll be |
00:39:22 |
and you won't even remember |
00:39:26 |
You'll never be afraid |
00:39:30 |
Now open your eyes, Nino. |
00:39:34 |
- How do you feel? |
00:39:37 |
- [ Guests Laughing, |
00:39:41 |
A hypnotizing swami. |
00:39:44 |
You got any other |
00:39:46 |
Actually, yes, l do. l have a trick |
00:39:48 |
that's quite |
00:39:51 |
Cool. Do it. |
00:39:53 |
- Can l borrow your Rolex? |
00:39:56 |
- Come on, Scott. |
00:39:58 |
- lt's a good trick. |
00:40:00 |
- Scott, Scott, Scott, Scott! |
00:40:02 |
- All right, all right. |
00:40:06 |
Does anyone have |
00:40:08 |
- Oh, Nino, thank you. |
00:40:11 |
Don't worry. |
00:40:13 |
- Here. Take my shoe. |
00:40:16 |
Now for the Ricky shoe. |
00:40:18 |
- This is a 12. |
00:40:21 |
Definitely. Okay. l want you to see |
00:40:25 |
and l'm placing it right in |
00:40:28 |
Everyone, see the watch |
00:40:31 |
- [ Watch Rattling ] |
00:40:34 |
-That's right. |
00:40:36 |
-lt's in there, right? Okay. Here we go. |
00:40:38 |
We place the watch |
00:40:41 |
We take Robert Ricky's |
00:40:44 |
[ Guests Gasping, Murmuring ] |
00:40:55 |
Whew! Ricky. |
00:41:01 |
- [ Rattling ] |
00:41:04 |
- Doesn't it? Yeah? |
00:41:07 |
[ Gasping ] |
00:41:11 |
Wonderful! |
00:41:17 |
That was great. |
00:41:20 |
- That was good. Okay, |
00:41:24 |
- lt's disappeared. |
00:41:27 |
l am serious. |
00:41:29 |
lt's not The Reappearing Rolex Trick. |
00:41:32 |
-Good night, everybody! |
00:41:36 |
[ Guests Gasping ] |
00:41:39 |
Be careful what you wish for. |
00:41:46 |
That's not funny. |
00:41:49 |
[ Ricky ] Champagne for anyone? |
00:41:54 |
[ Man Singing Reggae On Boom Box ] |
00:41:57 |
## [ Vocalizing ] |
00:42:02 |
# Yeah, ah la la-la la ## |
00:42:04 |
- Mmm. Ah, you're sure? |
00:42:06 |
Absolutely. |
00:42:08 |
He asked us to watch |
00:42:11 |
Oh, yeah? |
00:42:14 |
l-- You know, l'm sorry. |
00:42:17 |
Ahh! Ricky! |
00:42:21 |
Come in the water with me! |
00:42:23 |
Oh, l'd love to, really, |
00:42:26 |
Come on, Ricky, one swim. |
00:42:30 |
Yeah. Well, that's kind of what |
00:42:32 |
Can l just have a word |
00:42:35 |
- What's the matter? ls there a problem? |
00:42:37 |
l just wanted to put a little bee |
00:42:41 |
Oh, ho, no, no, no! |
00:42:43 |
- Hello. No, no, no. Free Willy. l see. |
00:42:47 |
- No, no, no. Just-- Just-- |
00:42:49 |
Listen. The Nino Cerruti, |
00:42:53 |
his lawyer called this morning |
00:42:57 |
and that he had a great flight back to |
00:43:00 |
- Oh, that's wonderful. |
00:43:04 |
You have such a-- |
00:43:07 |
l now realize that |
00:43:10 |
we could make a difference |
00:43:13 |
So, here's my idea. Listen, G. G? |
00:43:18 |
What if you went |
00:43:21 |
and talked to people |
00:43:25 |
You want me to sell things |
00:43:27 |
Yeah. Well, uh-- |
00:43:30 |
You'd be telling people |
00:43:34 |
lsn't that your idea? |
00:43:36 |
Unless they're used to replace |
00:43:40 |
Wow. Wow, |
00:43:43 |
l just got chills. Amen. You have |
00:43:47 |
And, listen, what better way |
00:43:49 |
You could help thousands, millions of |
00:43:54 |
Wow! What do you think? |
00:43:57 |
How about you? |
00:44:00 |
Me? l don't know. |
00:44:02 |
-That's not the point. Me, l feel great. |
00:44:05 |
No, yes, that's exactly the point. |
00:44:09 |
l'm gonna lose my job |
00:44:14 |
Yeah, it could really help me. |
00:44:18 |
What do you think? |
00:44:20 |
Okay, l'll do it, |
00:44:24 |
Really? What? |
00:44:27 |
- One condition. |
00:44:29 |
- lt's nonnegotiable. |
00:44:33 |
Ahh! Oh! |
00:44:35 |
- Ahh! |
00:44:36 |
Ahh! |
00:44:38 |
Shark, shark, shark, |
00:44:40 |
lt's a joke. lt's a joke. |
00:44:43 |
[ G Laughing ] |
00:44:47 |
[ Ricky ] |
00:44:50 |
[ Laughing ] |
00:44:52 |
Bars out. |
00:44:56 |
[ People Chattering ] |
00:45:05 |
And bring him on camera-- |
00:45:09 |
l've made you up to look like |
00:45:12 |
That's a metaphysics |
00:45:15 |
Twenty seconds to air. |
00:45:18 |
Lock it up on the stage. Nice and quiet |
00:45:21 |
Thank you. Go to the booth |
00:45:25 |
- Got it. |
00:45:28 |
G, one more thing. |
00:45:31 |
Think of the camera |
00:45:33 |
your best friend |
00:45:38 |
Here we go. Stand by, please. |
00:45:42 |
Fade up camera one |
00:45:45 |
[ Snaps Fingers ] |
00:45:53 |
[ Whispering ] |
00:45:57 |
You're on. We're rolling. |
00:46:02 |
What's the plan? |
00:46:04 |
G, go, go. |
00:46:07 |
[ Whispering ] |
00:46:10 |
[ Sighs ] |
00:46:12 |
No, no, no, |
00:46:15 |
No, it's TV. |
00:46:18 |
Talk. Now. Now. |
00:46:22 |
Talkie, talkie, |
00:46:29 |
- l-- |
00:46:32 |
''l''? |
00:46:36 |
- l-- |
00:46:40 |
l wept... |
00:46:42 |
when l saw a man |
00:46:47 |
- until l met a man who had no penis. |
00:46:51 |
- Can he say that? |
00:46:58 |
Now my one special friend is listening. |
00:47:03 |
- [ Man ] What do we do, Ricky? |
00:47:05 |
- Stay with him. |
00:47:08 |
- l don't know. |
00:47:10 |
Howard Stern says ''penis'' all the time. |
00:47:13 |
And he's huge. lt's shocking, |
00:47:16 |
l have a question for you: |
00:47:20 |
- Good question. |
00:47:25 |
ls it to lie in bed alone |
00:47:28 |
so you can buy more things? |
00:47:31 |
So you can collect |
00:47:33 |
in the little finger-snap of time |
00:47:35 |
- That's why we're here. |
00:47:37 |
He's talking. |
00:47:40 |
- He weaves a magical web |
00:47:44 |
l guess that's |
00:47:48 |
How about this? |
00:47:50 |
- Whoa. |
00:47:51 |
- He's gone. |
00:47:53 |
- He's going on the Morgan set. |
00:47:55 |
Hi. l'm here to tell all of you |
00:47:59 |
about new lnsta-Tuck... |
00:48:01 |
the nonsurgical, |
00:48:04 |
Oh! You hook your face up |
00:48:08 |
Well, we don't call it |
00:48:11 |
- lt's okay. lt's okay. |
00:48:13 |
- And why did-- |
00:48:15 |
- The lnsta-Tuck power source |
00:48:19 |
- This looks a lot like a battery. |
00:48:22 |
No, don't do that. |
00:48:24 |
- [ lmitates Static ] |
00:48:28 |
She loves improv. |
00:48:30 |
Wasn't she, before the series, a member |
00:48:33 |
All you have to do |
00:48:35 |
to the key lift points |
00:48:38 |
- Key lift points on your scalp. |
00:48:41 |
He's engaging her. |
00:48:43 |
He's like a child, and not even aware |
00:48:46 |
And you just let the little |
00:48:50 |
while you sleep. |
00:48:51 |
So you go from grandma |
00:48:55 |
- in one easy push |
00:48:58 |
She's never been so alive. |
00:49:01 |
- Oh! |
00:49:03 |
So the look of surprise |
00:49:06 |
Well, hopefully, yes. So the years |
00:49:09 |
Oh, that's fascinating. |
00:49:13 |
Ooh, don't. |
00:49:16 |
l think this would be fantastic |
00:49:19 |
- Surprise parties-- |
00:49:24 |
- [ G ] lt's your birthday! |
00:49:26 |
You look so youthful |
00:49:29 |
You know what else |
00:49:31 |
''Madam, l think you've just |
00:49:34 |
- Oh, my God. |
00:49:37 |
Even better still, the Martians |
00:49:39 |
- back to Mars with them. |
00:49:42 |
- [ Whimpering ] |
00:49:45 |
is a beautiful woman who's trying |
00:49:48 |
- That you're not beautiful enough-- |
00:49:52 |
Oh, let her go. |
00:49:54 |
You don't need lnsta-Tuck to be |
00:49:57 |
- Did he say, ''Don't buy this product''? |
00:50:00 |
That's an interesting way to sell. |
00:50:02 |
All you have to do to be |
00:50:05 |
She doesn't need lnsta-Tuck. |
00:50:08 |
- [ Clicks Off ] |
00:50:11 |
Oh, interesting angle. Uh-huh. |
00:50:14 |
l know what's |
00:50:16 |
He knows l'm trying to sell stuff, |
00:50:18 |
He's undermining me. |
00:50:20 |
l made a deal with him. l explained it |
00:50:22 |
l have a question for you. |
00:50:24 |
- or a beautiful Baywatch babe, |
00:50:28 |
Now, think about it. l know |
00:50:31 |
and she has the perfect body |
00:50:34 |
That's a really hot girl, |
00:50:37 |
But the Dalai Lama has total inner |
00:50:41 |
There's no comparison. |
00:50:43 |
Don't you agree? |
00:50:46 |
She agrees. |
00:50:50 |
- [ All Chattering ] |
00:50:52 |
l-l-l don't know. |
00:50:55 |
[ Mickey ] |
00:50:57 |
This is the saw you want, boys. |
00:51:00 |
The hotelIrestaurant business |
00:51:03 |
- Hi. |
00:51:05 |
- Hello. No. |
00:51:08 |
- [ G ] Nice chain saw. |
00:51:10 |
Oh, l'm new here. l'm a friend |
00:51:13 |
- Just curious about chain saws. |
00:51:16 |
This is a massacre. |
00:51:18 |
Can l hold it? lt's a dandy. |
00:51:21 |
Feel the weight |
00:51:24 |
- lt's a heavy one. Be careful. |
00:51:25 |
- [ Ricky ] He's staying at my home, |
00:51:28 |
- This is gonna be good. |
00:51:30 |
l have a question. |
00:51:33 |
you could watch me sculpt |
00:51:36 |
or chainsaw |
00:51:38 |
what do you think |
00:51:41 |
For creation or destruction? |
00:51:43 |
He's hitting every single set. |
00:51:46 |
He's making a clean swath from one side |
00:51:48 |
l know just what they want. |
00:51:50 |
- [ Saw Running ] |
00:51:54 |
This is good. |
00:52:00 |
Oh, no. |
00:52:04 |
He's chainsawing our Happy-Time |
00:52:12 |
More? Of course you want more. |
00:52:20 |
And bench. |
00:00:03 |
Now, l admit that was fun. |
00:00:05 |
But l ask you... |
00:00:07 |
why do we yawn at creation |
00:00:11 |
- Why? |
00:00:13 |
- Ask yourself why. |
00:00:15 |
Let me tell you, l've been |
00:00:19 |
l really don't. |
00:00:22 |
Everybody's working all the time, |
00:00:25 |
And our kids-- Our kids |
00:00:29 |
to trust machines |
00:00:31 |
We acquire, |
00:00:34 |
He's barking mad. |
00:00:38 |
And that's not |
00:00:41 |
l promise you |
00:00:45 |
And l think it's time some things |
00:00:48 |
- What the hell is going on here? |
00:00:51 |
- TV history? |
00:00:53 |
Here's your chain saw. |
00:00:56 |
Here you go. |
00:01:00 |
## [ Muzak ] |
00:01:04 |
Would you guys excuse us, please? |
00:01:07 |
l need to talk to Ricky alone. |
00:01:10 |
- Okay, guys. |
00:01:23 |
[ Clears Throat ] |
00:01:27 |
What were you thinking? |
00:01:31 |
l don't know. |
00:01:35 |
Ever since you guys showed up, |
00:01:38 |
You know, it seems like no matter |
00:01:41 |
or, you know, |
00:01:45 |
l mean, l didn't-- |
00:01:48 |
l-- You know, |
00:01:51 |
l like selling. |
00:01:53 |
l think. |
00:01:56 |
On the road. |
00:02:01 |
Yeah, outboard motors. |
00:02:03 |
He did the whole Lake Erie region, |
00:02:09 |
Wow. l drove with him... |
00:02:11 |
for a couple of-- |
00:02:14 |
Man, this Caprice he had |
00:02:17 |
The stick shift he would make |
00:02:21 |
He'd keep all his rubber bands |
00:02:24 |
And then he had his notes |
00:02:27 |
with paper clips |
00:02:30 |
And red liquorice. |
00:02:33 |
We had a good time... |
00:02:36 |
for a while. |
00:02:40 |
What happened? |
00:02:45 |
Oh, bad luck, l guess. |
00:02:49 |
Nobody water skis |
00:02:51 |
So-- |
00:02:53 |
You know, he tried anyway, |
00:02:55 |
You know, you start to push |
00:03:01 |
- Wow. This is so weird. |
00:03:05 |
l'm starting to think of you |
00:03:09 |
Well, yeah. Sure. |
00:03:11 |
This whole broken, |
00:03:14 |
You know-- l know. |
00:03:16 |
[ Laughs ] |
00:03:25 |
l'll see you tomorrow. |
00:03:28 |
- Yeah. |
00:03:32 |
- lf l may say-- |
00:03:48 |
- Hey. |
00:03:50 |
- Fine, fine. |
00:03:53 |
Oh, he was very gracious. |
00:03:55 |
And he gave me a full 15 minutes |
00:03:57 |
[ Kate ] Come on. Move. |
00:04:00 |
- We can still catch him |
00:04:03 |
- The boss! |
00:04:04 |
Not when he sees these. |
00:04:09 |
[ Kate ] |
00:04:11 |
- Caller volume spiked |
00:04:13 |
They were probably calling |
00:04:16 |
- He reached them. They liked him. |
00:04:17 |
They wanted to buy something; |
00:04:23 |
Major audience connection |
00:04:26 |
What the hell are you saying? |
00:04:30 |
Ah! Which maniac |
00:04:32 |
l thought about this all night. |
00:04:35 |
He's dangerous, but he represents |
00:04:39 |
Totally. And he represents |
00:04:41 |
Spirituality |
00:04:43 |
l'm sorry. Did l say spirituality? |
00:04:47 |
- Unique, heartfelt, wise. |
00:04:49 |
- Pithy? |
00:04:51 |
that after people buy, |
00:04:53 |
Even if they can afford it, |
00:04:56 |
Why not put somebody on the air |
00:05:00 |
Absolutely. And, listen, |
00:05:04 |
l think-- We think that G could |
00:05:09 |
- Give me the deadest hour |
00:05:13 |
All right. |
00:05:15 |
But l-- |
00:05:18 |
if l'm embarrassed in any way, |
00:05:22 |
- My ass entirely. Well-- |
00:05:32 |
[ Beeping ] |
00:05:38 |
[ Beeping ] |
00:05:51 |
l mean, that's rough, you know, |
00:05:53 |
Yes. |
00:05:56 |
You're a hungry one, |
00:06:00 |
- Excuse me? |
00:06:05 |
But what is it you really want? |
00:06:10 |
l want all of it-- |
00:06:13 |
Give me the network. |
00:06:15 |
l'll give you a redesign that'll |
00:06:20 |
What about Kate... and Hayman? |
00:06:23 |
Kate's smart. |
00:06:25 |
She wants to stay on |
00:06:28 |
Hayman can call in |
00:06:31 |
just like everybody else. |
00:06:40 |
l can't believe |
00:06:42 |
- [ Man ] One minute! |
00:06:45 |
- One minute! |
00:06:47 |
- You with the programme? You with us? |
00:06:49 |
- Are you with us? |
00:06:51 |
Okay, okay. Now remember-- |
00:06:54 |
- Okay. |
00:06:58 |
- Okay. |
00:07:00 |
- Fifty seconds! |
00:07:02 |
- Okay. |
00:07:04 |
That's 'cause l love |
00:07:06 |
- And show business loves you. |
00:07:09 |
Camera one up. |
00:07:11 |
- [ Men Chattering ] |
00:07:13 |
- [ Man #2 ] Audio. And five-- |
00:07:15 |
Four, three. |
00:07:22 |
- Oh, please speak. |
00:07:24 |
- Hello. |
00:07:29 |
...wonderful new product |
00:07:30 |
lt's called |
00:07:33 |
- He's holding it up. |
00:07:35 |
lt's made out of two-karat gold, |
00:07:39 |
Because it's so very light, |
00:07:42 |
And kids love it. |
00:07:46 |
And the starfish pendant-- |
00:07:51 |
Talk. Keep reading, |
00:07:53 |
- l have something better |
00:07:55 |
[ Chuckles ] |
00:07:58 |
- Something that happened to me |
00:08:01 |
There was a storm. |
00:08:04 |
And thousands and thousands |
00:08:07 |
- Only four days ago you waved him over. |
00:08:11 |
And there was this beautiful |
00:08:14 |
She was frantically throwing them |
00:08:16 |
When l saw her doing this, |
00:08:19 |
You can only save a few before they die. |
00:08:22 |
And she looked at me |
00:08:24 |
''To that one, |
00:08:29 |
''To that one, it makes a difference,'' |
00:08:33 |
And she was right. At that |
00:08:36 |
and she was making a difference |
00:08:41 |
And that's what life |
00:08:43 |
ln fact, that's the only time |
00:08:48 |
That's kind of a nice story. |
00:08:50 |
That's sweet. That's sweet. |
00:08:53 |
Well, thank you |
00:08:55 |
And remember, let go... |
00:08:57 |
give in and take the journey. |
00:08:59 |
Oh, wait! |
00:09:04 |
l work here |
00:09:06 |
Where'd he get that? |
00:09:09 |
- He asked. l just-- |
00:09:11 |
- What? |
00:09:12 |
Ricky doesn't like himself |
00:09:14 |
he's a good person 'cause he |
00:09:17 |
- So-- Can you come in closer? |
00:09:19 |
- Oh, this is-- |
00:09:21 |
- l didn't-- |
00:09:24 |
- Don't, don't. |
00:09:26 |
Don't. Don't go in close. Sam! |
00:09:27 |
- Too late. |
00:09:30 |
- Yes. |
00:09:32 |
lt's funny day. |
00:09:35 |
Don't. No. |
00:09:38 |
There's two things you can do for me |
00:09:40 |
lf you run into this man anywhere, |
00:09:42 |
one thing is, |
00:09:44 |
something nice about himself |
00:09:47 |
Compliment his dress |
00:09:50 |
''You look great today, Ricky.'' |
00:09:52 |
because he has a very, |
00:09:55 |
This is the lowest moment |
00:09:56 |
And the second thing is you-- |
00:10:00 |
No, this is |
00:10:02 |
- [ Kate Laughing ] |
00:10:05 |
He really, really wants to be hugged, |
00:10:08 |
- No! |
00:10:10 |
No, no. No. |
00:10:12 |
[ Laughing ] |
00:10:16 |
l just wanted to tell you |
00:10:19 |
really tall. |
00:10:21 |
- Very nice. |
00:10:23 |
Wait, wait, wait. Look at this. |
00:10:27 |
Hey, take a look at this. |
00:10:30 |
- Unbelievable. |
00:10:33 |
- These are the pendants? |
00:10:35 |
- [ Man #1 ] Look at that. |
00:10:38 |
My friends, do you have food |
00:10:41 |
You ever thought about using |
00:10:45 |
Do you feel the need to store |
00:10:48 |
We say wet it again... |
00:10:52 |
lt's the Hood Buddy-- |
00:10:54 |
of your gas-guzzling engine |
00:10:58 |
Lil Squirt-- |
00:11:00 |
it's a festive fountain |
00:11:02 |
''a kiss of refreshing mist.'' |
00:11:04 |
But look what we did with Foggy! |
00:11:07 |
We made banana mush. |
00:11:09 |
Soot gives it a unique, unrivalled, |
00:11:14 |
Why would you dry these bananas out |
00:11:17 |
Then l have two words |
00:11:20 |
Lil Squirt. This is probably the |
00:11:25 |
- 10-4, Hood Buddy. |
00:11:30 |
[ G ] Today is the first day |
00:11:35 |
But let's face it. |
00:11:37 |
that you're sitting on are getting |
00:11:39 |
Yes, they are. |
00:11:42 |
lf l were you, |
00:11:44 |
is l would embrace |
00:11:47 |
like it was a long-lost lover... |
00:11:49 |
and squeeze all the life juice |
00:11:52 |
The juicer, the juicer. |
00:11:54 |
- Juicers, juicers. Okay, tight shot. |
00:11:57 |
Kitchen-Aid juicer, 79.95. |
00:11:59 |
- Fabulous. |
00:12:01 |
[ Woman ] |
00:12:04 |
His name is G, and he's a mixture |
00:12:09 |
Okay, get off the phone. |
00:12:12 |
- [ Ricky ] l'll call you later. |
00:12:21 |
Correct me if l'm wrong, sir-- |
00:12:23 |
l don't wanna |
00:12:26 |
- lt felt to me as if we had a deal. |
00:12:30 |
l said if Hayman screwed up, |
00:12:33 |
He didn't. |
00:12:36 |
is the biggest thing to hit |
00:12:42 |
That doesn't pique |
00:12:45 |
My God, the man has no history... |
00:12:47 |
no social security number, |
00:12:49 |
voter's registration, |
00:12:53 |
G isn't even a name, |
00:12:56 |
Yes, l do. |
00:13:00 |
There is a definite Talmudic |
00:13:04 |
Koran figures prominently |
00:13:07 |
And l'm sure |
00:13:09 |
A student of the New Testament. |
00:13:11 |
G's essential |
00:13:13 |
so clearly echoes the teachings |
00:13:15 |
that l wonder if he might not have spent |
00:13:19 |
No, don't change anything. |
00:13:21 |
What? What did l tell you? |
00:13:24 |
Right! Every market. |
00:13:27 |
- l don't care how much it costs. |
00:13:29 |
What? A week. Let's run it |
00:13:32 |
- No, man. Thank you. |
00:13:40 |
Hi, nice to see you-- |
00:13:43 |
- Hey. Hey. |
00:13:45 |
The, uh-- |
00:13:47 |
Listen, we're just sittin' around here-- |
00:13:50 |
- We were-- |
00:13:54 |
Exactly right. The, uh-- l don't know |
00:13:56 |
- How about the Breakwater? |
00:13:59 |
- What time is it? 7:00? |
00:14:02 |
- We will see you in one half hour. |
00:14:08 |
## [ Singing ln Spanish ] |
00:14:15 |
## [ Continues ] |
00:15:13 |
[ Music Ends ] |
00:15:17 |
[ Thunder Rumbling ] |
00:15:24 |
- [ Car Door Closes ] |
00:15:31 |
Oh. Oh. |
00:15:35 |
- Oh. |
00:15:37 |
- l'm wet. |
00:15:40 |
Look at that. Well, Scott |
00:15:43 |
About what? |
00:15:45 |
You do have elegant toes. |
00:15:47 |
[ Laughs ] |
00:15:50 |
Scott was, um-- |
00:15:54 |
What? You two dated? |
00:15:56 |
A while ago. |
00:15:58 |
For about a minute. |
00:16:02 |
Well, you know, |
00:16:07 |
- [ Laughing ] Like a determined... |
00:16:09 |
- guy. |
00:16:14 |
in our relationship-- until he got |
00:16:20 |
What? Feel like he used you? |
00:16:23 |
He did some work for us. |
00:16:28 |
l guess we used each other. |
00:16:31 |
All's fair, right? |
00:16:38 |
l had a really nice time. |
00:16:41 |
l had a nice time too. |
00:16:45 |
l'll see you tomorrow. |
00:16:51 |
See you later. |
00:16:58 |
Ricky! |
00:17:00 |
l loved our dance. |
00:17:24 |
Damn. |
00:17:28 |
Damn. |
00:17:31 |
[ Car Door Closes, |
00:17:53 |
[ Shouting, Chattering ] |
00:17:59 |
- lt's G. |
00:18:01 |
Somebody came forward, some woman. |
00:18:04 |
Says he has a whole family-- |
00:18:06 |
- Just walked out, abandoned them. |
00:18:08 |
- She's holding |
00:18:11 |
lt was time |
00:18:14 |
This man, G, had already |
00:18:18 |
And, well, when l saw this... |
00:18:23 |
l knew l couldn't let him hurt |
00:18:26 |
Well, isn't this just lovely. |
00:18:28 |
Scott, get us out of this. |
00:18:31 |
Okay, people. |
00:18:33 |
The only way we're gonna get out |
00:18:36 |
So, l'm sorry, but, Ricky, Kate, |
00:18:39 |
G hasn't said |
00:18:41 |
G, do you know this woman? |
00:18:43 |
Yes, that's Grace from Chicago. |
00:18:45 |
She's holding little lris |
00:18:49 |
Excuse me a second. |
00:18:50 |
- Where are you going? |
00:18:55 |
[ Reporters Clamouring ] |
00:19:00 |
- [ Woman ] G, do you know this woman? |
00:19:03 |
lt's so good to-- |
00:19:05 |
[ Man ] G, how long were you married |
00:19:11 |
- What? |
00:19:14 |
and just run off |
00:19:16 |
You, you know what you did. |
00:19:19 |
- Now, that's true. l did leave. |
00:19:23 |
- We trusted you. |
00:19:26 |
- Give us the real story. |
00:19:29 |
[ Shouting Questions ] |
00:19:32 |
Are you concerned |
00:19:35 |
Wait a minute, wait a minute. |
00:19:38 |
[ Shouting Questions ] |
00:19:40 |
Stop, stop. |
00:19:44 |
[ Shouting Stops ] |
00:19:47 |
l lied for the money. |
00:19:49 |
G-- G's a saint. |
00:19:54 |
He's not my husband |
00:19:58 |
l wish-- |
00:20:00 |
He stayed with us |
00:20:05 |
He helped us. |
00:20:09 |
l am so sorry. |
00:20:11 |
l thought-- |
00:20:13 |
You know, l just-- |
00:20:18 |
lt's all right. |
00:20:20 |
Okay? You all right? |
00:20:28 |
That man. |
00:20:30 |
l called him, |
00:20:33 |
- Who's she talking about? |
00:20:36 |
$5,000 to get up here and say |
00:20:39 |
He paid me to lie about G. |
00:20:41 |
l'm sorry. l may be poor, but there's |
00:20:46 |
- Where? |
00:20:48 |
[ Crowd Chattering ] |
00:20:51 |
[ Shouting Questions ] |
00:20:54 |
[ Man ] ls this a conspiracy, |
00:20:59 |
[ Keys Jingle On Ground ] |
00:21:01 |
- No, l have no comment. |
00:21:05 |
- [ Shouting ] |
00:21:08 |
- l only have a comment at this point. |
00:21:12 |
Don't, don't, don't-- Let him alone. |
00:21:15 |
And, uh-- No, l wanna |
00:21:18 |
Listen, l've been empowered |
00:21:21 |
to offer Grace $5,000... |
00:21:23 |
on behalf of G |
00:21:26 |
uh, as well as $5,000 |
00:21:29 |
including the, uh... |
00:21:31 |
new George Foreman Lean Mean |
00:21:34 |
that's available only |
00:21:37 |
- This sounds like a publicity stunt. |
00:21:39 |
lt was what it was, and let's all |
00:21:41 |
Thanks so much. |
00:21:43 |
[ Tune: ''Beethoven's Fifth Symphony'' ] |
00:21:47 |
# G, G, G, G # |
00:21:49 |
Oh. Don't you think |
00:21:53 |
With what? The announcer? |
00:21:56 |
We're just kidding around with that, |
00:21:58 |
[ Announcer ] |
00:22:01 |
Would your life be better |
00:22:04 |
- Yeah, sure. |
00:22:06 |
- Or a V.C.R.? |
00:22:09 |
[ Gasps ] |
00:22:13 |
He's especially excited about |
00:22:16 |
- No. |
00:22:18 |
- No. |
00:22:20 |
No, no. Can't you see? |
00:22:23 |
- My clothes don't mean anything. |
00:22:28 |
You know what's |
00:22:30 |
- l'll show you. Come on. |
00:22:32 |
- Come with me? |
00:22:43 |
This is important. |
00:22:49 |
This is crucial. |
00:22:51 |
This is something that every person |
00:22:54 |
This is a gift |
00:22:56 |
Her name is Kate, and she is |
00:22:59 |
And you know why? |
00:23:02 |
she listens to what you say. |
00:23:04 |
And that's more important |
00:23:07 |
lsn't that right, Kate? |
00:23:10 |
l'm sorry. |
00:23:12 |
How could you not love this woman? |
00:23:16 |
How wonderful is she? |
00:23:19 |
Let me tell you what everybody |
00:23:22 |
Come back, Brutus. |
00:23:30 |
Seventy-five years. That's |
00:23:33 |
Seventy-five years. |
00:23:36 |
seventy-five springtimes, seventy-five |
00:23:40 |
When you look at it like that, |
00:23:42 |
Don't waste them. |
00:23:45 |
and forget about the superficial things |
00:23:48 |
and get back |
00:23:50 |
Right now, this very second. |
00:23:52 |
And l'm not saying drop everything and |
00:23:55 |
l'm saying that you can become a seeker. |
00:23:58 |
You could be taking some chances. |
00:24:00 |
You can be spending more time |
00:24:02 |
You can be getting in touch |
00:24:04 |
the part of you |
00:24:07 |
the part of you that recognizes |
00:24:10 |
And l tell you, |
00:24:12 |
Oh, there it is. lt was a momentary |
00:24:14 |
Careful, Brutus, don't fall down. |
00:24:20 |
Something very, very important. |
00:24:22 |
Okay, right here. |
00:24:25 |
Can you fill the screen up |
00:24:31 |
That's the answer right there. |
00:24:33 |
That's what it's all about, |
00:24:55 |
Just take a little break |
00:24:59 |
Just, just look at this, |
00:25:03 |
peaceful parcel of earth |
00:25:06 |
Go ahead, wherever you are. |
00:25:09 |
Just go look at some grass. |
00:25:12 |
Just go do it. |
00:25:14 |
Just go look at some grass. |
00:25:28 |
Speedy, come on over here. |
00:25:33 |
[ Ricky ] |
00:25:35 |
Gentlemen, battle stations, |
00:25:38 |
J.P., we're just about to |
00:25:40 |
Okay, go, go. Barry, Barry! |
00:25:43 |
Come on, come on, come on! |
00:25:45 |
Hold up the mat. Yeah. |
00:25:48 |
- Okay? |
00:25:50 |
- Let's call it a peaceful parcel. |
00:25:52 |
- Do you understand? |
00:25:54 |
Go, go! |
00:25:56 |
Can we-- Are we-- |
00:25:59 |
'Cause l don't-- |
00:26:02 |
Okay, Sam, what's up? Barry, |
00:26:05 |
The grass mats. Get ready to go to |
00:26:08 |
Right. One, on Barry. |
00:26:10 |
- Here we go. |
00:26:13 |
Also, get ready to go |
00:26:15 |
- Okay, graphics prepped and ready. |
00:26:18 |
Of your worries. |
00:26:21 |
- Go to graphics. |
00:26:23 |
- Go to G. |
00:26:25 |
- Give in-- |
00:26:30 |
- Go to graphics. |
00:26:32 |
- Go to G. |
00:26:34 |
- And take the journey-- |
00:26:37 |
and call the Good Buy Channel... |
00:26:39 |
where the good buys |
00:26:41 |
- Go to graphics. |
00:26:43 |
- Go to Barry. |
00:26:49 |
[ Stammering ] |
00:26:53 |
- Thanks, G. [ Chuckles ] Um-- |
00:26:56 |
You're watching the, uh, |
00:27:00 |
where the grass is always... |
00:27:05 |
- [ Phone Ringing ] |
00:27:08 |
This is Kate. |
00:27:11 |
Great. l'll tell him. |
00:27:14 |
Well, we don't have to worry about |
00:27:17 |
- They're selling out. |
00:27:20 |
Now, that's what l like to hear. |
00:27:24 |
- All right! |
00:27:27 |
Thank you so much. |
00:27:31 |
[ Barry ] lf you're feeling bad, |
00:27:34 |
in your winter-- |
00:27:40 |
[ Crowd Shouting ] |
00:28:33 |
Well, that was just the best macaroni |
00:28:38 |
Kraft in the box is, |
00:28:40 |
- but you have a... touch. |
00:28:44 |
- Are you okay? |
00:28:48 |
Wait a minute. |
00:28:50 |
The way you say |
00:28:53 |
What's the matter? |
00:28:56 |
l'm worried about G. |
00:28:58 |
Remember when we first met him? |
00:29:00 |
He was so happy. |
00:29:03 |
And now he just seems drained. |
00:29:06 |
Well, like us. |
00:29:09 |
Right, it is all the work. And now that |
00:29:12 |
lt started so simply, and now it's |
00:29:17 |
lt's the Hayman |
00:29:19 |
with the G chants and the orchestras |
00:29:22 |
- Kinda fun, huh? Kitsch. |
00:29:25 |
- Yeah? |
00:29:28 |
- way beyond the G T-shirts. |
00:29:31 |
They have got |
00:29:33 |
- named after him called-- |
00:29:36 |
- [ Chuckling ] What? ls that terrible? |
00:29:38 |
- You knew about this? |
00:29:40 |
- l thought it was funny. |
00:29:42 |
- What? |
00:29:45 |
- called the, the-- |
00:29:47 |
[ Snickering ] |
00:29:49 |
Look, l mean, |
00:29:52 |
You know, the people who are |
00:29:55 |
l don't think so. You know. |
00:29:57 |
You know, instead of getting stuff |
00:30:00 |
he's reaching America, |
00:30:03 |
Who's losing out? |
00:30:05 |
Yes, but we are making money |
00:30:08 |
But-- No, but so does every religion |
00:30:10 |
or a Star of David or a stick |
00:30:13 |
And, you know, |
00:30:15 |
people are buying, l think, |
00:30:18 |
And if they wear a G T-shirt, |
00:30:22 |
what he's all about, |
00:30:24 |
Don't you think so? |
00:30:27 |
The difference is... |
00:30:29 |
- What? |
00:30:35 |
l think we should let him go. |
00:30:39 |
What? |
00:30:41 |
l mean, he's not chained in my basement, |
00:30:44 |
- But what are you talking about? |
00:30:50 |
l've decided |
00:30:53 |
l'm gonna give him his own |
00:30:56 |
- Surely you don't think |
00:31:00 |
He has the broadest appeal of any |
00:31:02 |
Yeah, that's right, |
00:31:04 |
And l love the idea of a new G show. |
00:31:07 |
This is so funny. That's why l wanted |
00:31:09 |
l think it's a great idea. |
00:31:11 |
uh, we start a show-- |
00:31:13 |
with G and other hosts? |
00:31:16 |
Wait a minute. |
00:31:20 |
where G doesn't have to, |
00:31:23 |
- We could even phase him out |
00:31:25 |
He's the guy they're interested in. |
00:31:29 |
Oh, wait a second. |
00:31:32 |
- Yeah. |
00:31:34 |
- Yeah! |
00:31:38 |
if this took off, and l haven't. |
00:31:40 |
- Oh. Oh. |
00:31:42 |
But if you launch this... |
00:31:45 |
and if you make it work... |
00:31:48 |
then... everything |
00:31:52 |
everything that you have |
00:31:57 |
an office next to mine... |
00:32:00 |
a view of the studio, a car... |
00:32:03 |
the perks, the bonuses-- |
00:32:07 |
everything will be yours. |
00:32:13 |
- And Kate? |
00:32:16 |
Do you wanna produce the show |
00:32:19 |
Look, as far as l'm concerned, |
00:32:22 |
We couldn't have gotten here |
00:32:24 |
my deal would have to be in place, |
00:32:28 |
- you said the last show, |
00:32:30 |
to get G signed up, and have you |
00:32:35 |
- Yeah, he's been here. |
00:32:38 |
Oh, well, that's just |
00:32:40 |
Why? He doesn't have a pen? |
00:32:45 |
And then... |
00:32:53 |
Whether you're a lover of jazz, |
00:32:56 |
you'll be able to select |
00:32:59 |
that is going to fit |
00:33:02 |
This is the stereo that really does |
00:33:05 |
but it does it |
00:33:08 |
So if it's gonna go on a bookshelf, |
00:33:11 |
[ Continues lndistinct ] |
00:33:35 |
[ Clears Throat ] |
00:33:38 |
No. How could you ever bother me? |
00:33:41 |
That's what l wanted to do-- |
00:33:44 |
- Ricky and l were thinking-- |
00:33:46 |
Excuse me one second. Hello? |
00:33:50 |
Yes, Dr Simon. |
00:33:53 |
[ Chuckles ] So tell me, how long |
00:34:03 |
How could it be chronic? |
00:34:05 |
Uh, how can it be chronic? |
00:34:07 |
Well, i-it's chronic because-- |
00:34:13 |
lt's chronic because of the decrease |
00:34:24 |
[ Coughing ] |
00:34:26 |
l got a little phlegm there. And-- |
00:34:30 |
[ Coughing ] Yeah, the, um, |
00:34:36 |
Dolphins. |
00:34:38 |
l'm sorry, l-l couldn't |
00:34:40 |
You know, doctor's handwriting. |
00:34:43 |
Uh, that number |
00:34:50 |
low, so... |
00:34:54 |
ass two, as to... |
00:34:56 |
demonstrate... |
00:35:00 |
have a... |
00:35:02 |
poor heart-- |
00:35:05 |
At this time, l'm-- |
00:35:08 |
l'm, uh-- |
00:35:12 |
l'm afraid, uh, that you, uh... |
00:35:15 |
need to-- |
00:35:25 |
Stay on the floor! |
00:35:27 |
l'm sorry. l was, uh, |
00:35:31 |
Yeah, l'm-l'm afraid that |
00:35:35 |
stick... around... |
00:35:39 |
for several months, or... |
00:35:42 |
- perhaps until the end of time. |
00:35:44 |
Uh, just a little |
00:35:47 |
- [ Squeaks ] |
00:35:50 |
No, l'm just calling |
00:35:52 |
Yeah, l-l-l know |
00:35:56 |
No, as soon as the heat breaks, |
00:35:59 |
make another appointment. |
00:36:01 |
Yeah, l'm sorry. |
00:36:04 |
[ Sighing ] |
00:36:06 |
[ Sighing ] |
00:36:08 |
l think so. |
00:36:11 |
He sounded awfully sad, though. |
00:36:14 |
He did? |
00:36:16 |
Okay, now l can get him |
00:36:20 |
- Oh, my God. |
00:36:22 |
What, what, what, what? |
00:36:25 |
Ricky, how? G trusted you. |
00:36:28 |
- You can trust me. |
00:36:30 |
Okay, honey, that was wrong. |
00:36:32 |
Listen, sweetie, don't be upset with me. |
00:36:34 |
But don't be upset. |
00:36:37 |
Going good? l just watched you |
00:36:39 |
No, but that was isolated. l didn't |
00:36:42 |
l had a meeting with McBainbridge |
00:36:44 |
which l alluded to last night, |
00:36:46 |
but he said my job depends |
00:36:49 |
Oh, so all's fair, never mind |
00:36:51 |
- No, no, l think |
00:36:53 |
- l'm stupid is not a good way |
00:36:55 |
Just tell me what you want me |
00:36:58 |
Okay. Okay. |
00:37:01 |
No, Kate. |
00:37:03 |
John, l wanted to talk to you |
00:37:05 |
Speaking of contracts, |
00:37:08 |
- ls what settled? |
00:37:11 |
His own show. Hayman's gonna produce, |
00:37:14 |
Oh, he won't screw up. |
00:37:16 |
Ricky's a go-to, |
00:37:19 |
ln fact, that's what l wanted |
00:37:21 |
l wanted to recommend |
00:37:22 |
l think the two of you |
00:37:24 |
What the hell |
00:37:26 |
You two are cut from the same cloth. |
00:37:29 |
Hold it a second! lf l recall, you're |
00:37:34 |
Well, l was wrong. |
00:37:36 |
Well, if you don't like it, fine! |
00:37:39 |
But it's not your network, |
00:37:42 |
and nobody tells me |
00:37:44 |
l created you. You walk when l tell you |
00:37:48 |
And you sell what |
00:37:52 |
l will not sell my soul. |
00:37:57 |
- Kate, wait a minute. Wait a minute. |
00:38:00 |
Kate, Kate, Kate, Kate, Kate! |
00:38:02 |
l just can't believe l was |
00:38:05 |
l never wanted to be wrong |
00:38:20 |
- Ricky Hayman? |
00:38:27 |
[ Phone Beeps, Dialling ] |
00:38:33 |
[ Ringing ] |
00:38:36 |
- Hello? |
00:38:38 |
- [ Clicks ] |
00:38:49 |
- [ G ] A contract? |
00:38:51 |
it's for six months with provisions for |
00:38:55 |
and you're gonna be paid... |
00:39:00 |
But you can put some aside |
00:39:02 |
or, or, uh, |
00:39:08 |
ls this what you want? |
00:39:11 |
Because if this is what you want, all |
00:39:29 |
[ Sighing ] |
00:39:41 |
## [ Woman Vocalizing ] |
00:39:53 |
Well, Mr Hayman, |
00:39:56 |
Ah. ls this |
00:39:59 |
Well, l'll be dipped in shit. |
00:40:03 |
l can't believe it! |
00:40:05 |
# l like spaghetti, l love meatballs |
00:40:08 |
[ Laughing ] |
00:40:10 |
Proud of you! Proud of you! |
00:40:12 |
Let me usher you |
00:40:14 |
Follow me. Follow me. |
00:40:18 |
## [ Vocalizing Continues ] |
00:40:30 |
Well, here you are, Hayman. |
00:40:34 |
All systems go. |
00:40:37 |
And l want you to screw your courage |
00:40:42 |
[ Chuckles ] |
00:40:46 |
# l like spaghetti, l love meatballs |
00:40:50 |
[ Laughing ] |
00:40:53 |
# Viva la, viva la, viva l'amore # |
00:40:55 |
# Viva l'amore, viva l'amore ## |
00:40:57 |
## [ Vocalizing Continues ] |
00:41:11 |
- Hello? |
00:41:17 |
l just want you to know that G's in |
00:41:21 |
so you should get down |
00:41:23 |
Okay, be there in a sec. |
00:41:26 |
- Okay. |
00:41:28 |
## [ Vocalizing Continues ] |
00:41:41 |
Here we go. |
00:41:44 |
Camera three, you are roaming |
00:41:48 |
- Camera three, are you ready? |
00:42:13 |
- Oh, there you are. |
00:42:16 |
- Ready? |
00:42:18 |
- Okay. |
00:42:20 |
- Show time. |
00:42:23 |
Uh, you know what? |
00:42:28 |
Don't do it. |
00:42:30 |
Don't do the show. |
00:42:35 |
- Continue your journey. |
00:42:37 |
Yeah. You know, it's not you. |
00:42:39 |
The show's-- if you do it, |
00:42:42 |
Everybody's gonna be |
00:42:44 |
Just go and-- |
00:42:47 |
You had a call two days ago |
00:42:50 |
That was Barry pretending to be |
00:42:52 |
and your heart is... fine. |
00:42:56 |
- What? |
00:42:59 |
So is yours, Ricky. |
00:43:04 |
- What do you mean? You knew? |
00:43:09 |
Well, so why'd you stay? |
00:43:12 |
l stayed 'cause l wanted to help you, |
00:43:15 |
But most of all, you really |
00:43:22 |
Yeah, well, l've gotten-- |
00:43:25 |
so that l don't wanna strangle you |
00:43:28 |
But-But, uh-- |
00:43:30 |
take off, 'cause, you know, |
00:43:33 |
l don't wanna change my mind, |
00:43:40 |
Beautiful man, Ricky. |
00:43:44 |
l'm a dead man. |
00:43:50 |
All right. |
00:44:02 |
[ Choir ] |
00:44:05 |
- # G, G, G, G ## |
00:44:09 |
lt's The G Spot! |
00:44:11 |
Philosophy, |
00:44:14 |
and nonstop shopping! |
00:44:16 |
- Here's G! |
00:44:20 |
[ Applause ] |
00:44:24 |
[ Chanting ] |
00:44:31 |
He's always full of surprises. |
00:44:33 |
- Surprise, surprise, surprise. |
00:44:39 |
- [ Applause Subsides ] |
00:44:41 |
[ Scattered Applause ] |
00:44:48 |
What is he doing? |
00:44:50 |
Thank you. |
00:44:53 |
is my friend. |
00:44:55 |
And he's... a special fellow. |
00:44:58 |
- [ Applause ] |
00:45:01 |
That's why you're here |
00:45:03 |
But that's also |
00:45:06 |
l couldn't let him |
00:45:08 |
So-- Yeah. l'm here to apologize |
00:45:12 |
'cause G agreed to continue |
00:45:15 |
but l had to, uh, let him go. |
00:45:19 |
- [ Together ] Let him go? |
00:45:22 |
Because l knew that he... |
00:45:25 |
would be happier in his heart... |
00:45:29 |
if he continued on his journey. |
00:45:33 |
And it wouldn't have been |
00:45:36 |
l mean, you don't know me, but this is-- |
00:45:38 |
l wanted to do the right, |
00:45:41 |
l mean, he doesn't care |
00:45:44 |
or fame or money, |
00:45:46 |
[ Ricky ] |
00:45:49 |
Get me Security! |
00:45:52 |
- All G cares about |
00:45:56 |
as the gift that it is. |
00:45:58 |
- Kill this! |
00:46:00 |
Okay. Sure. |
00:46:03 |
- Anything! |
00:46:07 |
Oh, for Christ's sake. |
00:46:11 |
...real, real hard. |
00:46:13 |
Of course, l'm not G. |
00:46:16 |
a regular, a regular type, |
00:46:20 |
l think... |
00:46:24 |
That you never... |
00:46:29 |
and right... |
00:46:31 |
than when you love... |
00:46:35 |
and when you know that |
00:46:40 |
And l had that. |
00:46:42 |
But l might have |
00:46:45 |
just a little bit ago. |
00:46:47 |
Her name's Kate, and, uh... |
00:46:52 |
she made me wanna do better-- |
00:46:56 |
to do what was right. |
00:46:59 |
And l didn't listen. |
00:47:03 |
sorry... that l didn't |
00:47:08 |
[ Sighing ] Not that doin' |
00:47:11 |
You know, l've lost my job. |
00:47:13 |
- [ Sympathetic Murmurs ] |
00:47:15 |
[ TV Clicks Off ] |
00:47:24 |
The second G was out, |
00:47:28 |
You know-- Hey! |
00:47:30 |
Look, look who's there. You know who |
00:47:33 |
Can you get a shot of Mr McBainbridge? |
00:47:35 |
Will, can you please get |
00:47:38 |
- This is my boss, or my ex-boss. |
00:47:40 |
No, no, no. |
00:47:44 |
- [ Booing Continues ] |
00:47:47 |
He's just, uh, alone, |
00:47:50 |
You know what he needs is-- |
00:47:53 |
lf you see this guy on the street, |
00:47:56 |
- Give him a big kiss... on the cheek. |
00:47:59 |
- lt'll help him. |
00:48:02 |
Don't fight him, Mr McBainbridge. |
00:48:05 |
Mr McBainbridge. |
00:48:08 |
We love you, |
00:48:10 |
Oh, l like you too. |
00:48:12 |
You too. |
00:48:16 |
- [ Ricky ] Say it. You're on TV. Say. |
00:48:19 |
- Barry, there's a call for Ricky. |
00:48:21 |
Put it through to the floor. |
00:48:25 |
l do? |
00:48:27 |
- Should l take a call? l-- |
00:48:30 |
Okay. Hello. |
00:48:32 |
[ Kate ] This isn't fair. l should |
00:48:35 |
- Kate? |
00:48:37 |
- [ Cheering ] |
00:48:40 |
- lt's Kate. |
00:48:42 |
You've been so public about your |
00:48:46 |
Well, maybe QVC'll give you a show. |
00:48:48 |
l'm in the car racing to get to you. |
00:48:52 |
- We lost her. Hello? |
00:48:54 |
- Hi, hi, there you are. |
00:48:57 |
- l'm at the studio. |
00:48:59 |
- [ Applause ] |
00:49:01 |
- What do we do? l don't know. |
00:49:03 |
l'm on it. |
00:49:08 |
Brutus, Brutus, you're missing |
00:49:14 |
Kate! |
00:49:18 |
- [ Cheering ] |
00:49:21 |
- [ Cheering ] |
00:49:24 |
- They're so sweet together. |
00:49:27 |
Yeah, okay. |
00:49:31 |
Move to the left. Move to the left. |
00:49:33 |
Yeah. Oh, that's beautiful. |
00:49:36 |
Oh, this is great stuff. |
00:49:40 |
- [ Chuckling ] |
00:49:42 |
[ Barry ] Oh, they're taking off. |
00:49:44 |
Keep goin', keep goin'. |
00:49:47 |
- Stay with them. |
00:49:50 |
Way to go, Ricky. |
00:49:52 |
- l'm sorry. |
00:49:54 |
- l'm so sorry. |
00:49:55 |
l love you. |
00:49:59 |
[ Whispering ] |
00:50:14 |
[ Kate ] |
00:50:17 |
Yes, some goodbyes |
00:50:20 |
And other goodbyes are like, |
00:50:23 |
urine-sipping, floor-sleeping freak |
00:50:26 |
[ Laughing ] |
00:50:29 |
- l don't know, Robert. |
00:50:32 |
Maybe you'll come back. |
00:50:34 |
You know, winters are |
00:50:39 |
We're gonna be together |
00:50:42 |
For me, l promise |
00:50:46 |
Goodbyes are sad. |
00:50:47 |
- l really don't wanna say goodbye. |
00:50:52 |
Kate. |
00:51:06 |
Robert Ricky. |
00:51:13 |
Your good is better. |
00:52:06 |
# Ee-ee # |
00:52:11 |
# Everybody's got a thing # |
00:52:14 |
# But some don't know |
00:52:18 |
# Always reachin' out in vain # |
00:52:22 |
# Just taking the things |
00:52:26 |
# But don't you worry |
00:52:30 |
# Don't you worry |
00:52:34 |
# 'Cause l'll be standing |
00:52:37 |
# When you check it out # |
00:52:42 |
# You say your style |
00:52:46 |
# And that you must go |
00:52:49 |
# But just don't you feel too bad # |
00:52:53 |
# When you get fooled |
00:52:57 |
# But don't you worry |
00:53:01 |
# Don't you worry |
00:53:05 |
# 'Cause l'll be standing on |
00:53:10 |
# Out # |
00:53:16 |
# When you get off # |
00:53:22 |
# Your trip # |
00:53:23 |
# Don't you worry 'bout a thing # |
00:53:30 |
# Don't you worry |
00:53:38 |
# Yeah, everybody needs a change # |
00:53:43 |
# A chance to check out the new # |
00:53:46 |
# But you're the only one |
00:53:50 |
# The changes |
00:53:54 |
# But don't you worry |
00:53:58 |
# Don't you worry |
00:54:02 |
# 'Cause l'll be standing |
00:54:08 |
# Oh # |
00:54:09 |
# Don't you worry |
00:54:16 |
# Don't you worry 'bout a thing # |
00:54:24 |
# Don't you worry |
00:54:31 |
# Don't you worry 'bout a thing # |
00:54:39 |
# Yeah # |
00:54:47 |
# Yeah, 'bout a thing, baby # |
00:54:50 |
# Don't you worry |
00:54:53 |
# Don't you worry |
00:54:57 |
# Don't you worry |
00:55:01 |
# Don't you worry 'bout a thing ## |