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Honey en
00:00:04	Subripped And Fixed By Pacman
00:01:10	- Two?
00:01:12	Here.
00:01:20	Damn!
00:01:32	- Whoo!
00:01:51	- Hi, hi, hi. - Where you been?
00:01:56	Girl, you can't rush perfection.
00:02:00	- Okay, one more minute.
00:02:03	- You know it.
00:02:07	- Tonight's your lucky night.
00:02:10	Sweetie, she's not gonna be here
00:02:14	l don't know why you're so eager
00:02:17	As long as l work here, we both get
00:02:20	Girl, when you make it,
00:02:23	- What she gonna make it as?
00:02:26	Thank you.
00:02:29	Time's up.
00:02:31	Bye.
00:02:46	Hey!
00:02:48	How are you?
00:02:53	Ah, look who's here-- Katrina.
00:03:02	Go, go, go, go, go, go.
00:03:05	That's hot.
00:03:20	Ooh! l don't like them, bitch.
00:03:49	Damn, girl!
00:03:51	- Yeah!
00:04:03	Oh! Look at that bitch, y'all.
00:04:13	Yo, she's takin' our shit!
00:04:20	- Oh, man!
00:04:41	Listen, girl, you got talent.
00:04:44	sell it, get paid, paid, paid.
00:04:48	- Excuse me would work.
00:04:51	- l think you owe her an apology.
00:04:54	especially not some section eight,
00:04:59	People pay me to dance.
00:05:02	Bitch!
00:05:05	- Let me go!
00:05:10	Get off me.
00:05:12	Gina, that's my job.
00:05:15	Please. She started it.
00:05:18	That shit was unbelievable.
00:05:33	Whoo!
00:05:36	Oooh.
00:05:56	Huh, huh!
00:06:01	Huh, huh!
00:06:04	- Hey, hey, hey.
00:06:07	Go, Benny. Go, Benny.
00:06:10	Go, Benny. Go, Benny.
00:06:12	Hey. Hey. Hey.
00:06:16	Hey. Hey. Hey.
00:06:26	That was hot.
00:06:31	Look at him, checking you out
00:06:35	- Your mama know you're out here?
00:06:38	- Don't you talk about her.
00:06:41	Oooh.
00:06:44	Hey.
00:06:47	l like that.
00:06:50	Okay, l got it.
00:06:53	- Oooh!
00:06:56	- You guys should come to my class.
00:06:58	- l teach hip-hop at the center.
00:07:03	l ain't feelin' that mommy and me hip-hop.
00:07:06	- l'll come.
00:07:10	All right, kids. Clear out.
00:07:12	- Come on. Come on.
00:07:15	- lt's cool, Officer.
00:07:19	Be careful, ladies.
00:07:26	Hey, Miss Jones.
00:07:34	Yo!
00:07:38	You dropped your paper.
00:07:57	Shoot,John.
00:08:05	Yo, Chaz,
00:08:15	Hey, everybody.
00:08:18	Listen up.
00:08:20	- l got a new remix from D.J. Scratch
00:08:24	All right! Come on, guys.
00:08:27	Let's loosen up.
00:08:29	Five, six, seven, eight.
00:08:44	- Oooh!
00:08:49	ls she all right?
00:08:51	You okay?
00:08:53	Quit it.
00:08:55	lt doesn't matter how you mess up,
00:08:58	Watch this. One and two,
00:09:06	See, Letitia, baby,
00:09:10	Okay, let's throw that in
00:09:35	l'm glad you could make it.
00:09:37	Come on. This isn't a pageant.
00:09:41	We'll break it down for you.
00:09:44	Fall in.
00:09:46	Come on, little man. You're in front.
00:09:51	From the top.!
00:09:53	seven, eight.
00:09:55	One and two, three, four,
00:09:57	five, six, seven and eight.
00:10:00	Elbows. One, two, three, four.
00:10:03	- We'll just take it that far.
00:10:06	- Let's see it.Joey, count 'em in.
00:10:09	- One and two, three, four,
00:10:12	five, six, seven and eight.
00:10:14	One, two, three, four.
00:10:18	- lf you wanna learn, keep with the counts.
00:10:21	Lady, l'm schooling you.
00:10:31	All right.
00:10:33	- Pay no mind to them.
00:10:47	Okay, okay, comedy hour's over.
00:10:51	lt's not you. My brother Benny
00:10:54	l know, sweetie.
00:10:57	- Take care, all right?
00:11:00	Bye.
00:11:03	- All right, let's start from the top.
00:11:18	Okay. There.
00:11:22	Okay, all set to go.
00:11:25	- All right, later.
00:11:27	Oh, sweetie. l don't know why you can't
00:11:33	Haven't you seen my hip-hop class?
00:11:36	But hip-hop can't take you the places
00:11:40	Ah, here are my girls.
00:11:44	Hi, baby.
00:11:45	There's so many beautiful things in the
00:11:50	Ma. So, can we make it
00:11:53	- Not another video audition?
00:12:01	And don't worry so much.
00:12:21	Two, three, four, five,
00:12:26	Next.
00:12:30	- Honey Daniels. And you're with?
00:12:34	Sorry. The open audition was this morning.
00:12:37	But the ad said the audition was all day.
00:12:42	l have a job and couldn't
00:12:44	Unfortunately, there were
00:12:48	Next.
00:13:09	Check it.
00:13:11	l should be dancing in videos
00:13:16	But sometimes you gotta start in the
00:13:19	You already gave me that lecture.
00:13:21	l'm gonna keep giving it you.
00:13:25	your ass would have been
00:13:31	Michael Ellis Productions.
00:13:33	Yes, that video is shooting
00:13:36	You seen Michael?
00:13:42	Ellis Productions.
00:13:44	Yes, he is.
00:13:52	Who is that?
00:13:54	She in a lot of joints.
00:13:57	No, no, not her.
00:14:01	Her.
00:14:10	What up? What up?
00:14:14	Come on. Keep it coming.
00:14:18	Excuse me.
00:14:21	Yeah.
00:14:23	Look, l want you
00:14:28	Come on, Gina.
00:14:31	No, no, look. Seriously. Seriously.
00:14:33	l'm a-- l'm a video director,
00:14:38	Oh, and you wanna offer me the privilege
00:14:43	Thanks, but l'll pass.
00:14:46	What are you doing?
00:14:48	Every guy's a director when he
00:14:53	lt's a little loud down here,
00:14:57	All right. l heard that.
00:14:59	lt don't matter where we are.
00:15:02	Who said anything about
00:15:05	Yeah, who said anything about that?
00:15:07	The only one who's gonna take
00:15:11	-Jadakiss?
00:15:14	- My name is Michael.
00:15:17	Michael.! All right,
00:15:21	- See, l'm the man.
00:15:23	And you are?
00:15:25	Honey Daniels.
00:15:29	Gina.
00:15:31	Look, Honey.
00:15:34	l want you to come down
00:15:38	You know, give me a call.
00:15:41	l'll give you a call.
00:15:53	1 0:05, that's not too early, is it?
00:16:06	Hey, this is Honey Daniels
00:16:11	Honey Daniels.
00:16:17	Um, yeah, he can call back.
00:16:19	Wait. Don't you need
00:16:23	555-9720.
00:16:31	lt's not good when
00:16:39	- Yo, heads up.
00:16:49	Why don't you take a break,
00:16:55	l got a class to teach.
00:16:57	Hey,yo, Chaz.
00:17:00	That was fun.
00:17:04	See you guys later.
00:17:12	l really like your class.
00:17:14	Thanks, Raymond.
00:17:16	Lucky for you,
00:17:19	Well, see you next week.
00:17:32	What's up?
00:17:41	Raymond, what are
00:17:51	Look, you can't be here
00:17:55	What? Are you deaf? Get on.
00:17:58	Go.
00:18:00	Get!
00:18:18	What's up, Otis?
00:18:20	How's your stash?
00:18:23	Make sure you got his back,
00:18:31	Yo, you want a smoke?
00:19:01	Hey, Honey, it's me Dad.
00:19:03	Just calling to see how
00:19:08	Hey, girl, it's me.
00:19:11	Remember, this is a temporary
00:19:14	So holler when you get in.
00:19:18	Honey Daniels, this is Mike Ellis.
00:19:20	Sorry l missed you.
00:19:22	Um, anyway, we start shooting
00:19:25	Call Lenny's cell.
00:19:33	Dancer, right?
00:19:37	l need your Social Security card
00:19:41	We're gonna be here
00:19:44	Okay? Okay, guys.
00:19:46	This is the last one.
00:19:49	Please make it fast
00:19:57	You can do this.
00:20:10	Ready in there?
00:20:13	Yes. Yeah. l-- l'm ready.
00:20:16	Coming. l'm coming.
00:20:33	Cut! Cut! Cut! Cut.
00:20:39	See, it's not working here.
00:20:41	Well, hold that down, baby.
00:20:48	The girls look too choreographed.
00:20:51	l can make 'em more freestyle, but
00:20:59	Hey.
00:21:02	You came?
00:21:04	Yeah, you know,
00:21:08	Wait. Come here. Come here.
00:21:11	l want you to try
00:21:13	- Honey.
00:21:15	This is Honey.
00:21:20	l think l got
00:21:23	All right, fellas,
00:21:25	Hi.
00:21:27	- Where would you like me?
00:21:31	Take it from the top.
00:21:34	Yeah.
00:21:54	- No! Cut. Cut!
00:21:58	lt'll be better.
00:22:00	lt's all right.
00:22:03	lt's good choreography, though.
00:22:07	All right, still not working here.
00:22:11	Um--
00:22:13	lt is just, uh--
00:22:17	Okay, l'm gonna try something.
00:22:22	Hi. How are you doing?
00:22:24	Good.
00:22:26	Um, l want you to pretend
00:22:31	- Excuse me, Michael. What are you doing?
00:22:36	Okay, so you're in a club.
00:22:38	And the music's gonna come on.
00:22:42	Now, don't be nervous.
00:22:44	You're great. l saw you at
00:22:47	Okay.
00:23:18	- Nice.
00:23:23	- Thank you!
00:23:26	- Everybody else,
00:23:29	l am not.
00:23:35	Jadakiss.
00:23:37	Sheek.
00:23:39	Whoo!
00:23:41	D-block. Dark child.
00:23:58	Wonderful. Wonderful.
00:24:01	Was it all right?
00:24:04	All right, we're moving in
00:24:08	What do you think?
00:24:12	Working at the record store?
00:24:15	Working at the club?
00:24:20	Not working at the club?
00:24:22	Not unless you're doing it
00:24:26	Two of anything, on me.
00:24:29	Anything?
00:24:33	And you know what else
00:24:36	Twenty-five's a big one.
00:24:40	So l'm thinking we should rent
00:24:44	You sure you wanna spend
00:24:48	Are you kidding?
00:24:51	lt's true, it's true.
00:25:00	l don't really care,
00:25:09	Who's that?
00:25:11	l don't know.
00:25:14	- What's wrong with you?
00:25:17	You duckin'. You duckin'
00:25:23	So, manager, am l bookin'
00:25:25	Hell, yeah, you gettin' the limo.
00:25:27	You gettin' the limo, the room,
00:25:30	the Cristal with caviar,
00:25:32	Oh, my God! lt's you!
00:25:35	That's my girl. That's my girl.
00:25:39	That's right, y'all. That's my friend.
00:25:43	Check it out.
00:25:57	Hey! Hey, look!
00:26:03	Yo, check it out, man.
00:26:07	See?
00:26:11	- That's Jadakiss and Sheek.
00:26:13	She dances with them?
00:26:17	Yo, that's my move.
00:26:20	- For real.
00:26:23	My move.
00:26:29	Hey, yo, biter.
00:26:31	Oh, hey.
00:26:34	- Benny saw that you used his move.
00:26:39	l haven't even got a check
00:26:42	Yeah. Once Benny saw you
00:26:45	he said maybe
00:26:49	Nah. l just figured you might
00:26:52	- Well, you can show 'em toJoey
00:26:56	No. l got this video
00:26:59	You gonna be here tomorrow?
00:27:01	l don't know. This director guy's
00:27:05	- That's cool. Whatever.
00:27:09	Who, me? l wasn't gonna go.
00:27:14	Go on, dog.
00:27:16	l'm outta here.
00:27:27	Can we see this with playback?
00:28:10	l swear to goodness.
00:28:39	What up? What up?
00:28:42	Ah, shoot. Now look at you.
00:28:46	Where we goin'tonight?
00:28:50	Oh, word? The gay club?
00:28:53	But l didn't have to wear my heels
00:28:56	- Actually, l'm goin' with Michael.
00:29:00	lt's kind of a work thing.
00:29:05	- Sorry.
00:29:08	- Sounds like somebody's trying
00:29:11	You say that like you never heard
00:29:14	lt's the video world.
00:29:18	Oh, okay.
00:29:20	Well, there's only one world--
00:29:24	if a man is taking a woman out
00:29:28	and she can't bring her homegirl,
00:29:32	You're nuts.
00:29:34	All right, that's him.
00:29:37	How do l look?
00:29:39	Yes, children, it's just another night
00:29:44	l'm the mother of the house,
00:29:47	Yes.! Drama, drama, drama, attitude.
00:29:51	Judges, score.
00:29:54	Ten, ten, ten, ten. Ow.! Yes.!
00:29:58	Make some noise!
00:30:02	Excuse me. Excuse me.
00:30:05	Hi.
00:30:08	What's happening, my man?
00:30:15	What's up?
00:30:16	What's up? What's up?
00:30:18	Ginuwine, how you doing?
00:30:21	How you doing?
00:30:23	Ginuwine, this is Honey.
00:30:29	Rodney, Honey.
00:30:31	- Honey, from theJadakiss video, right?
00:30:35	l caught that.
00:30:38	- Thanks.
00:30:41	l thought l was making him
00:30:44	You hear that Mikey?
00:30:47	- So you gonna be in the next one, right?
00:30:52	'Cause the next one gotta be crazy.
00:30:54	No doubt, no doubt. That's why l got you
00:30:57	- For real? Who?
00:31:01	For real? l mean,
00:31:05	No, but it's all right.
00:31:08	So she'll be a pro
00:31:10	Right?
00:31:13	Cool. Well, you know,
00:31:17	- Okay, sure.
00:31:21	Thank you, Mikey.
00:31:23	Thank you, Michael.
00:31:27	- You better get them contracts tight now.
00:31:32	Thank you.
00:31:48	Raymond, is that you?
00:31:52	What are you doing out here?
00:31:57	Your mama's right about that.
00:32:02	You can come with me.
00:32:06	Snoop Doggy Dogg silky-fine
00:32:10	Or maybe do like Mike
00:32:13	Hmm, how 'bout braids?
00:32:15	All right, cool. Come on.
00:32:18	Come on. They won't bite.
00:32:28	Whoa. Look who's here.
00:32:32	Raymond needs a little trim
00:32:38	Look, little guy.
00:32:42	Yeah.
00:32:45	l know he has a stupid-looking face,
00:32:48	All right.
00:32:54	A little more.
00:32:57	l spent a whole 20 minutes on him.
00:33:00	l'm gonna send you over there
00:33:04	And when you're done,
00:33:07	Now how does that sound?
00:33:09	That's cool.
00:33:11	All right, now you just chill, shorty.
00:33:15	Besides, l never mess up
00:33:17	especially when his mom's
00:33:19	He's eight. That would have made me 1 4.
00:33:23	- l'm not that kind of girl.
00:33:25	We just peoples.
00:33:27	Yeah, we peoples.
00:33:29	Player, how'd you swing that?
00:33:33	- l got flow.
00:33:37	- l got flow too.
00:33:41	Whoa. See, now you better
00:33:45	You don't watch yourself,
00:33:56	All right, youngblood,
00:34:01	lt's tight.
00:34:03	Let me ask you something else.
00:34:05	What if l was
00:34:10	That'd be all right.
00:34:12	How's Friday?
00:34:15	Friday night?
00:34:20	Saturday?
00:34:24	You're not working
00:34:27	Listen, l'll tell you what.
00:34:29	You find out when you're not working,
00:34:32	l'm a busy woman.
00:34:41	All right, little cat.
00:34:43	Come on.
00:34:51	- Let us pray.
00:34:56	Heavenly Father,
00:34:59	with game immediately.
00:35:04	So when you gonna get picked up?
00:35:09	But someone's comin', right?
00:35:11	l don't know.
00:35:18	Hey, l'm fiending for a milk shake.
00:35:21	Yeah? All right, then.
00:35:25	Okay.
00:35:43	Do you live there?
00:35:45	Let's go.
00:36:04	You gonna knock?
00:36:08	You don't have to wait.
00:36:10	Y'all, shut that noise up now!
00:36:14	l got my hair braided like you said.
00:36:17	- Who the hell are you?
00:36:21	- Dance teacher?
00:36:24	Come on. Get on inside
00:36:30	l just wanted to walk him home.
00:36:34	Oh. Well, thank you
00:36:37	You know, l would just love to spend
00:36:41	with my kids instead of workin',
00:36:43	which is what l've been doin'
00:37:25	Five, six, seven, eight.
00:37:27	One, two, three, four,
00:37:30	five, six, seven, eight.
00:37:32	One, two, three, four,
00:37:34	five, six, seven, eight.
00:37:46	Cut.
00:37:48	Cut.
00:37:50	Uh, l want you two girls
00:37:55	You guys are great, though.
00:38:08	Um, there's somethin' missing.
00:38:12	What?
00:38:15	l don't know. Somethin'.
00:38:22	Fix it.
00:38:25	Okay.
00:38:30	Go to lunch.
00:38:32	What?
00:38:40	Come on, man.
00:38:43	Lay up, man. What up? Lay up.
00:38:49	Son, take your game home.
00:38:59	D. up.
00:41:03	Rise and shine, sleepy head.
00:41:06	What are you doing?
00:41:08	Gettin' you up. lt's Sunday.
00:41:11	So? We gonna get
00:41:14	No, it's just--
00:41:17	l didn't get home till 6:00.
00:41:20	You work until 6:00 in the morning?
00:41:23	- Girl, l'm dead.
00:41:28	So, get up! Come on. Get up!
00:41:31	We gotta get ready for Atlantic City.
00:41:34	Oh, look. Take this.
00:41:36	What? What's that?
00:41:44	Ooh, Dolce.
00:41:47	Stop.
00:41:49	Ay, que linda, mami.
00:41:52	What kind of money you makin'?
00:41:54	Oh, l didn't pay for it.
00:41:58	You givin' me some sweaty leftovers
00:42:04	lt's not sweaty leftovers.
00:42:07	Hmm.
00:42:10	Look at Miss Thing.
00:42:15	No, it's cool. lf you don't wanna go
00:42:18	- Only person l can depend on anyway.
00:42:24	Oh, God.
00:42:40	Thank you.
00:42:50	Hey, Raymond. What's up?
00:42:54	Benny ain't been in school.
00:42:57	Well, where is he at?
00:43:00	Mama's boyfriend got
00:43:06	- Has he ever hit you?
00:43:12	Okay. Come on. Let's go find him.
00:43:15	Okay?
00:43:17	Come on.
00:44:25	Hey, Benny. We've been
00:44:29	Don't. l don't need your help.
00:44:31	Let me handle it.
00:44:37	You guys can't go back
00:44:39	We can go to my UncleJessie's.
00:44:42	l'll take you over there, okay?
00:44:44	- What do you care?
00:44:48	So? lt's not like you're around.
00:44:51	Don't even teach anymore.
00:44:58	Huh.
00:45:00	Then l guess l'm just gonna have
00:45:04	Tweet? The Tweet?
00:45:07	l'm doin' the choreography
00:45:11	and, you know, l could use
00:45:14	But if you don't wanna kick it,
00:45:18	No joke. lf you get your butt
00:45:23	Promises don't mean nothin'.
00:45:25	Mine do.
00:45:37	All right, girls,you ready?
00:45:40	Set? Okay.
00:45:43	Five, six, seven. Fly!
00:45:46	One, two, three. Fly!
00:45:48	Go down. Think dancer.
00:45:51	- Okay.
00:45:55	And once you land, plié.
00:46:02	Thanks, guys.
00:46:04	Okay. All right. Ready?
00:46:10	Tweet, you look great.
00:46:13	- Okay, let's try this.
00:46:18	You're gonna get fired
00:46:21	Oh, he's just playin'.
00:47:18	Michael, thank you so much.
00:47:23	l can do that. You know l can do that.
00:47:27	Maybe you will someday.
00:47:29	Look, yo. There's people
00:47:33	And there's people that
00:47:42	The gods made no mistakes
00:47:45	Fresh Air Fund kids or something?
00:47:47	Fresh air?
00:47:50	l, uh-- l taught them at the center.
00:47:53	ln fact, uh,
00:47:55	seeing them on the set there today
00:47:58	What are you thinking?
00:48:00	New York, the hood.
00:48:03	But instead of the usual hoochies,
00:48:08	They bust out, all G'd up,
00:48:10	same hair, same bling.
00:48:12	- Like a hip-hop pied piper?
00:48:17	l like it.
00:48:20	Yeah.
00:48:22	l'll pitch it to him.
00:48:26	You know, if he goes for it,
00:48:29	You just wanna get those
00:48:31	That's not true.
00:48:33	Their flavor's hot. You know.
00:48:37	lf it gets a couple of them
00:48:42	All right, guys.
00:48:45	three, four, five and six
00:48:50	Oh, hold on. Hold on.
00:48:53	Honey, what's up, girl?
00:48:58	Hey, guys.
00:49:12	Which one of you
00:49:15	- Ginuwine.
00:49:19	What video?
00:49:20	Open calls are in two weeks, and l'll
00:49:24	- So which one of you wants
00:49:27	All right.
00:49:46	Can l help you?
00:49:50	l'm Otis's brother.
00:49:53	You mean Benny?
00:49:55	We ain't seen Benny around
00:50:00	Check this out. He's part of my crew.
00:50:04	And when you're in my crew,
00:50:06	So you tell him l'm looking for him.
00:50:09	What?
00:50:12	Why not?
00:50:14	- l asked you a question!
00:50:19	B.B., what's poppin'?
00:50:24	How are things in that cute
00:50:29	You making ends meet?
00:50:31	Getting this paper.
00:50:33	Check this out. When you're tired of
00:50:37	l'm gonna hook you up.
00:50:39	Well, you ever get tired
00:50:48	l wanna see that kid.
00:50:57	You okay?
00:51:00	What was that all about?
00:51:02	l made the wrong friend, l guess.
00:51:05	Well, you know,
00:51:07	He's dangerous. Seriously.
00:51:10	Yeah. Thinking of picking up some
00:51:28	Did l say thank you?
00:51:31	You sure you don't want me to walk you
00:51:34	No. l can handle myself.
00:51:37	Thanks again.
00:51:47	Uh--
00:51:51	Bye.
00:52:04	Come on.
00:52:14	Mom, what happened?
00:52:18	How long will it take to fix?
00:52:24	Now the city wants to do a full
00:52:27	Ma, you can't let them shut you down.
00:52:30	your telling me what l can and cannot do
00:52:38	l don't know what to do about this.
00:52:42	He's one of those kids,
00:52:46	But 10 seconds into a routine,
00:52:50	lt's like l can just see
00:52:53	He's a kid again.
00:52:55	lt's the best feeling l know seeing that.
00:52:58	lt's scary though.
00:53:00	'Cause when l think of him hanging out
00:53:03	Well, you know, when a thug joint's
00:53:06	it's hard for a kid
00:53:08	l know. l'm over here.
00:53:11	Nah, nah, nah.
00:53:13	All right.
00:53:18	Stop with that.
00:53:27	You know, most of the kids
00:53:30	Trying to be thugged out,
00:53:33	'Cause that's what
00:53:35	Where are they now,jail?
00:53:38	Most of them, or headed
00:53:43	Listen, this is bad date talk.
00:53:45	We should change the subject.
00:53:48	How come you turned out so good?
00:53:50	She thinks l turned out good.
00:53:53	l'm serious.
00:53:57	What happened?
00:54:00	Well, the guy that used to own this shop
00:54:04	And when he saw me
00:54:08	he gave me a job here
00:54:10	lt's crazy 'cause
00:54:12	He paid me right
00:54:14	l worked for him for 1 0 years.
00:54:17	And when he passed,
00:54:22	See, B.B. likes to talk shit
00:54:24	like l'm missing something
00:54:26	but he and l both know who's winning.
00:54:29	l've found something that l truly love,
00:54:33	And that's a million times better than
00:54:37	So, it's just someone believing in you.
00:54:42	Well, that and having a place to go
00:54:52	What?
00:54:54	Nothing.Just thinking.
00:54:57	About what?
00:54:59	About what makes me happy.
00:55:07	Well, you know, l would
00:55:12	Making you happy.
00:56:08	477 Castle Hill Avenue...
00:56:10	will go for about $170,000.
00:56:15	So 17 down?
00:56:17	Seventeen thousand down, yes. ln cash.
00:56:25	How about l give you
00:56:27	and you give me 30 days
00:56:30	lf l don't, you put it back
00:56:32	Why do you even want this property?
00:56:34	lt's just an empty storefront
00:56:37	lt's perfect for a dance studio.
00:56:41	Maybe even a dance school
00:56:45	- So am l writing a check or not?
00:56:51	Five, six, seven, eight.
00:57:15	- Cut.
00:57:24	You have no idea
00:57:27	l had a first job too once.
00:57:30	Oh, uh, we have a meeting later.
00:57:33	With who?
00:57:39	Downtown. l'll pick you up.
00:57:44	l can't. l'm going to Atlantic City.
00:57:46	No, you are not. Absolutely not.
00:57:50	You gotta be there, Honey.
00:57:54	l know. l gotta go to some
00:58:01	lt's boss man.
00:58:04	Well, you girls have
00:58:06	Who is it?
00:58:13	All right. l gotta go.
00:58:15	You wild out.
00:58:25	Hey.
00:58:29	Oh, this is--
00:58:31	Well, this is where you live here.
00:58:33	What's with the threads?
00:58:38	Q. Walker's black-and-white party?
00:58:43	Got anyjuice?
00:58:46	Business and pleasure
00:58:51	lf l knew it was a party,
00:58:54	You would rather go to Atlantic City,
00:58:57	which will always be there,
00:59:00	instead of going to
00:59:05	Look.
00:59:08	Everybody is gonna be there.
00:59:10	All right? Artists, producers,
00:59:13	lt would be career suicide
00:59:18	All right. Change into that,
00:59:21	and, uh, l'll meet you downstairs.
00:59:23	Okay?
00:59:25	Okay.
00:59:55	Hey, uh, can l use your phone?
00:59:58	Yeah, yeah. Hold on.
01:00:01	l'm gonna go upstairs
01:00:04	You heard her, B.
01:00:12	Remember, stake if it's 16.
01:00:18	All right. Well, uh, l miss you.
01:00:23	Happy birthday.
01:00:26	This is a nice crib, huh?
01:00:28	Oh. Hey, Michael.
01:00:31	- What are you doing?
01:00:34	- At the house?
01:00:38	No, l'm looking at you.
01:00:42	That's the cognac speaking.
01:00:46	You know, the first time
01:00:51	''That girl is so fine.''
01:00:53	Quit playin'.
01:00:56	No, seriously.
01:00:58	Come on. Stop. Stop! Stop!
01:01:01	Get off of me.
01:01:08	Bitch, how you gonna
01:01:13	Oh. Oh, l see. l see.
01:01:17	l'm not one of anything.
01:01:20	What about, ''l owe you so much, Michael''?
01:01:25	Professionally, yeah.
01:01:30	All right. That was all talk.
01:01:35	Just so you could get ahead in life?
01:01:39	You made it. You're here. Stay.
01:01:41	Look, it's a fancy party.
01:01:45	You're drunk.
01:01:54	l'm gonna do you a favor.
01:01:56	l'm gonna pretend like
01:01:59	See you on Monday.
01:02:07	- One and two, three and four.
01:02:10	Five, six, nice.
01:02:18	Okay, Ginuwine,
01:02:21	Okay, Raymond.
01:02:28	Shaker boys, in front.
01:02:30	Come on, shake it up.
01:02:34	Go, shake it. Come on.
01:02:37	Come on. Shake it good, boys.
01:02:40	Oh, oh, oh, oh!
01:02:46	Oh, oh, oh, oh!
01:02:49	Oh!
01:02:55	That was great.
01:02:57	l'm lovin' it.
01:03:01	Good job!
01:03:04	That was hot.
01:03:06	l don't know.
01:03:19	We're ready for a rehearsal, sir.
01:03:29	lt's all set for you.
01:03:32	Hold that for a while.
01:03:35	Playback.!
01:03:38	- Five, six, seven, eight.
01:03:43	Cut. Cut! Cut.
01:03:47	Go get the car or something.
01:03:55	Nah, it's not--
01:03:58	The whole part.
01:04:01	lt's horrible.
01:04:06	No, Michael. Don't do this.
01:04:08	l was thinking l wanted
01:04:12	What's more real than these kids?
01:04:20	Oh, no.
01:04:22	Michael, don't do this.
01:04:24	lf you want to get back at me, do that,
01:04:30	Hey.
01:04:33	- All right, now l'm gonna
01:04:36	And l want you
01:04:41	Go do your thing.
01:04:44	Do not take away the one thing
01:04:49	Look. l have a lot
01:04:52	So if you want to get paid,
01:04:54	pack up your shit and take
01:05:01	l want you to fire 'em. l want you
01:05:05	What's going on?
01:05:08	What makes you think
01:05:12	Yeah, the label called.
01:05:15	For real? Aw, man. All right.
01:05:24	- l'm so sorry.
01:05:27	No. He changed his mind
01:05:30	- Why?
01:05:33	- You made him mad, didn't you?
01:05:37	Look,you guys.
01:05:40	No, there won't. Let's go, y'all.
01:06:12	Oh, you're funny, right? Okay.
01:06:15	What happened
01:06:18	lt's weak, man.
01:06:22	Yo.
01:06:26	l like those.
01:06:30	Yo. Go cop those for me, man.
01:07:01	Let's move. Come on, go.
01:07:07	Come on, ladies. Let me see it.
01:07:10	Five, six, seven, eight. Turn.
01:07:16	Front. Back.
01:07:28	l can't get a job anywhere.
01:07:31	Yeah, and all he has to do is mention
01:07:34	What kind of clown would do that,
01:07:37	l guess he figures since he gave me
01:07:40	Hey. He didn't give you anything.
01:07:43	You get hired because you've got drive,
01:07:47	That's a gift from God,
01:07:52	The thing is,
01:07:54	Not for me, for the kids.
01:07:56	That studio could be unbelievable.
01:07:59	lt could change their life.
01:08:49	Hmm, paying off that balance?
01:08:52	Actually, l came for an extension.
01:08:57	l don't know.
01:09:02	if l could help you, l would.
01:09:05	But l've already agreed to keep
01:09:09	That's the best l can do.
01:09:16	l know it's a lot of money.
01:09:20	And even if we did--
01:09:23	Even if you did what, Ma?
01:09:25	Honey, a commitment like that,
01:09:28	you take that on, you are
01:09:31	You'll never leave.
01:09:33	Oh, l forgot. l'm supposed to see
01:09:37	Well, there's nothing wrong
01:09:41	No, but what about what l want?
01:09:43	You're 22 years old.
01:09:49	You know what l see
01:09:52	l see kids go from bad homes
01:09:55	And l've seen you unlock a door to
01:10:02	Maybe l'm dumb because l haven't
01:10:07	but to me,
01:10:09	it doesn't get much better than that.
01:10:57	lt was everything l always wanted.
01:11:00	But when l had got it,
01:11:05	And now losing it feels even worse.
01:11:09	l'm not looking for sympathy.
01:11:11	l just need someone to talk to,
01:11:14	someone l know and trust.
01:11:18	l'm so sorry, Gina.
01:11:22	Do you think you could
01:11:24	l don't know.
01:11:28	Maybe.
01:11:31	You're my girl.
01:11:35	You know the first thing l thought
01:11:38	- That hood rat lied to me.
01:11:41	- That hood rat
01:11:45	What was the first?
01:11:47	That hood rat went
01:11:53	l know you're in a jam right now,
01:11:57	And that's gonna take you places.
01:11:59	l just thought that, you know,
01:12:01	being your girl and all,
01:12:03	You can.
01:12:07	l'm just your friend.
01:12:10	You're the one that people want.
01:12:13	You just need to trust
01:12:17	Like l do.
01:12:26	Come here.
01:12:33	Don't worry, baby,
01:12:37	All right?
01:12:39	l just don't have the time
01:12:42	l'm gonna lose the building
01:12:44	lf l can't earn it, and l can't
01:12:51	l could raise it.
01:12:55	Well, l'm trying to get
01:12:58	lf people knew about it,
01:13:01	l could put on
01:13:03	Charge a cover.
01:13:06	Put on a great show. l could do that.
01:13:10	'Cause l don't have a space,
01:13:14	Come here, mami. l got an idea.
01:13:16	That's love. Nah, baby,
01:13:19	All right? One, one.
01:13:23	lt's just off the B.Q.E.
01:13:25	The cat l was just on the phone with,
01:13:29	But in three weeks they're converting it
01:13:32	lf you want it, you better jump on it.
01:13:34	What's it like?
01:13:36	lt's dirty. lt's old.
01:13:38	But it has a floor, right?
01:13:41	l'll take it. Thank you.
01:13:54	Hey, guys.
01:13:58	l know what you're thinking,
01:14:02	This is what we call a means to an end.
01:14:04	Nobody's gonna give us a space,
01:14:07	So we're gonna raise the money
01:14:11	Y'all ever heard of a benefit performance?
01:14:13	- What do you mean? LikeJerry Lewis?
01:14:16	l'm Jerry. You're the kids.
01:16:00	Orange. Good color for you.
01:16:02	l spoke to your moms.
01:16:06	That's right.
01:16:08	When you do,
01:16:10	Nah.
01:16:13	You could have a good life, Benny.
01:16:16	What do you know?
01:16:20	- Matter of fact, you ain't got nothing.
01:16:24	Yeah? What you gonna buy with that?
01:16:26	lt breaks my heart seeing you
01:16:29	So leave. Get.
01:16:35	Let me ask you something.
01:16:38	You know your homies,
01:16:42	- Yeah?
01:16:49	You think about that.
01:16:57	l don't know
01:16:59	But, uh, nah, Katrina's gonna make this
01:17:02	Katrina?
01:17:06	- That's Katrina.
01:17:08	Katrina is the shit.
01:17:12	l don't care if she just showed
01:17:15	l said l want Honey.
01:17:19	Let's just try it once.
01:17:21	lf not, then we fix it.
01:17:24	Let me see what you got.
01:17:26	l was thinking something a little more
01:17:42	- No. No, no, no.
01:17:46	What is this, this?
01:17:50	Look, let me tell you something.
01:17:54	l don't know what kind of
01:17:58	Anyway, when you get in touch
01:18:00	You, you need to call M.C. Hammer,
01:18:05	Y'all two crazy people in here.
01:18:08	Don't make no sense.
01:18:12	Missy, hold up. l got an idea.
01:18:17	Honey, what you been up to?
01:18:20	Bye, Michael.
01:18:22	Hold on. l came to apologize.
01:18:25	Give me a break.
01:18:28	What l did,
01:18:30	the way l handled things
01:18:34	Hey, and l want
01:18:37	ls that so?
01:18:39	l've got you three new jobs.
01:18:41	And you want me to do the choreography?
01:18:44	l am begging you.
01:18:48	Oh, l get it.
01:18:51	The artist asked for me, and
01:18:54	Am l right?
01:18:56	They want you, sure.
01:18:59	Michael, you got yourself
01:19:02	Good luck getting out of it.
01:19:04	l'll pay. You know l got the money.
01:19:09	l don't want your money.
01:19:11	Are you sure?
01:19:16	Because, uh, l could buy you
01:19:20	What about that? What about
01:19:23	and l'll get you this.
01:19:27	You know what's funny?
01:19:29	When l first met you,
01:19:35	And now l look at you,
01:19:40	l don't need your help. l'm gonna get
01:19:46	Five, six, seven, eight.
01:19:51	Hey.
01:19:56	- So you came.
01:19:59	l can't let these bustas get
01:20:03	- That's wack.
01:20:05	l'm gonna give you something better.
01:20:09	Oh.
01:20:12	- Let's see you bust.
01:20:14	Five, six, seven, eight.
01:20:24	So you pick that up in juvie?
01:20:26	That's right. l believe in making
01:20:32	All right, guys, let's clump it up.
01:20:34	We only got a few rehearsal days left.
01:20:36	Let's make it count.
01:20:39	Music.
01:20:41	- Count 'em in.
01:20:44	Five, six. Five, six, seven, eight.
01:20:52	Good.
01:20:54	Nice.
01:20:57	One more time.
01:21:16	Can you see the stage all right?
01:21:23	Hey, chica.
01:21:25	Gina.
01:21:26	Oh, you know my homegirl
01:21:29	Your friend came by the bank and
01:21:32	l do banking for some
01:21:36	- l know some people.
01:21:39	Some people who would find
01:21:43	Are you serious?
01:21:47	Oh, my goodness.
01:21:49	Don't thank me yet.Just go out
01:21:53	How am l supposed to know
01:21:57	What you're wearing is fine.
01:21:59	Are you sure?
01:22:02	Where are we going?
01:22:04	You better tell me something.
01:22:10	Here you go.
01:22:12	Does the set look okay?
01:22:15	l don't know. l feel like
01:22:20	l don't know. Here.
01:22:22	Yo, Honey. lt's good.
01:22:28	Now get out of here.
01:22:45	Wow.
01:22:47	You have no idea
01:22:51	Thank you for coming.
01:22:53	This means a lot to me.
01:22:55	This means a lot to all of us.
01:22:58	These kids are good kids,
01:23:03	Dancing isn't what they do,
01:23:08	And you coming here tonight
01:23:14	That means more
01:23:17	So, thanks again.
01:23:20	Peace.
01:23:22	And l hope you like it.
01:23:33	That was beautiful, baby.
01:27:16	Encore, encore!
01:27:29	- Beautiful, beautiful.
01:27:33	Honey, Honey, Honey!
01:27:56	lt's Tweet.!
01:28:34	You stupid.!
01:28:36	Man, open this damn door.
01:28:40	Open the door. Open the door.
01:28:44	You big dummy,
01:28:47	Let me explain something to you.
01:28:51	l'm gonna straight barbecue
01:28:54	Men in Black wannabe,
01:29:06	Subripped And Fixed By Pacman
01:29:16	What's up, girl?
01:29:18	Man, good to see you.
01:29:20	Honey, this is Blaque right here.
01:29:23	She's the choreographer
01:29:25	They got a video coming up,
01:29:28	Some ''oom-pah-pay,'' you know.
01:29:30	So, uh, we're gonna get it poppin'.
01:29:33	- Come on, girls.
01:29:37	Two over here. One on this side.
01:29:41	Right leg first, okay?
01:29:44	Seven, eight.
01:29:47	Three, four.
01:29:49	One, two, three and four.

Honey