Horsemen The
|
00:02:32 |
Sean, let's go. |
00:02:36 |
Sean, come downstairs. |
00:03:02 |
Hi there. |
00:03:14 |
- How long has this been here? |
00:03:41 |
10-23 over on 10th and Montgomery. |
00:03:49 |
Yeah. Detective. we got |
00:03:53 |
south of Washington Township. |
00:04:55 |
Detective Breslin. |
00:04:59 |
Right this way. |
00:05:03 |
- Has anybody moved the body? |
00:05:07 |
- But- |
00:05:09 |
Well, officially... |
00:05:12 |
we haven't determined death... |
00:05:15 |
sir. |
00:05:26 |
What the fuck is that? |
00:05:48 |
We thought we should call you |
00:05:51 |
in the oral- |
00:05:54 |
Forensic Odontology. |
00:06:00 |
- That's someone's real bad day. |
00:06:03 |
The victim is male. |
00:06:05 |
Early to mid-30s. |
00:06:09 |
Upper middle to upper class. |
00:06:13 |
- And definitely not a vegetarian. |
00:06:15 |
Well, the root transparency |
00:06:18 |
put the age at about 32, |
00:06:20 |
Acid racemization will be more precise. |
00:06:23 |
I'm waiting on the results of that. |
00:06:25 |
But you see this right here? |
00:06:27 |
That is lateral striated trauma. |
00:06:29 |
It's where the pliers slipped. |
00:06:32 |
The victim, |
00:06:35 |
He could still be alive? |
00:06:37 |
Yeah. |
00:06:39 |
Be on a liquid diet, but yeah. |
00:07:00 |
''Come and see.'' |
00:07:04 |
It was written on four trees |
00:07:09 |
North, south, east and west. |
00:07:12 |
Any idea what it means? |
00:07:16 |
It means they brought a compass. |
00:07:21 |
How are the kids holdin' up? |
00:07:24 |
Fine. |
00:07:27 |
Imagine it's been a tough week for 'em... |
00:07:29 |
Karen's birthday and all. |
00:07:33 |
Yeah. |
00:07:37 |
It's late, Bres. |
00:07:42 |
I'm almost done here, so- |
00:07:47 |
Come on. I'll walk with you. |
00:07:56 |
Earthling. no one can help you now. |
00:07:58 |
- What do you want from me? |
00:08:02 |
Merely your help in arranging- |
00:08:06 |
If you cooperate. I may let you live. |
00:08:09 |
I'll die before helping you.! |
00:08:12 |
Brave words indeed. |
00:08:14 |
But we shall see. |
00:08:28 |
''What is my strength that I should hope? |
00:08:30 |
Is my strength the strength of stones... |
00:08:34 |
or is my flesh of brass? |
00:08:37 |
Wherefore then hast thou |
00:08:42 |
O, that I had given up the ghost |
00:08:46 |
I should've been as though |
00:08:50 |
I should've been carried |
00:08:52 |
to the grave. |
00:08:56 |
Are not my days few? |
00:09:00 |
A land of darkness, as darkness itself... |
00:09:04 |
and to the shadow of death... |
00:09:06 |
without any order... |
00:09:09 |
and where light is as darkness. |
00:09:15 |
God hath delivered me... |
00:09:17 |
to the ungodly... |
00:09:19 |
and turned me over |
00:09:47 |
Jesus Christ. |
00:10:15 |
- Is that blood? |
00:10:19 |
She's been dead about 12 hours. |
00:10:22 |
Don't know how long |
00:10:24 |
How'd she get in that thing? |
00:10:26 |
- Drug injection, probably- |
00:10:28 |
It takes more than one person to do this. |
00:10:32 |
Make sure we get a report |
00:10:37 |
Then there's this. |
00:10:41 |
Looks like they stood right here |
00:10:50 |
That's a tripod. |
00:10:52 |
They videoed the entire thing. |
00:11:00 |
- How many kids does she have? |
00:11:05 |
Let me do it. |
00:11:08 |
I'll do it. |
00:11:14 |
Who found her? |
00:11:16 |
The daughter. |
00:11:26 |
- Which one? |
00:11:29 |
You're gonna have all the support |
00:11:31 |
She's adopted. |
00:11:33 |
He'll be here any minute. |
00:11:37 |
Thanks for the hot tip. |
00:11:47 |
Hello. |
00:11:49 |
I'm Detective Breslin. |
00:11:52 |
- I'm gonna be heading up the investigation. |
00:11:56 |
- And I just wanted you girls to know that- |
00:11:59 |
Daddy! |
00:12:01 |
- Daddy! |
00:12:12 |
It's gonna be all right. |
00:12:20 |
You need to double-check that |
00:12:23 |
Yeah, will do. |
00:12:25 |
What's up? |
00:12:28 |
They took something. |
00:12:30 |
They took what? |
00:12:33 |
They took something from inside of her. |
00:12:36 |
She was pregnant. |
00:12:48 |
Detective? |
00:12:56 |
I didn't mean to interrupt you. |
00:13:00 |
No, no. It's all right. |
00:13:02 |
Is there anything |
00:13:10 |
Are you going to catch |
00:13:15 |
I'm going to try. |
00:13:21 |
Kristin. |
00:13:24 |
If you need anything... |
00:13:26 |
if you need to talk... |
00:13:29 |
or if you have any questions at all... |
00:13:33 |
just call that number. |
00:13:35 |
Anything at all. |
00:13:39 |
Thank you. |
00:13:46 |
What have you got for me? |
00:13:47 |
Heavy gauge fishing hooks. |
00:13:51 |
She had two in the back of each thigh... |
00:13:53 |
one behind each elbow, |
00:13:57 |
And then there's this. |
00:13:59 |
She was stabbed in the chest |
00:14:01 |
very sharp, very long foreign object. |
00:14:04 |
Punctured her lung. |
00:14:07 |
The object lacerated one of |
00:14:10 |
which is one of the major |
00:14:13 |
So blood starts flowing out |
00:14:15 |
into the severed air passage, |
00:14:21 |
You ever accidentally |
00:14:25 |
Imagine doing it continuously |
00:14:28 |
So are we looking at a torture kill here? |
00:14:31 |
Well, if it was done intentionally, yeah, |
00:14:35 |
But it wasn't. I mean, to skewer both |
00:14:39 |
that's basically impossible |
00:14:42 |
They probably just wanted |
00:14:46 |
- What is that? |
00:14:50 |
- She was drugged? |
00:14:52 |
So she could be hung up by the fishhooks. |
00:14:57 |
I understand things I see |
00:15:13 |
Shit. |
00:15:25 |
Roger that. 14. Confirmed. |
00:15:37 |
There's the Metropolitan Theater. |
00:15:40 |
I know. You tell me that |
00:15:43 |
Yeah. Yeah, right. |
00:15:50 |
Do you maybe wanna go to the game tonight? |
00:15:54 |
What game? |
00:15:56 |
Well, it's just that a friend of mine |
00:16:00 |
and I thought you might wanna go, |
00:16:04 |
Where'd you get that kind of money, Alex? |
00:16:07 |
It was from you... |
00:16:10 |
Oh, yeah. |
00:16:13 |
Right. |
00:16:15 |
What game is this? |
00:16:19 |
The Red Wings. |
00:16:22 |
Red Wings. |
00:16:28 |
- If you can't go, if you got work- |
00:16:35 |
Why not? |
00:16:40 |
- Sean! |
00:16:42 |
- Guess who's in town tonight. |
00:16:45 |
- The Red Wings. |
00:16:47 |
- We're gonna go to the game. |
00:16:52 |
- Yes! Yes! Yes! |
00:16:55 |
Come on! Hi, Rose. |
00:16:57 |
- Hi, Mr. Breslin. |
00:16:59 |
- Have fun, guys. |
00:17:01 |
The Wings havejust been a |
00:17:03 |
but certainly on the road as well- |
00:17:05 |
- Yeah! |
00:17:07 |
Dad, Dad, look! |
00:17:09 |
You guys look like twins. |
00:17:19 |
- Yeah. |
00:17:21 |
- They found another dead body. |
00:17:24 |
18th and Broadway. |
00:17:29 |
We need you down here right now. |
00:17:31 |
I'll be right there. |
00:17:42 |
Steven Silva, 33, single. |
00:17:45 |
- Seems to be missin' all his teeth. |
00:17:48 |
- Got any prints? |
00:17:50 |
Footprints? Four sets. |
00:17:53 |
And the tripod, |
00:17:59 |
That's ripe. |
00:18:13 |
Is that paint again? |
00:18:14 |
Yeah. |
00:18:19 |
What'd you find out about these rigs? |
00:18:21 |
These rigs aren't cheap. |
00:18:24 |
Heavy-duty fishin' hooks. |
00:18:26 |
Custom jobs tailor-made |
00:18:30 |
Connoisseur? |
00:18:32 |
Suspension is a subculture based on |
00:18:38 |
It's the next step of evolution |
00:18:43 |
All right. That's where we start. |
00:18:45 |
Pay a visit to every tattoo parlor |
00:18:49 |
We're already on it. |
00:18:54 |
What? |
00:18:58 |
Look at him. |
00:18:59 |
A second grade teacher. |
00:19:02 |
Who's ever doin' this, it's inhuman. |
00:19:33 |
Tuck, get the paramedics up here! |
00:19:36 |
Sloppy fuckin' police work. |
00:19:54 |
He's a good tenant. |
00:19:56 |
Just play that, will you? |
00:20:02 |
What happened- |
00:20:11 |
What- Hold on. What time was that? |
00:20:16 |
4:00 a.m. exactly. |
00:20:19 |
Fuck.Just fast-forward again, will ya? |
00:20:28 |
Okay. All right. What time was that? |
00:20:35 |
7:00 a.m. exactly. |
00:20:46 |
What time of death do you have on Silva? |
00:20:48 |
Estimated time of death |
00:20:50 |
And we got an address |
00:20:53 |
- It's on the corner of Main and 10th. |
00:21:08 |
Hi there. Can I help you? |
00:21:11 |
Yeah. I'm looking for something. |
00:21:16 |
Suspension? |
00:21:18 |
- Yeah, we do that. |
00:21:20 |
Hey, Banksy! |
00:21:26 |
- What's up? |
00:21:30 |
Yeah. I did. |
00:21:37 |
- And when was that? |
00:21:40 |
So he called you? |
00:21:43 |
Called me. Told me what he wanted. |
00:21:48 |
Did it seem strange to you? |
00:21:50 |
Come on, man. |
00:21:51 |
We got doctors, lawyers, businessmen |
00:21:56 |
Scarification, dermal implants, |
00:22:01 |
Doesn't mean they want you |
00:22:03 |
- How many did you make? |
00:22:06 |
How many of the suspension rigs |
00:22:10 |
Bro, it's fuckin' midnight, |
00:22:14 |
when I wanna be at home |
00:22:18 |
So maybe you oughta cut me some slack |
00:22:22 |
- Yeah, maybe I should. |
00:22:25 |
Or maybe I should just take you outside... |
00:22:28 |
and search you and your car |
00:22:31 |
How about that? |
00:22:34 |
Four. I made four rigs. |
00:22:39 |
Thank you. |
00:22:48 |
Stingray, wake up. |
00:22:56 |
He made four rigs, |
00:22:58 |
Shit. So there's two more. |
00:23:00 |
What'd you find out |
00:23:03 |
Well, her name's WhitneyJacobs. |
00:23:06 |
She's still in and out of consciousness. |
00:23:09 |
What I found most interesting about her |
00:23:12 |
was her recent divorced ex-husband- |
00:23:14 |
They share custody of two kids, currently |
00:23:18 |
Two kids? Let me guess. |
00:23:20 |
Garrison's got a kid |
00:23:23 |
Yep. Garrison Jacobs |
00:23:25 |
his wife was having one too many |
00:23:28 |
- And Garrison Jacobs is currently- |
00:23:31 |
Let's find him. |
00:23:55 |
- ''Come and see.'' |
00:23:59 |
You shouldn't be looking at those. |
00:24:05 |
Come and see what? |
00:24:12 |
Well, I don't know. |
00:24:43 |
Come and see. |
00:24:45 |
Come and see. |
00:24:49 |
Sean, get away from my stuff. |
00:25:21 |
Revelations 6. |
00:25:42 |
You have got to be kidding. |
00:25:49 |
It was ceremonial. |
00:25:53 |
They're announcing themselves. |
00:25:56 |
Who? |
00:25:59 |
Revelations 6. |
00:26:00 |
''And I saw, and behold, a white horse. |
00:26:03 |
And he that sat on him had a bow: |
00:26:06 |
and he went forth conquering. |
00:26:08 |
And when he had opened the second seal, |
00:26:12 |
Come and see. |
00:26:13 |
And there went out |
00:26:16 |
Power was given to him |
00:26:19 |
and there was given unto him |
00:26:22 |
- Remember this? |
00:26:27 |
''And when he had opened the third seal, |
00:26:31 |
And I beheld a black horse, |
00:26:34 |
had a pair of balances in his hand.'' |
00:26:37 |
They're labeling them. |
00:26:40 |
The fourth is the pale horse. |
00:26:42 |
''And his name that sat on him was Death, |
00:26:48 |
It's the Four Horsemen of the Apocalypse. |
00:27:06 |
The book of Revelation |
00:27:11 |
A vision of the end of times |
00:27:15 |
The Horsemen are the first four... |
00:27:18 |
of seven prophetic elements |
00:27:22 |
Okay. |
00:27:24 |
There's Death, who rides the pale horse. |
00:27:27 |
Which, in fact, is green. |
00:27:29 |
Pestilence rides the black horse. |
00:27:31 |
- And the red horse is- |
00:27:33 |
Yeah. What is the difference |
00:27:37 |
Think of War as more of a concept. |
00:27:40 |
Not as man killing man, but as strife. |
00:27:43 |
Death is a physicality. |
00:27:47 |
And the rider of the white horse- |
00:27:49 |
The rider of the white horse |
00:27:54 |
Some believe that |
00:27:57 |
Others thinks he is Jesus Christ himself. |
00:28:05 |
Aidan, these people... |
00:28:08 |
chose the Horsemen |
00:28:11 |
If they truly understand |
00:28:14 |
and it sounds like they do... |
00:28:17 |
you should expect things |
00:28:21 |
We're looking for a four-person team. |
00:28:23 |
Their intent is to produce two more victims. |
00:28:27 |
Suspect one is the smallest. |
00:28:31 |
The other three kept clear... |
00:28:33 |
while this one tortured Mary Anne Spitz. |
00:28:36 |
The suspect spent quite a bit of time |
00:28:39 |
They must have had quite a conversation. |
00:28:41 |
The second suspect is Garrison Jacobs. |
00:28:44 |
His whereabouts are unknown at this time. |
00:28:46 |
Suspect three delivered |
00:28:50 |
I think that he's the pale horse. |
00:28:53 |
- Death. |
00:28:56 |
Because the fourth suspect |
00:28:59 |
in both locations who never moved. |
00:29:02 |
Not an inch. |
00:29:04 |
The fourth suspect is the one |
00:29:08 |
He's the ringleader. |
00:29:10 |
We find him, and this thing ends. |
00:29:31 |
We got another dead body |
00:29:49 |
What do you got for me? |
00:30:19 |
Hello, Garrison. |
00:30:24 |
Remember when I told you |
00:30:27 |
and the chances of it being intentional? |
00:30:29 |
- Yeah. You said it was impossible. |
00:30:32 |
Yeah. It's the same. |
00:30:36 |
Almost to the millimeter. |
00:30:37 |
That means we're looking |
00:30:40 |
No, we're looking for a medical savant. |
00:30:45 |
Except no rig. |
00:30:55 |
Checked in Monday with a single suitcase. |
00:31:00 |
Nobody lives in a hotel unless they're |
00:31:05 |
He knew that they were |
00:31:07 |
And the only person who knew |
00:31:10 |
Excuse me. |
00:31:11 |
The only person with a motive's in a vinyl bag. |
00:31:30 |
- What? |
00:31:35 |
He was really excited. |
00:31:37 |
Yeah. Right. |
00:31:43 |
Maybe next time you shouldn't be showing |
00:31:47 |
Alex, I did not show them to him. |
00:31:49 |
- He found them. I took them away from him. |
00:31:55 |
Hey, Alex. |
00:32:02 |
Look. |
00:32:04 |
Thanks for taking such good care of Sean. |
00:32:10 |
You have parent-teacher |
00:32:12 |
- I reminded you last week. |
00:32:15 |
Like, five minutes ago. |
00:32:17 |
Shit. Shit, shit, shit, shit, shit! |
00:32:21 |
Shit! |
00:32:25 |
Alex has so much potential... |
00:32:28 |
which is why it's so frustrating. |
00:32:31 |
- He's not doing well? |
00:32:34 |
That's just not very often. |
00:32:38 |
Alex is what we call a maximum result, |
00:32:42 |
He doesn't have to try very hard |
00:32:45 |
So he doesn't. |
00:32:49 |
Well, that's... |
00:32:54 |
kind of my fault. |
00:32:56 |
I don't really get to spend as much time |
00:33:00 |
His group therapist used to say- |
00:33:03 |
On the other hand, if I can be frank- |
00:33:08 |
I think it's a good sign |
00:33:12 |
Well, it's not often the case |
00:33:19 |
Yeah. |
00:33:21 |
I'm sure. |
00:33:30 |
Spit. |
00:33:33 |
I'm done. |
00:33:36 |
All right. Go get in bed. |
00:33:38 |
Hey. I was thinking maybe Sean and I |
00:33:43 |
Make sure you actually go. |
00:33:46 |
That's good. |
00:33:49 |
Good night. |
00:34:08 |
- Thank you for seeing me this morning. |
00:34:11 |
But, Kristin, I'm not sure that I'm |
00:34:15 |
I'm not trained, and- |
00:34:17 |
I just wanna talk to a normal person... |
00:34:19 |
not a man in a crisp suit |
00:34:23 |
Okay. |
00:34:25 |
Well, I should also tell you that... |
00:34:29 |
I'm not very good with children. |
00:34:31 |
I'm not a child. |
00:34:33 |
No, of course you're not. |
00:34:37 |
- Do you have any kids? |
00:34:41 |
What kinds of things do you all do together? |
00:34:46 |
We don't really do a lot of stuff together. |
00:34:49 |
Why not? |
00:34:52 |
Well, it's a lot of things. |
00:34:56 |
Sean, he's young, |
00:35:00 |
And Alex- |
00:35:02 |
I was so focused on my job for so long... |
00:35:05 |
that I sort of missed his childhood. |
00:35:12 |
My parents did that. |
00:35:17 |
They thought my mom was infertile. |
00:35:20 |
They were going to pick a baby. |
00:35:22 |
But then, my mom found out |
00:35:26 |
about us- the older ones. |
00:35:30 |
I remember the first time I saw her... |
00:35:33 |
when she came in. |
00:35:35 |
I was eight. |
00:35:37 |
I wanted her to take me with her so bad. |
00:35:40 |
I couldn't tell her... |
00:35:43 |
but she did anyway. |
00:35:46 |
I came here to the States. |
00:35:49 |
They were my parents, |
00:35:54 |
It was just like |
00:35:59 |
The next year, Teresa was born. |
00:36:02 |
Doctors said it was a miracle. |
00:36:05 |
That must have been hard. |
00:36:12 |
Why do people do the things they do? |
00:36:16 |
I don't know. |
00:36:33 |
I'm so sorry. |
00:36:37 |
Sorry? |
00:36:39 |
What do you have to be sorry about? |
00:36:45 |
I didn't know... this was inside her. |
00:37:03 |
Why do people do the things they do? |
00:37:17 |
I didn't know that- |
00:37:30 |
Why are you wasting our time? |
00:37:32 |
I know what you're going to ask me |
00:37:41 |
Detective Breslin. |
00:37:47 |
If you'd like to come in here... |
00:37:50 |
I will tell you things. |
00:38:27 |
I wonder, Aidan, what you think of me. |
00:38:32 |
You thought I was just this sweet girl |
00:38:39 |
What do you think now? |
00:38:41 |
I still think that. |
00:38:44 |
Really? |
00:38:47 |
The moment I met you... |
00:38:50 |
I knew we would have |
00:38:56 |
So why your mother? |
00:38:59 |
- Because I hate my father. |
00:39:03 |
Would you rather be dead... |
00:39:05 |
or live the rest of your life |
00:39:09 |
- I'd rather be dead. |
00:39:18 |
Why'd you turn yourself in to me? |
00:39:20 |
I was craving some good conversation. |
00:39:26 |
You're not Death. |
00:39:28 |
Do you know the difference |
00:39:31 |
Yes. Death is a physicality. |
00:39:36 |
You're right. |
00:39:38 |
Death is what happens at the end. |
00:39:43 |
What is everything else? |
00:39:47 |
You mean... |
00:39:49 |
you haven't found them yet? |
00:40:13 |
Some books, trophies... |
00:40:15 |
creepy-ass clown dolls. |
00:40:21 |
Let's see. We got some clothes. |
00:40:23 |
Some cartoons. |
00:40:28 |
Cartoons? |
00:40:30 |
Yeah. |
00:40:31 |
- She's a little old for cartoons. |
00:40:35 |
Here's another one. |
00:40:42 |
''Garrison Jacobs.'' |
00:40:45 |
''Mary Anne Spitz.'' |
00:40:51 |
- Why are you doing this? |
00:40:55 |
Does it feel like you are weightless? |
00:40:58 |
You should feel like you don't exist. |
00:41:01 |
Do you feel expendable yet? |
00:41:03 |
Does your heart tell you that |
00:41:07 |
Yes.! |
00:41:09 |
Oh. my God.! |
00:41:11 |
Yes. Oh. God.! |
00:41:13 |
Now you feel like I do- |
00:41:15 |
at war for the last 10 years of my life... |
00:41:18 |
fighting against the things he does |
00:41:23 |
No.! I'm so sorry.! I'm so sorry.! |
00:41:27 |
I'm your daughter. |
00:41:36 |
Now you die. |
00:41:40 |
The war's inside you now. |
00:41:42 |
War. and then death. |
00:41:46 |
You're going to drown now. Mom. |
00:41:54 |
Oh. my God.! Oh. my God.! |
00:44:01 |
Stingray! Where the fuck are you? |
00:44:06 |
I didn't know you guys were here. |
00:44:08 |
- I thought you were one of them. |
00:44:17 |
What the fuck- |
00:44:26 |
Did you come here tonight |
00:44:29 |
She's getting under your skin, Detective... |
00:44:31 |
manipulating you to believe whatever |
00:44:37 |
Stingray... |
00:44:39 |
why don't you go call Child Services |
00:44:44 |
Mr. Spitz is going to jail. |
00:44:47 |
Will do. |
00:44:50 |
Let me tell you something. |
00:44:54 |
She's a fuckin' monster. |
00:45:08 |
Your room is very red. |
00:45:10 |
Come on, Aidan. |
00:45:15 |
- No, I don't. |
00:45:18 |
You saw the pictures. |
00:45:22 |
Then you know just as well as I do- |
00:45:25 |
taking her wouldn't have been enough. |
00:45:28 |
He needs to know that she hurt inside... |
00:45:31 |
like I did. |
00:45:34 |
Twelve hours in exchange for 1 0 years. |
00:45:39 |
I think that's a pretty favorable trade. |
00:45:43 |
What about the rest, Kristin? |
00:45:45 |
Garrison Jacobs, Steven Silva- |
00:45:49 |
What did they do to you? |
00:45:51 |
There's going to be more, isn't there? |
00:45:54 |
Three people does not make an apocalypse. |
00:45:58 |
How many more, Kristin? |
00:46:12 |
Four Horsemen. |
00:46:14 |
Four offerings. |
00:46:17 |
No more. |
00:46:24 |
You are not going to find them. |
00:46:54 |
You forgot? |
00:46:57 |
No, I didn't forget. |
00:47:05 |
I would never forget that. |
00:47:11 |
It's just that- |
00:47:14 |
Alex, we can't keep doing this every year. |
00:47:17 |
You know, it's just- |
00:47:23 |
Hey! I don't know how many times |
00:47:27 |
Just because I don't show it |
00:47:30 |
- You don't know what she went through. |
00:47:33 |
I was there for every biopsy, |
00:47:36 |
You weren't there when it mattered! |
00:47:38 |
That case you were working on |
00:47:44 |
Was it worth it? |
00:49:22 |
The Four Horsemen of the Apocalypse... |
00:49:24 |
by Albrecht Durer. |
00:49:26 |
Wood carving, 1498. |
00:49:29 |
- Beautiful, right? |
00:49:33 |
We got this |
00:49:39 |
I think they made him eat it. |
00:49:45 |
''Exodus 9:15.'' |
00:49:49 |
The computer this chip came out of- |
00:49:52 |
Can you trace it? |
00:49:54 |
If his system was inventoried on line, |
00:49:58 |
- And that'll tell you where it is? |
00:50:01 |
If the IP was assigned by the CO, |
00:50:05 |
Do it. |
00:50:17 |
- Computer guy's got a location on the chip. |
00:50:48 |
Get out of the way! |
00:50:49 |
Halt! |
00:50:56 |
Damn it! |
00:50:59 |
Bring them down. |
00:51:01 |
He's out in front |
00:51:06 |
Everybody out! Come on! |
00:51:09 |
Come on! Move it! |
00:51:11 |
Let's go, let's go, let's go! |
00:51:15 |
Bres! Come on! |
00:51:17 |
- Fuck! |
00:51:20 |
- It's evidence! |
00:51:23 |
Fuck! |
00:51:35 |
Very interesting. |
00:51:37 |
Bres, the suspect got away. |
00:51:40 |
Well, we got lucky about one thing. |
00:51:44 |
They wound magnesium ribbons |
00:51:48 |
Burns at 4,000 degrees. |
00:51:50 |
It's pretty smart, but the magnesium |
00:51:52 |
It gives me a good place to start. |
00:51:55 |
I saw a Web page on this monitor. |
00:51:58 |
If that was on this, |
00:52:02 |
- Give me some time. |
00:52:09 |
Black, black, black. |
00:52:13 |
Red, red. |
00:52:15 |
Green. Green. The Four Horsemen. |
00:52:40 |
Order up, Cheryl. |
00:52:47 |
I ordered you a coffee. |
00:52:51 |
So- |
00:52:55 |
What do you want? |
00:53:04 |
Mom and Dad support me, you know? |
00:53:08 |
Mom and Dad support you? |
00:53:14 |
Mom and Dad don't understand this. |
00:53:17 |
They don't understand why you're doing this. |
00:53:22 |
It doesn't even affect them or you. |
00:53:25 |
Doesn't affect us? Hey, fuck you, pal! |
00:53:29 |
It doesn't fuckin' affect us? |
00:53:31 |
Fuck you. You have no fuckin' idea. |
00:53:34 |
Do you know what it's like to walk |
00:53:37 |
''There goes Taylor Kurth. |
00:53:40 |
Having to suffer the indignity of people |
00:53:43 |
And knowin' that they are right? |
00:53:51 |
What the fuck are you doing? |
00:53:54 |
Stop fucking crying. |
00:53:56 |
Fuckin' stop it! |
00:53:58 |
I will fuckin' walk out of here- |
00:54:04 |
What the fuck are you looking at? |
00:54:15 |
Knock this shit off. |
00:54:18 |
Right? Be a fucking man. |
00:54:22 |
Jesus Christ. |
00:54:44 |
This isn't how I wanted tonight to go. |
00:54:50 |
What did you expect, Cor? |
00:54:53 |
That I was gonna change my mind? |
00:54:56 |
Tell you how happy I am |
00:55:00 |
Come on. Fuckin'Jesus, man. |
00:55:05 |
I just... didn't want it to have to come- |
00:55:09 |
Seriously,just shut the fuck up. Okay? |
00:55:16 |
I'm fucking exhausted. |
00:55:20 |
Drive me home. |
00:55:26 |
I just wanna go home, go to bed. |
00:55:33 |
Jesus. |
00:55:42 |
You all right? |
00:55:43 |
Don't touch me! |
00:56:00 |
- Is that you? |
00:56:03 |
Okay. |
00:56:04 |
Okay. |
00:56:07 |
Excuse me. |
00:56:15 |
Everything in your pockets, |
00:56:21 |
Hey. You take another step back, |
00:56:27 |
- Hell follows with- |
00:56:35 |
I said, ''Hell follows with me.'' |
00:56:50 |
Owen Rundell, 35, seven priors- |
00:56:52 |
breaking and entering, petty theft, |
00:56:54 |
Amateur shit across the board. |
00:56:56 |
Tonight Mr. Rundell here |
00:56:58 |
Victim fought back, |
00:57:01 |
- And? |
00:57:03 |
He told me not to worry 'cause he |
00:57:07 |
- Did you see his face? |
00:57:10 |
- Could you describe him to a sketch artist? |
00:57:13 |
Okay. Great. Get our best artist on this. |
00:57:18 |
Fax it to every medical facility |
00:57:21 |
Check it against employees, |
00:57:24 |
- Find him! |
00:57:37 |
Hold on for him. |
00:57:44 |
- Hello. This is Detective Breslin. |
00:57:47 |
I'm a registered nurse |
00:57:51 |
I know Corey. |
00:57:52 |
Do you have his last name? |
00:57:55 |
Thank you. |
00:58:04 |
This is Dispatch. |
00:58:13 |
555 Canal Street. |
00:59:18 |
We found Green, |
00:59:35 |
I feel fuckin' weird. |
00:59:59 |
Jesus, this is- Christ! |
01:00:02 |
Holy fucking Christ. |
01:00:04 |
Oh, no. Somebody help me. Somebody- |
01:00:06 |
Get me the fuck out of here. |
01:00:10 |
Corey? |
01:00:12 |
Jesus Christ. |
01:00:18 |
Oh, shit. Corey. Corey! |
01:00:21 |
Oh, my God! Fuck! |
01:00:24 |
Help. Oh, my God. |
01:00:27 |
Is that- Oh,Jesus Ch- Corey. |
01:00:29 |
Oh,Jesus, thank you. |
01:00:32 |
Oh, my God. What are you- |
01:00:36 |
Corey. Oh, Corey. |
01:00:39 |
There's fucking hooks in my- |
01:00:42 |
What the fuck are you doing? |
01:00:45 |
Get me out of this fucking thing, will you? |
01:00:50 |
Jesus fucking Christ, man! |
01:00:53 |
What is this? I don't understand |
01:00:56 |
Yes, you do. |
01:00:59 |
Oh, God! |
01:01:03 |
I'm sorry! I'm sorry. I'm sorry. |
01:01:06 |
I was wrong! |
01:01:09 |
I didn't mean any of what I said to you. |
01:01:12 |
I'm sorry. I was being stupid. I'm your brother. |
01:01:16 |
We can't both live like this anymore. |
01:01:19 |
Having an older brother |
01:01:22 |
and be happy for me like I am for him? |
01:01:29 |
I looked up to you so much! |
01:01:32 |
Let's talk about it. Come on. I'm sorry. |
01:01:34 |
No. No more talking. |
01:01:41 |
What the fuck are you doing? |
01:01:44 |
- The pain needs to go away. |
01:01:47 |
I didn't- |
01:01:49 |
The pain is going to go away tonight. |
01:01:52 |
Corey, let me out |
01:01:55 |
Corey, let me out of this fucking thing! |
01:01:58 |
You fucking let me out of this thing! |
01:02:01 |
What are you- |
01:02:03 |
Corey, stop it! Corey! |
01:02:07 |
What the fuck are you doing? |
01:02:12 |
God, no! God, don't! |
01:03:03 |
My name is Detective Breslin. |
01:03:05 |
I'm afraid I have to ask you |
01:03:17 |
Taylor, can you hear me? |
01:03:22 |
- Taylor- |
01:03:27 |
Can you tell me what happened? |
01:03:34 |
Which part do you wanna hear? |
01:03:36 |
The part where my brother hung me up? |
01:03:41 |
Or the part where he made me watch- |
01:03:45 |
watch- |
01:03:51 |
Taylor, I need you to help me |
01:03:56 |
'Cause he's a fuckin' faggot! |
01:04:02 |
He's a fuckin' faggot! |
01:04:05 |
You're a fuckin' faggot! |
01:04:07 |
- Can you guys get these hooks out of him? |
01:04:10 |
Excuse me. |
01:04:23 |
How did he do that to himself? |
01:04:25 |
- PCP? |
01:04:33 |
It's the closest I've seen someone come... |
01:04:37 |
to cutting out their own heart. |
01:04:52 |
So, you found Corey. |
01:04:56 |
- Yes. |
01:04:59 |
He's dead. |
01:05:01 |
Corey was a remarkable person. |
01:05:03 |
No, I don't doubt that. |
01:05:05 |
You and Corey are from different worlds. |
01:05:10 |
How did two people |
01:05:12 |
You want to know how people like us |
01:05:16 |
We are the nothing. |
01:05:22 |
The world lives in my bedroom, Aidan, |
01:05:26 |
And in anyone else's |
01:05:30 |
they can't find at home. |
01:05:35 |
So, did Taylor hurt? |
01:05:39 |
Oh, yeah. He's really fucked up. |
01:05:42 |
- Does that make you happy? |
01:05:46 |
We do what we do, |
01:05:51 |
You don't know the first thing about hurt. |
01:05:55 |
But you're paying attention now, |
01:05:57 |
Yes, I'm paying attention now, Kristin. |
01:06:02 |
I have four victims. |
01:06:08 |
I can save you a lot of time |
01:06:12 |
You're not going to catch |
01:06:16 |
And the rider of the white horse... |
01:06:19 |
you don't find someone like that. |
01:06:22 |
Someone like that finds you. |
01:06:24 |
Oh, really? Is that how it happened? |
01:06:28 |
The rider of the white horse |
01:06:30 |
put this all together? |
01:06:32 |
Created a forum to show the world? |
01:06:35 |
Yes. That's what a leader does. |
01:06:40 |
You could learn a lot from him. |
01:06:51 |
Don't be like that. |
01:07:07 |
Where's Sean? |
01:07:09 |
I let him go |
01:07:11 |
I really didn't expect you back. |
01:07:15 |
Yeah. |
01:07:20 |
Can we talk? |
01:07:29 |
This place is great. |
01:07:33 |
Yeah, sometimes I come with friends. |
01:07:35 |
Recently though, I've just been, |
01:07:38 |
Sometimes I'll come after school |
01:07:41 |
When Sean's with a friend |
01:07:45 |
Well, we should start |
01:07:49 |
Like, once a week we'll come, |
01:07:51 |
We could make this one of our things. |
01:07:56 |
Right. |
01:08:01 |
Dad, Sean is starting |
01:08:05 |
Like why you're not around |
01:08:08 |
And I can answer those... |
01:08:11 |
but he's gonna start asking about Mom. |
01:08:17 |
Alex, I want you to know that- |
01:08:22 |
I mean, |
01:08:25 |
that moment with your mom... |
01:08:28 |
alone. |
01:08:31 |
But do you know what I would give... |
01:08:34 |
to have had that moment with her... |
01:08:36 |
instead of you? |
01:08:41 |
It's not that |
01:08:44 |
It's that you never came back. |
01:08:49 |
Well... |
01:08:51 |
the whole deal with your mom, it was- |
01:08:54 |
it was hard on everybody. |
01:08:58 |
But I'm coming back now, okay? |
01:09:00 |
This is me telling you that I am back. |
01:09:07 |
Alex, I just- |
01:09:09 |
This case that I've been working on, |
01:09:13 |
I mean, it's really bad. |
01:09:17 |
And after this case, |
01:09:22 |
Everything is gonna be different? |
01:09:24 |
Promise. |
01:09:40 |
Western Division has a case they need you on. |
01:09:43 |
Apparently, he's a heck of a biter. |
01:09:47 |
- Hey, Krupa. Wait a minute. Wait a minute! |
01:09:49 |
I don't have time for this. |
01:09:51 |
There's still two Horsemen out there. |
01:09:53 |
They told us to expect four victims. |
01:09:56 |
- We have four victims. |
01:10:00 |
Let me explain something to you. |
01:10:02 |
They chose the Four Horsemen |
01:10:06 |
Did you know that the word ''apocalypse'' |
01:10:10 |
The literal translation of it |
01:10:15 |
This whole time they've been trying |
01:10:17 |
They're leaving clues. |
01:10:20 |
Look at-This is the Web site that |
01:10:24 |
It's a forum. |
01:10:25 |
There are thousands of members on it. |
01:10:28 |
See that date? That's new. That wasn't there. |
01:10:30 |
When I first saw that, |
01:10:33 |
Now, that's tomorrow. |
01:10:35 |
This whole time, they've been trying |
01:10:37 |
- They're building to something. Don't you see? |
01:10:40 |
I don't know! |
01:10:44 |
Now, we know two of them. |
01:10:46 |
If we can find out what connected them, |
01:10:50 |
- I need more time to find this out. |
01:10:52 |
- We don't have more time. |
01:10:55 |
Just drop it! |
01:10:57 |
The Four Horsemen of the Apocalypse... |
01:10:58 |
were sent here to initiate |
01:11:03 |
and it's happening tomorrow. |
01:11:11 |
Fine. You've got 2 4 hours. |
01:11:19 |
They've been leaving bread crumbs for us. |
01:11:21 |
Yeah, well, I guess we missed |
01:11:23 |
'cause- |
01:11:34 |
Four ''Come and sees.'' |
01:11:39 |
Mary Anne Spitz. |
01:11:41 |
Silva's apartment. |
01:11:44 |
Garrison Jacobs's hotel room. |
01:11:49 |
- There's only three. |
01:11:53 |
That's why there's no rig, no ceremony... |
01:11:57 |
no paint, no necklace. |
01:11:59 |
Nothing taken from the body. |
01:12:02 |
That's why the veil hasn't been lifted yet. |
01:12:04 |
Garrison Jacobs is not the third victim. |
01:12:09 |
What was he? |
01:12:23 |
Garrison Jacobs is Pestilence. |
01:12:28 |
I was trying to get my beauty sleep. |
01:12:41 |
Garrison Jacobs tricked us |
01:12:44 |
What did he tell you? |
01:12:47 |
- He told us Silva molested his son. |
01:12:51 |
- He was- |
01:12:53 |
So we bled him. |
01:12:55 |
You could afford to kill him. You didn't need |
01:12:59 |
He just operated the computers. |
01:13:01 |
It would have been nice to have carried |
01:13:06 |
Three Horsemen |
01:13:11 |
That means there's one less Horseman... |
01:13:15 |
which means there's going |
01:13:20 |
Does it eat at you, Detective Breslin? |
01:13:24 |
That three of the four of us |
01:13:27 |
and you had nothing to do with it? |
01:13:35 |
We would have caught you. |
01:13:40 |
Really. |
01:13:48 |
Good-bye, Kristin. |
01:14:00 |
''The great day of his wrath has come: |
01:14:03 |
and who shall be able to stand?'' |
01:14:06 |
Who shall be able to stand? |
01:14:16 |
Find something? |
01:14:18 |
- They were both in group therapy. |
01:14:24 |
Annette Richardson and... |
01:14:28 |
Annette Richardson. |
01:14:30 |
Well, we'll look her up and pay her a visit. |
01:14:38 |
Oh, God. |
01:14:39 |
We thought we should call you |
01:14:42 |
Forensic Odontology. |
01:14:44 |
Bres, what's the matter? |
01:14:47 |
Kristin has acted like she's known me |
01:14:52 |
That's because she does. |
01:14:54 |
The teeth were placed on that pond... |
01:14:56 |
to guarantee that I would be |
01:14:59 |
They're after me and my family. |
01:15:01 |
Stingray, I want you to do me a favor. |
01:15:04 |
I want you to go to my house |
01:15:06 |
- I'm gonna pick up Sean. |
01:15:08 |
When Karen died, |
01:15:12 |
Same doctor. |
01:15:25 |
This is Aidan Breslin. |
01:15:28 |
I just need someone to tell me |
01:15:35 |
- Stingray? |
01:15:38 |
- What the fuck? |
01:15:42 |
Stingray! |
01:15:45 |
Shit! |
01:15:58 |
Stingray? |
01:16:00 |
Ray? |
01:16:12 |
Police Emergency. How can I help you? |
01:16:14 |
This is Detective Aidan Breslin, |
01:16:17 |
I have an officer badly injured, |
01:17:35 |
You don't find someone like that. |
01:17:38 |
Someone like that finds you. |
01:17:41 |
Well, he does great when he's here. |
01:19:10 |
Alex? |
01:19:26 |
Alex! Answer me! |
01:19:30 |
- Dad? |
01:19:34 |
I'm gonna get you down! Hold on! |
01:19:38 |
It's gonna be okay, Alex! |
01:19:41 |
I'm bleeding. |
01:19:44 |
I'm supposed to drown, not bleed. |
01:19:47 |
- No, you're not! |
01:19:57 |
You have to know! |
01:20:01 |
- This won't end with us. |
01:20:05 |
There is no Four Horsemen. |
01:20:07 |
There's millions of them. |
01:20:09 |
They're born into this fucked-up world... |
01:20:13 |
by parents who are unwilling |
01:20:18 |
I understand. |
01:20:19 |
And it won't end until every parent |
01:20:24 |
realizes that it does apply to them! |
01:20:29 |
They're watching us right now. |
01:20:32 |
They're waiting... |
01:20:34 |
for the last Horseman |
01:20:38 |
Waiting for the sign- |
01:20:40 |
my death- |
01:20:43 |
to begin the apocalypse. |
01:20:47 |
The veil will be lifted, |
01:20:53 |
Please tell me you didn't do these things. |
01:20:56 |
Tell me you didn't do this to yourself. |
01:20:59 |
Why? Because I'm your son? |
01:21:06 |
You haven't been in my room |
01:21:11 |
All you had to do was go in my room. |
01:21:18 |
I told you it would be different. |
01:21:23 |
It can still be different. |
01:22:20 |
Open your eyes! |
01:22:38 |
Dad. Dad? |
01:22:41 |
You were right. You were right. |
01:22:43 |
After your mom died, I never came back. |
01:22:47 |
I never came back. |
01:22:52 |
Please. |
01:22:54 |
I'm so sorry. |
01:22:57 |
Give me a chance to be a father to you. |
01:23:01 |
We're gonna be all right. |
01:23:03 |
Whatever happens, |
01:23:10 |
You're gonna be all right. |
01:23:16 |
I'm not gonna let you die. |
01:23:26 |
Sean? |
01:23:39 |
Daddy? |
01:23:41 |
Yeah. |
01:23:43 |
I had a bad dream. |
01:23:46 |
You did? |
01:23:50 |
I'm here now. |
01:23:55 |
Where's Alex? |
01:23:58 |
Don't you worry about Alex. |
01:24:02 |
Alex is gonna be okay. |
01:24:07 |
I love you, Sean. |
01:24:10 |
I love you too, Daddy. |