|
Hours The
|
| 00:01:32 |
"Dearest, I feel certain |
| 00:01:35 |
"that I am going mad again. |
| 00:01:37 |
"I feel we can't go |
| 00:01:39 |
"through another |
| 00:01:41 |
"and I... shan't |
| 00:01:43 |
"recover this time. |
| 00:01:47 |
"I begin to hear voices, |
| 00:01:54 |
"So, I am doing |
| 00:01:56 |
"the best thing to do. |
| 00:02:14 |
"You have given me |
| 00:02:16 |
"the greatest possible |
| 00:02:19 |
"You have been in every way |
| 00:02:22 |
"all that anyone could be. |
| 00:02:28 |
"I know |
| 00:02:31 |
"and without me, |
| 00:02:34 |
"And you will, |
| 00:02:36 |
"I know. |
| 00:02:40 |
"You see, I can't |
| 00:02:47 |
"What I want to say |
| 00:02:49 |
"all the happiness |
| 00:02:52 |
"You have been entirely patient |
| 00:02:57 |
"and |
| 00:02:59 |
"incredibly good. |
| 00:03:01 |
"Everything's gone |
| 00:03:03 |
"from me but the certainty |
| 00:03:05 |
"of your goodness. |
| 00:03:08 |
"I can't go on |
| 00:03:13 |
"I don't think two people |
| 00:03:17 |
"than we have been. |
| 00:03:20 |
Virginia." |
| 00:05:18 |
Good morning, Doctor. |
| 00:05:19 |
Mr. Woolf. |
| 00:05:21 |
No worse, I think. |
| 00:05:23 |
I see. |
| 00:05:25 |
The main thing is to keep her |
| 00:05:31 |
Friday, then. |
| 00:09:03 |
Good morning, Leonard. |
| 00:09:04 |
Good morning, Virginia. |
| 00:09:06 |
How was your sleep? |
| 00:09:07 |
Uneventful. |
| 00:09:09 |
The headaches? |
| 00:09:11 |
No. No headaches. |
| 00:09:14 |
Doctor seemed pleased. |
| 00:09:16 |
That's all from this morning? |
| 00:09:19 |
Yes. This young man |
| 00:09:21 |
I've found three errors of fact |
| 00:09:23 |
and two spelling mistakes, |
| 00:09:25 |
and I'm not yet on page four. |
| 00:09:27 |
Have you had breakfast? |
| 00:09:29 |
Yes. |
| 00:09:31 |
Liar. |
| 00:09:32 |
Virginia, it's not |
| 00:09:34 |
It's your own doctor's. |
| 00:09:36 |
I'm going to send |
| 00:09:39 |
Nelly up with some fruit |
| 00:09:42 |
Right. Lunch, then. |
| 00:09:44 |
Proper lunch, |
| 00:09:45 |
husband and wife |
| 00:09:48 |
soup, pudding |
| 00:09:49 |
and all. |
| 00:09:51 |
By force if necessary. |
| 00:09:56 |
Leonard, I believe |
| 00:10:03 |
Work, then. |
| 00:10:12 |
Then you must eat. |
| 00:11:12 |
Mrs. Dalloway said... |
| 00:11:15 |
she would buy the flowers... |
| 00:11:22 |
"Mrs. Dalloway said |
| 00:11:23 |
she would buy the flowers |
| 00:11:28 |
Sally, I think I'll buy |
| 00:11:31 |
What? |
| 00:11:34 |
What flowers? |
| 00:11:36 |
Oh, shit. I forgot. |
| 00:11:40 |
You're never going |
| 00:11:41 |
if you don't eat |
| 00:11:44 |
You're going to be |
| 00:11:45 |
It's a very important job. |
| 00:11:46 |
Happy birthday. |
| 00:11:47 |
- Morning, honey. |
| 00:11:50 |
Roses on your own birthday. |
| 00:11:52 |
You're too much. |
| 00:11:53 |
He'll eat it |
| 00:11:55 |
now that you're here. |
| 00:11:57 |
It's your birthday. |
| 00:11:58 |
You shouldn't be out |
| 00:12:00 |
Well, you were still sleeping. |
| 00:12:02 |
So? |
| 00:12:03 |
Well, we decided |
| 00:12:05 |
if we let you sleep in |
| 00:12:07 |
Morning, bug. |
| 00:12:12 |
You need to rest, Laura. |
| 00:12:14 |
You're only four months away. |
| 00:12:15 |
Dan, don't. |
| 00:12:16 |
I'm fine. |
| 00:12:18 |
I'm just tired. |
| 00:12:21 |
I've been telling him |
| 00:12:23 |
That's true. |
| 00:12:25 |
So, it's a beautiful day. |
| 00:12:26 |
What are you two going |
| 00:12:29 |
We've got our plans, |
| 00:12:33 |
What plans? |
| 00:12:34 |
Hmm... |
| 00:12:35 |
Well, it wouldn't |
| 00:12:38 |
would it, if I told you |
| 00:12:39 |
every detail in advance? |
| 00:12:40 |
Well, I better just stop |
| 00:12:41 |
asking questions then, huh? |
| 00:12:43 |
That the time? |
| 00:12:45 |
I better get going. |
| 00:12:47 |
Have a good day. |
| 00:12:48 |
You, too. |
| 00:12:52 |
Dan, happy birthday. |
| 00:12:54 |
Oh, thank you. |
| 00:13:29 |
You need to finish |
| 00:13:57 |
Oh, I'm going to make a cake. |
| 00:14:01 |
That's what I'm going to do. |
| 00:14:04 |
I'm going to make the cake |
| 00:14:06 |
Mommy, can I help? |
| 00:14:09 |
Can I help make the cake? |
| 00:14:12 |
Of course you can, sweet pea. |
| 00:14:15 |
I'm not going to do |
| 00:14:17 |
No, of course. |
| 00:14:18 |
You have to come. |
| 00:14:20 |
Of course. |
| 00:14:23 |
Well, I always wanted you |
| 00:14:24 |
and everybody involved |
| 00:14:26 |
I don't know. |
| 00:14:28 |
Around 60. |
| 00:14:30 |
Well, it will. |
| 00:14:31 |
It'll mean so much. |
| 00:14:33 |
The whole occasion. |
| 00:14:34 |
It's the least I can do |
| 00:14:36 |
to have a nice dinner |
| 00:14:39 |
to everybody. |
| 00:14:40 |
You've done so much for him. |
| 00:14:41 |
Oh, I take that as a yes. |
| 00:14:43 |
He'll be thrilled. |
| 00:14:45 |
Oh, my God. |
| 00:14:46 |
I'm thrilled. |
| 00:14:49 |
What if nobody comes? |
| 00:14:51 |
This is Clarissa Vaughan. |
| 00:14:52 |
Yes, I am just confirming |
| 00:14:55 |
that you're sending a car |
| 00:14:57 |
Yeah. |
| 00:14:58 |
- Hi, Clarissa. |
| 00:15:00 |
And then we're |
| 00:15:03 |
which is at 9th and 14th. |
| 00:15:05 |
Then you will take me uptown |
| 00:15:09 |
And it'll be over at seven. |
| 00:15:18 |
Flowers! |
| 00:15:22 |
Hi, Clarissa. |
| 00:15:25 |
I'm having a party. |
| 00:15:27 |
My friend Richard's won |
| 00:15:30 |
Well, that's just terrific... |
| 00:15:32 |
if I knew what it was. |
| 00:15:34 |
It's a poetry prize |
| 00:15:39 |
It's the most prestigious. |
| 00:15:41 |
For a poet, |
| 00:15:42 |
Oh, very good. |
| 00:15:43 |
So, what would you like? |
| 00:15:45 |
The lilies are perfect. |
| 00:15:47 |
No. Too morbid. |
| 00:15:50 |
Hydrangeas, I think. |
| 00:15:51 |
And, um... |
| 00:15:53 |
Oh, oh, let's just have |
| 00:15:59 |
And... I think I'm going |
| 00:16:04 |
Rodney? |
| 00:16:05 |
Okay. |
| 00:16:06 |
Thank you. |
| 00:16:09 |
I actually tried |
| 00:16:13 |
You did? |
| 00:16:16 |
Oh, I know. It's not easy. |
| 00:16:19 |
I know. |
| 00:16:20 |
It did take him |
| 00:16:22 |
Maybe it just takes |
| 00:16:28 |
It's you, isn't it? |
| 00:16:29 |
What is? |
| 00:16:31 |
In the novel, |
| 00:16:32 |
Oh, I see. |
| 00:16:35 |
Yeah. |
| 00:16:37 |
Sort of. |
| 00:16:38 |
I mean, in a way. |
| 00:16:40 |
You know, Richard's a writer. |
| 00:16:41 |
That's what he is. |
| 00:16:42 |
He uses things |
| 00:16:44 |
Yeah. |
| 00:16:45 |
And years ago, |
| 00:16:49 |
That's true. |
| 00:16:50 |
But, you know, |
| 00:16:51 |
Oh, sure. |
| 00:16:52 |
I don't mean in a bad way. |
| 00:16:59 |
It's more like... |
| 00:17:11 |
A woman's whole life... |
| 00:17:15 |
in a single day, |
| 00:17:18 |
just one day... |
| 00:17:22 |
and in that day, |
| 00:17:25 |
her whole life. |
| 00:17:28 |
This is what we need. |
| 00:17:31 |
Shortening... |
| 00:18:32 |
Mrs. Dalloway, it's you. |
| 00:18:36 |
Yes, it's me! |
| 00:18:37 |
Oh... It's me. |
| 00:18:39 |
Come in. |
| 00:18:42 |
Richard, |
| 00:18:46 |
How about we let in |
| 00:18:49 |
Is it still morning? |
| 00:18:51 |
Yes, it is. |
| 00:18:53 |
Have I died? |
| 00:18:57 |
Good morning, my dear. |
| 00:19:02 |
Any visitors? |
| 00:19:03 |
Yes. |
| 00:19:04 |
Are they still here? |
| 00:19:06 |
No. They've gone. |
| 00:19:07 |
Mm. How'd they look? |
| 00:19:09 |
Today? |
| 00:19:11 |
Sort of like black fire. |
| 00:19:15 |
I mean, sort of light |
| 00:19:16 |
and dark at the same time. |
| 00:19:19 |
There was one a bit |
| 00:19:23 |
They were singing. |
| 00:19:25 |
May have been Greek. |
| 00:19:28 |
So the ceremony is at 5:00. |
| 00:19:31 |
Do you remember? |
| 00:19:38 |
And then... |
| 00:19:40 |
the party is right after. |
| 00:19:51 |
They did bring you breakfast, |
| 00:19:53 |
What a question. Of course. |
| 00:19:56 |
Richard, you did eat it? |
| 00:19:57 |
Well, can you see it? |
| 00:19:58 |
Is it here? |
| 00:20:01 |
Any breakfast lying around? |
| 00:20:02 |
No, I don't see it. |
| 00:20:04 |
Well, then I must have |
| 00:20:06 |
I suppose. |
| 00:20:08 |
Does it matter? |
| 00:20:11 |
Of course, it matters. |
| 00:20:13 |
You know what the doctors say. |
| 00:20:22 |
Have you been skipping pills? |
| 00:20:25 |
Clarissa, I can't take this. |
| 00:20:27 |
Take what? |
| 00:20:28 |
Having to be proud and brave |
| 00:20:29 |
in front of everybody. |
| 00:20:30 |
Oh. Honey, it's not |
| 00:20:33 |
Of course it is. |
| 00:20:34 |
I got the prize |
| 00:20:36 |
Well, that is |
| 00:20:37 |
I got the prize for having AIDS |
| 00:20:39 |
and being brave about it. |
| 00:20:41 |
I actually got the prize |
| 00:20:43 |
It's not true. |
| 00:20:45 |
- For surviving, that's what |
| 00:20:46 |
I got the prize for. |
| 00:20:48 |
would have given it to me |
| 00:20:49 |
Yes, as a matter of fact, I do. |
| 00:20:59 |
Is it here somewhere? |
| 00:21:01 |
What? |
| 00:21:02 |
The prize. |
| 00:21:08 |
No, you haven't gotten it yet. |
| 00:21:12 |
It's tonight. |
| 00:21:14 |
Are you sure? |
| 00:21:16 |
Um... |
| 00:21:18 |
I remember |
| 00:21:21 |
I seem to have |
| 00:21:28 |
Richard. |
| 00:21:30 |
Richard... |
| 00:21:32 |
it's a party, |
| 00:21:34 |
and it's only a party. |
| 00:21:38 |
Hmm? Populated entirely |
| 00:21:40 |
by people who respect |
| 00:21:44 |
A small party, is it? |
| 00:21:45 |
A select party, is it? |
| 00:21:47 |
Your friends. |
| 00:21:48 |
I thought I lost all my friends. |
| 00:21:50 |
I thought I drove |
| 00:21:54 |
Jesus. |
| 00:21:55 |
Oh, Mrs. Dalloway, |
| 00:21:57 |
always giving parties |
| 00:22:14 |
Richard... |
| 00:22:19 |
You won't need to do anything. |
| 00:22:21 |
All you have to do is appear, |
| 00:22:23 |
sit on the sofa. |
| 00:22:27 |
And I will be there. |
| 00:22:31 |
This is a group of people |
| 00:22:33 |
who want to tell you |
| 00:22:37 |
Oh, is it? |
| 00:22:38 |
Is my work going to live? |
| 00:22:41 |
I can't go through with it, |
| 00:22:44 |
Oh... Why do you say that? |
| 00:22:47 |
- I can't. |
| 00:22:48 |
Because I wanted |
| 00:22:50 |
So? |
| 00:22:51 |
I wanted to write about it all. |
| 00:22:54 |
Everything that happens |
| 00:22:56 |
The way the flowers looked |
| 00:22:58 |
when you carried them |
| 00:23:00 |
This towel, how it... smells, |
| 00:23:03 |
This thread. |
| 00:23:04 |
All our feelings, |
| 00:23:06 |
yours and mine. |
| 00:23:08 |
The history of it, |
| 00:23:09 |
who we once were. |
| 00:23:12 |
Everything in the world. |
| 00:23:15 |
Everything all mixed up... |
| 00:23:18 |
like it's all mixed up now. |
| 00:23:25 |
And I failed. |
| 00:23:33 |
I failed. |
| 00:23:36 |
No matter what you start with, |
| 00:23:45 |
Sheer fucking pride... |
| 00:23:47 |
and stupidity. |
| 00:23:56 |
We want everything, don't we? |
| 00:24:03 |
I suppose we do. |
| 00:24:04 |
You kissed me on a beach. |
| 00:24:12 |
Yeah. |
| 00:24:13 |
Do you remember... |
| 00:24:18 |
how many years ago? |
| 00:24:20 |
Of course. |
| 00:24:21 |
What did you want then? |
| 00:24:30 |
Come closer. |
| 00:24:34 |
I'm right here. |
| 00:24:36 |
Come closer, would you, please? |
| 00:24:44 |
Take my hand. |
| 00:24:51 |
Would you be angry? |
| 00:24:54 |
Would I be angry |
| 00:24:57 |
at the party? |
| 00:24:58 |
Would you be angry if I died? |
| 00:25:01 |
If you died? |
| 00:25:03 |
Who is this party for? |
| 00:25:06 |
What do you mean, who's it for? |
| 00:25:07 |
What are you asking? |
| 00:25:09 |
I'm not trying to say anything. |
| 00:25:11 |
Mm. |
| 00:25:12 |
I'm saying... |
| 00:25:14 |
I think I'm only staying alive |
| 00:25:27 |
Well... |
| 00:25:29 |
so that is what we do. |
| 00:25:32 |
That is what people do. |
| 00:25:34 |
They stay alive for each other. |
| 00:25:38 |
And the doctors told you, |
| 00:25:39 |
you-you don't need to die. |
| 00:25:40 |
They told you that. |
| 00:25:42 |
You can... live |
| 00:25:45 |
Well, exactly. |
| 00:25:50 |
I don't accept this. |
| 00:25:52 |
I don't accept what you say. |
| 00:25:54 |
Oh. |
| 00:25:55 |
And it's for you |
| 00:25:58 |
How long have you been |
| 00:26:01 |
How many years? |
| 00:26:02 |
Coming to the apartment. |
| 00:26:03 |
What about your own life? |
| 00:26:06 |
What about Sally? |
| 00:26:10 |
Just wait till I die. |
| 00:26:12 |
Then you'll have to think |
| 00:26:15 |
How are you going to like that? |
| 00:26:25 |
Richard... |
| 00:26:29 |
it would be great |
| 00:26:32 |
if you felt |
| 00:26:35 |
Just to let you know, |
| 00:26:36 |
I am making the crab thing. |
| 00:26:39 |
Not that I imagine |
| 00:26:42 |
Of course, |
| 00:26:44 |
I love the crab thing. |
| 00:26:47 |
Clarissa? |
| 00:26:51 |
Yes? |
| 00:27:06 |
I'll be back at 3:30, |
| 00:27:08 |
and I'll help you |
| 00:27:10 |
Wonderful. |
| 00:27:12 |
3:30. |
| 00:27:26 |
Wonderful. |
| 00:27:53 |
"It's on this day, |
| 00:27:56 |
"this day of all days... |
| 00:28:08 |
her fate becomes clear |
| 00:28:16 |
Excuse me, Mrs. Woolf. |
| 00:28:18 |
Mr. Woolf said I was to come |
| 00:28:22 |
I've nearly finished, Nelly. |
| 00:28:24 |
You can tell me in the kitchen. |
| 00:28:26 |
I'll be down very soon. |
| 00:28:32 |
Hmm. |
| 00:28:35 |
What happens is, |
| 00:28:38 |
and then it turns out |
| 00:28:39 |
Well, she never does, does she? |
| 00:28:41 |
She never wants anything. |
| 00:28:42 |
Mm-hmm. |
| 00:28:43 |
Especially when she's |
| 00:28:46 |
That's a sure sign. |
| 00:28:47 |
I wish I'd been there. |
| 00:28:48 |
I wish you had, too. |
| 00:28:49 |
Did you give her that look? |
| 00:28:52 |
That sort of look you do? |
| 00:28:55 |
I said, "Madam..." |
| 00:29:03 |
Yes, Nelly, tell me. |
| 00:29:06 |
How can I help? |
| 00:29:07 |
It's about lunch. |
| 00:29:08 |
I just had |
| 00:29:12 |
I understand. |
| 00:29:16 |
You chose a pie? |
| 00:29:18 |
I chose a lamb pie. |
| 00:29:20 |
That seems suitable. |
| 00:29:22 |
You being so busy |
| 00:29:26 |
I had no instructions. |
| 00:29:32 |
You do remember |
| 00:29:34 |
at 4:00 with the children? |
| 00:29:36 |
Yes, ma'am. |
| 00:29:37 |
I hadn't forgotten. |
| 00:29:41 |
China tea, I think. |
| 00:29:46 |
And ginger. |
| 00:29:50 |
Ginger, Madam? |
| 00:29:54 |
I'd like |
| 00:30:00 |
We'd have to go to London |
| 00:30:02 |
for ginger, Madam. |
| 00:30:03 |
I haven't finished this, |
| 00:30:05 |
and there's the rest |
| 00:30:07 |
to get ready. |
| 00:30:09 |
The 12:30 train, Nelly, |
| 00:30:11 |
into London just after 1:00. |
| 00:30:13 |
If you return on the 2:30, |
| 00:30:14 |
you should be back in Richmond |
| 00:30:18 |
Do I miscalculate? |
| 00:30:21 |
No. |
| 00:30:22 |
Well, then, is something |
| 00:30:34 |
I can't think of anything |
| 00:30:36 |
than a trip to London. |
| 00:30:44 |
- Good morning, Mrs. Woolf. |
| 00:30:46 |
We shall publish |
| 00:30:49 |
I have to tell you, |
| 00:30:50 |
I've discovered ten errors |
| 00:30:52 |
Lucky to have found them then. |
| 00:30:54 |
"Passiondale was a... |
| 00:30:57 |
"charnel house |
| 00:30:58 |
from which no min returned." |
| 00:31:02 |
Do you think it's possible that |
| 00:31:04 |
bad writing actually |
| 00:31:06 |
incidence of error? |
| 00:31:09 |
If it's all right, I thought |
| 00:31:13 |
Not far? |
| 00:31:15 |
No. Just for air. |
| 00:31:19 |
Go then. |
| 00:31:21 |
If I could walk midmorning, |
| 00:31:23 |
I'd be a happy man. |
| 00:31:35 |
She'll die. |
| 00:31:39 |
She's going to die. |
| 00:31:43 |
That's what's going to happen. |
| 00:31:46 |
Huh. |
| 00:31:47 |
That's it. |
| 00:31:55 |
She'll kill herself. |
| 00:32:00 |
She'll kill herself |
| 00:32:02 |
which doesn't seem to matter. |
| 00:32:04 |
Let's think. |
| 00:32:06 |
You grease the pan, Mommy. |
| 00:32:08 |
I know you grease the pan, |
| 00:32:10 |
Even Mommy knows that. |
| 00:32:14 |
This is what we're going to do. |
| 00:32:18 |
Flour... |
| 00:32:19 |
bowl... |
| 00:32:21 |
sifter. |
| 00:32:23 |
Can I do it, Mommy? |
| 00:32:25 |
Can you sift the flour? |
| 00:32:28 |
Yes, you can sift the flour, |
| 00:32:30 |
if that's what makes you happy. |
| 00:32:37 |
Yeah. |
| 00:32:42 |
Isn't it beautiful? |
| 00:32:45 |
Don't you think |
| 00:32:48 |
Hmm? |
| 00:32:49 |
Okay. |
| 00:32:50 |
Now, the next thing... |
| 00:32:52 |
The next thing I'm going |
| 00:32:54 |
to show you... uh, is... |
| 00:32:57 |
we measure out the cups. |
| 00:32:59 |
Mommy, it isn't that difficult. |
| 00:33:01 |
Now, I know. |
| 00:33:03 |
It's just that I... |
| 00:33:04 |
I just want to do this |
| 00:33:07 |
Because it's his birthday? |
| 00:33:09 |
That's right. |
| 00:33:10 |
We're baking the cake |
| 00:33:11 |
to show him |
| 00:33:13 |
Otherwise he won't know |
| 00:33:19 |
That's right. |
| 00:33:30 |
I got all the stuff. |
| 00:33:32 |
I'm going right out again. |
| 00:33:34 |
My God, what a zoo! |
| 00:33:36 |
Why do people have to talk |
| 00:33:39 |
I mean, what is there |
| 00:33:41 |
I bought you some flowers. |
| 00:33:45 |
Where are you? |
| 00:33:46 |
In here. |
| 00:33:48 |
I got someone at work |
| 00:33:51 |
I'll be with you all night. |
| 00:34:00 |
Are you all right? |
| 00:34:01 |
Sure. |
| 00:34:07 |
I guess you saw Richard. |
| 00:34:09 |
That's right. |
| 00:34:13 |
Well, of course. |
| 00:34:16 |
I bet he said, |
| 00:34:17 |
"Oh, by the way, |
| 00:34:19 |
Can I skip the party?" |
| 00:34:22 |
Don't worry. |
| 00:34:23 |
He always shows up. |
| 00:34:25 |
Oh, sure. |
| 00:34:26 |
In the end. |
| 00:34:27 |
What, Richard miss an award? |
| 00:34:29 |
A chance to talk about his work. |
| 00:34:31 |
I don't think so. |
| 00:34:33 |
He'll show up. |
| 00:34:34 |
You did the seating. |
| 00:34:37 |
I did. |
| 00:34:41 |
I don't believe it... |
| 00:34:43 |
Is Louis coming? |
| 00:34:45 |
Richard's Louis? |
| 00:34:46 |
He is. |
| 00:34:48 |
You put him next to me. |
| 00:34:52 |
Why do I always have |
| 00:34:54 |
Is this some kind of a hint, |
| 00:34:56 |
And, anyway, shouldn't |
| 00:34:59 |
of their own, |
| 00:35:02 |
in ex-quisite agony? |
| 00:35:06 |
I'm off. |
| 00:35:09 |
Try not to pass out |
| 00:35:16 |
Clarissa... |
| 00:35:18 |
it's going to be beautiful. |
| 00:35:26 |
Thank you. |
| 00:35:28 |
You're welcome. |
| 00:35:37 |
Why is everything wrong? |
| 00:35:45 |
It didn't work. |
| 00:35:46 |
Damn it! |
| 00:35:47 |
It didn't work. |
| 00:35:53 |
Hey, Scott. |
| 00:35:54 |
Hi, Mrs. Barlowe. |
| 00:36:09 |
Mommy, Mommy, there's |
| 00:36:19 |
Hello? |
| 00:36:22 |
Hello? Laura? |
| 00:36:25 |
Hi, Kitty. |
| 00:36:26 |
Hi. Am I interrupting? |
| 00:36:27 |
Oh, of course not. Come in. |
| 00:36:29 |
Are you all right? |
| 00:36:30 |
Why, sure. |
| 00:36:33 |
Hi, Richie. |
| 00:36:34 |
Sit down. |
| 00:36:35 |
I've got coffee on. |
| 00:36:37 |
Um, would you like some? |
| 00:36:38 |
Please. |
| 00:36:40 |
Oh, look. |
| 00:36:41 |
You made a cake. |
| 00:36:43 |
I know. |
| 00:36:45 |
Didn't work. |
| 00:36:46 |
I thought it was going to work. |
| 00:36:48 |
I thought |
| 00:36:52 |
Oh, Laura, I don't understand |
| 00:36:53 |
why you find it so difficult. |
| 00:36:54 |
I don't know either. |
| 00:36:55 |
Anyone can make a cake. |
| 00:36:57 |
I know. |
| 00:36:58 |
Everyone can. |
| 00:36:59 |
It's ridiculously easy. |
| 00:37:02 |
Like, I bet you didn't |
| 00:37:04 |
I greased the pan. |
| 00:37:05 |
All right. |
| 00:37:06 |
You know, you have |
| 00:37:08 |
other virtues... and |
| 00:37:10 |
he won't even notice. |
| 00:37:11 |
Whatever you do, |
| 00:37:12 |
he's going to say |
| 00:37:15 |
Well, it's true. |
| 00:37:18 |
Does Ray have a birthday? |
| 00:37:22 |
Sure he does. |
| 00:37:23 |
When is it? |
| 00:37:24 |
September. |
| 00:37:25 |
We go to the country club. |
| 00:37:26 |
We always go |
| 00:37:28 |
We drink martinis and spend |
| 00:37:31 |
Ray's got a lot of friends. |
| 00:37:33 |
He does. |
| 00:37:35 |
You both have a lot of friends. |
| 00:37:37 |
You're good at it. |
| 00:37:41 |
How is Ray? |
| 00:37:42 |
I haven't seen him in a while. |
| 00:37:44 |
Ray's fine. |
| 00:37:46 |
Mmm. |
| 00:37:47 |
These guys are |
| 00:37:49 |
You can say that again. |
| 00:37:50 |
They came home from the war. |
| 00:37:52 |
They deserved it, didn't they? |
| 00:37:55 |
After what they'd |
| 00:37:57 |
What... did they deserve? |
| 00:37:59 |
I don't know. |
| 00:38:00 |
Us, I guess. |
| 00:38:03 |
All this. |
| 00:38:07 |
Oh. |
| 00:38:08 |
You're reading a book. |
| 00:38:10 |
Yeah. |
| 00:38:12 |
What's this one about? |
| 00:38:14 |
Oh, it's about... |
| 00:38:16 |
this woman who's incredibly... |
| 00:38:19 |
Well, she's a hostess, and |
| 00:38:22 |
and she's going to give a party, |
| 00:38:24 |
and maybe because |
| 00:38:26 |
everyone thinks she's fine... |
| 00:38:30 |
but she isn't. |
| 00:38:40 |
So. |
| 00:38:43 |
Well. |
| 00:38:49 |
Kitty, what is it? |
| 00:38:51 |
Is something wrong? |
| 00:38:54 |
I, uh... I have |
| 00:38:57 |
for a couple of days. |
| 00:38:58 |
Kitty. |
| 00:39:01 |
Yeah. I have, um... |
| 00:39:04 |
some kind of... growth, |
| 00:39:06 |
and they're going to go in |
| 00:39:09 |
When? |
| 00:39:10 |
This afternoon. |
| 00:39:14 |
Well, I need you |
| 00:39:18 |
Of course. |
| 00:39:37 |
Is that what you |
| 00:39:43 |
What did the doctor |
| 00:39:47 |
Well, it's probably |
| 00:39:50 |
About getting pregnant. |
| 00:39:53 |
The thing is... |
| 00:39:56 |
I mean, you know, |
| 00:39:58 |
I've been... |
| 00:40:05 |
And now it turns out |
| 00:40:10 |
There was a reason |
| 00:40:17 |
You're lucky, Laura. |
| 00:40:19 |
I don't think you |
| 00:40:21 |
until you're a mother. |
| 00:40:27 |
The joke is... |
| 00:40:31 |
all my life |
| 00:40:35 |
I mean, I could |
| 00:40:40 |
Except the one thing I wanted. |
| 00:40:42 |
Yes. |
| 00:40:45 |
That's all. |
| 00:40:48 |
Well, at least now they'll |
| 00:40:50 |
That's right. |
| 00:40:52 |
That's right. |
| 00:40:53 |
Mm. I'm not worried. |
| 00:40:55 |
What would be |
| 00:40:57 |
No, it's not in your hands. |
| 00:40:59 |
But that's it. |
| 00:41:01 |
It's in the hands of some |
| 00:41:05 |
Some surgeon who probably |
| 00:41:09 |
than Ray and... |
| 00:41:10 |
Oh, Kitty. |
| 00:41:11 |
I'm mean, of course I'm worried |
| 00:41:14 |
Come here. |
| 00:41:14 |
I'm doing fine. |
| 00:41:16 |
Really. |
| 00:41:17 |
I know. I know you are. |
| 00:41:18 |
I'm more worried about Ray. |
| 00:41:19 |
If anything, |
| 00:41:23 |
Forget about him, hmm? |
| 00:41:24 |
Just forget about Ray. |
| 00:41:49 |
You're sweet. |
| 00:41:56 |
You know the routine, right? |
| 00:41:58 |
Half a can |
| 00:42:00 |
check the water now and then, |
| 00:42:02 |
and Ray will feed |
| 00:42:11 |
Kitty, you didn't mind? |
| 00:42:15 |
What? |
| 00:42:18 |
I didn't mind what? |
| 00:42:29 |
Do you want me to drive you? |
| 00:42:35 |
I think I'll feel better |
| 00:42:42 |
Kitty, it's going to be |
| 00:42:47 |
Of course it is. |
| 00:42:52 |
Bye. |
| 00:43:14 |
What? |
| 00:43:15 |
What do you want? |
| 00:43:34 |
Mr. Woolf, Mrs. Bell |
| 00:43:39 |
Not due till 4:00. |
| 00:43:41 |
I can't help it. |
| 00:43:50 |
You look a perfect angel. |
| 00:43:53 |
Don't let the boys |
| 00:43:55 |
Fly away, fly. |
| 00:44:00 |
Virginia. |
| 00:44:03 |
Leonard thinks it's |
| 00:44:06 |
people who are invited |
| 00:44:09 |
Oh, God. |
| 00:44:13 |
Barbarians. |
| 00:44:14 |
Well, we finished lunch |
| 00:44:22 |
I've had to send Nelly off |
| 00:44:25 |
Oh, Virginia. |
| 00:44:28 |
You're not still frightened |
| 00:44:32 |
Come on. |
| 00:44:37 |
And how are you, sister? |
| 00:44:38 |
Frantic. |
| 00:44:41 |
It's been ridiculous in London. |
| 00:44:43 |
Ridiculous? How? |
| 00:44:45 |
Busy. |
| 00:44:49 |
Why is busy ridiculous? |
| 00:44:51 |
I would have invited you |
| 00:44:55 |
but I knew you wouldn't come. |
| 00:44:56 |
Did you? |
| 00:44:59 |
I thought |
| 00:45:03 |
That's because |
| 00:45:08 |
Are you not forbidden to come? |
| 00:45:11 |
Do the doctors not forbid it? |
| 00:45:14 |
Oh, the doctors. |
| 00:45:18 |
Do you not pay heed |
| 00:45:19 |
Not when they're a bunch |
| 00:45:22 |
So... what are you saying? |
| 00:45:26 |
Are you feeling better? |
| 00:45:28 |
Has this vastness |
| 00:45:31 |
I'm saying, Vanessa, that even |
| 00:45:35 |
Nessa! Nessa! |
| 00:45:37 |
Nessa! Nessa! |
| 00:45:39 |
Hello, changelings. |
| 00:45:41 |
What have you got? |
| 00:45:43 |
What have you found? |
| 00:45:44 |
We found a bird. |
| 00:45:45 |
Did you? |
| 00:45:47 |
Yes. |
| 00:45:48 |
Where did you find that? |
| 00:45:50 |
I think it must have |
| 00:45:52 |
Oh, my goodness. |
| 00:45:53 |
Just look at him. |
| 00:45:55 |
We might be able to save him. |
| 00:45:57 |
Save him? |
| 00:45:59 |
I think you have |
| 00:46:02 |
There's a time to die, |
| 00:46:03 |
and it may be |
| 00:46:04 |
Come on, let's pick some grass |
| 00:46:06 |
to make a grave. |
| 00:46:08 |
- Oh, Julian. |
| 00:46:10 |
Then at least there'll be |
| 00:46:12 |
Come on, Nessa, |
| 00:46:17 |
Nessa, come on! |
| 00:46:18 |
Oh... |
| 00:46:20 |
Very well, I'm coming. |
| 00:46:21 |
Wait for me then. |
| 00:46:23 |
Angelica, will |
| 00:46:25 |
Stay with your aunt. |
| 00:46:26 |
You're going too fast. |
| 00:46:48 |
Do you think she'd like roses? |
| 00:46:57 |
Is it a she? |
| 00:47:00 |
Yes, the females are larger. |
| 00:47:03 |
And less colorful. |
| 00:47:07 |
What happens when we die? |
| 00:47:10 |
What happens? |
| 00:47:17 |
We return to the place |
| 00:47:20 |
I don't remember |
| 00:47:23 |
Nor do I. |
| 00:47:29 |
She looks very small. |
| 00:47:33 |
Yes. |
| 00:47:35 |
Yes, that's one |
| 00:47:37 |
we look smaller. |
| 00:47:41 |
But very peaceful. |
| 00:47:57 |
Oh, is it done? |
| 00:47:58 |
Have we finished? |
| 00:48:01 |
Is the bird funeral complete? |
| 00:48:03 |
Yes. |
| 00:48:04 |
Very well, then. |
| 00:48:05 |
Are we to be denied tea |
| 00:48:08 |
No, of course not. |
| 00:48:09 |
Good. |
| 00:48:11 |
Come on, Angelica. |
| 00:48:14 |
Come on, come on, boys. |
| 00:48:15 |
Let's get some tea. |
| 00:48:16 |
Nessa, tell him to stop it! |
| 00:48:18 |
Now stop it, Julian. |
| 00:48:27 |
Virginia, we're going in. |
| 00:48:32 |
Virginia! |
| 00:49:50 |
Hey, bug. |
| 00:49:52 |
I've got this idea. |
| 00:49:54 |
We're going |
| 00:49:58 |
We're going to make |
| 00:50:01 |
What happened |
| 00:50:07 |
And after that... |
| 00:50:09 |
I think we should go out. |
| 00:50:23 |
Yes? |
| 00:50:24 |
Clarissa, it's Louis. |
| 00:50:26 |
Louis Waters. |
| 00:50:28 |
Louis? Oh, my God. |
| 00:50:31 |
You're early. |
| 00:50:32 |
Do you mind? |
| 00:50:33 |
Is it all right? |
| 00:50:52 |
Oh, why should I mind? |
| 00:50:55 |
I'm delighted! |
| 00:50:56 |
Well, now! |
| 00:51:01 |
I feel like I'm interrupting. |
| 00:51:03 |
Oh, why?! |
| 00:51:04 |
No. |
| 00:51:05 |
I know the ceremony |
| 00:51:07 |
but I flew in this morning. |
| 00:51:08 |
Oh, well, Richard's |
| 00:51:14 |
He'll be thrilled |
| 00:51:16 |
You think so? |
| 00:51:17 |
Of course. |
| 00:51:25 |
What are we doing? |
| 00:51:36 |
Are you all right? |
| 00:51:38 |
Yes. It's nothing. |
| 00:51:39 |
It's just the party. |
| 00:51:41 |
Oh, right. |
| 00:51:46 |
Oh, wow! |
| 00:51:48 |
It's looking beautiful. |
| 00:51:49 |
Thanks. |
| 00:51:50 |
Are you still with...? |
| 00:51:51 |
Yes, I am. |
| 00:51:52 |
Still with her. Ten years. |
| 00:51:55 |
It's crazy. |
| 00:51:56 |
Why is it crazy? |
| 00:51:58 |
No reason. |
| 00:52:00 |
Would you like something |
| 00:52:02 |
Some water. |
| 00:52:03 |
Okay. |
| 00:52:20 |
Are you still an editor? |
| 00:52:22 |
Oh, sure. |
| 00:52:24 |
With the same publisher? |
| 00:52:27 |
Mm-hmm. |
| 00:52:29 |
How's San Francisco? |
| 00:52:31 |
Oh, it's one of those cities |
| 00:52:49 |
Richard said he thought |
| 00:52:51 |
you were happy out there. |
| 00:52:52 |
Oh, great. |
| 00:52:53 |
So now the illness |
| 00:52:58 |
You have to prepare |
| 00:53:00 |
He's very changed. |
| 00:53:05 |
I read the book. |
| 00:53:06 |
Oh, God... |
| 00:53:08 |
Exactly. |
| 00:53:10 |
I thought you were |
| 00:53:12 |
than just change people's names. |
| 00:53:13 |
Well... |
| 00:53:14 |
Isn't it meant to be fiction? |
| 00:53:17 |
He even had you living |
| 00:53:18 |
on 10th Street. |
| 00:53:20 |
It isn't me. |
| 00:53:21 |
Isn't it? |
| 00:53:22 |
You know how Richard is. |
| 00:53:23 |
It's a fantasy. |
| 00:53:25 |
A whole chapter on |
| 00:53:26 |
"Should she buy |
| 00:53:29 |
And then, guess what? |
| 00:53:30 |
After 50 pages, she doesn't. |
| 00:53:33 |
The whole thing seems to go on |
| 00:53:37 |
Nothing happens. |
| 00:53:38 |
And then, wham! |
| 00:53:39 |
For no reason, |
| 00:53:41 |
His mother |
| 00:53:42 |
kills herself. |
| 00:53:44 |
Yeah, sure, his mother, |
| 00:53:45 |
Well, I... |
| 00:53:48 |
Out of the blue. |
| 00:53:51 |
I know the book is tough, |
| 00:53:54 |
I know. |
| 00:53:55 |
Only one thing upset me. |
| 00:53:58 |
What's that? |
| 00:53:59 |
What upset you? |
| 00:54:02 |
Well... |
| 00:54:04 |
that there wasn't more |
| 00:54:12 |
That's kind. |
| 00:54:16 |
I went back to Wellfleet. |
| 00:54:22 |
You did? |
| 00:54:23 |
One day. |
| 00:54:24 |
I didn't tell you? |
| 00:54:27 |
No. |
| 00:54:29 |
But then, I never see you. |
| 00:54:32 |
You remember the house. |
| 00:54:34 |
It's still there. |
| 00:54:37 |
I think you're courageous. |
| 00:54:38 |
Courageous? Why? |
| 00:54:41 |
To dare go visit. |
| 00:54:42 |
What I mean is... |
| 00:54:45 |
to face the fact |
| 00:54:47 |
that we have lost |
| 00:54:54 |
Shit! |
| 00:54:56 |
Clarissa? |
| 00:54:57 |
Um... |
| 00:55:00 |
I don't know what's happening. |
| 00:55:02 |
I'm sorry. |
| 00:55:03 |
I seem to be in some strange |
| 00:55:04 |
sort of mood. |
| 00:55:06 |
I'm sorry. |
| 00:55:07 |
It's, uh, it's very rude of me. |
| 00:55:12 |
I seem to be unraveling. |
| 00:55:14 |
I shouldn't have come. |
| 00:55:15 |
No, it's not you. |
| 00:55:17 |
It's not you. |
| 00:55:18 |
It's more like having |
| 00:55:20 |
Do you know what I'm saying? |
| 00:55:24 |
Oh, God, |
| 00:55:26 |
about the party, you know? |
| 00:55:28 |
Bad hostess! |
| 00:55:31 |
Clarissa, what's happened? |
| 00:55:34 |
Jesus! |
| 00:55:36 |
What is it?! |
| 00:55:38 |
Oh! Oh, God! |
| 00:55:41 |
Do you want me to go? |
| 00:55:44 |
No, don't go! Don't... |
| 00:55:48 |
Don't go. |
| 00:55:50 |
Explain to me |
| 00:55:54 |
Don't... don't touch me. |
| 00:55:57 |
Jesus. |
| 00:55:58 |
It's better if you don't. |
| 00:56:03 |
It's just too much. |
| 00:56:06 |
You fly in from San Francisco, |
| 00:56:09 |
and I've been nursing Richard |
| 00:56:12 |
And all the time, |
| 00:56:15 |
no problem. |
| 00:56:17 |
I know. |
| 00:56:20 |
One morning, in Wellfleet... |
| 00:56:24 |
you were there, |
| 00:56:29 |
I'd been sleeping with him, |
| 00:56:31 |
and I was out |
| 00:56:34 |
He came out behind me, |
| 00:56:38 |
and he put his hand |
| 00:56:43 |
"Good morning, Mrs. Dalloway." |
| 00:56:50 |
That's... |
| 00:56:54 |
That's when... |
| 00:56:55 |
From then on, I've... |
| 00:56:58 |
Stuck? |
| 00:56:59 |
Yep. |
| 00:57:03 |
Yeah. |
| 00:57:05 |
With the name, I mean. |
| 00:57:11 |
And now you walk in. |
| 00:57:13 |
To see you |
| 00:57:17 |
walk in... |
| 00:57:20 |
Look at you. |
| 00:57:25 |
Anyway, it doesn't matter. |
| 00:57:29 |
It was you he stayed with. |
| 00:57:31 |
It was you he lived with. |
| 00:57:32 |
I had one summer. |
| 00:57:47 |
The day I left him, |
| 00:57:49 |
I got on a train |
| 00:57:56 |
I felt free |
| 00:58:17 |
So... tell me about |
| 00:58:20 |
What's to tell? |
| 00:58:22 |
I still teach drama |
| 00:58:26 |
They can't all be idiots. |
| 00:58:27 |
No, no. In fact, |
| 00:58:29 |
I shouldn't tell |
| 00:58:32 |
I've fallen in love. |
| 00:58:34 |
Really? |
| 00:58:36 |
Yes. |
| 00:58:38 |
With a student. |
| 00:58:40 |
With a student. |
| 00:58:41 |
Exactly. |
| 00:58:43 |
I know. |
| 00:58:45 |
You think, |
| 00:58:48 |
All this intensity, |
| 00:58:50 |
doors being slammed. |
| 00:58:52 |
Well, you know what it's like. |
| 00:58:57 |
Are you feeling better? |
| 00:59:00 |
A little. |
| 00:59:01 |
Thank you. |
| 00:59:07 |
You think I'm ridiculous? |
| 00:59:11 |
Ridiculous? |
| 00:59:13 |
Fortunate, too. |
| 00:59:46 |
I'm going to leave you |
| 00:59:49 |
I have to do something. |
| 01:00:02 |
Mommy, I don't want to go. |
| 01:00:05 |
You have to. I'm sorry. |
| 01:00:07 |
I have something to do |
| 01:00:57 |
Hello. |
| 01:00:59 |
Hi, Mrs. Latch. |
| 01:01:00 |
My boy's not very happy. |
| 01:01:03 |
Mommy, I don't want |
| 01:01:05 |
I have to go, honey. |
| 01:01:09 |
Your mommy has things |
| 01:01:11 |
Come in, I got cookies. |
| 01:01:14 |
Okay, baby? |
| 01:01:17 |
You have to be brave now. |
| 01:01:20 |
Don't worry now. |
| 01:01:21 |
It's going to be fine. |
| 01:01:23 |
Well... |
| 01:01:42 |
Honey! |
| 01:02:03 |
Come on. Come on, darling. |
| 01:02:10 |
Mommy! |
| 01:02:12 |
- Stop it. |
| 01:02:13 |
Darling, stop it. |
| 01:02:14 |
Mommy! |
| 01:02:16 |
- All right. |
| 01:02:17 |
Mommy! |
| 01:02:19 |
Mommy! |
| 01:02:22 |
Come on. |
| 01:02:23 |
Mommy! |
| 01:02:26 |
Mommy! |
| 01:02:30 |
No! |
| 01:04:07 |
Breakfast is served |
| 01:04:09 |
between 7:00 and 11:00 |
| 01:04:11 |
and room service is available |
| 01:04:12 |
24 hours. |
| 01:04:15 |
Thank you, ma'am. |
| 01:04:19 |
Is there anything else |
| 01:04:21 |
Yes, um... |
| 01:04:23 |
No. |
| 01:04:25 |
Not to be disturbed. |
| 01:05:41 |
"'Did it matter, then? ' |
| 01:05:45 |
"walking toward Bon Street. |
| 01:05:47 |
"Did it matter that she must |
| 01:05:53 |
"All this must go on |
| 01:05:56 |
"Did she resent it? |
| 01:06:00 |
"Or did it not become consoling |
| 01:06:03 |
"to believe that death |
| 01:06:08 |
"It is possible to die. |
| 01:06:14 |
It is possible... |
| 01:06:16 |
...to die." |
| 01:06:20 |
There was a lovely coat |
| 01:06:24 |
then nothing for the boys. |
| 01:06:25 |
It seems so unfair. |
| 01:06:26 |
Why should Angelica |
| 01:06:31 |
Virginia? |
| 01:06:34 |
Virginia? |
| 01:06:37 |
Virginia! |
| 01:06:41 |
What are you thinking about? |
| 01:06:55 |
Are you still with us? |
| 01:07:08 |
Your aunt's a very |
| 01:07:13 |
because she has two lives. |
| 01:07:16 |
She has the life |
| 01:07:18 |
and also the book she's writing. |
| 01:07:21 |
This makes her very |
| 01:07:25 |
What were you thinking about? |
| 01:07:54 |
I was going to kill |
| 01:07:59 |
but I've changed my mind. |
| 01:08:04 |
I... I can't. |
| 01:08:20 |
I fear I may have to kill |
| 01:08:31 |
Oh, Quentin! |
| 01:08:34 |
We're ready! |
| 01:08:37 |
A fascinating visit. |
| 01:08:39 |
We enjoyed it thoroughly. |
| 01:08:43 |
Do you have to go already? |
| 01:08:46 |
I do wish you wouldn't go. |
| 01:08:47 |
Oh, Virginia, |
| 01:08:48 |
the last thing you want |
| 01:08:51 |
My hopeless, clumsy boys. |
| 01:08:55 |
Say good-bye, boys. |
| 01:08:57 |
Bye! |
| 01:09:02 |
You'll return to what? |
| 01:09:03 |
Tonight? |
| 01:09:04 |
Oh, just some... |
| 01:09:10 |
Not even you could |
| 01:09:13 |
But I do. |
| 01:09:51 |
Say something, Nessa. |
| 01:09:53 |
Didn't you think |
| 01:09:55 |
Yes... |
| 01:09:57 |
Yes... Virginia, |
| 01:10:14 |
You think... |
| 01:10:17 |
You think I may one day escape? |
| 01:10:20 |
One day. One... |
| 01:10:25 |
Nessa. |
| 01:10:29 |
Nessa! |
| 01:10:30 |
Come on, Nessa. |
| 01:10:32 |
Come, Angelica, we must go. |
| 01:10:35 |
Come on! |
| 01:10:37 |
Good-bye. |
| 01:10:38 |
Good-bye, little girl. |
| 01:10:40 |
Angelica! |
| 01:10:43 |
The train! |
| 01:10:46 |
We're going to miss the train. |
| 01:10:49 |
Come on. Hurry up. |
| 01:10:51 |
Big step. |
| 01:10:57 |
Come on, come on, come on! |
| 01:10:59 |
I want to go home. |
| 01:11:00 |
Yeah, all right. |
| 01:11:01 |
We stayed too long, |
| 01:11:04 |
Stay close. |
| 01:12:29 |
I'm sorry, I know. |
| 01:12:31 |
I tried to get here earlier. |
| 01:12:33 |
I tried, okay? Don't start. |
| 01:12:34 |
I know, |
| 01:12:36 |
it's just incredibly important |
| 01:12:40 |
Julia, how have you been doing? |
| 01:12:43 |
I'm fine. |
| 01:12:45 |
Come here. |
| 01:12:46 |
What have you been doing? |
| 01:12:49 |
Well, studying, Mom. |
| 01:12:55 |
Um... |
| 01:12:56 |
So, what should I do? Chairs? |
| 01:12:59 |
No. Let's clear off the desk |
| 01:13:02 |
You can take it |
| 01:13:05 |
I bumped into Louis Waters. |
| 01:13:07 |
Oh, you did? |
| 01:13:09 |
Where? |
| 01:13:10 |
In the street. |
| 01:13:14 |
They're all here, aren't they? |
| 01:13:15 |
All the ghosts. |
| 01:13:17 |
All of the ghosts are |
| 01:13:20 |
He's so weird. |
| 01:13:23 |
Oh, what? |
| 01:13:26 |
You can't see that? |
| 01:13:27 |
You can't see that |
| 01:13:32 |
I can see that he's sad. |
| 01:13:35 |
Well... all your friends |
| 01:13:41 |
You've been crying. |
| 01:13:47 |
All it is, |
| 01:13:49 |
and I thought, |
| 01:13:52 |
All I want to do |
| 01:13:55 |
And? |
| 01:13:56 |
I know why he does it; |
| 01:13:59 |
Oh, is this Richard? |
| 01:14:02 |
Of course. |
| 01:14:04 |
He did it this morning. |
| 01:14:06 |
He gives me that look. |
| 01:14:08 |
What look? |
| 01:14:11 |
To say... |
| 01:14:13 |
"Your life is... trivial. |
| 01:14:18 |
You are so trivial." |
| 01:14:21 |
Just... |
| 01:14:23 |
daily stuff, you know. |
| 01:14:25 |
Schedules and parties |
| 01:14:27 |
That's what he means... by it, |
| 01:14:31 |
Mom, it only matters |
| 01:14:35 |
Well? |
| 01:14:37 |
Do you? Tell me. |
| 01:14:42 |
When I'm with him, I feel... |
| 01:14:48 |
Yes, I am living. |
| 01:14:52 |
And when I'm not with him... |
| 01:14:56 |
Yes, everything does seem |
| 01:14:59 |
...silly. |
| 01:15:06 |
I don't mean with you. |
| 01:15:08 |
Oh, I... |
| 01:15:09 |
God. Jesus. |
| 01:15:13 |
Never with you. |
| 01:15:15 |
It's all the rest of it. |
| 01:15:22 |
Sally? |
| 01:15:24 |
The rest of it. |
| 01:15:31 |
False comfort. |
| 01:15:33 |
Because? |
| 01:15:36 |
If you say to me, |
| 01:15:38 |
Mom... |
| 01:15:39 |
"Tell me the moment |
| 01:15:42 |
I know, I know, |
| 01:15:45 |
Yeah. |
| 01:15:48 |
All you're saying is... |
| 01:15:59 |
I remember one morning... |
| 01:16:02 |
getting up at dawn, |
| 01:16:04 |
there was such a sense |
| 01:16:08 |
You know? |
| 01:16:10 |
Hmm? |
| 01:16:11 |
And I remember |
| 01:16:14 |
"So, this is the |
| 01:16:17 |
"This is where it starts. |
| 01:16:19 |
And, of course, there |
| 01:16:25 |
It never occurred to me |
| 01:16:28 |
it wasn't the beginning. |
| 01:16:33 |
It was happiness. |
| 01:16:36 |
It was the moment... |
| 01:16:42 |
right then. |
| 01:18:09 |
Ah, Nelly, good evening. |
| 01:18:11 |
if you'd seen Mrs. Woolf. |
| 01:18:12 |
I thought you knew, sir. |
| 01:18:14 |
Mrs. Woolf has gone out. |
| 01:18:53 |
Excuse me! Excuse me! |
| 01:19:21 |
Mr. Woolf, what an |
| 01:19:23 |
Perhaps you could tell me |
| 01:19:25 |
exactly what you think |
| 01:19:27 |
What I was doing? |
| 01:19:29 |
I went to look for you, |
| 01:19:30 |
You were working in the garden. |
| 01:19:33 |
You disturb me |
| 01:19:35 |
I didn't disappear. |
| 01:19:37 |
I went for a walk. |
| 01:19:39 |
A walk?! |
| 01:19:40 |
Just a walk? |
| 01:19:43 |
Virginia, we must go home now. |
| 01:19:46 |
She's already had |
| 01:19:49 |
It's just our obligation |
| 01:19:50 |
There is no such |
| 01:19:53 |
No such obligation exists. |
| 01:19:55 |
Virginia, |
| 01:19:56 |
you have an obligation |
| 01:19:58 |
I have endured this custody! |
| 01:20:00 |
I have endured |
| 01:20:03 |
Oh, Virginia! |
| 01:20:04 |
I am attended by |
| 01:20:07 |
I am attended by doctors |
| 01:20:09 |
who inform me of |
| 01:20:11 |
They know your interests. |
| 01:20:13 |
They do not! |
| 01:20:14 |
They do not speak |
| 01:20:16 |
Virginia, I can... |
| 01:20:17 |
I can see that it must be |
| 01:20:19 |
- Of what? Of my what, exactly? |
| 01:20:21 |
your talents to see |
| 01:20:22 |
that she may not be |
| 01:20:24 |
of her own condition! |
| 01:20:26 |
Who, then, is a better judge? |
| 01:20:28 |
You have a history! |
| 01:20:31 |
You have a history |
| 01:20:33 |
We brought you to Richmond |
| 01:20:34 |
because you have a history |
| 01:20:37 |
hearing voices. |
| 01:20:39 |
We brought you here |
| 01:20:41 |
to save you |
| 01:20:42 |
you intended upon yourself. |
| 01:20:46 |
You've tried to kill yourself |
| 01:20:52 |
I live daily with that threat. |
| 01:20:54 |
I set up the press... |
| 01:20:56 |
not just for itself, |
| 01:20:58 |
not just purely for itself, |
| 01:21:02 |
a ready source |
| 01:21:05 |
Like needlework? |
| 01:21:08 |
It was done for you! |
| 01:21:10 |
It was done for your betterment! |
| 01:21:12 |
It was done out of love! |
| 01:21:16 |
If I didn't know you better, |
| 01:21:20 |
I am ungrateful? |
| 01:21:23 |
You call me ungrateful? |
| 01:21:27 |
My life has been stolen from me. |
| 01:21:33 |
I'm living in a town |
| 01:21:36 |
I'm living... a life |
| 01:21:45 |
How did this happen? |
| 01:22:01 |
It is time for us |
| 01:22:10 |
I miss London. |
| 01:22:12 |
I miss London life. |
| 01:22:18 |
This is not you speaking, |
| 01:22:20 |
This is an aspect |
| 01:22:22 |
- It's not you. |
| 01:22:24 |
It's not your voice. |
| 01:22:25 |
It's mine and mine alone. |
| 01:22:26 |
This is the voice |
| 01:22:28 |
It is not! It is mine! |
| 01:22:30 |
I'm dying in this town! |
| 01:22:36 |
If you were thinking clearly, |
| 01:22:38 |
you'd recall it was London |
| 01:22:40 |
that brought you low. |
| 01:22:42 |
If I were thinking clearly... |
| 01:22:46 |
If I were thinking clearly... |
| 01:22:48 |
We brought you to Richmond |
| 01:22:51 |
If I were thinking clearly, |
| 01:22:54 |
I would tell you that I wrestle |
| 01:22:58 |
in the deep dark, |
| 01:23:02 |
only I can understand |
| 01:23:06 |
You live with the threat... |
| 01:23:08 |
you live with the threat |
| 01:23:11 |
Leonard, I live with it, |
| 01:23:13 |
too. |
| 01:23:18 |
This is my right. |
| 01:23:21 |
It is the right |
| 01:23:23 |
I choose not the suffocating |
| 01:23:27 |
but the violent jolt |
| 01:23:29 |
That is my choice. |
| 01:23:31 |
The meanest patient, |
| 01:23:34 |
yes, even the very lowest |
| 01:23:37 |
in the matter of her own |
| 01:23:39 |
Thereby she defines |
| 01:23:50 |
I wish, for your sake, Leonard, |
| 01:23:53 |
I could be happy in this |
| 01:23:59 |
But if it is a choice between |
| 01:24:04 |
I choose death. |
| 01:24:17 |
Very well, London, then. |
| 01:24:20 |
We'll go back to London. |
| 01:24:57 |
You hungry? |
| 01:25:05 |
I'm a little hungry myself. |
| 01:25:27 |
Come along. |
| 01:25:30 |
London train on platform one! |
| 01:25:32 |
This is the London train |
| 01:25:41 |
You cannot find peace |
| 01:25:54 |
This is the London train! |
| 01:25:57 |
London train on platform one! |
| 01:26:16 |
Mommy! |
| 01:26:19 |
Mommy! |
| 01:26:31 |
Hey. Hey, there, bug. |
| 01:26:33 |
Hey, what's wrong? |
| 01:26:35 |
Hi, Mrs. Latch. |
| 01:26:37 |
Sorry I'm late. |
| 01:26:38 |
He's fine. |
| 01:26:39 |
He's been fine. |
| 01:26:40 |
He's, he's just happy |
| 01:26:42 |
Aw, it couldn't have been |
| 01:26:44 |
So, you got it cut, then? |
| 01:26:46 |
Oh, yes, yes. No problem. |
| 01:26:48 |
Looks great. |
| 01:26:49 |
Well, they didn't have |
| 01:26:50 |
Well, we had a fine time |
| 01:26:52 |
together. |
| 01:26:55 |
Thank you very much. |
| 01:27:01 |
So, that wasn't too bad, was it? |
| 01:27:05 |
I wasn't gone too long. |
| 01:27:06 |
No, you weren't long. |
| 01:27:09 |
That's right. |
| 01:27:13 |
At one point... |
| 01:27:16 |
I don't know. |
| 01:27:21 |
There was a moment where |
| 01:27:26 |
But I changed my mind. |
| 01:27:35 |
What is it, honey? |
| 01:27:36 |
Mommy, I love you. |
| 01:27:42 |
I love you, too, baby. |
| 01:27:53 |
What's wrong? |
| 01:27:58 |
What? |
| 01:28:07 |
Don't worry, honey, |
| 01:28:09 |
We're going to have |
| 01:28:11 |
and we've made your daddy |
| 01:28:21 |
I love you, sweetheart. |
| 01:28:24 |
You're my guy. |
| 01:29:03 |
Mommy! |
| 01:29:05 |
Mommy! |
| 01:30:04 |
Richard, it's me. I'm early. |
| 01:30:12 |
What the hell is going on? |
| 01:30:15 |
Richard! |
| 01:30:19 |
What are you doing here? |
| 01:30:21 |
Wha-What is going on here? |
| 01:30:24 |
What are you doing? |
| 01:30:25 |
L-I had this wonderful idea. |
| 01:30:27 |
I needed some light. |
| 01:30:31 |
Richard, what are you doing? |
| 01:30:33 |
I had this fantastic notion. |
| 01:30:36 |
I took the Xanax |
| 01:30:38 |
It-it never occurred to me. |
| 01:30:40 |
Richard... |
| 01:30:40 |
Don't come near me! |
| 01:30:46 |
It seemed to me I needed |
| 01:30:54 |
What do you think? |
| 01:30:58 |
All right, Richard, |
| 01:31:01 |
Come. Come sit. |
| 01:31:02 |
I don't think I can make it |
| 01:31:05 |
You don't have to go |
| 01:31:06 |
You don't have to go |
| 01:31:07 |
You don't have to do anything |
| 01:31:09 |
You can do as you like. |
| 01:31:11 |
But I still have to face |
| 01:31:14 |
I mean, the hours |
| 01:31:16 |
and the hours after that... |
| 01:31:18 |
You do have good days still. |
| 01:31:21 |
You know you do. |
| 01:31:23 |
Not really. |
| 01:31:25 |
I mean, it's kind of you |
| 01:31:27 |
I mean, it's kind of you |
| 01:31:28 |
not really true. |
| 01:31:39 |
Are they here? |
| 01:31:40 |
Who? |
| 01:31:41 |
The voices. |
| 01:31:42 |
Oh, the voices are always here. |
| 01:31:45 |
And it's the voices that you're |
| 01:31:49 |
No, no, no, no. |
| 01:31:51 |
Mrs. Dalloway, it's you. |
| 01:31:59 |
I've stayed alive for you, |
| 01:32:02 |
but now you have to let me go. |
| 01:32:06 |
Richard, I... |
| 01:32:07 |
No, wait, wait, wait, wait. |
| 01:32:08 |
Wait. |
| 01:32:14 |
Tell me a story. |
| 01:32:15 |
What about? |
| 01:32:17 |
Tell me a story from your day. |
| 01:32:21 |
I, um... |
| 01:32:22 |
l-I got up... |
| 01:32:24 |
Yes? |
| 01:32:26 |
...and I went out, and, uh, |
| 01:32:32 |
Like Mrs. Dalloway, |
| 01:32:34 |
Yes. |
| 01:32:36 |
And it was a beautiful morning. |
| 01:32:37 |
Was it? |
| 01:32:38 |
Yes, it was so beautiful. |
| 01:32:41 |
It was so fresh. |
| 01:32:42 |
Oh, fresh, was it? |
| 01:32:44 |
Yes. |
| 01:32:49 |
Like a... |
| 01:32:51 |
like a morning on the beach? |
| 01:32:52 |
Yes. |
| 01:32:54 |
Like that? |
| 01:32:55 |
Yes. |
| 01:32:57 |
Like that morning when you |
| 01:33:01 |
and you were, you were 18, |
| 01:33:04 |
Yes. |
| 01:33:06 |
I was 19 years old, |
| 01:33:08 |
and I'd never seen |
| 01:33:14 |
You... |
| 01:33:15 |
coming out of a glass door |
| 01:33:17 |
in the early morning, |
| 01:33:20 |
Isn't it strange? |
| 01:33:24 |
Most ordinary morning |
| 01:33:31 |
I'm afraid I can't make it |
| 01:33:34 |
The party... |
| 01:33:38 |
doesn't matter. |
| 01:33:40 |
You've been so good to me, |
| 01:33:45 |
I love you. |
| 01:33:53 |
"I don't think two people |
| 01:33:54 |
could've been happier |
| 01:34:05 |
Oh, God, no! |
| 01:34:15 |
Happy birthday. |
| 01:34:17 |
Happy birthday, Dan. |
| 01:34:18 |
This is perfect. |
| 01:34:20 |
This is just perfect. |
| 01:34:21 |
Oh, do you think so? |
| 01:34:24 |
Do you really think so? |
| 01:34:25 |
Why, sure. |
| 01:34:26 |
You must've been |
| 01:34:28 |
Well, that's what |
| 01:34:30 |
Weren't we, bug? |
| 01:34:31 |
Been working all day. |
| 01:34:33 |
This is just fantastic. |
| 01:34:35 |
It's what I've always wanted. |
| 01:34:36 |
Oh, Dan. |
| 01:34:38 |
One day, Richie, I'll tell you. |
| 01:34:40 |
I'll tell you |
| 01:34:41 |
Don't. |
| 01:34:43 |
I want to. |
| 01:34:45 |
I want to tell him the story. |
| 01:34:48 |
What happened... |
| 01:34:49 |
when I was in the war. |
| 01:34:50 |
At war, I found myself |
| 01:34:53 |
thinking about this girl |
| 01:34:55 |
I had never met her... |
| 01:34:57 |
at high school, |
| 01:34:58 |
this... strange, |
| 01:35:00 |
fragile-Iooking girl |
| 01:35:07 |
Yeah. |
| 01:35:08 |
And she was shy... |
| 01:35:11 |
and she was interesting. |
| 01:35:13 |
And... well, |
| 01:35:16 |
I tell you this, Richie. |
| 01:35:17 |
She was the sort of |
| 01:35:18 |
sitting mostly on her own. |
| 01:35:19 |
And I'll tell you... |
| 01:35:21 |
sometimes, when I was |
| 01:35:24 |
the fact is |
| 01:35:26 |
that I used to think |
| 01:35:27 |
about this girl. |
| 01:35:29 |
Dan. |
| 01:35:30 |
I used to think |
| 01:35:31 |
about bringing her to a house, |
| 01:35:33 |
to a life. |
| 01:35:37 |
Pretty much like this. |
| 01:35:40 |
And it was the thought |
| 01:35:44 |
the thought of this woman, |
| 01:35:48 |
the thought of this life... |
| 01:35:49 |
that's what kept me going. |
| 01:35:52 |
I had an idea of our happiness. |
| 01:36:23 |
Why does someone have to die? |
| 01:36:29 |
Leonard... |
| 01:36:31 |
In your book, |
| 01:36:32 |
Hmm. |
| 01:36:33 |
Why? |
| 01:36:37 |
Is that a stupid question? |
| 01:36:40 |
No. |
| 01:36:41 |
I imagine my question is stupid. |
| 01:36:45 |
Not at all. |
| 01:36:48 |
Well? |
| 01:36:52 |
Someone has to die |
| 01:36:54 |
in order that the rest of us |
| 01:36:59 |
It's contrast. |
| 01:37:01 |
And who will die? |
| 01:37:05 |
Tell me. |
| 01:37:09 |
The poet will die. |
| 01:37:12 |
The visionary. |
| 01:37:29 |
What are you doing? |
| 01:37:31 |
I'm brushing my teeth. |
| 01:37:37 |
Are you coming to bed? |
| 01:37:39 |
Yeah, in a minute. |
| 01:37:44 |
Come to bed, Laura Brown. |
| 01:37:51 |
I ran into Ray. |
| 01:37:52 |
He said Kitty had to |
| 01:37:56 |
I know. |
| 01:37:58 |
Nothing serious. |
| 01:37:59 |
He said just a checkup. |
| 01:38:03 |
I'm terrified. |
| 01:38:05 |
Why? |
| 01:38:09 |
Only I knew |
| 01:38:14 |
Maybe you could |
| 01:38:15 |
go see her |
| 01:38:25 |
I was going to. |
| 01:38:26 |
I was going to stop by. |
| 01:38:29 |
I've had a wonderful day, |
| 01:38:32 |
and I have you to thank. |
| 01:38:40 |
Come to bed, honey. |
| 01:38:44 |
I'm coming. |
| 01:38:55 |
Are you coming? |
| 01:38:58 |
Yes. |
| 01:39:19 |
What? |
| 01:39:24 |
I was hoping |
| 01:39:26 |
I am. |
| 01:39:28 |
I am going to bed. |
| 01:39:33 |
What, then? |
| 01:39:37 |
All else is clear. |
| 01:39:40 |
The outline of the story |
| 01:39:43 |
now one thing only. |
| 01:39:45 |
Mrs. Dalloway's destiny |
| 01:40:29 |
You're Laura Brown. |
| 01:40:32 |
Yes, I'm Richard's mother. |
| 01:40:39 |
Of course. |
| 01:40:43 |
I'm Clarissa Vaughan. |
| 01:40:45 |
Please come in. |
| 01:40:55 |
My friend Sally |
| 01:40:58 |
and my daughter. |
| 01:41:01 |
I'll take this. |
| 01:41:03 |
We were having a party. |
| 01:41:06 |
We were going to have a party. |
| 01:41:09 |
I was lucky. |
| 01:41:10 |
I got the last plane |
| 01:41:12 |
So, that's the monster. |
| 01:41:17 |
Hope I did the right thing. |
| 01:41:19 |
I found your number |
| 01:41:21 |
Yes, he had it. |
| 01:41:25 |
We didn't speak often. |
| 01:41:40 |
It's a terrible thing, |
| 01:41:43 |
your whole family. |
| 01:41:48 |
Richard's father died. |
| 01:41:51 |
Yes, he-he died of cancer |
| 01:41:55 |
And Richard's sister is dead. |
| 01:42:02 |
Obviously, you... |
| 01:42:05 |
Gives you feelings |
| 01:42:10 |
You survive and they don't. |
| 01:42:18 |
Have you read the poems? |
| 01:42:20 |
Oh, yes. Oh... |
| 01:42:24 |
I also read the novel. |
| 01:42:34 |
You see, uh, people say |
| 01:42:39 |
Uh... I know. |
| 01:42:43 |
They say that. |
| 01:42:50 |
I know. |
| 01:42:55 |
He had me die in the novel. |
| 01:42:58 |
L-l-I know why he did that. |
| 01:43:05 |
It hurt, of course. |
| 01:43:06 |
I can't pretend it didn't hurt, |
| 01:43:09 |
I know why he did it. |
| 01:43:15 |
You left Richard |
| 01:43:21 |
I left both my children. |
| 01:43:25 |
I abandoned them. |
| 01:43:34 |
They say it's the worst thing |
| 01:43:51 |
You have a daughter. |
| 01:43:56 |
Yes... |
| 01:43:59 |
But I never met Julia's father. |
| 01:44:02 |
You so wanted a child. |
| 01:44:06 |
That's right. |
| 01:44:08 |
You're a lucky woman. |
| 01:44:21 |
There are times |
| 01:44:23 |
and you think you're going |
| 01:44:33 |
Once, I went to a hotel. |
| 01:44:39 |
Later that night, I made a plan. |
| 01:44:42 |
The plan was |
| 01:44:45 |
when my second child was born... |
| 01:44:49 |
and that's what I did. |
| 01:44:52 |
I got up one morning, |
| 01:44:56 |
made breakfast, |
| 01:44:58 |
went to the bus stop, |
| 01:45:02 |
got on a bus. |
| 01:45:05 |
I'd left a note. |
| 01:45:12 |
I got a job in a library |
| 01:45:23 |
It would... |
| 01:45:27 |
be wonderful to say |
| 01:45:31 |
It would be easy. |
| 01:45:38 |
But what does it mean? |
| 01:45:41 |
What does it mean to regret... |
| 01:45:45 |
when you have no choice? |
| 01:45:58 |
It's what you can bear. |
| 01:46:07 |
There it is. |
| 01:46:09 |
No one's going to forgive me. |
| 01:46:17 |
It was death. |
| 01:46:21 |
I chose life. |
| 01:47:24 |
Time to take your coat off. |
| 01:48:10 |
I thought you might like |
| 01:48:13 |
Oh my goodness. |
| 01:48:14 |
Thank you, dear. |
| 01:48:16 |
I feel like I'm stealing |
| 01:48:20 |
Um, we put the food away, |
| 01:48:22 |
so, if you're at all hungry |
| 01:48:23 |
just help yourself. |
| 01:48:25 |
Oh, I will. |
| 01:48:26 |
Where will you sleep? |
| 01:48:28 |
Oh, the sofa. |
| 01:48:29 |
Oh, oh, I'm sorry. |
| 01:48:39 |
Good night, sweetheart. |
| 01:48:43 |
Good night. |
| 01:49:05 |
"Dear Leonard, |
| 01:49:07 |
"to look life in the face... |
| 01:49:12 |
"always to look life |
| 01:49:18 |
"and to know it for what it is. |
| 01:49:24 |
"At last, to know it, |
| 01:49:30 |
"to love it for what it is, |
| 01:49:33 |
"and then... |
| 01:49:37 |
"to put it away. |
| 01:49:43 |
"Leonard... |
| 01:49:47 |
"always the years between us, |
| 01:49:52 |
"always the years... |
| 01:49:55 |
"always... the love... |
| 01:50:01 |
"always... |
| 01:50:04 |
the hours." |
