House Of Strangers
|
00:01:20 |
- [Chattering] |
00:01:47 |
[Man] |
00:01:51 |
[Vendor] |
00:01:53 |
I cash. |
00:01:56 |
Any old clothes. |
00:02:01 |
I cash. I cash. |
00:02:34 |
[Typing] |
00:02:41 |
[Speaking Italian] |
00:02:51 |
[Woman And Man |
00:03:11 |
Who do you wanna see? |
00:03:13 |
The president, the first vice president |
00:03:15 |
- Do you have an appointment? |
00:03:23 |
Maybe I can help you? |
00:03:46 |
[Door Buzzes, Lock Clicks] |
00:03:59 |
Welcome home, Max. |
00:04:01 |
- Good to see you, Max. |
00:04:03 |
It's about time. Come on. Let's sit down. |
00:04:07 |
- Sit right here, Max. |
00:04:09 |
Good, we'll all have some. |
00:04:15 |
You look great, Max. |
00:04:18 |
- Yeah, he's even got a good tan. |
00:04:20 |
Just in time for lunch. |
00:04:24 |
- Food can wait. |
00:04:27 |
Taste that. The best. |
00:04:30 |
First thing you need are some new clothes. |
00:04:32 |
- Uptown, shoulders. |
00:04:36 |
When he wants to eat, he'll eat. |
00:04:39 |
Maybe there's other things |
00:04:41 |
Max knows what he wants. |
00:04:44 |
And it all costs money. |
00:04:47 |
Here's a thousand dollars. |
00:04:51 |
I notice you got the painting of Pa |
00:04:53 |
It's a copy of the one |
00:04:56 |
It's a nice touch. |
00:04:58 |
A bank should always hang paintings |
00:05:00 |
Gives them a sense of, |
00:05:03 |
Like this one. |
00:05:05 |
[Man] Max, Pa's been dead |
00:05:07 |
- Take the money, Max. |
00:05:10 |
I called the house. |
00:05:16 |
- What's wrong? |
00:05:20 |
Doesn't she live |
00:05:23 |
- She moved. |
00:05:25 |
- Back on Mulberry Street. |
00:05:27 |
Who knows? We kept the big house |
00:05:30 |
She won't go near it. |
00:05:33 |
We've got a whole bottle to kill. |
00:05:40 |
I kinda lost my taste |
00:05:44 |
Cigars too. |
00:05:50 |
A big, rich bank. |
00:05:53 |
Must be quite a responsibility. |
00:05:55 |
Lots of big, rich worries. |
00:05:58 |
You know something, Joe? |
00:06:02 |
Me? I've got nothing to worry about. |
00:06:08 |
- How's Maria? |
00:06:10 |
- Is she still as beautiful? |
00:06:14 |
You know, being married |
00:06:16 |
Especially to a beautiful girl |
00:06:18 |
Does she ever ask about me? |
00:06:23 |
- I must come up to dinner soon. |
00:06:29 |
That's a nice family |
00:06:34 |
Two kids. |
00:06:40 |
How good time |
00:06:42 |
To all three of you. |
00:06:46 |
Tony's got Maria, |
00:06:50 |
Pietro, second vice president. |
00:06:54 |
I can remember when your greatest ambition |
00:06:58 |
Yes, time has been more |
00:07:02 |
But tell me, why do you all |
00:07:04 |
- What do you want, Max? |
00:07:07 |
- How much? |
00:07:09 |
- It's not working, Max. |
00:07:14 |
I'll see you, brothers. |
00:07:18 |
Better take the money. |
00:07:29 |
I'll bust his head. |
00:07:32 |
- He's out for blood. |
00:07:35 |
- Plenty of blood. |
00:07:37 |
- Who you calling? |
00:07:39 |
- We don't need Angelino. |
00:07:42 |
We're gonna keep it |
00:07:45 |
Where it's always been. |
00:07:52 |
A man who throws away money |
00:07:57 |
A big problem. |
00:07:59 |
[Traffic Noises] |
00:08:00 |
[Traffic Noises] |
00:08:37 |
[Lock Clicks] |
00:10:51 |
[Water Running] |
00:11:14 |
Max. |
00:11:21 |
Saturday night. |
00:11:24 |
How come you're home |
00:11:26 |
You don't ask girls |
00:11:31 |
If you must know, |
00:11:33 |
That always was |
00:11:35 |
I guess you've been alone |
00:11:37 |
Nobody's that unpopular. |
00:11:40 |
- Who? |
00:11:43 |
- You've had a lot of time to kill. |
00:11:48 |
Have you seen your brothers? |
00:11:50 |
- I had to see them before anything. |
00:11:57 |
Don't be like that, Max, |
00:12:00 |
How'd you expect me to be, full of jokes? |
00:12:04 |
It's over. Seven years passed |
00:12:06 |
"Vengeance is a rare wine, |
00:12:10 |
I'm gonna get drunk on it. |
00:12:13 |
Where did you pick that up, |
00:12:16 |
Then you've come back a fool. |
00:12:18 |
Check. I was once the smartest of them all. |
00:12:23 |
Us. You and me |
00:12:27 |
Max, let's get out of New York tonight. |
00:12:30 |
You can start again, |
00:12:32 |
What I want |
00:12:34 |
Just what goes on in that |
00:12:36 |
Murder? Is that what you've planned |
00:12:41 |
- That's how I killed time. |
00:12:43 |
I was in a jail for seven years. |
00:12:45 |
I was in a bigger jail than yours. |
00:12:48 |
You'll have to wait |
00:12:50 |
I've done my last night's waiting. |
00:12:56 |
- Let me have the porter, please. |
00:13:00 |
I'm getting two tickets |
00:13:02 |
- You'll have one empty seat. |
00:13:06 |
You mustn't threaten an Italian. |
00:13:13 |
Am I part of your vendetta? |
00:13:17 |
Isn't it enough to destroy your brothers |
00:13:21 |
Why did you come back |
00:13:23 |
And for what? |
00:13:27 |
You're filled with this poison. |
00:13:30 |
The world's better off |
00:13:35 |
Good boy. |
00:13:38 |
Hit the truth because it hurts. |
00:13:41 |
Don't ever love. |
00:13:59 |
[Subway Clacking] |
00:15:03 |
[Cranking Handle] |
00:15:12 |
## [Opera] |
00:15:27 |
## [Man Singing Italian Opera] |
00:15:43 |
## [Continues] |
00:15:58 |
## [Continues] |
00:16:21 |
## [Man Singing In Italian] |
00:16:39 |
## [Continues] |
00:16:54 |
## [Continues] |
00:16:58 |
It's 10 minutes to 9:00, Pa. |
00:17:00 |
- The bank will open when I get there. |
00:17:03 |
Who else will pay |
00:17:05 |
With my kind of interest, |
00:17:08 |
Scrub my back. |
00:17:14 |
There. |
00:17:17 |
Harder, harder. |
00:17:20 |
Oh, that's good. |
00:17:25 |
Harder. Harder. |
00:17:28 |
[Chuckles] |
00:17:31 |
Go on and scrub |
00:17:33 |
## [Italian] |
00:17:42 |
Buongiorno, Signor Monetti. |
00:17:46 |
Grazie, |
00:17:55 |
- Buongiorno, Signor Monetti. |
00:17:58 |
[Speaking Italian] |
00:18:00 |
[People Saying Hello] |
00:18:43 |
The import people are calling again |
00:18:45 |
Now the shipment |
00:18:48 |
Not now, after a little while. |
00:18:51 |
[Speaking Italian] |
00:18:56 |
[Speaking Italian] |
00:18:58 |
How many times I tell you? |
00:19:02 |
I'm gonna need some money |
00:19:05 |
- What for you need a horse? |
00:19:08 |
- She cannot pick up junk. |
00:19:11 |
$150. |
00:19:17 |
150, huh? |
00:19:21 |
All right. |
00:19:26 |
- Did you okay $80,000 |
00:19:30 |
That fella from Chicago |
00:19:32 |
Wants to know |
00:19:35 |
Hello? |
00:19:38 |
No. |
00:19:52 |
But, Gino, this is only $120. |
00:19:55 |
Lucca, interest. |
00:20:03 |
[Vendor Yelling, Indistinct] |
00:20:11 |
Doctors say I gotta |
00:20:17 |
- or he'll die. |
00:20:19 |
That's a long trip. |
00:20:24 |
Train cost $62. |
00:20:27 |
Hey, Tony, Pietro. |
00:20:33 |
You know what is |
00:20:35 |
- 9:00 to 3:00, Pa. |
00:20:37 |
Never you mind when I open. |
00:20:40 |
- What's the matter your nose? |
00:20:43 |
- By a knockout in the second round. |
00:20:45 |
I can't take money. |
00:20:48 |
No money? |
00:20:51 |
- It's sport, Pa. |
00:20:53 |
- I'm his manager. |
00:20:56 |
Ah, go to work. |
00:20:59 |
Two sports I got. |
00:21:04 |
- Here. |
00:21:07 |
Well, so I make a mistake. |
00:21:10 |
- Oh, grazie. Grazie. |
00:21:13 |
[Speaking Italian] |
00:21:19 |
Pa, will you |
00:21:22 |
I wanna show you something. |
00:21:31 |
You gotta make Max |
00:21:34 |
Look at those characters hanging around. |
00:21:37 |
- They give the bank a black eye. |
00:21:40 |
Bail bonds for criminals. |
00:21:43 |
What do you mean we? |
00:21:47 |
Go on, go back to your cage. |
00:21:58 |
Momento. |
00:22:00 |
You wanna fill the fountain pen, |
00:22:02 |
Post office. |
00:22:11 |
- Oh, uh, Pietro. |
00:22:13 |
- Go see what the lady wants. |
00:22:18 |
- Yes, ma'am. |
00:22:20 |
We got lots of Monettis here. |
00:22:23 |
Which one is the attorney? |
00:22:25 |
Oh, the lawyer. Max. |
00:22:28 |
Thank you. |
00:22:32 |
That son of a gun. |
00:22:37 |
Come on. |
00:22:39 |
Yes, go ahead. You told me that. |
00:22:41 |
That's bad. Any witnesses? |
00:22:44 |
Very bad. |
00:22:47 |
- Good. Yeah. |
00:22:55 |
Doors are made to knock on. |
00:22:57 |
I haven't got time. |
00:23:02 |
Moe, I'll call you back. |
00:23:07 |
- Where do your clients sit? |
00:23:10 |
- My name is Irene Bennett. |
00:23:13 |
You were recommended to me |
00:23:16 |
Oh, that's a very high-class firm. |
00:23:19 |
They don't recommend |
00:23:21 |
- Unless what? |
00:23:25 |
A friend of mine |
00:23:27 |
- What did he do? |
00:23:30 |
You don't look like you go to all this trouble |
00:23:33 |
Oh, a lot of things- |
00:23:35 |
took some jewelry. |
00:23:38 |
- What's he to you? |
00:23:41 |
- Hmm. This car and jewelry |
00:23:46 |
So all you gotta worry about |
00:23:48 |
- Why don't you make them good? |
00:23:50 |
- They were turned over |
00:23:54 |
I'll give you my check to cover them |
00:23:58 |
Money is a great cleanser. |
00:24:01 |
- Mm, expensive. |
00:24:03 |
Maybe to you, but not to me. |
00:24:08 |
- What's wrong? |
00:24:11 |
You think you can skip |
00:24:15 |
I'm not that hard up. |
00:24:17 |
- That was a pretty insulting little speech. |
00:24:20 |
But it didn't take. You can't insult women. |
00:24:24 |
- No? |
00:24:27 |
Nothing touches you. |
00:24:30 |
The chromium's wearing thin. |
00:24:33 |
Look, I'm tired and I'm bored with this mess. |
00:24:36 |
- After what I said? |
00:24:43 |
- Say please. |
00:24:45 |
- Say please. |
00:24:52 |
All right. |
00:24:54 |
I'll take your case, |
00:24:57 |
Bennett. |
00:24:59 |
I'm not very good |
00:25:01 |
You'll remember my name. |
00:25:12 |
- You busy? |
00:25:19 |
Smell the air in here. |
00:25:22 |
- Perfume. |
00:25:25 |
You gotta have |
00:25:28 |
Like chloroform, |
00:25:30 |
- Who was it? |
00:25:32 |
- How's things at home? How's Elaine? |
00:25:36 |
What's on your mind? |
00:25:39 |
You remember Pa promised |
00:25:41 |
- Well, hasn't he done it? |
00:25:44 |
Elaine's getting pretty sore. |
00:25:48 |
Some banker. |
00:25:50 |
How can I entertain |
00:25:53 |
- You married her. |
00:25:56 |
After all, she comes from |
00:26:01 |
Take her downtown, buy her a new dress. |
00:26:03 |
No, no, that won't do any good. |
00:26:05 |
Elaine's proud. |
00:26:09 |
and saw me behind the cage |
00:26:12 |
- She's sensitive. |
00:26:14 |
Slow her down, Joe. |
00:26:16 |
The bank's gonna be yours. |
00:26:19 |
It's the way he treats me now |
00:26:21 |
"Go back to your cage. "Shut up." |
00:26:24 |
How do you think I feel, Max. |
00:26:27 |
- Nobody talks to me like that. |
00:26:30 |
- He don't have to treat me |
00:26:32 |
- Tell him to talk to me like he talks to you. |
00:26:36 |
- Thanks. |
00:26:39 |
[Door Opens, Closes] |
00:26:46 |
Hello. Yes, Elliott. |
00:26:49 |
Okay, go. |
00:26:51 |
Okay, don't go. |
00:26:54 |
Sure I like you. |
00:26:56 |
No, not tonight, it's Wednesday. |
00:27:01 |
I'll buy you a drink. |
00:27:04 |
## [Opera] |
00:27:12 |
## [Man Singing In Italian] |
00:27:17 |
[Phone Rings] |
00:27:21 |
[Rings] |
00:27:25 |
[Rings] |
00:27:27 |
Gino Monetti. |
00:27:29 |
Who? Silvio? |
00:27:32 |
Uh, look, Silvio, |
00:27:34 |
- ## [Continues] |
00:27:38 |
Well, I like it loud. |
00:27:41 |
Now, uh, look, Silvio, if you want I hear, |
00:27:45 |
That's better. |
00:27:47 |
How much I give? |
00:27:50 |
Domenico, huh? |
00:27:53 |
Well, I give 5,000 more than him. |
00:27:55 |
Yeah, and my name goes on top. |
00:27:58 |
Oh, yeah, okay, okay. |
00:28:02 |
## [Continues] |
00:28:40 |
[Bread Crunches] |
00:28:45 |
## [Continues] |
00:28:51 |
- Doesn't he ever turn that phonograph off? |
00:28:55 |
- How much longer do we have to wait? |
00:28:58 |
Max, Max. Why aren't we ever late? |
00:29:01 |
- What do you want me to do, start a fight? |
00:29:03 |
- [Speaking Italian] |
00:29:07 |
Uh, Pa, do we have to |
00:29:10 |
Well, what's your hurry? |
00:29:13 |
We're expecting |
00:29:15 |
Why don't you bring them here? |
00:29:18 |
- My friends don't happen to like spaghetti. |
00:29:20 |
- I'm getting a little tired of it myself. |
00:29:25 |
Make you feel bad, |
00:29:27 |
- Make you feel sick, huh? |
00:29:30 |
- You too? |
00:29:34 |
Well, you come here |
00:29:36 |
You eat your mama's spaghetti, |
00:29:39 |
or you go find job |
00:29:43 |
Hey, Pietro! |
00:29:45 |
You wait for Max. |
00:29:48 |
Some wine, Maria? |
00:29:52 |
Please, Antonio. |
00:29:54 |
Hey, Pa, can I give |
00:29:57 |
Maria? Anything. |
00:30:01 |
Maria can have |
00:30:04 |
## [Continues] |
00:30:19 |
I don't like a man coming late for supper |
00:30:22 |
- Max is busy, Mama. |
00:30:25 |
Pietro, change the record, dumbhead. |
00:30:36 |
Sorry I'm late, everybody. |
00:30:39 |
- you're looking bigger and better every day. |
00:30:41 |
- Maria. Carissima, Maria. |
00:30:46 |
- [Domanico] Maria! |
00:30:49 |
We're engaged, aren't we? |
00:30:51 |
- Maria! |
00:30:54 |
- You don't remember? |
00:30:56 |
Oh, then it's no more fun. |
00:31:01 |
Oh, Max, did you- |
00:31:06 |
Forgot. We'll get it |
00:31:09 |
- No, no, not here. |
00:31:12 |
Pa, how about giving Joe a raise? |
00:31:14 |
The bank's doing good. |
00:31:17 |
Oh, you want a raise? |
00:31:19 |
Well, we don't have to talk about it now, Pa. |
00:31:23 |
No, Max is quite right. We might as well |
00:31:28 |
A raise, huh? |
00:31:31 |
When first I get married, |
00:31:34 |
I have four kids. |
00:31:38 |
I wouldn't raise a child |
00:31:41 |
Oh. |
00:31:43 |
Well, we all live in a one room |
00:31:47 |
I worked seven days a week, |
00:31:52 |
You're sitting down now, Pa, |
00:31:54 |
All Joe wants is the few more bucks a week |
00:31:56 |
- I promised you? When? |
00:32:01 |
Oh, the wedding. All of that vino. |
00:32:05 |
I don't even remember |
00:32:13 |
Joe, when I die, |
00:32:17 |
The bank is for you. |
00:32:19 |
For Tony, for Pietro, |
00:32:26 |
When I die. |
00:32:31 |
Ah! |
00:32:34 |
[Sniffs, Speaking Italian] |
00:32:39 |
[Both Speaking Italian] |
00:32:49 |
[Continues Speaking Italian] |
00:32:54 |
[Phone Ringing] |
00:32:56 |
Hey, Pietro, dumbhead, |
00:33:01 |
For Mama. |
00:33:07 |
- For you, Helena. |
00:33:17 |
- For you. |
00:33:20 |
Excuse me. |
00:33:23 |
Maria. |
00:33:27 |
- ## [Continues] |
00:33:30 |
Who? |
00:33:33 |
It's all taken care of. |
00:33:36 |
Something new? |
00:33:38 |
Right now? |
00:33:42 |
Be right over. |
00:33:50 |
Tony, if I don't get back in time, |
00:33:53 |
- Sure, Max. |
00:33:55 |
Business, Pa. Business. |
00:34:00 |
But I'll get back in time. |
00:34:04 |
[Speaking Italian] |
00:34:06 |
[Speaking Italian] |
00:34:13 |
Bon appétito. |
00:34:25 |
Oh, Mama. |
00:34:40 |
[Doorbell Buzzes] |
00:34:48 |
You didn't waste any time. |
00:34:57 |
Looks like you can afford |
00:35:00 |
I've got chairs for my lawyers to sit in. |
00:35:02 |
- I haven't had any dinner. I'm hungry. |
00:35:05 |
You said you had to see me |
00:35:07 |
You know, you don't really talk to people. |
00:35:10 |
I'm a lawyer. Me, you give facts. |
00:35:14 |
- I don't want sympathy from anybody. |
00:35:16 |
- You're not likely to get it. |
00:35:19 |
Look, Miss Bennett, |
00:35:22 |
I'm here on an S.O.S., an emergency, |
00:35:25 |
- It is important. |
00:35:27 |
They're not easy |
00:35:30 |
Well, start looking. |
00:35:32 |
You're a thoroughly |
00:35:34 |
- But a wonderful lawyer. The facts. |
00:35:37 |
I'm waiting for something to put in it. |
00:35:40 |
- Well, it seems a friend of mine- |
00:35:45 |
- I have many friends. |
00:35:48 |
- That's insulting. |
00:35:50 |
- That's no excuse. |
00:35:53 |
You and your insults. |
00:35:57 |
The friend. |
00:35:59 |
It's a girlfriend this time, |
00:36:01 |
She's in San Francisco. |
00:36:04 |
It's a long involved mess. |
00:36:09 |
San Francisco? |
00:36:11 |
Oh, of course not. |
00:36:13 |
- She was desperate, and it occurred to me- |
00:36:16 |
Oh, I couldn't possibly explain it. |
00:36:19 |
her father's estate, |
00:36:22 |
I'm supposed to hop a plane with a letter |
00:36:26 |
Oh, no, nothing like that. After all, |
00:36:30 |
- Oh, so we'd hop a plane together? |
00:36:37 |
- Have you got an empty bottle? |
00:36:39 |
Spin the bottle. If we're gonna play like kids, |
00:36:41 |
- It's much more fun. |
00:36:45 |
I don't belong to the California Bar. |
00:36:47 |
- But it is my home, or was. |
00:36:51 |
- But no legal complications. |
00:36:53 |
I've got other complications. |
00:36:58 |
I still don't know why I'm here. |
00:37:02 |
Now who's playing a kid game? |
00:37:04 |
What goes with you anyway? |
00:37:06 |
At the moment? |
00:37:09 |
I've resigned |
00:37:11 |
Your fee is double at night. |
00:37:14 |
I'll get my wrap. |
00:37:18 |
- You going someplace? |
00:37:47 |
Sit down. |
00:37:51 |
Take off your wrap |
00:37:59 |
I'm gonna give you |
00:38:02 |
Born on the East Side |
00:38:04 |
Today he owns a bank. |
00:38:07 |
But I still like the smell |
00:38:10 |
I'm engaged |
00:38:12 |
She can give me kids |
00:38:14 |
She knows only one man, |
00:38:18 |
- Don't you wanna know about me? |
00:38:22 |
- What else? |
00:38:25 |
What else is there? |
00:38:28 |
You like to get hurt. |
00:38:32 |
It's a sickness |
00:38:34 |
Always looking for a new way |
00:38:37 |
Get smart. There hasn't been |
00:38:40 |
Maybe you're a great lawyer. |
00:38:44 |
- One man's opinion. |
00:38:47 |
That's one of |
00:38:50 |
Max. A good name. I like it. |
00:38:52 |
It's not guaranteed |
00:38:54 |
I don't wear anything for long. |
00:38:57 |
- Let's go. |
00:38:59 |
Out. |
00:39:09 |
All right, boys, you know the rules, |
00:39:11 |
- In case of a knockdown- |
00:39:14 |
What it says |
00:39:17 |
[Buzzer Buzzes] |
00:39:21 |
Give it to him, Pietro! |
00:39:24 |
[Bell Rings] |
00:39:42 |
Now, in the belly! |
00:39:48 |
- Hey, in the pancia. Pancia! |
00:39:53 |
In the pancia! |
00:40:01 |
Fight back! |
00:40:06 |
[Yelling In Italian] |
00:40:09 |
[Bell Rings] |
00:40:11 |
[Crowd Jeering] |
00:40:18 |
- What happened? |
00:40:22 |
- They what? |
00:40:54 |
- Nice fatherly gesture. |
00:40:57 |
And the Monettis must never lose. |
00:41:00 |
I suppose poor Pietro will now |
00:41:03 |
He didn't lose so bad at that. |
00:41:07 |
It seems to be |
00:41:10 |
You're throwing |
00:41:12 |
Just light jabs. |
00:41:17 |
Let's go dance. |
00:41:19 |
Later. This atmosphere's got me. |
00:41:23 |
[Buzzer Buzzes] |
00:41:26 |
- [Bell Dings] |
00:41:32 |
- So, that's it. |
00:41:34 |
She'll have me |
00:41:37 |
That's quite a sentence. |
00:41:40 |
She's none of your business. |
00:41:43 |
Then what about |
00:41:45 |
That's my business, isn't it? |
00:41:48 |
What are you suddenly |
00:41:51 |
What did you expect me to be? |
00:41:53 |
Do you think women live in vacuum-sealed |
00:41:56 |
I just thought |
00:41:59 |
You'd love to find one, |
00:42:03 |
There hasn't been a woman in love |
00:42:05 |
- So it's love? |
00:42:09 |
[Crowd Cheering] |
00:42:13 |
- Embarrassing, isn't it? |
00:42:17 |
I'll simplify it for you. |
00:42:19 |
Good-bye, Max. |
00:42:43 |
It's a disgrace. |
00:42:46 |
Why, my Maria could have her pick |
00:42:50 |
Doctors, bankers, big businessmen. |
00:42:54 |
Oh, Helena, Helena, why are you |
00:42:57 |
Nothing? |
00:42:59 |
engaged to my daughter and running |
00:43:02 |
Oh, it's no other woman. It's a client. |
00:43:05 |
Well, sometime you gotta mix up |
00:43:09 |
Business with the pleasure. |
00:43:12 |
Hey, Max? |
00:43:15 |
You see? |
00:43:17 |
He's guilty. |
00:43:20 |
You cannot see his face. |
00:43:23 |
Gino, the engagement is off. |
00:43:26 |
I won't. |
00:43:30 |
- That's my girl. |
00:43:34 |
- Give him back his ring. |
00:43:36 |
Helena, I think you sit down. |
00:43:38 |
- And don't you tell me what to do. |
00:43:41 |
- And hurry up! |
00:43:44 |
What every man do |
00:43:46 |
- It was when I was a girl. |
00:43:49 |
the fastest thing |
00:43:51 |
I'll have you know |
00:43:53 |
Your husband was happy to die, |
00:43:56 |
- Oh, I'm not gonna sit here and- |
00:44:00 |
- Oh! |
00:44:05 |
I'm gonna tell you about it. |
00:44:09 |
Why? Because |
00:44:12 |
Old World, |
00:44:15 |
New World, |
00:44:18 |
Old World, |
00:44:22 |
New World? |
00:44:25 |
It's the same thing with people. |
00:44:27 |
Old World, your father a barber, |
00:44:30 |
New World? |
00:44:32 |
You wanna be a presidente? |
00:44:36 |
What has this got to do |
00:44:39 |
Well, plenty. Marriage |
00:44:42 |
Old World, boy and girl, |
00:44:44 |
They wait one year, two years. When they |
00:44:48 |
United States is different. They get |
00:44:52 |
I don't care about |
00:44:55 |
It's my daughter's happiness |
00:44:58 |
Yes, but, Helena, |
00:45:00 |
Woman is boss. |
00:45:03 |
Here, only free time in a man's life |
00:45:06 |
United States wives |
00:45:08 |
and have babies |
00:45:11 |
No, here they come and go. |
00:45:15 |
Someday they even find way |
00:45:20 |
Say something, Max. |
00:45:23 |
It's for Maria to say |
00:45:26 |
- I'll never marry anyone else. |
00:45:29 |
Then a week after Easter. |
00:45:31 |
I haven't agreed to anything. Besides, |
00:45:35 |
I'll take charge of the wedding, |
00:45:38 |
I want to marry Max, |
00:45:40 |
[Scoffs] |
00:45:42 |
Helena, with you and me, |
00:45:46 |
- You open your mouth once more, and I'll- |
00:45:48 |
Everything's settled. |
00:45:51 |
Like Pa said, |
00:45:57 |
Ha! |
00:46:01 |
You see, Theresa? |
00:46:06 |
Yes, Gino, |
00:46:11 |
## [Jazz] |
00:46:31 |
You're not dancing with me. |
00:46:38 |
- What about dinner? |
00:46:41 |
Well, I am. |
00:46:44 |
Eat. |
00:47:12 |
Can you get me a taxi, please? |
00:47:16 |
Uh, shows are letting out, ma'am. |
00:47:40 |
If you're walking home, |
00:47:42 |
I know it. I'm a girl |
00:47:48 |
Where you going? |
00:47:50 |
- That's the question. |
00:47:54 |
What are you going to do, |
00:48:01 |
- What's this all about? |
00:48:04 |
- I don't like what I see. |
00:48:07 |
Nothing's happened to it yet. |
00:48:10 |
- Who's the other guy? |
00:48:12 |
- You're talking to me, |
00:48:14 |
The only reason I could leave you |
00:48:17 |
Nothing could be wrong |
00:48:19 |
What are you looking for? |
00:48:22 |
It's dog eat dog, |
00:48:24 |
Just whom are you fighting, |
00:48:27 |
It's beginning to hurt, |
00:48:29 |
Why should I? |
00:48:32 |
I'm not going to |
00:48:34 |
Especially not by you |
00:48:38 |
Look. Things are the same |
00:48:41 |
Not with me. |
00:48:43 |
I don't understand you anymore. |
00:48:45 |
You don't understand |
00:48:48 |
You've never tried. |
00:48:52 |
- No questions asked. |
00:48:54 |
[Woman] Good night, Pat. |
00:48:57 |
Excuse me. |
00:49:02 |
You're going to marry Maria. |
00:49:06 |
What'll you give her? |
00:49:09 |
- You finished? |
00:49:12 |
- Then let's eat. I'm hungry. |
00:49:16 |
Just like that. |
00:49:19 |
I keep forgetting |
00:49:21 |
Then come quietly, baby. |
00:49:24 |
## [Singing] |
00:49:59 |
Would the lady like a drink? |
00:50:01 |
- ## [Continues] |
00:50:03 |
More coffee? |
00:50:19 |
How many of those |
00:50:22 |
- You in a hurry? |
00:50:25 |
It's our last night. Have fun. |
00:50:28 |
- ## [Continues] |
00:50:48 |
You can turn it on or off, can't you? |
00:50:51 |
Character, that's what you got. |
00:50:54 |
- ## [Continues] |
00:51:00 |
You'd like to see me fall on my face |
00:51:05 |
You never will. I don't need you. |
00:51:08 |
- Max Monetti can- |
00:51:10 |
There's an epitaph for you- |
00:51:12 |
"Here lies Max Monetti. Period." |
00:51:16 |
Who you gonna |
00:51:18 |
- That's one thing I don't worry about. |
00:51:21 |
- Why? |
00:51:25 |
And I don't like |
00:51:28 |
## [Continues] |
00:51:36 |
Ice. Even your ears are cold. |
00:51:51 |
- You feel better now? |
00:51:54 |
I feel rotten. |
00:51:56 |
- I'll take you home. |
00:51:59 |
- Yours. |
00:52:10 |
- Got any cigarettes? |
00:52:13 |
Haven't got a license. |
00:52:17 |
You've got a nice place here. |
00:52:19 |
Lots of atmosphere. |
00:52:23 |
- ## [Continues] |
00:52:26 |
She left me four hours ago. |
00:52:51 |
## [Continues, Indistinct] |
00:53:03 |
See ya. |
00:53:32 |
[Steam Hissing] |
00:53:36 |
Yeah, Max. |
00:53:38 |
[Sighs] |
00:53:43 |
- More steam. |
00:53:47 |
That's the way, Max. |
00:53:49 |
Sweat it out. |
00:53:51 |
- I'm beat, Pa. Really beat. |
00:53:55 |
- Let the woman do this to you. |
00:53:57 |
She mean nothing. |
00:53:59 |
She told me off, and there's no other guy. |
00:54:01 |
Well, soon enough, you marry Maria. |
00:54:03 |
- How do you forget, Pa? What do you do? |
00:54:11 |
Good thing you come here. |
00:54:14 |
I don't get it. She's nuts about me. |
00:54:18 |
Books. Always wanna look in the books. |
00:54:22 |
She can't leave me. I won't let her leave me. |
00:54:24 |
What is this money, that money? |
00:54:27 |
Books is no way |
00:54:29 |
She'll come crawling. |
00:54:34 |
Twenty years I run the bank |
00:54:36 |
No one ask me nothing. |
00:54:39 |
- From now on, no one looking in my books. |
00:54:43 |
- Books. |
00:54:45 |
The bank. They're looking in my books. |
00:54:47 |
- You got the answers, haven't you? |
00:54:58 |
[Coin Clinking] |
00:55:08 |
- Where's the piano player? |
00:55:17 |
Thanks. |
00:55:24 |
## [Piano] |
00:55:35 |
[Rings] |
00:55:39 |
Hello. Who? |
00:55:43 |
- Are you Johnny? |
00:55:45 |
He ain't here. |
00:55:48 |
- Want me to try that number for you? |
00:55:56 |
Sometimes a woman's too busy |
00:56:17 |
[Buzzes] |
00:56:41 |
I've been waiting |
00:56:43 |
What made you think I'd call? |
00:56:45 |
Still making with the character, |
00:56:47 |
What do you want, Max? |
00:56:49 |
I lost something. |
00:56:52 |
- Your umbrella? |
00:56:55 |
Nothing of that description's been turned in. |
00:56:58 |
- I'm in no mood for jokes. |
00:57:00 |
- How about a shock? How's your heart? |
00:57:04 |
I got two in the sixth row, |
00:57:07 |
- Who's the company? |
00:57:10 |
- Yeah, I remember. Glad to see you. |
00:57:15 |
- For you. A hot rose. I picked it in the park. |
00:57:19 |
You're on your way out, |
00:57:24 |
- Doesn't he approve of me? |
00:57:27 |
Are you leaving, |
00:57:29 |
I'm not leaving, |
00:57:32 |
- Now just a minute- |
00:57:35 |
I know you can. But for once in his life, |
00:57:38 |
This is not Mulberry Street, |
00:57:42 |
You're not giving orders. |
00:57:45 |
This is going to be our home, |
00:57:49 |
It's still being done, |
00:57:53 |
You're my girl. |
00:57:56 |
That does it. You go powder your nose. |
00:57:59 |
You just stay put. |
00:58:04 |
I'll get you out of this mess. |
00:58:06 |
- I don't want to get out of it. |
00:58:09 |
Look, you sucker, |
00:58:12 |
She knows it, |
00:58:14 |
- She's making a chump out of you. |
00:58:17 |
Get out of here, Max! |
00:58:33 |
- Just like that? |
00:58:37 |
It's a strange kind |
00:58:41 |
All right. |
00:58:44 |
I'll remember, too, when you |
00:58:50 |
Max, your father's been calling all day. |
00:58:56 |
Thanks. |
00:59:00 |
[Door Opens] |
00:59:01 |
[Door Opens] |
00:59:02 |
[Clamoring] |
00:59:20 |
[Speaking Italian] |
00:59:22 |
Silenzio! |
00:59:26 |
The government, |
00:59:28 |
I run this bank for 20 years |
00:59:31 |
Now the government, |
00:59:33 |
- What about our money? |
00:59:37 |
- [Speaking Italian] |
00:59:41 |
- Why did the government close your bank? |
00:59:44 |
- Silenzio! Silenzio! |
00:59:47 |
- Silenzio! |
00:59:49 |
You know, the government say |
00:59:52 |
Only property, collateral. |
00:59:54 |
You know what this is, |
00:59:56 |
You no can say it. |
00:59:58 |
But if you don't got it, poof! |
01:00:01 |
Here. Uh, one moment. |
01:00:04 |
Pizziano! Hey, Pizziano, |
01:00:06 |
Hey, look, look. Tell me, |
01:00:10 |
if I don't loan you $1,200, |
01:00:14 |
- Hey, Cuppicia. |
01:00:16 |
- That's all right. You get your money. |
01:00:19 |
That's all right. Cuppicia. |
01:00:22 |
You tell me something. |
01:00:25 |
I believe in you. |
01:00:29 |
Now government say is wrong. |
01:00:31 |
- I say is right! The law is no good! |
01:00:46 |
[Whistle Blows] |
01:01:10 |
[Groans] |
01:01:16 |
A match. |
01:01:18 |
Hey, Joe, a match. |
01:01:20 |
Oh, I haven't got any match. |
01:01:23 |
Well, someone give me |
01:01:36 |
What's the matter, your hand shake |
01:01:39 |
I get hit on the head, you nervous. |
01:01:52 |
- [Footsteps] |
01:01:57 |
Well, Pa, how's the head? |
01:01:59 |
- How's the bank? |
01:02:01 |
Well, the head |
01:02:03 |
I can't understand how you |
01:02:06 |
The records. Half the transactions |
01:02:10 |
I didn't keep the records. He did. |
01:02:12 |
In his head, in his vest pocket, |
01:02:15 |
- I just stayed in my cage. |
01:02:17 |
Maybe some of them wouldn't |
01:02:19 |
Pa, have you read |
01:02:22 |
I don't even read |
01:02:24 |
Well, it's got teeth. |
01:02:26 |
Right now it looks like you |
01:02:28 |
and each count |
01:02:31 |
Well, why? Why? |
01:02:33 |
A felony called |
01:02:36 |
This is no time to go into the law. |
01:02:40 |
A smart lawyer like you, Max, |
01:02:43 |
This is the state government. |
01:02:45 |
They don't fix. Period. |
01:02:48 |
I think we can save the bank. |
01:02:50 |
In fact, it's good they closed us up. |
01:02:52 |
Lots of banks are having runs. |
01:02:55 |
Now we've got a chance to liquidate |
01:02:58 |
Oh, I sell the house. I sell everything. |
01:03:01 |
That won't help. That only saves the bank. |
01:03:03 |
Well, we fight the indictments. |
01:03:07 |
- Yes, but how? |
01:03:12 |
Yeah. Yeah. |
01:03:17 |
You, Joe, Tony, Pietro. |
01:03:20 |
Nobody knows who did just what. |
01:03:25 |
How about it, Joe? |
01:03:29 |
Yes, I suppose it will be. |
01:03:31 |
Well? |
01:03:34 |
Tony? Pietro? |
01:03:38 |
- I never had enough |
01:03:42 |
I'm a clerk. I get $65 a week. |
01:03:46 |
- What's that got to do with it? |
01:03:50 |
Now, look, Joe, Gino Monetti |
01:03:54 |
Not when I got |
01:03:57 |
- You my oldest son. |
01:03:59 |
- Joe. |
01:04:04 |
Your oldest son. Oh, you mean, |
01:04:08 |
More time to wait on you |
01:04:11 |
To be pushed down, humiliated. Chauffeur, |
01:04:14 |
Max, he's your son. You're his father. |
01:04:18 |
So, for a few |
01:04:22 |
I could have had a good son |
01:04:25 |
First time I learn this. |
01:04:28 |
Maybe it's time I know, huh? |
01:04:30 |
Father and son, son and father |
01:04:36 |
You, Pietro? How much, uh, |
01:04:41 |
Joe said it for me. |
01:04:45 |
A dumbhead. |
01:04:49 |
Dumbhead. Dumbhead! |
01:04:53 |
Who's gonna |
01:04:55 |
A guard in the bank? |
01:04:57 |
If I wasn't your father, |
01:05:01 |
Four, five schools |
01:05:03 |
You don't want to study. All the time, fight. |
01:05:06 |
Not even for fighting, you good. |
01:05:11 |
Well, Tony? |
01:05:14 |
Now don't get me wrong, Pa. |
01:05:16 |
But I don't want to |
01:05:18 |
Why not? What is so good |
01:05:21 |
Well, it's just that how do |
01:05:27 |
[Chuckles] You're not even |
01:05:37 |
You're just in time, Ma. |
01:05:39 |
Did you know you brought up |
01:05:44 |
Strangers. |
01:05:46 |
[Speaking Italian] |
01:05:51 |
For who do you think |
01:05:53 |
Who do you think I work and build, |
01:05:56 |
For me? For Mama? We cannot live long |
01:06:01 |
Mama wanted me to stop, but no. |
01:06:03 |
I work and build, I build and work. |
01:06:06 |
For my sons. For you, Joe. |
01:06:09 |
Is good I pay you little. |
01:06:14 |
Was right to pay you |
01:06:16 |
Yeah, is good |
01:06:18 |
You know, muscle is not |
01:06:21 |
Gorilla has got bigger |
01:06:23 |
Maybe you learn to use your brain. |
01:06:27 |
Is right to call you dumbhead. |
01:06:32 |
Dress up all the time. Clothes, the girls. |
01:06:37 |
The bank. The Bank of Gino Monetti. |
01:06:41 |
That's what I work and build for. |
01:06:48 |
But no more. |
01:06:51 |
I have no sons. |
01:06:55 |
Go on, get out! |
01:07:22 |
We'll beat it without them, Pa. |
01:07:25 |
You better get some sleep. |
01:07:35 |
[Door Closes] |
01:07:41 |
Hey, Mama, why you don't |
01:07:46 |
Why I don't hear you laugh no more, huh? |
01:07:50 |
- Maybe I get old. |
01:07:53 |
Oh, maybe a little gray, but not old. |
01:07:58 |
We have plenty |
01:08:01 |
Soon Max, he fix everything, |
01:08:05 |
Palermo. You like to go back |
01:08:10 |
I wish we never leave |
01:08:12 |
- Oh, we have nothing there. |
01:08:16 |
What do you mean? This fine house, |
01:08:20 |
- You call this nothing? |
01:08:24 |
When we only have |
01:08:27 |
We love each other. |
01:08:33 |
Now is no more love. |
01:08:39 |
[Door Closes] |
01:08:46 |
- You said you were a barber. |
01:08:47 |
- You said you were a barber. |
01:08:48 |
- How did you become a banker? |
01:08:50 |
My wife, uh, |
01:08:53 |
Uh, my littlest son, Pietro. |
01:08:56 |
Well, the doctor say |
01:08:59 |
So I go to Guiseppe, |
01:09:02 |
He make out the paper |
01:09:08 |
I say is too much. |
01:09:11 |
So I go to bank. |
01:09:15 |
So I say, "What is it, |
01:09:18 |
They tell me it's something good, |
01:09:21 |
So I say, "If I got collateral, |
01:09:25 |
And they say good-bye. |
01:09:28 |
So I go back to Guiseppe, |
01:09:30 |
my wife have the baby, |
01:09:33 |
- [Audience Laughing] |
01:09:35 |
What does all this talk about babies |
01:09:38 |
- What's the matter? You don't like babies? |
01:09:41 |
- [Gavel Pounds] |
01:09:50 |
- Fine? |
01:09:55 |
My horse, she die. |
01:09:57 |
How much money |
01:10:00 |
He give me $120. |
01:10:02 |
And how much do you |
01:10:04 |
He say, uh, uh... |
01:10:09 |
287.33. |
01:10:12 |
- Did you ever borrow more |
01:10:15 |
Then what's the extra |
01:10:19 |
- Uh, there-there is |
01:10:22 |
And a carrying charge |
01:10:27 |
You never pay! |
01:10:29 |
How am I gonna pay when I got no money? |
01:10:33 |
Well, is not my fault! |
01:10:35 |
- You promise to pay! You never pay! |
01:10:38 |
- Your witness. |
01:10:40 |
- Step down. |
01:10:43 |
- Now take it easy. |
01:10:46 |
- Sit down, Pa. |
01:10:53 |
Most of your business was done |
01:10:56 |
Well, my bank is not on Wall Street. |
01:10:58 |
- Just answer the questions yes or no. |
01:11:01 |
People who live on the East Side |
01:11:04 |
- Yes and no. |
01:11:08 |
So you know how hard it is |
01:11:12 |
- Is not easy. |
01:11:15 |
- Oh, I wait until they have it. |
01:11:19 |
How many homes |
01:11:22 |
How many salaries have you garnisheed? |
01:11:26 |
I instruct the witness not |
01:11:29 |
I answer everything. |
01:11:32 |
The questions are improper. |
01:11:34 |
Let him ask. I tell. |
01:11:36 |
You say you loan money |
01:11:41 |
When you foreclose |
01:11:44 |
all you take away |
01:11:46 |
But when you garnishee a man's wages, |
01:11:49 |
his blood, the bread out |
01:11:52 |
You call that helping people? |
01:11:55 |
I accuse you of being |
01:11:58 |
- A disgrace to every decent Italian American. |
01:12:01 |
Just one minute, please. |
01:12:04 |
- Nobody talk to Gino like that. |
01:12:06 |
You shut up! Is a free country! |
01:12:09 |
I do what I think is right! |
01:12:12 |
I don't care what anybody say! |
01:12:15 |
- [Gavel Pounds] |
01:12:20 |
## [Piano] |
01:12:22 |
## [Piano] |
01:12:25 |
That's for me. |
01:12:31 |
Well, what do you think, Joe? |
01:12:34 |
I'm no lawyer. I don't know |
01:12:38 |
Who does? You don't have to be a lawyer |
01:12:42 |
The old man's just asking for it. |
01:12:44 |
I can't let him get back on the stand |
01:12:48 |
How can you sit there |
01:12:51 |
What's the proper etiquette |
01:12:56 |
I've got an idea, Joe. |
01:12:59 |
- Yeah? |
01:13:03 |
Once the other 11 start working on her, |
01:13:06 |
- Yeah? |
01:13:09 |
How? |
01:13:13 |
Somebody has to |
01:13:17 |
Is this the secret of |
01:13:20 |
You've got a sewer for a mind. |
01:13:24 |
In the meantime, |
01:13:27 |
- Who's gonna talk to that juror? |
01:13:31 |
- The other boys aren't smart enough. |
01:13:35 |
I thought of that. |
01:13:40 |
If she turns me down, |
01:13:43 |
You, she doesn't know. |
01:13:48 |
Well, what do you say, Joe? |
01:13:50 |
I've said it many times. |
01:13:54 |
The old man got himself in, |
01:13:58 |
This is the time I'll remember. |
01:14:07 |
Hey, your lady friend finally showed up. |
01:14:21 |
- Got a minute? |
01:14:23 |
- I've been watching the trial. |
01:14:26 |
Sit down, Max. Please. |
01:14:32 |
It's not going well, is it? |
01:14:35 |
It's not over yet. |
01:14:38 |
Danny? |
01:14:41 |
Taking a big chance, isn't he? |
01:14:44 |
As a matter of fact, I am. |
01:14:46 |
I don't handle that kind |
01:14:49 |
Danny and I aren't married. We had it out |
01:14:55 |
I was just using him to cut out |
01:14:58 |
It was no use. It still hurt. |
01:15:11 |
- Better? |
01:15:14 |
If they'd only let you |
01:15:17 |
Baby, I've got a call to make. |
01:15:20 |
I know about these night calls. |
01:15:23 |
- Yes, it is. |
01:15:26 |
- Call it off. |
01:15:29 |
Then how do you know |
01:15:31 |
- I've got a feeling I'm expected. |
01:15:36 |
- That's a strange date. |
01:15:39 |
- even for me. |
01:15:41 |
- Nothing to worry you. |
01:15:44 |
No, you don't want to sit in the car. |
01:15:47 |
I'm driving you. Period. |
01:16:22 |
[Buzzes] |
01:16:29 |
May I come in? |
01:16:37 |
- Is anyone here? |
01:16:44 |
You shouldn't be here. |
01:16:46 |
There's lots of things shouldn't be. |
01:16:48 |
If anyone found out- |
01:16:51 |
Not much of a view, |
01:16:55 |
This is the best I can do |
01:17:01 |
I've never done this before. |
01:17:05 |
Yes. |
01:17:07 |
Sending my father to jail |
01:17:11 |
What are his chances? |
01:17:14 |
- I can't tell you. |
01:17:17 |
I'm under oath. |
01:17:20 |
- You're a good woman, aren't you? |
01:17:24 |
- And a good mother. |
01:17:29 |
- What do you make a week? |
01:17:37 |
Keep it. Who will it hurt? |
01:17:44 |
- I can't. |
01:17:50 |
Please go. |
01:18:00 |
And take this with you. |
01:18:07 |
Well, I tried. |
01:18:09 |
- You must love your father a great deal. |
01:18:14 |
You'd better not stay any longer. |
01:18:28 |
[Child] |
01:18:31 |
I'm coming, darling. |
01:18:40 |
[No Audible Dialogue] |
01:19:45 |
[Jackhammers Hammering] |
01:19:59 |
[Joe] Be careful with that. |
01:20:02 |
If I do have the whole thing- |
01:20:06 |
Listen. |
01:20:08 |
Didn't I tell you |
01:20:10 |
I'm not in jail yet. |
01:20:12 |
Your new trial starts in a week. |
01:20:15 |
- This is a new bank. |
01:20:18 |
Let's get that very clear. This isn't |
01:20:22 |
You signed it over to Ma, |
01:20:24 |
Well, I only give it to Ma |
01:20:27 |
- She has no right to give it to you. |
01:20:31 |
Legally, she had the right. |
01:20:33 |
- Me, Tony and Pietro. |
01:20:38 |
Is my bank. The bank is mine. |
01:20:42 |
The name we hope |
01:20:45 |
In the meantime, |
01:20:48 |
You can live in the big house with Ma. |
01:20:50 |
You get $40 a week for spending money. |
01:20:54 |
And if you ever so much |
01:20:57 |
- Well, what I do? Where I go? |
01:21:01 |
Go in the park. Sit on a bench. |
01:21:08 |
Pietro! Pietro! |
01:21:12 |
- He's crazy! Get him out of here! |
01:21:18 |
You going to be sorry, Joe. |
01:21:23 |
[Jackhammers Resume] |
01:21:31 |
[Horn Blowing] |
01:21:55 |
What's happened to you, Pa? |
01:21:58 |
You don't look like a man |
01:22:00 |
What good is it to be free? |
01:22:03 |
I got nothing to do. |
01:22:06 |
How's the new bank |
01:22:08 |
Is your brothers' bank, not mine. |
01:22:10 |
Oh, it's in their name, that's all. |
01:22:14 |
No, is a way to throw me out. |
01:22:18 |
"Go sit in the park," he tell me. |
01:22:22 |
He steal the bank from me, Max. |
01:22:24 |
- I'd like to sit in the park |
01:22:27 |
Feel the sun on my face. |
01:22:30 |
Instead, you stuck in jail here |
01:22:33 |
Who put you here, Max? |
01:22:35 |
The sovereign state |
01:22:38 |
No, no. Your brother Joe. |
01:22:41 |
You're mixed up, Pa. |
01:22:45 |
When you go see the lady that night, |
01:22:47 |
You and Joe, nobody else, huh? |
01:22:51 |
Who else but Joe? |
01:22:55 |
Beside, someone tell me it was Joe. |
01:22:57 |
- Someone who hear him talk. |
01:23:05 |
Maria ask me to give you this. |
01:23:09 |
- She cry. |
01:23:12 |
She gonna marry Tony. |
01:23:14 |
- Tony is gonna be vice president of the bank. |
01:23:18 |
Oh, he's gonna be |
01:23:21 |
[Chuckles] |
01:23:23 |
We don't let them do this to us, Max. |
01:23:27 |
We take back the bank, |
01:23:30 |
- You get back Maria. |
01:23:33 |
When I get out, |
01:23:35 |
Oh, no, no, no, Max. You must not forget. |
01:23:38 |
They steal from me |
01:23:41 |
I work 16 hours a day. |
01:23:44 |
For years, I sweat in the barbershop. |
01:23:46 |
I do without everything. I wear one pair |
01:23:50 |
And for what? The bank. |
01:23:52 |
The bank is my life, |
01:23:57 |
They kill me, Max. |
01:24:02 |
I can't live much more. |
01:24:05 |
I got nobody left. |
01:24:08 |
You got to fix them, Max. For me. |
01:24:12 |
You got to make them pay. |
01:24:18 |
Forget about it, Pa. |
01:24:25 |
[Buzzer Buzzes] |
01:24:27 |
[Buzzer Buzzes] |
01:24:30 |
- [Irene] May I please see Mr. Monetti? |
01:24:57 |
- Yeah? |
01:25:00 |
Yeah. They open the new bank soon. |
01:25:05 |
They send Pietro down to say |
01:25:10 |
- Why? |
01:25:13 |
- Why? |
01:25:16 |
And what do you use on your pen, |
01:25:21 |
Isn't it bad enough for him |
01:25:23 |
Do you want to drive him crazy |
01:25:26 |
Joe, Tony, Pietro- |
01:25:29 |
I want he should hate them. |
01:25:32 |
You've never wanted anything |
01:25:38 |
When you die, what a treasure you'll leave |
01:25:43 |
Is my sons. |
01:25:46 |
One of them is. I love him. |
01:25:48 |
I want him to love me, |
01:25:51 |
- Is none of your business. |
01:25:54 |
Don't send any more. |
01:25:58 |
You've ruined his life up to now. |
01:26:01 |
Stop filling him |
01:26:03 |
Nah, I don't want Max |
01:26:05 |
I write him today, tomorrow, every day. |
01:26:09 |
Then he'll wind up hating you too, |
01:26:20 |
- Get out of my house! |
01:26:25 |
Tell Max his girl hates his father. |
01:26:28 |
Tell him his girl wishes his father |
01:26:32 |
- Now get out! |
01:26:36 |
That you belong up there |
01:27:43 |
- Let's go. |
01:27:45 |
You got a 12-hour pass |
01:27:49 |
Who? |
01:28:20 |
[Buzzes] |
01:29:27 |
[Theresa] |
01:29:31 |
Now you go back to jail happy. |
01:29:36 |
You make all kinds of plans. |
01:29:41 |
You kill Joe, Joe kill you. |
01:29:48 |
Once I have a husband. |
01:29:50 |
[Sobs] |
01:29:55 |
Now I have nobody. |
01:29:57 |
No husband. No sons. |
01:30:01 |
Go, Max. Go away. |
01:30:07 |
[Speaking Italian] |
01:30:14 |
[Sobbing] |
01:30:28 |
- [Door Closes] |
01:30:52 |
[Scratching] |
01:30:53 |
[Scratching] |
01:31:27 |
[Stops] |
01:31:37 |
Well, Pa, where do we start? |
01:31:41 |
Ah, can't waste time with Pietro. |
01:31:45 |
That's what he is, isn't he, Pa? |
01:31:48 |
Maybe Tony? |
01:31:51 |
I could take Maria away from him. |
01:31:54 |
Take his kid away too. |
01:31:56 |
And that would leave Tony |
01:32:00 |
The bank comes next. |
01:32:04 |
We'll start an investigation. Maybe even |
01:32:08 |
That'll take care of Joe. |
01:32:11 |
With the bank gone, Pietro will wind up |
01:32:14 |
You'd like that, wouldn't you, Pa? |
01:32:18 |
You've always had it your way living, |
01:32:23 |
Never forgive, never forget. |
01:32:28 |
Well, I got news for you, Pa. |
01:32:30 |
Tony can keep Maria. |
01:32:33 |
Pietro can have |
01:32:35 |
I've got Irene. |
01:32:38 |
I lost seven years with her. |
01:32:42 |
And I threw them away. |
01:32:47 |
But that's all you're getting, Pa. |
01:32:53 |
I've come back to life, Pa. |
01:33:11 |
[Phone Rings] |
01:33:15 |
[Rings] |
01:33:21 |
[Rings] |
01:33:28 |
[Rings] |
01:33:33 |
[Rings] |
01:33:38 |
[Stops] |
01:33:42 |
[Rings] |
01:33:47 |
- Hello? |
01:33:50 |
We can still make that plane. |
01:33:56 |
- What's the matter? Can't you hear me? |
01:34:00 |
- Well, say something. |
01:34:04 |
Max, I'm coming as fast as I can. |
01:34:07 |
Well, make it faster. Period. |
01:34:13 |
- [Door Closes] |
01:34:19 |
Welcome home, brothers. |
01:34:22 |
I've got news for you. Good news. |
01:34:25 |
Pietro, you know where the wine is. |
01:34:28 |
We'll all have one last drink together |
01:34:32 |
It's a pity Pa |
01:34:39 |
Well, what's the matter? |
01:34:42 |
Only this morning you were falling |
01:34:46 |
You gave us a bad time |
01:34:49 |
My stomach's |
01:34:51 |
You need a new diet, Joe. |
01:34:54 |
Look at me. Hard as a rock. |
01:34:57 |
- That's what does it. |
01:35:00 |
I don't want to go to bed |
01:35:04 |
Life isn't worthwhile |
01:35:06 |
Well, if you're worried |
01:35:08 |
Once I step out of this house, |
01:35:11 |
- A change of heart, is that it? |
01:35:14 |
All of a sudden |
01:35:16 |
The vendetta's off. |
01:35:20 |
Who do you think |
01:35:23 |
You're no different than the old man. |
01:35:27 |
You both got the same blood. |
01:35:30 |
That's one thing you forgot. |
01:35:34 |
I've got an appointment. |
01:35:38 |
Pietro! |
01:36:03 |
More. |
01:36:36 |
Pietro! |
01:36:53 |
That's enough! |
01:36:58 |
Pick him up. |
01:37:12 |
Just because you've been in jail, |
01:37:16 |
'Cause I sit in a bank all day, |
01:37:19 |
We were both born on Mulberry Street. |
01:37:24 |
One thing the old man taught me- |
01:37:27 |
When you got him down, |
01:37:30 |
You don't have to fight |
01:37:33 |
In some ways, |
01:37:49 |
Out here. |
01:37:54 |
- Out here. |
01:37:56 |
Why can't we just leave him? |
01:37:59 |
You want to keep Maria, don't you? |
01:38:01 |
You want to keep your job in the bank? |
01:38:04 |
Bring him out. |
01:38:13 |
Bring him out. |
01:38:14 |
Bring him out. |
01:38:22 |
Throw him over. |
01:38:25 |
Do you hear me? |
01:38:29 |
I said over, dumbhead. |
01:38:33 |
Dumbhead! Dumbhead! Dumbhead! |
01:38:45 |
Pietro. |
01:38:47 |
Pietro! Piet- |
01:38:51 |
Pietro! Pietro! |
01:39:00 |
Pietro, don't do it. |
01:39:03 |
It's Pa driving you. |
01:39:07 |
You're not a dumbhead. |
01:39:10 |
If you kill Joe, |
01:39:57 |
[Horn Honks] |
01:40:03 |
[Honks] |