Howards End

en
00:02:52 [ Chattering]
00:02:58 [ Man ]
00:03:00 [ Woman ] Don't worry, Mr. Wilcox.
00:03:02 It tends to bring out
00:03:05 [ Chattering Continues ]
00:03:09 Evie, not fair!
00:03:11 [ Chattering Continues]
00:04:38 [ Woman ] "Dearest Meg,
00:04:40 "I like them all."
00:04:42 "They are the very happiest,
00:04:45 "The fun of it is that
00:04:48 [ Chuckling ]
00:04:50 "at least Miss Wilcox does."
00:04:52 "Oh, Meg. shall we ever
00:04:55 "Oh. but, Meg. Meg,
00:04:59 "I don't know what to say.
00:05:02 "Paul Wilcox and I are in love."
00:05:04 "We are engaged."
00:05:09 - Annie.
00:05:12 - Tibby, look.
00:05:16 - What on earth is going on?
00:05:19 I can tell you nothing. Aunt Juley.
00:05:23 We only met the Wilcoxes last spring
00:05:28 Oh, dear.
00:05:30 Obviously. someone must go down to
00:05:33 - Howards End.
00:05:36 What do we know about these Wilcoxes?
00:05:39 - Are they likely people?
00:05:42 what does it matter?
00:05:44 Helen's in love.
00:05:50 Would you please get me
00:06:11 - Morning.
00:06:17 Paul?
00:06:22 [ Man ]
00:06:25 But he was to take me
00:06:28 - I told him.
00:06:31 You should get rid of him, Father.
00:06:34 [ Motor Running ]
00:06:36 Mother, we're off. Good-bye.
00:06:38 Charlie, Charlie. wait. wait!
00:06:41 - What?
00:06:43 Wait a minute.
00:06:49 [ Chattering, Indistinct ]
00:06:54 Dad?
00:06:58 Evie.
00:07:00 All right. We're off.
00:07:02 - Bye.
00:07:09 - About last night —
00:07:14 - I'm afraid I lost my head, rather.
00:07:17 It must have been the moonlight.
00:07:20 Well, that's quite all right.
00:07:25 - Do you mind?
00:07:34 You see. I've no money of my own,
00:07:40 It's beastly out there for
00:07:42 and the natives and all that.
00:07:46 -I say, I do think you're a ripping girl.
00:07:49 No one knows about it.
00:07:52 - Meg! I wrote to my sister.
00:07:56 Yes. I'm sorry.
00:07:58 - We must stop her.
00:08:01 - Oh, Crane's off sick.
00:08:04 Oh, yes. there is, somewhere.
00:08:15 That will be one
00:08:18 [ Helen ] M.J. Schlegel,
00:08:24 Dear Meg, all over.
00:08:26 Wish I'd never written.
00:08:28 Tell no one. Helen.
00:08:56 Excuse me. I'm looking for
00:08:59 - My parcel?
00:09:02 Mr. Wilcox.
00:09:06 Forgive my asking. Are you
00:09:10 The younger. Ah.
00:09:13 This station's abominably organized.
00:09:17 - Thank you. Bernard.
00:09:19 Perhaps I should introduce myself.
00:09:23 Oh. rather. Yes.
00:09:25 - Do you want to see her?
00:09:28 I could run you up in the motor.
00:09:37 All the Schlegels are exceptional.
00:09:40 They are. of course, British to the
00:09:45 and that is why they care
00:09:48 Uh, just one minute.
00:09:54 Wilcox, Howards End.
00:09:56 I'd like you to know that
00:10:00 I'm here to represent the family...
00:10:03 and to talk to you
00:10:06 My niece and you.
00:10:08 Miss Schlegel and, uh, and myself?
00:10:12 [ Aunt Juley ] I trust there's been
00:10:14 Well. it is true that
00:10:16 but to another young lady.
00:10:19 Helen wrote to us, Mr. Wilcox.
00:10:22 Good God. it's some foolery of Paul's.
00:10:27 - But you are Paul.
00:10:30 -Then why did you say so at the station?
00:10:32 - I beg your pardon. you did.
00:10:34 My name is Charles.
00:10:36 Do you mean to tell me that
00:10:39 The idiot!
00:10:41 Damn fool!
00:10:43 Look. uh, I warn you.
00:10:46 It's useless.
00:10:48 No need to warn us.
00:10:52 But he hasn't told us, whereas your niece
00:10:56 If I were a man. Mr. Wilcox,
00:11:00 You're not fit to sit
00:11:02 - All I know is she spread the news —
00:11:04 - Might I finish my sentence, please?
00:11:06 I decline to argue with such a person.
00:11:08 - Let me out ofthis car this instant!
00:11:11 - Stop! Stop!
00:11:13 - Stop!
00:11:15 For goodness sakes!
00:11:17 Just —
00:11:27 [ Bicycle Bell Ringing ]
00:11:43 Push it down.
00:11:50 Oh, Helen.
00:11:53 It's all right.
00:12:02 [ Classical On Piano ]
00:12:23 [ Continues ]
00:12:33 It will, I think.
00:12:35 that Beethoven's Fifth Symphony
00:12:41 ever to have penetrated the ear of man.
00:12:45 What does it mean?
00:12:47 We can hardly fail
00:12:50 a mighty drama:
00:12:53 The struggle of a hero
00:12:56 riding to magnificent victory
00:13:01 as described in the development
00:13:05 What I want to draw
00:13:08 is the third movement.
00:13:11 We no longer hear
00:13:15 Thank you, Mother.
00:13:19 - [ Mid-Tempo ]
00:13:23 walking across the universe...
00:13:27 from beginning to end.
00:13:36 - Why a goblin?
00:13:39 - I begyour pardon?
00:13:42 Well, it's obvious.
00:13:44 The goblin signifies
00:13:47 But why specifically a goblin?
00:13:50 Panic and emptiness.
00:13:55 Minor, spelling panic.
00:13:59 Major, magnificent.
00:14:02 - [ Resumes ]
00:14:09 Miss.
00:14:11 Excuse me. miss. my umbrella.
00:14:19 Miss.
00:14:33 [ Thunder Rumbling ]
00:14:40 Miss! Miss!
00:14:47 [ Church Bells Ringing ]
00:14:49 Mrs. Wilcox, I haven't got
00:14:54 [ Man ]
00:14:57 [ Woman ]
00:15:00 - [ Charles ] Go on. In you go.
00:15:03 - Darling, the flowers.
00:15:08 - Paul, my hat's in your hand.
00:15:11 See you there.
00:15:41 What astonishing bad luck...
00:15:43 that in the whole of London
00:15:47 except the one bottled right up
00:15:49 Who could find no flat?
00:15:52 Tibby, the Wilcoxes.
00:15:55 Surely even you remember that business
00:16:00 Paul Wilcox.
00:16:02 The one I was expected to thrash
00:16:06 Oh, miss!
00:16:28 What is it? Is Tibby ill?
00:16:30 Tibby's making tea.
00:16:32 Oh, well.
00:16:35 - If it's nothing worse than that.
00:16:38 Oh, dear.
00:16:42 Promise me you won't mind.
00:16:46 It's the Wilcoxes.
00:16:49 They've taken the flat opposite
00:16:52 The other son.
00:16:59 You do mind.
00:17:07 Will Paul Wilcox point
00:17:10 "There lives the girl
00:17:12 Ridiculous.
00:17:15 They've only taken the flat
00:17:21 Do we bow,
00:17:25 Darling...
00:17:27 why don't you take up
00:17:29 and go to Hamburg
00:17:33 Yes. I think I shall.
00:17:35 Not that it matters. but...
00:17:37 one wouldn't want to keep
00:17:44 Don't hog all
00:17:52 Is that young man for us.
00:17:56 He is for us.
00:18:05 Uh, ifyou'll pardon me, miss.
00:18:08 Quite inadvertently, I'm sure.
00:18:11 At the Ethical Hall.
00:18:16 I'm so sorry. I do nothing
00:18:19 Do come in and choose one.
00:18:22 Let's see, is yours
00:18:25 Mine's a knobbly. at least I think it is.
00:18:29 I suppose you really oughtn't
00:18:32 No. it's all gone along the seams.
00:18:35 It must be mine.
00:18:39 - Oh. I'm so sorry.
00:18:44 Oh, not again. Helen. She is
00:18:47 - I say, do stay for tea. Mr. —
00:18:51 - Mr. Bast. won't you stay for tea?
00:18:54 It's the least we can do
00:18:56 Our brother's upstairs.
00:18:58 -Look, he's soaked. Meg. Please come up.
00:19:04 What did you think ofthe lecture?
00:19:07 But I do about
00:19:09 You see, I'd always imagined a trio
00:19:13 Well, he obviously didn't.
00:19:14 - "Music and Meaning," Margaret.
00:19:16 Does music have meaning?
00:19:19 - That's pure slush.
00:19:21 -Mr. Bast. won't you take offyour coat?
00:19:25 - And sit down.
00:19:27 How boring it would be
00:19:30 - China tea?
00:19:31 "Only the score"?
00:19:33 We do have the other
00:19:35 - Thank you, but. uh —
00:19:37 Here are some scones that
00:19:48 We are so very sorry to have
00:19:50 I hope you will
00:19:53 Would you?
00:19:56 We should be so glad.
00:19:59 Thank you. Ifyou'll excuse me.
00:20:09 I'll see you out. Are you sure you
00:20:12 No. No, thankyou.
00:20:39 Why didn't you make that
00:20:44 You must do the host
00:20:48 You could've coaxed him
00:20:50 instead of letting him
00:21:00 [ Chattering ]
00:21:02 [ Whistling ]
00:21:11 Get your hot soup here.
00:21:15 [ Continues Whistling ]
00:21:20 [ Train Rumbling ]
00:21:23 [ Woman ]
00:21:26 Where have you been?
00:21:29 - I'm off my head with worrying.
00:21:31 - About you.
00:21:34 Every ti me I 'm five mi n utes late,
00:21:37 crushed and killed
00:21:39 Well, people do get killed in accidents
00:21:42 Anymore, Jacky.
00:21:45 I told you I was going
00:21:50 I lost my u m brel la.
00:21:52 It's all right. I got it back.
00:22:00 Have you had your tea?
00:22:04 - No.
00:22:08 I'll have it. then.
00:22:12 Every time I worry,
00:22:17 The thoughts that go through
00:22:22 You listening. Len?
00:22:25 Not only accidents.
00:22:27 That you'll get wet in the rain.
00:22:29 - Didyou?
00:22:31 You said you lost your umbrella.
00:22:36 "It'll go to his chest."
00:22:38 "And where's the money
00:22:40 "And what if he is
00:22:42 "and they take him to the hospital
00:22:45 "And him with holes in his socks."
00:22:47 - Hey, Jacky.
00:22:49 - What?
00:22:50 Stop it, Jacky.
00:22:56 Len.
00:23:08 - Come to bed.
00:23:13 Len.
00:23:21 - You love you rJacky, do you. Len?
00:23:31 Len.
00:23:34 - Are you gonna make it all right?
00:23:39 I've told you a hund red times
00:23:41 we'll get married the day I'm 21 .
00:23:43 I'd do it before if it weren't for my
00:23:51 What's it to him?
00:23:53 That's right.
00:23:56 It's just you and me.
00:23:58 And ifyou was to go a nd leave me,
00:24:06 Now go to bed.
00:24:10 You come too. Come on.
00:24:17 - Book ma rker.
00:24:20 And who is Margaret Schlegel?
00:24:23 - J ust a lady I met.
00:24:28 Come off it, Jacky.
00:24:30 Says you.
00:24:33 Nice cucu mber sandwiches
00:24:53 [ Leonard ] "Ankle-deep,
00:24:57 "His spirit rose and exulted..."
00:24:59 "as he breathed in
00:25:03 "The glorious day
00:25:06 "Long shadows lay on the sward,
00:25:10 "the leaves dripped their shimmering
00:25:15 "Moths and butterflies
00:25:18 "flittering here,
00:25:21 "But hush.
00:25:41 [ Train Passing ]
00:26:15 [ Mrs. Wilcox ]
00:26:26 Hello. I'm so sorry.
00:26:30 Why, Miss Schlegel.
00:26:33 How kind ofyou to call.
00:26:35 I've wanted to
00:26:38 But we haven't been here
00:26:43 Mrs. Wilcox. uh, may I?
00:26:47 You see, all that business
00:26:51 No. it goes further than that.
00:26:53 Since we met at Speyer.
00:26:56 That restored cathedral
00:26:59 What I remember
00:27:03 was the great pleasure
00:27:08 - Helen's gone to Germany.
00:27:14 [ Chuckling ]
00:27:16 you see, now we can meet.
00:27:19 It's no use beating about the bush.
00:27:22 was unfortunate
00:27:25 Because —
00:27:27 - Because they should not meet.
00:27:31 They belong to types that can
00:27:34 I'm afraid that
00:27:38 nature pulls one way
00:27:44 I do rattle on. I'm afraid
00:27:47 It is true I am not
00:27:54 But I'm so grateful for your visit.
00:27:58 My husband and daughter have gone off
00:28:03 and the young couple
00:28:06 - Charles and Dolly.
00:28:10 They've gone to Naples. I can hardly
00:28:15 - Doesn't he like traveling?
00:28:19 But he does see through
00:28:22 What he would enjoy most
00:28:27 Charles takes after me,
00:28:30 He truly loves England.
00:28:35 Not. of course, London.
00:28:43 It's so —
00:28:46 It makes one feel so unstable.
00:28:51 with houses being torn down
00:28:56 Including,
00:29:01 - Are you having to leave Wickham Place?
00:29:04 In 1 8 months or so
00:29:07 - Have you been there long?
00:29:10 Oh, the —
00:29:13 That is monstrous.
00:29:15 Oh, I do pity you,
00:29:17 I had no idea this thing
00:29:20 - How dreadful.
00:29:23 - Oh. you poor, poor girls.
00:29:27 we are fond of the house.
00:29:31 - We shall easily find another.
00:29:35 Not in this world.
00:29:39 Not the house
00:29:41 You'll never find that again.
00:29:44 Poor, poor girls.
00:29:47 [ Sighs ]
00:29:49 Howards End was almost
00:29:52 It would have killed me.
00:29:55 It was left to me by my brother
00:29:59 I love it so.
00:30:01 I even resisted when Henry —
00:30:05 wanted to make changes
00:30:08 He knew best. of course.
00:30:12 [ Chuckles ]
00:30:14 We even have a garage.
00:30:21 To the west of the house...
00:30:24 just beyond the chestnut tree...
00:30:28 in the paddock where
00:30:33 Where's the pony gone?
00:30:37 The pony?
00:30:42 The vice of the pan-German mind is that
00:30:47 -That is the vice of the imperial mind.
00:30:51 But, and this is the tremendous part.
00:30:55 - They do take poetry seriously.
00:30:58 Yes, the Germans
00:31:01 Oh, but. Mrs. Wilcox, my father
00:31:05 a philosopher. an idealist...
00:31:07 the countryman of Hegel and Kant.
00:31:09 - But isn't that your father's sword
00:31:13 He was a soldier too when he had to be.
00:31:15 But he was so uncomfortable
00:31:18 that he just hung up his sword
00:31:22 - My idea has always been that...
00:31:28 if we could bring the mothers...
00:31:33 of the various nations together...
00:31:39 then there would be no more war.
00:31:42 - Oh. indeed. yes.
00:31:45 If the mothers went to war.
00:31:48 -Mrs. Wilcox. will you have anotherjelly?
00:31:52 You are fortunate in your cook.
00:31:54 We have found it difficult to get
00:31:58 -It is difficult.
00:32:02 We can hardly expect them to listen to
00:32:05 Annie does very well.
00:32:07 You're very patient with us.
00:32:09 We never discuss at Howards End...
00:32:12 except perhaps sport.
00:32:14 Oh, but you should.
00:32:18 You will laugh
00:32:20 [ Chuckles ]
00:32:23 I sometimes think...
00:32:29 it would be wiser to leave
00:32:32 But. then where would
00:32:37 I am only too thankful
00:32:47 Shall we go up for coffee?
00:32:50 Duncan. will you lead the way?
00:32:54 [ Chattering, Indistinct ]
00:33:09 - What interesting lives you all lead.
00:33:15 It's no use pretending
00:33:18 But I hope you will forgive me...
00:33:21 by coming again. alone.
00:33:24 I enjoyed my lunch very much.
00:33:27 I only wish I could've joined in more.
00:33:29 You're —
00:33:32 You're so clever,
00:33:36 No, that's very kind ofyou,
00:33:40 You've been very good to me.
00:33:43 - I'm too apt to brood.
00:33:48 Well, I don't know.
00:33:53 I think about my house a great deal.
00:33:56 You've never seen Howards End.
00:34:24 [ Margaret ] Now. this is the scientific
00:34:27 [ Mrs. Wilcox ]
00:34:31 Why don't you put your own name
00:34:34 Hurray. How very kind ofyou
00:34:39 "Schlegel." Now, next.
00:35:03 - Quite out of the ordinary, you know?
00:35:07 Now. what do you think of that?
00:35:09 Oh. yes.
00:35:13 - Good. I'm glad.
00:35:16 - Thank you. Could we
00:35:19 - But your name still remains
00:35:23 So, Dolly. There she goes.
00:35:25 I would like to give you
00:35:31 Couldn't you get it renewed?
00:35:34 - I beg your pardon?
00:35:37 Oh, have you been thinking of that?
00:35:40 - Surely something could be done.
00:35:43 They mean to pull down Wickham Place
00:35:46 - But how horrible.
00:35:49 And so are the flats they build.
00:35:51 I fail to understand how people
00:35:59 There we are.
00:36:02 Oh, dear. There, there we are.
00:36:05 [ Chuckles ]
00:36:16 Thank you.
00:36:22 [ Groans ]
00:36:24 Oh, I'm so sorry.
00:36:27 No. no, we had to do it before.
00:36:30 - Before?
00:36:34 I still haven't told my family yet,
00:36:39 Ah, it's as it should be.
00:36:42 There's a chestnut tree
00:36:47 that has pigs' teeth
00:36:50 about four feet from the ground.
00:36:53 Yes. the teeth of a pig.
00:36:56 The country people
00:36:59 and they think that if they chew
00:37:04 it will cure the toothache.
00:37:09 I love folklore
00:37:14 Isn't it is curious though.
00:37:16 England has no true mythology.
00:37:18 All we have are
00:37:21 [ Sighs ]
00:37:24 Will you come with me to Howards End?
00:37:28 - Oh. I would so much like to.
00:37:32 - Now? But it is too late.
00:37:36 - I want you to see it.
00:37:38 It sounds such a glorious place.
00:37:42 Yes, yes. I lived there long,
00:37:45 I was born there.
00:37:48 Well, might I come some other day?
00:37:52 Yes.
00:37:56 Some other day.
00:38:03 Well. a thousands thanks.
00:38:06 It is a comfort to have
00:38:10 the Christmas cards especially.
00:38:12 - I do admire your choice.
00:38:19 [ Train Whistle ]
00:38:29 Whoa.
00:38:46 Mrs. Wilcox.
00:38:49 - Miss Schlegel.
00:38:51 Return to Hilton. please.
00:38:55 - We'll stop the night, my dear.
00:38:57 It's in the morning my house
00:39:00 Two returns, please.
00:39:03 Thank you.
00:39:06 - This is yours?
00:39:11 - It was so romantic. It was in Italy.
00:39:14 Yes. and the two trains
00:39:17 and I opened the window...
00:39:20 and this man just
00:39:22 I don't know where he got it.
00:39:24 - Was he Italian?
00:39:26 Ah. he'd have to be
00:39:28 - Mother!
00:39:32 -The motor's smashed.
00:39:35 - We crashed the car.
00:39:37 - Are you going to Howards End? Why?
00:39:40 - How are you?
00:39:42 I'm fit as a fiddle.
00:39:45 Miss Schlegel?
00:39:47 - Evie crashed the car in Yorkshire.
00:39:51 We must go home. We can't go
00:39:54 Miss Schlegel, I'm afraid our little outing
00:39:59 - Before I forget.
00:40:00 - There's a German expression for that.
00:40:04 - Yes. Not canceled, but postponed.
00:40:06 - Come home with us.
00:40:08 - You sure?
00:40:11 - Till later.
00:40:29 I've been thinking ofyou.
00:40:35 And ofour meadow.
00:40:38 Here.
00:40:43 The day you are strong enough...
00:40:46 I shall hold you
00:41:39 Oh, Miss Schlegel.
00:43:01 So, to repeat, we have here...
00:43:05 forwarded by the matron
00:43:08 sealed and addressed to me...
00:43:11 a note purporting to be
00:43:15 And it says...
00:43:17 "I would like Miss Schlegel.
00:43:20 "to have Howards End."
00:43:22 Mother never wrote that.
00:43:27 No date.
00:43:29 - No signature.
00:43:32 It's a forgery.
00:43:36 Not now. please. Later.
00:43:41 The house was of course your mother's
00:43:46 Let me see it.
00:43:51 Why, it's only in pencil.
00:43:54 Yes. we know that it is not
00:43:57 We are aware of that.
00:44:00 Ofcourse, my dear,
00:44:03 But it will be better ifyou don't
00:44:08 The question is whether...
00:44:11 during the time that this Miss Schlegel
00:44:14 I don't think it's a case
00:44:16 To my mind the question is...
00:44:19 the invalid's condition
00:44:22 My dear father,
00:44:25 but I don't admit that it is
00:44:28 You just said it was.
00:44:30 Never mind if I did.
00:44:35 So we are all agreed then that
00:44:38 in tearing this up and
00:44:41 All else aside, how is this gift
00:44:46 Is she to have a life interest in it
00:44:49 She may be on her way down
00:44:54 I don't believe Miss Schlegel
00:44:57 this whim ofyour mother's.
00:45:00 Mother believed so in ancestors.
00:45:02 She would never have left
00:45:06 If Miss Schlegel had been poor.
00:45:11 But she has a house.
00:45:17 She wouldn't have wanted us
00:45:20 No.
00:45:23 Your poor mother
00:46:05 - Len, you coming in?
00:46:09 Yeah, all right.
00:46:18 What are you looking at?
00:46:20 See that big one up there?
00:46:25 You follow those two down
00:46:28 and that one there
00:46:30 - I'm fairly certain that's it.
00:46:34 Jacky. stop it.
00:46:37 You'll catch your death.
00:46:45 [ Chattering, Indistinct ]
00:47:04 Yes. sir.
00:47:06 When can I expect
00:47:09 Excuse me, sir.
00:47:12 Yes. yes, yes. yes.
00:47:14 That's all signed.
00:47:17 So may I expect
00:47:20 Oh, yes.
00:47:24 All right, Mr. Jackson.
00:47:37 Could you. uh,
00:47:39 Yes. of course. sir.
00:48:03 [ Leonard ] "The trees
00:48:07 "their tops still radiant
00:48:10 "spilling downward
00:48:14 "dissolved at last..."
00:48:16 "in the darkness
00:48:19 "Their color slowly faded
00:48:23 "but their scent lingered
00:49:01 There's a woman
00:49:03 A woman and not a lady, Annie?
00:49:06 - She won't give her name.
00:49:09 She says she won't come up.
00:49:11 Well, then we shall
00:49:21 - Good afternoon.
00:49:24 Here? Thankyou, Annie.
00:49:26 I have my reasons to believe
00:49:30 [ Exhales ] Well, you're
00:49:32 I'm so sorry.
00:49:34 Leonard Bast.
00:49:37 Margaret. are we concealing
00:49:42 There appears to have been
00:49:44 I do not think we are acquainted
00:49:47 Oh, no. There's no mistake.
00:49:49 I know for a fact
00:49:52 - He had his tea here.
00:49:55 Yes. to have corrupted
00:49:58 I wish we could help you. Mrs. Bast.
00:50:00 It seems you can't...
00:50:02 or won't...
00:50:04 except to have a laugh at my expense.
00:50:06 So I'm very sorry
00:50:08 and wish you
00:50:16 You do what you can for the house.
00:50:19 Ifyou start smoking too,
00:50:21 I doubt it.
00:50:23 This is lovely. Annie.
00:50:25 There's a M r. Leonard Bast.
00:50:27 - Oh, no! I don't believe it.
00:50:30 - He must be brought in immediately.
00:50:32 - I'll do the host.
00:50:35 Mr. Bast, come this way.
00:50:37 Do come in, M r. Bast.
00:50:40 Good evening. Do come in
00:50:43 - Yes. Or would you prefer some dinner?
00:50:46 - Have a chair. A glass of wine?
00:50:48 - Port?
00:50:50 Well. do take a seat
00:50:53 and let us know
00:51:00 You wouldn't remember
00:51:04 -Not as such.
00:51:07 - Uh. what?
00:51:10 For the moment.
00:51:11 It was more than a year ago.
00:51:15 The lecture was
00:51:17 Oh, I see. So the mistake arose
00:51:20 The lady who called here yesterday
00:51:25 In the afternoon. I said to my wife —
00:51:29 "I have to pay a call on some friends."
00:51:33 But while I was gone, she wanted me
00:51:37 and thought I had come here.
00:51:40 And I beg to tender
00:51:42 for any inconvenience
00:51:44 - None at all, truly.
00:51:48 When did you say you paid this call.
00:51:51 In the afternoon, of course.
00:51:53 Saturday afternoon or Sunday?
00:51:56 - Saturday.
00:51:58 And you were still calling on Sunday
00:52:03 [ Margaret ] It was very good ofyou
00:52:05 The rest is naturally
00:52:07 We are going to go upstairs for coffee.
00:52:12 - Annie. pour the coffee. please.
00:52:17 I was —
00:52:20 I left my office and walked...
00:52:23 right out of London.
00:52:25 I was walking
00:52:27 All night? In the dark?
00:52:30 It got so dark
00:52:32 M r. Bast,
00:52:38 I tried to steer by the polestar.
00:52:40 everything gets so mixed
00:52:41 Don't tell me about the polestar.
00:52:44 It goes round and round,
00:52:55 [ Helen ] Yes, but why?
00:52:57 Why didyou do it?
00:52:59 I wanted to...
00:53:01 just walk...
00:53:03 just get out.
00:53:06 I've been reading
00:53:07 Yes, I remember. There's that chapter
00:53:10 - In a forest by moonlight.
00:53:13 Oh, I know exactly what you mean.
00:53:16 [ Both ]
00:53:20 Wait, I'll get it.
00:53:22 The chapter's called "Nature Speaks."
00:53:24 - Where do your people come from?
00:53:28 Yes. I know, but I mean before that.
00:53:30 They didn't always
00:53:33 No. they came
00:53:36 They worked on the land.
00:53:38 They were agricultural laborers.
00:53:40 There. you see?
00:53:42 It was ancestral voices calling you.
00:53:47 Yes. here it is.
00:53:49 "Richard was walking hurriedly."
00:53:51 "A pale gray light on the skirts of
00:53:55 - Did you see the dawn?
00:53:57 - And was it wonderful?
00:54:00 - [ Laughing ]
00:54:03 And anyway, by that time
00:54:05 I didn't know when you're walking...
00:54:07 you want a breakfast and lunch and tea
00:54:10 -and all I had was a packet of Woodbines.
00:54:16 [ Woman ]
00:54:18 - We really must go. Meg. come on.
00:54:21 Your Leonard Bast wouldn't know
00:54:25 Nonsense. Money is very educational.
00:54:28 Such crass materialism
00:54:31 Give them money.
00:54:33 [ All Chattering, Indistinct ]
00:54:35 What if he gained the whole world.
00:54:38 But he won't gain his soul until
00:54:42 Give Mr. Bast money.
00:54:43 [ All Chattering, Indistinct ]
00:54:47 Good night.
00:54:49 Good-bye. Good-bye.
00:54:52 Thank you.
00:54:55 - Good night.
00:55:00 [ Tango ]
00:55:09 So what do you think is the most
00:55:13 Well, I suppose...
00:55:15 - it is whatever matters to you most.
00:55:19 - Yes, like love for instance
00:55:22 - Henry Wilcox.
00:55:24 - Hello. Good evening.
00:55:27 What a wonderful surprise.
00:55:30 - [ Chuckling ] Oh, no.
00:55:33 - Yes?
00:55:36 which meets once a week
00:55:39 How are you? I would've thought
00:55:43 Howards End is let.
00:55:46 Yes. Mr. Wilcox, supposing
00:55:48 Oh, but I expect you are one.
00:55:51 We have met a young man who is very poor
00:55:55 and we wondered if one was a millionaire
00:55:59 -What's his profession?
00:56:01 - The Porphyrion Fire I nsurance Company.
00:56:04 - Porphyrion?
00:56:07 Ah, then Miss Schlegel...
00:56:10 if I were to help
00:56:12 I'd advise him to clear out of
00:56:15 - Why?
00:56:17 but the Porphyrion is
00:56:20 It'll be in the receivers' hands
00:56:22 In other words. it will smash.
00:56:24 Do you hear? Helen.
00:56:27 We'll have to warn Mr. Bast.
00:56:29 - I hope he'll get one very quickly.
00:56:32 Yes. decidedly. You understand.
00:56:36 when he applies for work...
00:56:38 stands a much better chance. naturally.
00:56:40 This is letting you
00:56:42 but, uh. it does affect
00:56:45 Human nature, I'm afraid.
00:56:47 Well. our human nature appears
00:56:49 We employ people
00:56:52 - The bootman, for instance.
00:56:54 - Not well.
00:56:56 Mr. Wilcox, is it very difficult nowadays
00:57:00 - Yes. extremely.
00:57:03 - Hmm?
00:57:06 I think I have some idea of how much
00:57:11 Yes. but to us. the family.
00:57:14 Would you be able to help?
00:57:18 Well, unfortunately. we have very few
00:57:22 And when there is one. of course...
00:57:24 - always hundreds of applicants.
00:57:27 - It has been a pleasure. Miss Schlegel.
00:57:29 Miss Schlegel. I hope
00:57:33 - Thank you. Good night.
00:57:36 Well, he was in a hurry
00:57:43 - Ah. Wilcox.
00:57:49 Mr. Bast...
00:57:51 I fear you may have thought
00:57:54 We're not odd. really.
00:57:57 The more a lady has to say, the better.
00:58:01 Yes. I know. The darlings are regular
00:58:05 Your company is the Porphyrion. isn't it?
00:58:11 Cake? This big one
00:58:14 It depends what you mean by solid.
00:58:17 We were told the Porphyrion's a no-go.
00:58:19 A friend of ours did think...
00:58:22 - that it's insufficiently reinsured.
00:58:26 - You can tell your friend that he's wrong.
00:58:30 Wrong. so to speak.
00:58:33 How, so to speak?
00:58:36 I mean, I wouldn't say
00:58:38 Then he is right partly?
00:58:41 Tell your friend to mind
00:58:44 - [ Knocking, Door Opens ]
00:58:47 Mr. Wilcox, Miss Wilcox.
00:58:49 Oh.
00:58:51 - What a surprise!
00:58:54 Oh, they're beautiful.
00:58:58 - Mr. Wilcox. do come in.
00:59:02 - Mr. Bast. come play with puppies.
00:59:07 - Aren't they beautiful?
00:59:09 Oh, must you really?
00:59:11 Oh, come again.
00:59:12 No. I shan't. I shan't come again.
00:59:17 I call that a very rude remark. What do
00:59:21 I thought you invited me here as —
00:59:24 Instead it turns out you want to pick
00:59:27 Oh. yes. "Send for him.
00:59:29 - No. no!
00:59:32 No. no. Thank you.
00:59:35 Helen, go after him. Explain.
00:59:44 - What was all that about?
00:59:47 It was all right last time,
00:59:50 Things do. but people don't.
00:59:52 Don't you understand?
00:59:54 We really did want to warn you
00:59:56 We were worried about you.
00:59:59 - Why should you worry about me?
01:00:03 That's why...
01:00:06 you noodle.
01:00:08 -There's no cause to call a person names.
01:00:13 [ Sighs ]
01:00:17 Our friend said you should be
01:00:20 before anything happens.
01:00:21 - Will you?
01:00:24 No. you must do more than think.
01:00:26 You must search for another place
01:00:30 Now, promise you will
01:00:34 All right. Thank you.
01:00:39 Come and tell us when you've found
01:00:42 And don't say no.
01:00:46 And don't forget your umbrella
01:00:58 You ought to be more careful. Miss Schlegel.
01:01:00 Your servants ought to have orders
01:01:02 Oh, but we invited him in.
01:01:04 Yes. we wanted to see him again,
01:01:08 - not only in a practical way.
01:01:11 You behave too well to people
01:01:15 I know the world and that type of man.
01:01:17 Oh, but he is not a type. Mr. Wilcox.
01:01:19 - [ Chuckles ]
01:01:22 And he has something in him.
01:01:25 Except that he wants
01:01:28 - Oh.
01:01:31 He has a sort of romantic ambition.
01:01:34 It is your view of him
01:01:42 Evie.
01:01:43 We wish you to have something
01:01:46 in return for your kindness
01:01:49 Oh, thank you so much.
01:01:52 What a lovely thought.
01:01:53 She would want you to have it.
01:01:56 It's beautiful.
01:01:59 Is it 1 8th century?
01:02:02 Thank you. Thank you. Evie.
01:02:07 - So what does she look like?
01:02:11 Goodness knows why Father
01:02:13 She talks and talks —
01:02:14 - Miss Schlegel.
01:02:17 How do you do?
01:02:20 How do you do?
01:02:23 - Ah, good afternoon.
01:02:28 Well. Evie told me of her little plot,
01:02:31 Always secure a table first.
01:02:32 - Miss Schlegel. ifyou please. here.
01:02:35 Mr. Cahill, there.
01:02:38 Well, are you still worrying around
01:02:42 - I hope you're hungry.
01:02:45 Good. What will you have?
01:02:47 - Fish pie.
01:02:50 Fancy coming for fish pie to Simpson's.
01:02:53 - Go for something for me then.
01:02:57 roast beef and
01:03:01 - What will you have?
01:03:02 - That's the type of thing to go for.
01:03:04 I like this place for a joke
01:03:06 It's so thoroughly old English.
01:03:11 I began an inventory
01:03:13 There are over 300 things
01:03:16 Oh, thank you. Lovely.
01:03:17 And that's not counting the books.
01:03:21 - You see, modern ownership ofmoveables...
01:03:24 -is reducing us again to a nomadic hoard.
01:03:26 We are reverting to a civilization
01:03:29 - [ Chuckling ]
01:03:32 Always tip the carver.
01:03:35 - Perhaps it does make life more human.
01:03:39 Especially in the East.
01:03:42 - Have you been in the East?
01:03:45 I used to go for sport
01:03:47 A few piastres properly distributed
01:03:51 - [ Margaret ] How shockingly cynical.
01:03:54 Excuse me. sir.
01:03:56 - Well done.
01:03:59 You don't like cheese.
01:04:02 - Percy, I adore cheese.
01:04:04 That's the most despicable lie. Percy.
01:04:08 - I haven't gone pink.
01:04:11 - I have not.
01:04:12 Miss Schlegel expects me to act
01:04:15 [ Chuckling ]
01:04:19 Do you know of anything, Percy?
01:04:21 Can't say I do.
01:04:23 I wish you would give us Howards End.
01:04:28 - Howards End, I'm afraid, is let.
01:04:32 No.
01:04:36 [ Sighs ]
01:04:38 Mr. Wilcox, I am demented.
01:04:42 One bit of advice: Fix your district.
01:04:47 That's how I got Ducie Street
01:04:51 Well, I shall, uh —
01:04:54 I shall look around a bit for you.
01:04:57 - Would you?
01:04:59 - Wouldyou really? How kind.
01:05:02 But I warn you.
01:05:05 that would suit the Schlegel family.
01:05:07 - It's no fun trying to help us.
01:05:10 No. but it's a pleasure
01:05:12 to do whatever I can
01:05:17 Thank you very much.
01:05:19 [ Henry ]
01:05:22 dare I intrude
01:05:24 and requestyou
01:05:26 where, I may add,
01:05:29 Matter is ofsome urgency.
01:05:32 But to interrupt your holiday.
01:05:35 and before we have
01:05:37 You haven't been
01:05:40 I know. Aunt Juley,
01:05:43 Let me go up to town today...
01:05:45 and take the house
01:05:47 I don't understand.
01:05:49 Mr. Wilcox's, Tibby.
01:05:52 Are you doing it on purpose?
01:05:54 Look. "Owing to
01:05:56 He means that Evie's getting married.
01:05:58 "I no longer have need
01:06:02 "and am willing to let it
01:06:04 - That's perfect.
01:06:07 Mr. Wilcox is the only one who's stuck,
01:06:11 Interesting people
01:06:14 I shall never forget
01:06:16 that perfectly dreadful Charles.
01:06:18 My one consolation is that for once
01:06:22 Thank you. Aunt J uley.
01:06:26 And now it is
01:07:04 This is the ballroom.
01:07:06 Goodness. oh.
01:07:10 - Like it?
01:07:12 Even I know a good thing
01:07:18 Yes. but nowadays, with. uh,
01:07:23 when I get home in the evenings.
01:07:26 - It would be very lonely for you.
01:07:31 Do you ever get lonely, Miss Schlegel?
01:07:33 I soon shall, horribly.
01:07:37 It's heartbreaking
01:07:41 Goodness. how high
01:07:44 H mm?
01:07:47 No. maybe 40, I should think.
01:07:50 Perhaps even more.
01:07:56 Miss Schlegel. uh...
01:07:58 I've had you here
01:08:01 I want to speak on a much more
01:08:06 Uh...
01:08:10 do you think you could
01:08:15 I mean, is it at all
01:08:17 Oh, yes. I see.
01:08:26 Miss Schlegel.
01:08:28 Margaret.
01:08:30 - I don't think you quite understand.
01:08:34 - I'm asking you to be my wife.
01:08:40 - Are you offended?
01:08:43 Well, perhaps I should've written first.
01:08:45 No. no. Rather, you will
01:08:49 - Thankyou.
01:08:51 And it's you I thank.
01:08:55 Uh...
01:08:58 should I order
01:09:02 That would be most kind.
01:09:32 [ Charles ] Warning you, Evie,
01:09:35 - [ Evie ] It's not my fault!
01:09:39 Going around hobnobbing
01:09:41 - Girls? They're hardly girls.
01:09:44 I never dreamt of such a thing.
01:09:47 and then made me
01:09:50 Well, I'm altogether off Dad.
01:09:52 - [ Baby Crying ]
01:09:56 Well. Miss Schlegel's
01:10:00 You know. she always meant
01:10:03 Now. thanks to you. she's got it.
01:10:06 - I call that most unfair.
01:10:10 Why don't you pretend
01:10:12 Then perhaps your father will
01:10:16 - Stop talking nonsense, darling.
01:10:20 - And Dad can do what he likes.
01:10:25 - The idea!
01:10:30 - Toto. Toto, play.
01:10:33 I'll have a try.
01:10:36 Well, it's no use talking.
01:10:38 We're in a bad hole
01:10:42 But I'll keep my eye
01:10:46 And if I find them putting on airs...
01:10:49 - with their artistic beastliness...
01:10:52 I intend to put my foot down.
01:10:54 - Yes, firmly.
01:11:13 [ Henry]
01:11:15 I want to talk it over with you.
01:11:17 My letter is about Howards End.
01:11:22 And what is worse, he's trying
01:11:25 Here, he's trying to sublet the house.
01:11:28 Henry...
01:11:30 you haven't had a chance
01:11:32 - What do you mean, a talk with her?
01:11:35 - Why? What's the matter?
01:11:37 -I'm just anxious you two should be friends.
01:11:41 - [ Margaret ] Shh.
01:11:43 There's no clause in the agreement
01:11:45 There you are. Read it yourself.
01:11:48 - Thank you.
01:11:51 Yes. dear old digitalis.
01:11:53 - Digitalis, sounds like a sneeze.
01:11:58 - Margaret! Such nice news from Mr. Bast.
01:12:02 Here we all are then.
01:12:05 - Mr. Bast is now with Dempster's Bank.
01:12:08 Thanks to your hint,
01:12:11 Not a bad business, the Porphyrion.
01:12:14 Margaret. I shall have to go
01:12:16 - And I would like you to come with me.
01:12:19 - Yes, I would like that very much.
01:12:22 - Tomorrow? Oh. no. I couldn't well do that.
01:12:25 You told us the Porphyrion
01:12:27 Did I? Yes.
01:12:29 Well. it was outside
01:12:31 Took some rather bad policies.
01:12:33 But, uh. lately, it came in.
01:12:36 What's wrong with tomorrow?
01:12:38 Aunt Juley would be
01:12:40 - Didn't Mr. Wilcox clearly tell us
01:12:45 - Henry, Aunt Juley regards
01:12:49 And M r. Bast need never have left
01:12:51 - at a greatly reduced salary.
01:12:54 I grieve for your clerk, I really do.
01:12:57 But it is all part
01:12:59 - Battle of life?
01:13:01 A man who had little money
01:13:03 Oh, come, come. You're not to blame.
01:13:06 -No one? Is no one to blame for anything?
01:13:09 - You take things far too seriously.
01:13:12 There's your aunt.
01:13:13 - [AuntJuley ] Margaret!
01:13:16 Helen, a word of advice.
01:13:19 I require no more advice.
01:13:20 Don't take up a sentimental
01:13:24 See that she doesn't, Margaret.
01:13:26 The poor are poor.
01:13:30 I'll talk to Aunt Juley about tomorrow.
01:13:33 [ Aunt Juley ]
01:13:36 Helen, I am very sorry about Mr. Bast.
01:13:41 - You yourself are a witness.
01:13:47 But Henry is my future husband...
01:13:50 and I must be on his side.
01:13:54 Why are you so bitter, dearie?
01:13:58 - Hmm?
01:14:01 Oh, Helen.
01:14:04 No. darling.
01:14:09 Helen!
01:14:13 - Margaret will explain.
01:14:16 If it isn't true surely
01:14:18 - that you want to go away tomorrow?
01:14:22 [ Henry ]
01:14:24 and my business is now also,
01:14:27 [ Margaret ] So we'll go
01:14:30 Unless it rains. In which case.
01:14:33 Have a good walk.
01:14:48 -Yes. that's him.
01:14:50 - What?
01:14:53 Oh, heavens. no.
01:14:55 Spears, animal skins and that sort ofthing.
01:14:59 of the Imperial and West African
01:15:02 Yes. we haven't settled the question
01:15:04 - Well. it all depends, doesn't it?
01:15:07 - When do you want to marry me?
01:15:09 - My head's in a whirl. Let's dance!
01:15:13 - [ Margaret ] Be careful!
01:15:18 - Oh, Charles.
01:15:21 How do you do —
01:15:23 after you've had a good look
01:15:25 I can hardly wait to see it,
01:15:28 I don't know
01:15:31 The tenant decamped without even arranging
01:15:35 - Oh, dear.
01:15:39 - Margaret, here's an idea.
01:15:43 Why don't we use Howards End to store
01:15:47 tillyou decide what to do with it?
01:15:49 - Oh, wouldyou? Wouldyou really?
01:15:51 Oh, how kind.
01:15:53 Only until Helen and Tibby
01:15:58 I hope you won't be disappointed.
01:16:02 - Never really suited us.
01:16:29 [ Dolly Coughs ]
01:16:31 - Oh. it's lovely.
01:16:33 - Oh. dear.
01:16:35 - I seem to have forgotten the keys.
01:16:37 - I've lost the keys.
01:16:39 - Won't you leave me here?
01:16:41 Yes, yes. I'll wait for you. Dolly.
01:16:45 Henry. see that she gets a nice glass
01:16:52 [ Margaret ] Good-bye.
01:16:54 - Why did you forget the key?
01:16:56 - Where did you leave it?
01:17:00 [ Indistinct ]
01:18:21 [ Thumping ]
01:18:30 Hello?
01:18:34 I took you for Ruth Wilcox.
01:18:36 I, like Mrs. Wilcox?
01:18:41 You have her way of walking...
01:18:44 round the house.
01:19:33 [ Chuckles ]
01:19:37 Henry!
01:19:42 Henry, I've found the teeth.
01:19:44 - Yes, what?
01:19:46 - Teeth? Where?
01:19:49 Yes. look. J ust here.
01:19:51 You see? Four feet up.
01:19:53 - How extraordinary.
01:19:55 - to cure the toothache.
01:19:58 Surely, you knew that.
01:20:01 Did that silly old Miss Avery
01:20:03 None ofyou girls has any nerve.
01:20:06 Did you take her for a spook?
01:20:08 She carries on as if
01:20:11 Miss Avery has always
01:20:13 Yes. she grew up there
01:20:16 Weren't she and Mrs. Wilcox friends
01:20:19 They do say that Mrs. Wilcox
01:20:23 Anyhow, he popped the question.
01:20:27 Just imagine if she'd said yes.
01:20:31 Oh, I say, that's rather good.
01:20:34 I must chaff him about that.
01:20:39 [ Dolly ]
01:20:41 Goodness knows what she'll do when
01:20:45 She might fling it all out.
01:20:47 Or she might simply adopt it
01:21:35 Excuse me. sir. Where would I go
01:21:38 What position
01:21:40 I heard there was one.
01:21:42 Not at this time.
01:22:09 I thought it was you.
01:22:11 Why did you never come
01:22:15 But this isn't your bank.
01:22:17 - I lost it.
01:22:20 I lost the situation.
01:22:23 They cut back on their staff and
01:22:25 were the first to be let go.
01:22:27 I've been inquiring
01:22:30 The way they look at you
01:22:33 They're sure you've stolen something or why else
01:22:37 - It's our fault.
01:22:39 No. we made you leave the Porphyrion.
01:22:42 who is at this very moment
01:22:45 at his castle in Shropshire...
01:22:47 with the maximum expense
01:22:49 I could murder him!
01:22:52 "Murder will out, it is most foul."
01:22:56 How have you been, Miss Schlegel?
01:22:58 You know. he jolly well
01:23:04 [ Margaret ] What nice houses you have
01:23:08 [ Henry ] Oniton Grange.
01:23:11 - Why?
01:23:13 The shooting is bad
01:23:16 Anyway, it's in the wrong
01:23:18 Henry, are these all Wilcoxes?
01:23:21 Heavens, no.
01:23:22 I bought the place
01:23:24 The fellow just took the money
01:23:28 I'm told some of these are rather good.
01:23:30 - I think they're lovely.
01:23:32 - Which one?
01:23:34 - Yes, very grand. It's rather like you.
01:23:38 So, I'll show you the cellar.
01:23:43 - It's very damp. isn't it?
01:23:51 - Uh. do you have enough ice now?
01:23:54 - Second orders?
01:23:56 - Good. All right.
01:23:58 - It's this way.
01:24:01 Thank you.
01:24:04 It is difficult to decide what to do
01:24:09 Charles, as the eldest.
01:24:11 I'm just anxious not to be
01:24:13 Of course not.
01:24:15 -Yes, money. since you put it so frankly.
01:24:18 We'll never get through all this wine.
01:24:20 - How much have you got?
01:24:23 How much have you got
01:24:25 My income?
01:24:27 - Don't you know your income? [ Laughing ]
01:24:29 Don't you want to tell it me?
01:24:32 Do it this way. Ifyou were to
01:24:35 how many parts would you give
01:24:38 Go ahead. Give away
01:24:41 You don't beat
01:24:43 - [ Chuckles ]
01:24:59 [ Charles ] I suppose she'll get her hands
01:25:02 It's only her furniture
01:25:05 That's the thin edge
01:25:10 I don't know what's to happen to us, Dolly.
01:25:14 Charles, you are pleased
01:25:18 What?
01:25:23 Pleased as punch.
01:25:29 Though it's not
01:25:32 The pater wants to be fair.
01:25:36 What if Evie has a family?
01:25:39 - Or the pater himself?
01:25:41 - What?
01:25:48 Who's there?
01:25:52 Saxon or Celt?
01:26:01 [ All Chattering ]
01:26:10 Evie! Good-bye!
01:26:15 Good-bye!
01:26:17 It went like clockwork.
01:26:21 "Quite like a Durbar."
01:26:23 Ah. You did awfully well.
01:26:27 I'm very proud ofyou.
01:26:30 It was very successful.
01:26:32 - [ Henry ] Who are those people?
01:26:34 perhaps they're townspeople
01:26:37 Ifyou'll gracefully vanish,
01:26:49 What is it?
01:26:52 They're starving!
01:26:54 - Who's starving?
01:26:56 He's lost his place because he's been
01:26:58 They reduced their staff,
01:27:01 Yes. thanks to us, he's done for.
01:27:03 - We've ruined him.
01:27:05 Ifyou like. I'm mad.
01:27:08 Two people starving.
01:27:15 Helen. have you actually
01:27:19 -from London to Shropshire?
01:27:23 Don't be absurd. I won't have
01:27:26 Yes, how dare you! Bursting
01:27:29 My goodness. But you've
01:27:32 Look at them.
01:27:35 and I must explain, "Oh, no.
01:27:39 "and only two hangers-on of ours whom she has
01:27:42 We want to see Mr. Wilcox.
01:27:46 Mr. Bast, this is an odd business.
01:27:51 - There is Mrs. Bast too.
01:27:53 - How do you do?
01:27:56 - She fainted on the train.
01:27:58 - Won't you sit down for a minute?
01:28:01 But you have been so kind
01:28:03 - My sister has put you in a false position, I'm afraid.
01:28:07 Please. Helen. offer them something.
01:28:09 Mrs. Bast. please.
01:28:19 Now, Helen. I would like
01:28:23 - Because I agree, we are in some way responsible.
01:28:26 Let me tell you once and for all. ifyou take up
01:28:32 Ifyou promise to take them
01:28:37 then I will speak to Henry
01:28:40 In my own way. mind. There is to be
01:28:45 - Well?
01:28:49 Very well. Take them off
01:28:51 But, Helen...
01:28:54 you have been
01:28:57 You have less restraint,
01:28:59 Think it over. Helen...
01:29:02 and alter yourself...
01:29:04 or we shan't have happy lives.
01:29:11 [ Chattering ]
01:29:13 Let's eat some cake, shall we?
01:29:16 [ Band ]
01:29:24 [ Helen ] M r. Wilcox has provided
01:29:31 How about
01:29:39 [ Leonard ]
01:29:42 - Now I must see to getting some rooms.
01:29:44 - We should come with you.
01:29:47 - Perhaps you'd like to stay.
01:29:50 - M rs. Bast is extremely tired.
01:29:53 Perhaps you should
01:29:55 - Will you be all right?
01:30:05 Ah.
01:30:27 Charles. Charles. look!
01:30:35 - Whoever's that?
01:30:50 Charles Wilcox.
01:30:53 Bride or groom?
01:30:59 Very pleased to have
01:31:05 Champagne, madam?
01:31:09 Helen? Here?
01:31:13 But, uh. she refused the invitation.
01:31:18 - Where is she now?
01:31:20 I've bundled her off
01:31:22 George Hotel?
01:31:25 Well. she has two
01:31:30 Ah, yes. Her proteges.
01:31:35 No. but, um. later on...
01:31:40 I would like to talk
01:31:42 Well. why not now?
01:31:45 - Shall I?
01:31:49 - It's not five minutes.
01:31:52 But there's a sting
01:31:56 Hmm?
01:32:00 For I want you
01:32:04 [ Laughing ]
01:32:08 Well, what are
01:32:12 - [ Margaret ] He's a clerk, I think.
01:32:16 [ Margaret ]
01:32:18 [ Henry ]
01:32:21 - [ Margaret ] They reduced their staff.
01:32:25 Yes. um, all right.
01:32:30 - [ Margaret ] Thankyou.
01:32:33 This cannot be taken
01:32:35 I can't fit in your proteges
01:32:38 - You do understand?
01:32:42 But he's —
01:32:46 Yes. well. proteges always are.
01:32:52 [ Chattering ]
01:33:08 [ Woman ] Well, good-bye.
01:33:12 - Good-bye.
01:33:16 [ Laughing ]
01:33:21 Hello. Henry.
01:33:24 Uh. this is Mrs. Bast.
01:33:27 - She's drunk.
01:33:31 Henry, aren't you
01:33:35 - Do you know — know Mrs. Bast?
01:33:38 [ Jacky ]
01:33:40 - Who doesn't know Henry?
01:33:42 - We've had some gay old times, haven't we. Hen?
01:33:46 [ Margaret ]
01:33:49 - Henry? Henry.
01:33:53 I can now understand
01:33:55 I must say I congratulate you
01:33:58 - Trap you?
01:34:00 Henry! Henry! Henry!
01:34:09 - Here we are.
01:34:13 I'm sure I can manage.
01:34:15 [ Henry ]
01:34:17 Ah.
01:34:19 - So that's it.
01:34:22 Thank you, dear chap.
01:34:25 No. Henry and I were just having the fiercest
01:34:30 Oh, I don't expect
01:34:34 Well, I really must be going.
01:34:37 Thank you so much
01:34:39 And hasn't the weather
01:34:41 - Glorious.
01:34:43 - Thank you. my dear. very much.
01:34:46 - Thank you. Bye-bye. Dolly. Bless you.
01:34:49 - You take care ofyourself.
01:34:51 - Bye-bye.
01:34:53 - It's here, Father.
01:34:57 Ah, are the womenfolk
01:34:59 - Yes.
01:35:02 - Thank you. uh, uh —
01:35:05 Oh. Oh. Drive on then.
01:35:21 [ Crying. Whimpering ]
01:35:29 [ Sobbing ]
01:35:48 - What's the matter. Jacky?
01:35:51 It was a shock, seeing him.
01:35:55 - Him? Seeing who?
01:36:00 - [ Staff Giggling ]
01:36:04 Len.
01:36:17 Henry.
01:36:22 Henry, look at me.
01:36:29 So you were
01:36:33 Since you put it
01:36:36 When?
01:36:38 - When, please?
01:36:42 [ Sighs ]
01:36:51 Henry, dear,
01:37:00 Ah. yes. We fellows all fall
01:37:06 - Do you believe that. Margaret?
01:37:09 You with your refined pursuits
01:37:12 What can you guess
01:37:14 The temptations.
01:37:17 Temptations.
01:37:20 Well, that's enough.
01:37:24 - Yes, that's enough, dear.
01:37:27 It was in Cyprus.
01:37:30 - You can never forgive me, can you?
01:37:35 Well, I, uh —
01:37:40 I could find an excuse.
01:37:44 Let us speak no more
01:37:49 Really? You can really bring yourself
01:38:01 [ Kissing ] You've learned that
01:38:05 - Shh.
01:38:08 The reverse.
01:38:11 - Where are those people now?
01:38:14 Oh. Then let them leave
01:38:17 because there must be no gossip
01:38:20 And anyway,
01:38:23 not stopping at a hotel
01:38:30 Tell you what. Margaret. Why don't you
01:38:33 and I'll have Burton send it out
01:38:39 Burton!
01:38:42 - Burton!
01:38:47 I want you to take a note
01:38:49 - Yes, sir.
01:38:57 [ Margaret ] I'm sorry to tell you
01:39:02 He feels the Basts are not at all...
01:39:05 the type we should trouble about.
01:39:10 We found the woman drunk
01:39:12 Please see that they leave
01:39:15 and come here yourself.
01:39:17 He made her write it.
01:39:20 Would you put it in the fire?
01:39:34 Better let us be, Miss Schlegel.
01:39:38 Mixed up in what?
01:39:42 What is it? You must
01:39:50 Mr. Wilcox met Jacky before,
01:39:58 I told you you didn't want
01:40:01 Go on.
01:40:05 Her father was a clerk
01:40:07 So after her mother died,
01:40:09 Then he died.
01:40:12 Accidentally drowned
01:40:16 Jacky was left having
01:40:19 till she managed
01:40:57 I didn't have to marry her.
01:40:59 My family wouldn't
01:41:01 They tried to stop me.
01:41:05 Because I promised. If I hadn't.
01:41:09 after the M r. Wilcoxes
01:41:12 It would never. never.
01:41:14 enter that man's mind
01:41:18 Because there's nothing here
01:41:22 And you're the opposite. You believe
01:41:25 and personal everything.
01:41:27 Very nice. What good am I
01:41:32 marrying her only to pull her down
01:41:35 You'll find another position.
01:41:38 You don't know
01:41:40 If rich people fail at one profession.
01:41:44 But with us, once a man over 20
01:41:52 I'd do anything in the world
01:41:58 Well, help me row then.
01:42:21 You're the one person
01:42:25 You mean by passing on false information
01:42:29 I mean by being
01:42:34 I didn't think people like you existed
01:42:38 Oh, no. They're more real
01:42:40 When people fail you,
01:42:46 That's for rich people. to make them
01:42:54 Everything's got spoiled
01:43:30 [ Bells Chiming ]
01:43:35 Don't know what's
01:43:38 Or what to say to Meg.
01:43:40 Don't want to face her
01:43:43 You mean because of Mr. Wilcox
01:43:48 in between growing currants
01:43:53 I want you to give Meg my love
01:43:56 tell her I'm going away
01:44:01 Such a message is easily given.
01:44:05 [ Sighs ] God. I wish I could escape
01:44:07 Is she going through with it? How
01:44:12 - And now, after all this?
01:44:15 - [ Knocking ]
01:44:18 Do you mind if I take it from him?
01:44:23 Ah, Martlett.
01:44:26 - Shall I clear now?
01:44:29 Thank you very much.
01:44:34 I feel — no, I know —
01:44:38 - Those people again?
01:44:41 Don't see who is to pay if I don't.
01:44:45 is a minimum amount
01:44:47 and when I'm in Germany.
01:44:50 I shall never forget your kindness.
01:44:53 - What's the sum?
01:44:56 - Good God!
01:45:00 just shillings and blankets.
01:45:02 No doubt people
01:45:05 I don't give a damn
01:45:07 but I do mind ifyou ruin yourself
01:45:12 I don't expect you
01:45:14 - I understand nobody.
01:45:19 Apparently.
01:45:32 Are you writing to your brother?
01:45:36 Yes. and a long lecture
01:45:38 - Your sister could afford a fiver.
01:45:46 Why are you taking it out on me?
01:45:50 You can see I'm busy.
01:46:02 [ Bells Chiming ]
01:46:07 [ Leonard ] Dear Mr. Schlegel,
01:46:10 ofyour letter
01:46:12 enclosing a check
01:46:15 I am very grateful foryour concern,
01:46:18 I have the honor
01:46:21 Yours sincerely, Leonard Bast.
01:46:25 [ Low Chattering ]
01:46:29 [ Leonard ] Excuse me, sir.
01:46:32 I worked in this office
01:46:35 I was wondering if there were
01:46:38 No. no, I'm sorry.
01:46:40 - Nothing at all?
01:46:42 Thank you for your time.
01:47:32 [ Henry ] All right.
01:47:35 of the central heating if we
01:47:39 - That's what the architect prefers.
01:47:44 All in good time.
01:47:46 - I'm getting tired of living in London.
01:47:48 - I can't be as young as I was.
01:47:51 I'm perfectly happy to do without all
01:47:55 Mr. Shaw. M r. Wells
01:47:59 What I miss are trees
01:48:02 Yes.
01:48:04 - I also miss my own things.
01:48:09 And of course I'm very grateful
01:48:12 I would so like to see everything
01:48:15 My share at least. Goodness only knows
01:48:20 Or Helen.
01:48:24 There's been another postcard
01:48:27 Still the same poste restante address
01:48:30 - But now she speaks of going to Italy.
01:48:34 She's been away now —
01:48:38 It will be four months
01:48:41 Yes.
01:48:43 Your sister is odd.
01:48:46 There's no getting away from it.
01:48:50 What is this?
01:48:54 - Theo —
01:48:56 Oh, yes.
01:49:00 Madame Blavatsky.
01:49:05 You see, that's
01:49:07 She reads these things,
01:49:10 My Margaret,
01:49:14 - What facts are those. dear?
01:49:17 About men and women
01:49:19 Who is who and what is what.
01:49:24 Mr. Schlegel, sir,
01:49:27 - Ah. thank you, Martlett.
01:49:39 Ah.
01:49:42 Oh. dear. Annie.
01:49:49 And no letter.
01:50:00 [ Margaret ] See, I just can't feel
01:50:05 These postcards and telegrams
01:50:07 They're — That's not her.
01:50:10 I know what you mean.
01:50:12 You'll break that
01:50:14 - [ Margaret ] Well, put it on.
01:50:16 [ Margaret ]
01:50:20 [ Helen ] M.J. Schlegel, The Rise,
01:50:24 Dearest Meg,
01:50:27 Please telegraph, care my bank,
01:50:30 or likely to become worse.
01:50:33 Give my love to the invalid
01:50:37 If only you had a companion
01:50:41 I have Tibby. dear Aunt Juley.
01:50:46 And it won't be long —
01:50:49 before you'll be up and about.
01:50:50 When is Helen coming?
01:50:54 Very soon. dear. She will already
01:51:06 [ Whispering ]
01:51:08 - Yes, but —
01:51:12 Obviously, ifyou want to see her.
01:51:16 We can't start lying
01:51:19 - Shh!
01:51:27 [ Margaret ]
01:51:30 and eagerly expecting you,
01:51:33 Your Meg.
01:51:35 [ Helen ]
01:51:37 Telegraph to bank whereabouts
01:51:41 Why did she have
01:51:44 I'll explain it all to you
01:51:46 She might have come to see her old aunt.
01:51:49 Is cook doing the mackerel
01:51:53 I know his whole day is spoiled
01:51:57 The mackerel were perfect. In fact. Tibby
01:52:01 Don't tell me. Tibby,
01:52:04 over Henry and that woman.
01:52:06 Goodness me. How morbid.
01:52:11 and his sister-in-law cannot bear
01:52:15 I don't believe it.
01:52:19 [ Tibby ]
01:52:22 We've all suffered
01:52:24 But this is different. This is
01:52:29 as if she were mad.
01:52:49 Margaret. you've got black marks
01:52:53 You know that's strictly forbidden.
01:52:56 I'll not have my girl
01:52:59 - You haven't quite seen our point.
01:53:02 Our point is this:
01:53:07 Oh, Charles, do come in.
01:53:11 - Can you help us at all?
01:53:15 What were the facts? We're all mad.
01:53:19 The facts are that our sister has been
01:53:23 She's forbidden the bankers
01:53:26 She refuses to answer any questions.
01:53:31 And you want to get hold of her.
01:53:34 - Well... yes.
01:53:39 She wants her books, yes?
01:53:41 Send her after them to Howards End.
01:53:45 Ifthere's nothing wrong
01:53:47 But remember —
01:53:50 We quite simply run her
01:53:53 - That's impossible.
01:53:57 Because Helen and I, we...
01:54:01 don't speak that particular language...
01:54:03 ifyou see my meaning.
01:54:06 Yes. because you have scruples.
01:54:10 I'm as scrupulous
01:54:13 But when it is a case like this —
01:54:17 - I deny it's madness.
01:54:20 It's madness when I say it.
01:54:24 Pater. you may as well
01:54:27 Why, Charles?
01:54:31 Well, the whole house is at sixes
01:54:36 And who is "we"?
01:54:40 - Pray, Charles. who is "we"?
01:54:45 Ah, I seem always
01:54:49 No. Charles. Charles!
01:54:53 [ Door Opens And Closes ]
01:54:54 Let's send a telegram.
01:54:58 Come along. Let's do it.
01:55:05 I can't have this sort
01:55:08 - What?
01:55:10 She's far too sweet-natured
01:55:21 [ Margaret ]
01:55:24 Miss Avery will
01:55:27 Meg.
01:55:29 Our main object is not to
01:55:34 Trouble seems to be nervous.
01:55:38 Would you say
01:55:40 Well. she's always
01:55:42 musical. literary, artistic —
01:55:46 Quite a charming girl. really.
01:55:48 Would you say
01:55:51 - No, no.
01:55:53 No.
01:56:12 - Margaret?
01:56:18 Oh. my darling. Quickly —
01:56:21 Just quickly.
01:56:24 Miss Schlegel is managing.
01:56:29 Henry, I shall need your advice later.
01:56:34 - Certainly.
01:56:36 - Yes.
01:56:57 - Where are all our furniture?
01:57:03 How well the carpet fits.
01:57:06 I'll be sending some milk round.
01:57:09 There's been a mistake.
01:57:12 But we are not going to live
01:57:20 I think she may be
01:57:25 I'm sorry. Helen.
01:57:29 No, you ought not
01:57:31 - We thought you were ill.
01:57:34 but I'm expecting a child in June.
01:57:37 Is the coast clear?
01:57:40 I'm going back to Germany
01:57:42 Give my love to Aunt Juley
01:57:44 - Let me get that.
01:57:47 It's curious, isn't it.
01:57:51 Yes. the sword
01:57:54 Yes. doesn't it?
01:58:01 - Someone's polished it.
01:58:07 I'll carry this.
01:58:13 [ Margaret ] Even ifyou didn't want
01:58:16 I thought I had to be by myself.
01:58:20 - What about Tibby?
01:58:22 I alone must be responsible
01:58:26 And I want to be.
01:58:29 Of course.
01:58:31 Leonard?
01:58:34 - Leonard Bast?
01:58:38 - [ Gasps ]
01:58:40 did you ever hear
01:58:45 [ Sighs ]
01:58:50 or what's happened
01:58:57 [ Henry ]
01:58:59 - Hello.
01:59:03 My dear. I must ask you.
01:59:06 -Was your sister wearing a wedding ring?
01:59:10 - What?
01:59:13 Henry, I really camejust
01:59:16 Yes. One point at a time.
01:59:21 Margaret...
01:59:24 I must now ask you
01:59:28 You may have some inkling.
01:59:31 - "Us"? Who is "us"?
01:59:34 Well, I thought it best
01:59:37 That was unnecessary.
01:59:39 My dear. listen to me.
01:59:42 Charles and I wish to act
01:59:46 It's still not too late
01:59:48 What are we —
01:59:52 But Henry. suppose he turned out
01:59:54 - One has heard of such cases.
02:00:02 Then he must pay heavily
02:00:07 Now. stay calm.
02:00:11 I want to talk to you.
02:00:14 Listen to me. Margaret.
02:00:17 Come here.
02:00:19 Look at me.
02:00:22 What's the matter?
02:00:26 - Hmm?
02:00:29 - Certainly.
02:00:32 - Yes.
02:00:34 - Tonight. with your permission...
02:00:37 she would like to sleep
02:00:40 Heav —
02:00:42 But why at Howards End?
02:00:44 It is an odd request, but you know
02:00:48 I could understand if it were
02:00:52 But Helen has no associations
02:00:55 I don't see why she wants to stay there.
02:00:58 - Call it fancy. but she wants to.
02:01:02 - If she wants to sleep there one night.
02:01:05 - And she'll never get out of the house.
02:01:07 - Of course it would. It's Charles's —
02:01:09 We will only trouble
02:01:12 - I shall stay with her —
02:01:15 - I want you here to meet Charles.
02:01:17 As the future owner of Howards End.
02:01:21 - In what way? Please answer me. Henry.
02:01:26 In what way? Would Helen's condition
02:01:28 Margaret!
02:01:30 [ Baby Cooing ]
02:01:35 - [ Panting ]
02:01:41 I shall do what I can
02:01:43 but I cannot treat it
02:01:46 I should be forced
02:01:48 Tomorrow she will go to Germany
02:01:52 Tonight, she asks to sleep
02:01:58 May she?
02:02:02 Will you forgive her...
02:02:06 as you yourself
02:02:10 - As I myself have been —
02:02:15 Your sister can sleep at the hotel.
02:02:17 and the memory
02:02:21 You have mentioned
02:02:24 In reply,
02:02:29 - You have not been yourself all day.
02:02:32 You have had a mistress.
02:02:34 My sister has a lover.
02:02:38 Why can you not be honest
02:02:40 "What Helen has done.
02:02:49 I repeat what I said before.
02:02:51 I do not give your sister leave
02:02:56 Now, do you understand?
02:03:06 [ Bells Chiming ]
02:03:08 [ Charles ] lfa man played about with
02:03:12 But I suppose you're sunk too deep
02:03:17 Do you mind what happens
02:03:19 As a matter of fact, I mind very much
02:03:23 But I have a different way
02:03:26 - Not to speak of different manners.
02:03:32 I'm glad my father never sent me to
02:03:37 Look. you must know something
02:03:43 - Do you know of anyone?
02:03:46 Whom do you suspect?
02:03:51 Did she mention anyone
02:03:54 Come on. Yes or no.
02:03:56 She did mention some friend
02:03:59 Leonard Bast, eh?
02:04:02 Leonard Bast.
02:04:04 Do you know him?
02:04:07 Have you had
02:04:10 Oh, what a family.
02:04:13 What a family!
02:04:15 I'd say God help my poor sisters.
02:04:23 - [ Woman ] Admiring isn't purchasing.
02:04:26 -[ Woman ] We do not accept things on approval.
02:04:28 - [ Woman ] Wait.
02:04:32 Excuse me. I was looking
02:04:34 - It's —
02:04:37 Is Miss Schlegel in?
02:04:40 - They're all down at Howards End.
02:04:44 lt's at Hilton,
02:04:49 Are you all right?
02:04:52 No. thank you.
02:04:58 - Please take them. ma'am. This is —
02:05:06 I don't want you to conclude
02:05:10 have had anything like a quarrel.
02:05:12 She is overwrought,
02:05:15 Naturally.
02:05:17 The question in my mind
02:05:20 the rights of property itself.
02:05:22 - Absolutely.
02:05:27 When I say I don't want anyone living
02:05:31 I mean no one
02:05:33 Then I take it tomorrow morning
02:05:36 Mm.
02:05:38 Yes. say that you're acting
02:05:42 and that they must
02:05:45 You must go to bed now.
02:05:50 - Can I do anything for you, sir?
02:05:55 Thank you, my boy.
02:05:58 - Good night.
02:06:05 - [ Train Passing ]
02:06:15 [ Jacky ]
02:06:20 [ Train Whistle Blows ]
02:06:40 [ No Audible Dialogue ]
02:06:50 [ Train Passing ]
02:07:04 [Jacky ]
02:07:06 You got that pain again. Len?
02:07:11 - You're all dressed!
02:07:18 - What ho, Len.
02:07:21 See you again later.
02:07:24 [ Train Passes, Whistle Blows ]
02:07:42 [ Dogs Barking ]
02:07:49 [ Wheels Rattling ]
02:08:07 [ Children Laughing, Chattering ]
02:08:24 [ Whistle Blows ]
02:08:30 - [ Leonard ] Excuse me. Howards End?
02:08:34 and through the high street
02:08:49 [ Horn Honking ]
02:09:05 [ Helen ]
02:09:08 - And was it wonderful?
02:09:10 - [ Helen And Margaret Laughing ]
02:09:31 [ Leonard ] Excuse me. Could you
02:09:34 [ Boy ]
02:09:46 Yes. Thank you very much.
02:09:49 There are two boxes of books in the —
02:09:58 Miss Schlegel — Mrs. Wilcox.
02:10:03 No. Mr. Bast,
02:10:07 I only want to know
02:10:11 - [ Charles ] Who is it?
02:10:14 Leonard!
02:10:17 So this is Leonard Bast.
02:10:21 - This is for insulting the name of woman.
02:10:24 - Get me a stick. Margaret. A stick.
02:10:26 Charles. we are perfectly capable
02:10:28 - No!
02:10:32 - Stand up, man!
02:10:34 - Stand up!
02:10:58 [ Henry ] So it is your opinion that he
02:11:01 It would not be professional
02:11:05 but in private.
02:11:10 Obviously he was in the last stage...
02:11:12 because the moment I touched him
02:11:16 Excuse me. sir.
02:11:19 U m, well. it's inside.
02:11:33 It's their father's
02:11:37 Course. I only touched him
02:11:40 - Just once?
02:11:47 I presume you will be staying
02:11:50 Ah, yes. yes. I'll be available
02:11:54 And, Mr. Charles Wilcox.
02:11:59 at the inquest, sir.
02:12:02 Yes. well. I did expect that. I shall
02:12:47 Margaret?
02:12:53 Good. Henry, I was going to come up
02:12:56 Yes. I have something
02:12:59 Never mind. Henry. I don't need
02:13:02 - My life is with Helen now.
02:13:05 I'm extremely tired.
02:13:12 Yes. For a moment. We'll have
02:13:14 Yes.
02:13:21 Here are your keys. We shall be staying
02:13:26 Yes. Where are you going?
02:13:30 To Germany.
02:13:32 We'll start as soon as possible
02:13:34 - After the inquest.
02:13:38 You realize what
02:13:41 Yes. Heart disease.
02:13:44 No. Manslaughter.
02:13:48 Charles may go to prison.
02:13:52 I don't know what to do.
02:13:57 [ Crying ]
02:14:02 [ Sniffling ]
02:14:05 I'm sorry.
02:15:42 [ Henry] Now, is this going
02:15:44 Because I don't wantyou all
02:15:47 and complaining
02:15:49 - Paul?
02:15:51 You've only to speak. my boy,
02:15:56 Since I have to be at the business all week.
02:16:01 This place is not really the country.
02:16:08 Does my arrangement
02:16:10 - Of course, Father.
02:16:13 I thought Charles wanted it
02:16:17 but last time I saw him.
02:16:20 because we can't possibly live
02:16:23 Charles even says
02:16:25 but I can't think what to.
02:16:28 Wilcox just suits Charles and me.
02:16:30 I can't think of any other name.
02:16:35 Yes.
02:16:38 Then I leave Howards End
02:16:41 Let everyone understand that.
02:16:43 let there be no jealousy
02:16:47 ln consequence,
02:16:50 that is her own wish — and all
02:16:55 This house, Howards End, she intends,
02:17:05 - Whoop!
02:17:10 It does seem curious. Mrs. Wilcox
02:17:14 - Shh!
02:17:17 - Dolly.
02:17:28 Hmm? Yeah. Yeah.
02:17:38 [ Helen ] Come on.
02:17:42 Take baby's hand.
02:17:49 Oh, look. What's over there?
02:17:53 I wonder what it is.
02:17:55 Oh, it's a sweet child. Rather
02:18:00 Come along, Dolly.
02:18:04 - [ Margaret ] Safe journey.
02:18:06 Trapped.
02:18:09 Come on. It's time
02:18:12 Look.
02:18:19 What did Dolly mean
02:18:22 Hmm?
02:18:24 My poor Ruth.
02:18:27 scribbled your name
02:18:30 Knowing her not to be herself.
02:18:35 Didn't do wrong. did I?
02:18:37 - There. They're off.
02:18:39 There they go. Bye.
02:18:43 Bye.